Go to Vanipedia | Go to Vanisource | Go to Vanimedia


Vaniquotes - the compiled essence of Vedic knowledge


The beauty of Krsna is fully manifested in Vrndavana. As sixteen-years boy and playing flute, the beauty was so attractive that even Vasudeva Himself became attracted by the beauty: Difference between revisions

(Created page with '<div id="compilation"> <div id="facts"> {{terms|"The beauty, beauty of Krsna, is fully manifested in Vrndavana. As sixteen-years boy and playing flute, the beauty was so attracti…')
 
No edit summary
 
Line 10: Line 10:
{{total|1}}
{{total|1}}
{{toc right}}
{{toc right}}
[[Category:Beauty of Krsna]]
[[Category:Krsna's Beauty]]
[[Category:Fully]]
[[Category:Fully]]
[[Category:Manifest]]
[[Category:Manifest]]
[[Category:Vrndavana]]
[[Category:Vrndavana]]
[[Category:Sixteen]]
[[Category:Krsna - 16 Years of Age]]
[[Category:Years]]
[[Category:Krsna As a Boy]]
[[Category:Boy]]
[[Category:Krsna's Playing]]
[[Category:Play]]
[[Category:Krsna's Flute]]
[[Category:Krsna's Flute]]
[[Category:Attractive]]
[[Category:Krsna's Attractiveness]]
[[Category:Even]]
[[Category:Attracted By the Beauty of Krsna]]
[[Category:Vasudeva]]
[[Category:Vasudeva]]
[[Category:Himself]]
[[Category:Become]]
[[Category:Become]]
[[Category:Attracted by Krsna]]
[[Category:Attracted by Krsna]]
Line 34: Line 32:
</div>
</div>
<span class="link">[[Vanisource:Lecture on CC Madhya-lila 20.172 -- New York, December 14, 1966|Lecture on CC Madhya-lila 20.172 -- New York, December 14, 1966]]: </span><div style="display: inline;" class="text"><p style="display: inline;">In His original personality, sometimes He represents Himself as the son of Nanda Mahārāja, the cowherds man, and sometimes He represents Himself as the son of Vasudeva, the kṣatriya king.</p>
<span class="link">[[Vanisource:Lecture on CC Madhya-lila 20.172 -- New York, December 14, 1966|Lecture on CC Madhya-lila 20.172 -- New York, December 14, 1966]]: </span><div style="display: inline;" class="text"><p style="display: inline;">In His original personality, sometimes He represents Himself as the son of Nanda Mahārāja, the cowherds man, and sometimes He represents Himself as the son of Vasudeva, the kṣatriya king.</p>
<p>saundarya, aiśvarya, mādhurya, vaidagdhya-vilāsa</p>
:saundarya, aiśvarya, mādhurya, vaidagdhya-vilāsa
:vrajendra-nandane ihā adhika ullāsa
:vrajendra-nandane ihā adhika ullāsa
<p>Aiśvarya, the opulence, six kinds of opulence of which mādhurya, I mean to say, His relationship with His devotees in conjugal love... That is very much prominent in Vṛndāvana.</p>
<p>Aiśvarya, the opulence, six kinds of opulence of which mādhurya, I mean to say, His relationship with His devotees in conjugal love... That is very much prominent in Vṛndāvana.</p>

Latest revision as of 08:54, 28 July 2022

Expressions researched:
"The beauty, beauty of Krsna, is fully manifested in Vrndavana. As sixteen-years boy and playing flute, the beauty was so attractive that even Vasudeva Himself became attracted by the beauty"

Lectures

Sri Caitanya-caritamrta Lectures

The beauty, beauty of Kṛṣṇa, is fully manifested in Vṛndāvana. As sixteen-years boy and playing flute, the beauty was so attractive that even Vāsudeva Himself became attracted by the beauty.
Lecture on CC Madhya-lila 20.172 -- New York, December 14, 1966:

In His original personality, sometimes He represents Himself as the son of Nanda Mahārāja, the cowherds man, and sometimes He represents Himself as the son of Vasudeva, the kṣatriya king.

saundarya, aiśvarya, mādhurya, vaidagdhya-vilāsa
vrajendra-nandane ihā adhika ullāsa

Aiśvarya, the opulence, six kinds of opulence of which mādhurya, I mean to say, His relationship with His devotees in conjugal love... That is very much prominent in Vṛndāvana.

govindera mādhurī dekhi' vāsudevera kṣobha
se mādhuri āsvādite upajaya lobha

The beauty, beauty of Kṛṣṇa, is fully manifested in Vṛndāvana. As sixteen-years boy and playing flute, the beauty was so attractive that even Vāsudeva Himself became attracted by the beauty.

sei vapu bhinnābhāse kichu bhinnākāra
bhāvāveśākṛti-bhede 'tad-ekātma' nāma tāṅra

Now, that original feature of Lord Kṛṣṇa, when there is a little difference, that is called tad-ekātma.