If one is educated, naturally he gets a good position, and if one is criminal, he gets another position. There is no difficulty to understand. So there are two things, dharma and adharma, religiosity and irreligiosity. Religiosity means to abide by the orders of God, and irreligiosity means to disobey the orders of God. That's all. Simple thing. But in this connection we must know what is the order of God, what is God, how He orders, how to execute, how we become fit for executing orders. These things . . . these questions are there, but God is speaking personally, "This is My order," in the Bhagavad-gītā you'll find, very simple thing.
What Kṛṣṇa says in the Bhagavad-gītā? First of all, He establishes Himself that "I am the Supreme Lord." Mattaḥ parataraṁ nānyat kiñcid asti dhanañjaya (BG 7.7). So the Māyāvādīs, they also think that "I am also Kṛṣṇa. I can also speak." No. That you cannot do. Just like we are singing this song daily, gopī-jana-vallabha giri-vara-dhārī. It is . . . Kṛṣṇa is playing with the gopīs. The sahajiyās, they take it very easily. But giri-vara-dhārī, oh, that is very difficult thing. He raised the whole Govardhana Hill in His finger. That nobody is imitating. But gopī-jana-vallabha, very easy. "You are gopī, I am Kṛṣṇa. Let us enjoy." This is sahajiyā. This is sahajiyā. That is going on, parakīyā-rasa. All rascaldom is going on. But one should understand that "Here is Kṛṣṇa. He can dance with the gopīs and He can lift the Govardhana Hill also, simultaneously." That is also for pleasing the gopīs. When there was incessant rainfall, all the inhabitants of Vṛndāvana became so disturbed, and they had no other friend than Kṛṣṇa. So they appealed, "Kṛṣṇa, do something!" "Yes!" Immediately He raised the whole hill as umbrella: "Come on under this." So that is Kṛṣṇa. So don't imitate Kṛṣṇa, but hear Kṛṣṇa, what says; then our life is successful. We cannot imitate God. We have to simply follow His order. That is dharma. And if you imitate Kṛṣṇa, that is adharma. Don't try to imitate. There are two words in Sanskrit, anukāraṇa, anusaraṇa. Anukāraṇa means imitation, and anusaraṇa means follow. So we have to execute anusaraṇa, follow. Tejīyasāṁ na doṣāya. Tejīyasāṁ na doṣāya (SB 10.33.29).
The Parīkṣit Mahārāja inquired that Śukadeva Gosvāmī, "Kṛṣṇa, He came to establish dharma, but it appears that He danced with other's wife or other's daughter." According to Vedic civilization you cannot mix with any other woman except your wife. That is not allowed. So in according to the Vedic conception of life, it was not right thing that Kṛṣṇa danced with other's wife or other's daughter. This question was put. Parīkṣit Mahārāja said that Kṛṣṇa, because He is God, He cannot do anything wrong. Just like in England, the Constitution, "The king can do no wrong." King cannot be subject to any law. Similarly, when Kṛṣṇa danced with the gopīs, it has got a deep meaning. Because they are all devotees, they did not know except Kṛṣṇa, and they prayed to the Kātyāyanī, although they were married, they prayed to Kātyāyanī before they were married, that "Let Kṛṣṇa become our husband." Kṛṣṇa is so beautiful, naturally there is attraction. Kṛṣṇa means "all-attractive." So . . . and they were not ordinary women. They are eternal consorts or associates of Kṛṣṇa. Ānanda-cinmaya-rasa-pratibhāvitābhiḥ (BS 5.37). They are expansion of Kṛṣṇa; they are not ordinary women. Expansion of Kṛṣṇa. Rādhā-kṛṣṇa-praṇaya-vikṛtiḥ hlādinī-śaktiḥ asmād (CC Adi 1.5) The gopīs, Rādhārāṇī, they are expansion of the spiritual energy of Kṛṣṇa. Don't think they are ordinary women. They are Kṛṣṇa. Śaktiḥ śaktimator abhedaḥ. They are not different from Kṛṣṇa. But to give Kṛṣṇa pleasure, Kṛṣṇa expands Himself by His spiritual energy, ānanda hlādinī, spiritual energy, sandinī hlādinī. That is the expansion of His pleasure potency. It is not that to imitate gopīs. That is sahajiyā. That is sahajiyā. They are ānanda-cin-māyā-rasa-pratibhāvitābhis tābhir ya eva nija-rūpatayā kalābhiḥ goloka eva nivasaty akhilātma-bhūto (BS 5.37). When Kṛṣṇa wants pleasure, He is full spiritual, His pleasure is full spiritual. There is no question of material. It has been very broadly described by Śrī Jīva Gosvāmī. Read all this. Don't try to imitate. That is sahajiyā. We should know the position of Kṛṣṇa, His expansion of pleasure potency.
Therefore Kṛṣṇa's līlā is put into the middle of the Tenth Canto. First of all, try to understand Kṛṣṇa from the very beginning. Janmādy asya yataḥ (SB 1.1.1). What is Kṛṣṇa? Vāsudeve. Oṁ namo bhagavate vāsudevāya. So what is Vāsudeva? Janmādy asya yato. Here is the original source of everything. Ahaṁ sarvasya prabhavaḥ mattaḥ sarvaṁ pravartate (BG 10.8). First of all, try to understand Kṛṣṇa. So therefore Vyāsadeva has dedicated full nine cantos for understanding Kṛṣṇa. Bahūnāṁ janmanām ante jñānavān māṁ prapadyate (BG 7.19). Manuṣyāṇāṁ sahasreṣu kaścid yatati siddhaye (BG 7.3). (break) . . . siddhis, they think of gopīs. That is recommended in Caitanya-caritāmṛta, siddha-deha. So where is siddha? And siddha-deha means there is no more any material lusty desires. That is siddha-deha.