In the Bhagavad-gītā you'll find who is under the spell of the modes of ma . . . uh, yes, goodness. If he's very sober, intelligent, can understand things as they are, they are to be understood in the modes of goodness. Those who are very much passionate, simply wants to enjoy sense enjoyment, they are in the modes of passion. And those who are lazy, very fond of sleeping, nidrālasya, he's to be understood in the modes of ignorance. These are the symptoms. And according to the modes, they act. Therefore bhakti is not prohibited to either of them. Either in goodness or passion or ignorance—it doesn't matter. Anyone can take to devotional service, sādhana-bhakti, provided he agrees to be guided by the direction of the spiritual master. Bhakti is transcendental. It doesn't matter whether one is in goodness, passion or ignorance. Anyone can take.
That is confirmed in the Bhagavad-gītā: māṁ hi pārtha vyapāśritya ye 'pi syuḥ pāpa-yonayaḥ (BG 9.32). Pāpa-yonayaḥ means the lowest part of ignorance. So Kṛṣṇa recommends that anyone, even in pāpa-yoni—striya, vaiśyās tathā śūdrās . . . stri, women, and vaiśya and śūdra, they're also considered not very in higher position. But Kṛṣṇa says all of them, if they take to real path of devotional service under the direction of spiritual master, then that is sādhana-bhakti. To act under the direction of spiritual master . . . spiritual master directs means he knows śāstra. According to the direction of śāstra or ācāryas, he gives direction. And if we follow, that is called sādhana-bhakti. That is called practice.
In the beginning, sādhana-bhakti must be there. Then when you get attachment for Kṛṣṇa, that is called rāga-bhakti. And the more you increase your attachment for Kṛṣṇa, then it will come to the stage of prema-bhakti. You don't become kṛṣṇa-premī all of a sudden: "Now I have become kṛṣṇa-premī. Let me cry." And then, after crying, "Oh, my throat is now dried up. Give me cigarette." This kind of bhakti has no value. You'll see so many sahajiyās, professional: they can cry, but they have no love for Kṛṣṇa. I have seen one professional reciter. He can cry, and he gathers many people around him. But by his writing, by his speech, we can understand that he has no faith in Kṛṣṇa. In Bombay I have seen. When he writes . . .
Tāvac śobhate mūrkha yāvān kiñcin na bhāṣate. A mūrkha, a rascal, can be beautiful as long as he does not speak or write. But as soon as one speaks and writes, we can understand what is the locus standus of that person. Simply crying will not help. One who will cry for Kṛṣṇa, he will never come down to the material platform. That crying is not so easy. As Caitanya Mahāprabhu used to cry, He also said: "I am crying for make-show." So crying automatically comes when actually if we are in prema-bhakti. But we have to go that stage gradually, not by imitating. Sādhana-bhakti, rāga-bhakti, then prema-bhakti.