Then he is pointing out the frustration of life. What is that? Śīta ātapa bāta bariṣaṇa e dina jāminī jāgi re. Śīta means winter. Ātapa means summer, when there is scorching sunshine. Śīta ātapa bāta, cold, bariṣaṇa, torrents of rain. So these disturbances are always there. Sometimes it is severe cold. Sometimes it is scorching heat. Sometimes there is torrents of rain. Sometimes this or that is going on. So he says, śīta ātapa bāta bariṣaṇa e dina jāminī jāgi re. Whole day and night, people are working very hard without caring, severe cold, severe heat, and torrents of rain, and keeping night, going to the desert, going underneath the sea—everywhere they are so busy. Śīta ātapa bāta bariṣaṇa e dina jāminī jāgi re. There is night duty and so many other engagements. So he says,
- śīta ātapa bāta bariṣaṇa
- e dina jāminī jāgi re
- biphale sevinu kṛpaṇa durajana
- capala sukha-laba lāgi' re
"Now, with all this hard labor, what I have done? I have served some persons who are not at all favorable to my Kṛṣṇa consciousness. And why I have served them?" Capala sukha-laba lāgi' re: "Capala, very flickering happiness. I think if my small child smiles, I will be happy. I think if my wife is pleased, I think I am happy. But all this temporary smiling or feeling of happiness, they are all flickering." That one has to realize. There are many other poets also, similarly have sung that this is..., this mind is just like a desert, and it is hankering after oceans of water. In a desert, if a ocean is transferred, then it can be inundated. And what benefit can be achieved there if drop of water is there? Similarly, our mind, our consciousness, is hankering after ocean of happiness. And this temporary happiness in family life, in society life, they are just like drop of water. So those who are philosophers, those who have actually studied the world situation, they can understand that "This flickering happiness cannot make me happy."
Then he says, kamala-dala-jala, jīvana talamala. Kamala-dala-jala means the lily, lily flower. You have all seen lily flower on the lakes. They are tottering, always in the water. Tottering. Any way, any time, it can be overflooded. Similarly, this life is full of danger always, always in danger. Any moment it can be finished. There are so many instances. People look it, but they forget. That is the wonderful thing. They are seeing every day, every moment, that he is himself in danger, others are in danger. Still, he is thinking that "I am secure." This is the position. So life is very tottering and in dangerous position. Therefore one should take advantage of this human form of life and immediately engage in Kṛṣṇa consciousness. That should be the request of everyone to his mind, "My dear mind, don't drag me in the dangerous position. Please keep me in Kṛṣṇa consciousness." Thus Kṛṣṇa consciousness, how it can be achieved, that is also being described by Govinda dāsa. He says,
śravaṇa, kīrtana, smaraṇa, vandana,
pāda-sevana, dāsya re,
pūjana, sakhī-jana, ātma-nivedana
- govinda-dāsa-abhilāṣa re
Abhilāṣa means aspiration, hope, or ambition. He is ambitious of becoming a devotee in nine different ways. The first thing is śravaṇa. Śravaṇa means hearing. One has to hear from authorities. That is the beginning of spiritual life or Kṛṣṇa consciousness. Just like Arjuna. He achieved his spiritual consciousness, or Kṛṣṇa consciousness, by hearing from Kṛṣṇa. Similarly, one has to hear from Kṛṣṇa or from the representative of Kṛṣṇa. One who presents Kṛṣṇa's words as it is—from him one has to hear because at the present moment we have no opportunity to hear directly. To hear directly from Kṛṣṇa is there. The arrangement is there. Kṛṣṇa is situated in everyone's heart, and one can hear from Him very easily, anywhere and everywhere, but he must have the training how to hear. For that purpose one requires the help of the representative of Kṛṣṇa. Therefore Caitanya Mahāprabhu says that one can achieve devotional service of Kṛṣṇa by the combined mercy of Kṛṣṇa and the spiritual master. Guru-kṛṣṇa-kṛpāya pāya bhakti-latā-bīja (CC Madhya 19.151). By the grace of spiritual master, guru, and by the grace of Kṛṣṇa, one achieves the opportunity of serving Kṛṣṇa in devotional service. So in the Caitanya-caritāmṛta it is also said that spiritual master is the direct manifestation of Kṛṣṇa. Kṛṣṇa comes before the devotee as spiritual master just like sun enters your room by the sunshine. Although the sun does not enter your room or your city or your country—he is so many millions and millions of miles away—still, he can enter everywhere by his potency, the sunshine. Similarly, Kṛṣṇa enters everywhere by His different potencies. And to receive this light from Kṛṣṇa, one has to hear. Hearing is so important. Therefore Govinda dāsa says, śravaṇa. Śravaṇa means hearing. And one who has heard nicely, his next stage will be kīrtanam. Just like our boys who have heard a little nicely, now they are very eager to chant, going from street to street. This is natural sequence. It is not that you hear, but you remain stopped. No. The next stage will be kīrtanam. Either by chanting vibration or by writing or by speaking or by preaching, the kīrtana will be there. So śravaṇaṁ kīrtanam, first hearing and then chanting. And hearing and chanting about whom? About Viṣṇu, not for any nonsense. Śravaṇaṁ kīrtanaṁ viṣṇoḥ (SB 7.5.23). These things are stated in the śāstra. The ordinary people, they are also engaged in hearing and chanting. They are hearing in the newspaper of some politician, and the whole day they are discussing and chanting, "Oh, this man is going to be elected. This man is going to be elected." So hearing and chanting is there everywhere. But if you want spiritual salvation, then you have to hear and chant about Viṣṇu, nobody else. Śravaṇaṁ kīrtanaṁ viṣṇoḥ. So the poet sings, Śravaṇa, kīrtana, smaraṇa, vandana, pāda-sevana, dāsya re. So there are different processes: hearing, chanting, remembering, worshiping in the temple, engaging oneself in the service. So he is desiring all nine kinds of devotional service. Ultimately, pūjana sakhī-jana. Sakhī-jana means those who are confidential devotees of the Lord, to please them. And ātma-nivedana. Ātmā means self, and nivedana means surrender. Govinda-dāsa-abhilāṣa. The poet's name is Govinda dāsa, and he expresses that his desires are only this. He wants to utilize the opportunity of his human form of life in this way. This is the sum and substance of this song. (end)