Songs (Other Lectures)

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Nectar of Devotion Lectures

The Nectar of Devotion -- Bombay, December 26, 1972:

Rūpānuga, followers of Rūpa Gosvāmī. We Gauḍīya Vaiṣṇavas, we follow the instruction... Narottama dāsa Ṭhākura says in his song:

rūpa-raghunātha-pade haibe ākuti

kabe hāma bujhabo śrī yugala-pīriti.

Yugala-pīriti, the conjugal love between Rādhā and Kṛṣṇa, it is not be understood by a third-class man. It is not possible. If one thinks Kṛṣṇa is ordinary human being, Rādhārāṇī as ordinary girl, then it is not possible. One has to understand Kṛṣṇa and Rādhārāṇī through the bhakti literature of these Gosvāmīs. Therefore Narottama dāsa Ṭhākura says, rūpa-raghunātha-pade haibe ākuti. Eagerness. "When I shall try to understand yugala-pīriti, the conjugal love of Rādhā-Kṛṣṇa, through the literature of Rūpa-Raghunātha?" Rūpa-Raghunātha means... There are six Gosvāmīs. Begins from Rūpa Gosvāmī, ends with Raghunātha. Śrīla Rūpa, Sanātana, Bhaṭṭa Raghunātha, Śrī Jīva, Gopāla Bhaṭṭa, dāsa Raghunātha. There are two Raghunāthas—one Bhaṭṭa Raghunātha, one dāsa Raghunātha. So Narottama dāsa Ṭhākura says, Rūpa-raghunātha-pade haibe ākuti kabe hāma bujhabo... To understand Rādhā-Kṛṣṇa and Their love affairs, one has to understand through the literature given by Rūpa Gosvāmī.

The Nectar of Devotion -- Bombay, January 5, 1973:

So one has to become devotee of Kṛṣṇa. Then we can understand the teachings of the Vedas. Vedas means vedaiś ca sarvair aham eva vedyam (BG 15.15). Any way you go, either... Bhagavad-gītā is also Vedic literature. Bhāgavata is also Vedic literature. So either you take directly Vedas, Īśopaniṣad, or Upaniṣad, the ultimate goal is to understand Kṛṣṇa. Vedaiś ca sarvair aham eva vedyam (BG 15.15). So this Kṛṣṇa consciousness movement is trying to give Kṛṣṇa. Kṛṣṇa se tomāra, kṛṣṇa dite pāra. Bhaktivinoda Ṭhākura has sung that vaiṣṇava ṭhākura, tomāra kukura baliyā jānaha more. He's presenting himself, "My dear sir, Vaiṣṇava, kindly accept me as your dog." Davita... What is that song? You have forgotten?

The Nectar of Devotion -- Bombay, January 7, 1973:

One cow was attempted to be killed. Mahārāja Parīkṣit immediately took his sword: "Who are you? You are killing cow in my kingdom?" And they are ten thousand or forty thousand cows are being killed, and you want to become happy by plan-making? Simply rascaldom. India, you cannot do it. India's business is different. That you have forgotten. We are simply trying. That there is Bengali, nice song: apana dhana vilaye viye viksa mage pare tache (?). We have thrown away our own culture, and we are begging from others, "Give me, sir, this. Give me, sir, this. Give me, sir, this." Most abominable condition. Just try to understand.

The Nectar of Devotion -- Vrndavana, November 3, 1972:

So six advantages. These are the immediate result of taking to Kṛṣṇa consciousness. Pure devotional service brings immediate relief from all kinds of material distress. There is a song of Bhaktivinoda Ṭhākura: mānasa deha geha yo kichu mora, arpilūn tuyā pade nanda-kiśora. The purport of this song is when we surrender to Kṛṣṇa, prāṇair arthair dhiyā vācā, then we get relief from all kinds of anxieties. This is very simple to understand. Everyone is, in the material world, here, everyone is full of anxieties. That is the nature of material existence. One after another, problems. So if somebody says, assures, that "You just depend on me. I take charge of all your problems," how much relief you will feel. Just imagine.

The Nectar of Devotion -- Vrndavana, November 13, 1972:

We must follow sādhu-mārga. Mahājano yena gataḥ sa panthāḥ (CC Madhya 17.186). We cannot follow an upstart, manufacturing some song, manufacturing some ideas. We cannot follow that. What is authorized song, we shall sing. What is authorized method, we shall follow. Sādhu-guru-śāstra-vākya. Sādhu and guru means on the basis of śāstra. And śāstra means the statements of sādhu and guru. Therefore sādhu and guru and śāstra, they are identical. So they must be corroborated.

Sri Caitanya-caritamrta Lectures

Lecture on CC Adi-lila 1.3 -- Mayapur, March 27, 1975:

So therefore Narottama dāsa Ṭhākura, in very simple Bengali song, he says, hari hari biphale janama goṅāinu. This is our life. We have got this human form of life, but we are simply spoiling it. This is the whole situation. In our this movement we are traveling all over the world, and according to our views, how they are spoiling their very valuable human life in false identification that "I am this body," everyone, in big, big names, "I am American," "I am Indian," "I am German," "I am...," and they are spoiling their life under this bodily concept of life. According to śāstra, anyone who is identifying himself, this body... That is the first instruction of the Bhagavad-gītā.

Lecture on CC Adi-lila 1.8 -- Mayapur, April 1, 1975:

So Vidyāpati has sung a song, tātala saikate, vāri-bindu-sama, suta-mitra-ramaṇī-samāje. We are trying to be happy here in this material world—how? Suta-mitra-ramaṇī-samāje. Suta means children. Mitra means friends. Society, friendship and love, wife, children... Tāta... So one may say, "Unless there is no happiness, how they are struggling for this suta-mitra-ramaṇī-samāja?" So Vidyāpati says, "Yes, there is happiness." Certainly there is happiness. Otherwise why these vimūḍhān, foolish people, running after it? So he says that the value of their happiness is a proportion of a drop of water in the desert.

Lecture on CC Adi-lila 1.14 -- Mayapur, April 7, 1975:

Haridāsa, he went to Moscow? He has gone (indistinct). He was chanting in Moscow. So people could not understand, they were asking, "What you are doing?" "I am singing some cinema song." (laughter) He was telling like that. Very clever. (laughter) "I am singing because the Muscovites, they are after Indian culture." So he said that "This is Hare Kṛṣṇa cinema song."

Lecture on CC Adi-lila 1.14 -- Mayapur, April 7, 1975:

Ahaituky apratihatā. That is the point. They are after... Anyone seeking after God, they are very much severely punished. This is their kingdom. But you can take this policy, that you are chanting cinema song, and they will not object. So ahaituky apratihatā. If some black-market means has to be taken for chanting, we have to accept that. What can be done? Our business is to chant, so if there is restriction, śaṭhe śāṭhyam ācaret, we should be also very clever. So, anyway, chant Hare Kṛṣṇa mantra and be happy. That is Kṛṣṇa consciousness movement.

Lecture on CC Adi-lila 1.15 -- Mayapur, April 8, 1975:

So everything can be controlled by Kṛṣṇa's grace. He is Madana-mohana. Therefore, our first business is to surrender to Madana-mohana and establish our relationship with Him. "My Lord Kṛṣṇa, I have so long forgotten..." That song is sung by Bhaktivinoda Ṭhākura,

mānasa, deho, geho, yo kicho mora

arpilūn tuyā pade, nanda-kiśora

This is full surrender. Then Kṛṣṇa assures, ahaṁ tvāṁ sarva-pāpebhyo mokṣayiṣyāmi mā śucaḥ (BG 18.66), He will protect. So tāṁs titikṣasva bhārata. There are so many disturbances. So Kṛṣṇa says tolerate, and do your business faithfully. Chant Hare Kṛṣṇa, follow the rules and regulations, and remain fully surrendered at the lotus feet of Madana-mohana. There will be no more disturbance.

Lecture on CC Adi-lila 7.2 -- Mayapur, March 2, 1974:

If we accept this principle, that we are eternal servant, we are not master—master is Kṛṣṇa or Kṛṣṇa Caitanya, Śrī Kṛṣṇa Caitanya Mahāprabhu—then our problems are solved. Śrīla Bhaktivinoda Ṭhākura, he has sung a song, jīv kṛṣṇa dāsa ei viśvās korle to ār duḥkha nāi. This is the solution. Everyone is thinking to become the master, prabhu. Prabhu you can become. That is not, I mean to say, extraordinary. Someway or other we are prabhus. Suppose I am a family man. I am managing my family, my wife, my children, my servants, my subordinates, so I may be prabhu. In that sense I am a small prabhu.

Lecture on CC Adi-lila 7.119 -- Gorakhpur, February 17, 1971:

The āsuriṁ bhāvam āśritāḥ civilization will not make you happy. The āsuri-bhāva... Because āsuri-bhāvam means everyone wants to enjoy. I want to enjoy, you want to enjoy. So there must be clash, there must be friction between you and me, because both of us, we are trying to enjoy. But that is not our position. The enjoyer is Kṛṣṇa. Enjoyer is Kṛṣṇa. Just like Kṛṣṇa in Vṛndāvana, as we sung this song, jaya rādhā-mādhava... Jaya rādhā-mādhava kuñja-bihārī. He is enjoying in Vṛndāvana. His only feature is... That is the real picture of God: simply enjoying.

Lecture on CC Adi-lila 7.149-171 -- San Francisco, March 18, 1967:

There is a very nice song sung by one poet, Vaiṣṇava poet. He's singing like this:

gaurāṅga bolite habe pulaka-śarīra

hari hari bolite nayane ba'be nīra

He's aspiring that "When I shall loudly call 'Lord Caitanya, Gaurāṅga'?" Gaurāṅga is Lord Caitanya. "And my body will be shivering. And when I shall chant Hare Kṛṣṇa, tears will flow down from my eyes."

Lecture on CC Madhya-lila 20.101 -- Washington, D.C., July 6, 1976:

Unless there is love, you cannot work. That is not possible. So this is material way of life. So from the morning till night,

śīta ātapa bāta variṣaṇa

e dina jāminī jāgi re

viphale sevinu, kṛpaṇa durajana

capala sukha-laba lāgi' re

There is a song, the devotee is singing that śīta ātapa bāta variṣaṇa. Śīta means severe cold, winter season, snow falling. That is called śīta. And scorching heat. You have no experience of scorching heat. In India we have got 110, 120, and I think Middle East, there is 135. Here you have got less, 50 in winter. So some way or other there is always trouble. This material world means we must suffer trouble.

Lecture on CC Madhya-lila 22.5 -- New York, January 7, 1967:

There are eighteen Purāṇas, the Mahābhārata, the Rāmāyaṇa, and there are so many, Vedānta-sūtra... They are called... Upaniṣad is Veda; it is śruti. That is the gist of Vedic knowledge. But Purāṇas, they are called smṛti. So this śruti smṛtir, according to Indian theistic scholarship, there are two kinds of literature: śruti smṛti. So there was another devotee of Kṛṣṇa. He has written another nice song. He says, śrutim apare smṛtim apare bhārata manye bhava-bhītāḥ. Well, people are taking shelter of the Vedic literature who have become afraid of this conditional life. What is the end of Vedic literature? Just to get oneself liberated from this material entanglement.

Sri Isopanisad Lectures

Sri Isopanisad, Mantra 5 -- Los Angeles, May 7, 1970:

Śrī gurave prāṇa sadece goura sampad setuce (?). This is, this is a song by Bhaktivinoda Ṭhākura. He says that one who has dedicated his life for Lord Caitanya, he sees everything belongs to Lord Caitanya. Hare Kṛṣṇa. Now mantra.

Sri Brahma-samhita Lectures

Lecture on Brahma-samhita, Verse 33 -- New York, July 19, 1971:

Kṛṣṇa can be delivered by His devotee, ātma-bhaktau. Therefore you have to take shelter of Kṛṣṇa's devotee. That is paramparā system. If you want to understand Kṛṣṇa, if you want to have Kṛṣṇa... Bhaktivinoda Ṭhākura has sung a very nice song. He's praying to a Vaiṣṇava, vaiṣṇava ṭhākura tomāra kukkura bhuliyā jānaha more: "Sir, Vaiṣṇava, you are Ṭhākura. You are as good as Kṛṣṇa, or God. Kindly accept me as your dog." Vaiṣṇava ṭhākura tomāra kukkura bhuliyā jāna... Kukkura means dog. Just like dog follows the master very faithfully. We have to learn something from the dog.

Lecture on Brahma-samhita, Verse 33 -- New York, July 19, 1971:

Kṛṣṇa se tomāra kṛṣṇa dite pāra: "Because Kṛṣṇa is yours, you can deliver Kṛṣṇa." Very nice song. "Kṛṣṇa is yours. By your devotional service, you have made Kṛṣṇa your property; so you can deliver Kṛṣṇa to me. Therefore I want to follow you as faithfully as a dog." Vedeṣu durlabham. This is confirmed in the Brahma-saṁhitā: vedeṣu durlabha. If you study independently all the Vedas... Veda is the source of knowledge. So vedeṣu durlabha, it will be difficult. But if we approach Kṛṣṇa's devotee, then it will be very easy.

Lecture on Brahma-samhita, Lecture -- New York, July 28, 1971:

Now the so-called politician, they create problems. Otherwise, by nature's ways, by God's way, everything is complete.

pūrṇam idaṁ pūrṇam adaḥ

pūrṇāt pūrṇam udacyate

pūrṇasya pūrṇam ādāya

pūrṇam eva avaśiṣyate

(Iso Invocation)

This is Vedic song. God is complete. His creation is complete. His arrangement is complete. Simply we are creating disturbance. Therefore the real education to stop this disturbance is to make people Kṛṣṇa conscious, God conscious. Then all problems will be solved. Otherwise, by passing resolution in the United Nations it is not possible.

Festival Lectures

Ratha-yatra Lecture at The Family Dog Auditorium -- San Francisco, July 27, 1969:

My dear boys and girls, I thank you very much for joining us on this Rathayātrā ceremony. I am going to sing now an Indian song, and then I shall explain it. Even if you don't understand the language of the song, still, if you kindly hear patiently, the sound vibration will act. The song is (sings)

śrī-kṛṣṇa caitanya prabhu doyā koro more

tomā binā ke doyālu jagat-saṁsāre (etc.)

The author's name is Narottama dāsa Ṭhākura. He is singing. He had many songs. We are gradually translating them into English, and we will have them in our paper, Back to Godhead. The purport of this song is, śrī-kṛṣṇa-caitanya prabhu, doyā koro more: "My dear Lord Caitanya, please be merciful upon me."

Sri Vyasa-puja -- New Vrindaban, September 2, 1972:

So spiritual master is respected as good as God. Why? Sākṣād-dharitvena samasta-śāstraiḥ. They have already chanted this song. Samasta-śāstraiḥ, in all Vedic literatures. Samasta, all. Samasta means all. Śāstra means Vedic literature. The all the śāstras in Vedic literature, they have declared that spiritual master is as good as God. Not God, but as good as God. The Māyāvādī, they think that the spiritual master is also God. No. We Vaiṣṇava, we don't accept that theory.

Radhastami, Srimati Radharani's Appearance Day -- Montreal, August 30, 1968:

Rāmāyaṇa composed by Maharṣi Vālmīki. And this is... It is a popular notion that this is Rāmāyaṇa, but actually this book is called Rāma-carita-manasa. So some of the description of Rāma are there, but not all the description. Rather there are many differences from the original Vālmīki Rāmāyaṇa. Anyway this is song of a devotee for his Lord Rāma. In that sense, you can call it Rāmāyaṇa, but this book is actually Rāma-carita-manasa.

Radhastami, Srimati Radharani's Appearance Day -- Montreal, August 30, 1968:

Now there is a very nice song. I shall sing if you can play on the harmonium. Yes. This is a Rūpa Gosvāmī's song. (sings)

rādhe jaya jaya mādhava-dayite

gokula-taruṇī-maṇḍala-mahite

dāmodara-rati-vardhana-veśe

hari-niṣkuta-vṛndā-vipineśe

vṛṣabhānudadhi-nava-śaśi-lekhe

lalitā-sakhī guṇa-ramita-viśākhe

karuṇāṁ kuru mayi karuṇā-bharite

sanaka-sanātana-varṇita-carite

rādhe jaya jaya mādhava-dayite

This song was sung by Rūpa Gosvāmī. He is the real person, actual person, to understand Rādhā and Kṛṣṇa. So he says, "All glories to Rādhārāṇī." Rādhe jaya jaya mādhava-dayite.

His Divine Grace Srila Sac-cid-ananda Bhaktivinoda Thakura's Appearance Day, Lecture -- London, September 3, 1971:

One has to accept a bona fide spiritual master. That is our process. Without accepting a bona fide spiritual master, we cannot make any progress. It is impossible. So Bhaktivinoda Ṭhākura happens to be ācāryas, one of the ācāryas. And he has left behind him many books. Caitanya-śikṣāmṛta, Jaiva Dharma. These are very important books. They're in Bengali, in Sanskrit. And many songs. He has prepared many books of song. The song, Ei nām gāya gauracānd madhura svare, that is Bhaktivinoda Ṭhākura's song. So we are trying to present Bhaktivinoda Ṭhākura's books also in English translation. Gradually you will get it.

His Divine Grace Srila Sac-cid-ananda Bhaktivinoda Thakura's Appearance Day, Lecture -- London, September 3, 1971:

One dog, during Caitanya Mahāprabhu's time, he also became liberated. There is a history. Śivānanda Sena's dog, he was liberated by the grace of Lord Caitanya. So by the association of pure devotee... Therefore Bhaktivinoda Ṭhākura's, there is one song. He prays to the Lord that kīṭa-janma hou jatha tuyā dāsa. Kīṭa means insect. "My Lord, if I have to take my birth again..." Because a devotee does not pray to God for liberation. He simply prays that "Wherever I may take my birth, I may not forget You." That's all. That is devotee's prayer.

His Divine Grace Srila Bhaktisiddhanta Sarasvati Gosvami Prabhupada's Disappearance Day, Lecture -- Los Angeles, December 13, 1973:

So although this is the disappearance day of Oṁ Viṣṇupāda Śrī Śrīmad Bhaktisiddhānta Sarasvatī Ṭhākura, so there is nothing to be lamented. Although we feel separation, that feeling is there, but spiritually, there is no difference between appearance and disappearance. There is a song, Narottama dāsa Ṭhākura's song, ye anilo prema-dhana. Do you know, any one of you? Can you sing that song anyone? Oh. Ye anilo prema-dhana, karuṇā pracura, heno prabhu kothā gelo. I don't remember exactly the whole song. That is our lamentation, that Śrīla Bhaktisiddhānta Sarasvatī Ṭhākura brought this message to distribute all over... Of course, Śrī Caitanya Mahāprabhu expressed His desire, that

pṛthivīte āche yata nagarādi-grāma

sarvatra pracāra haibe mora nāma

He predicted that "All over the world, as many towns and villages are there, everywhere My name will be known."

Lord Nityananda Prabhu's Appearance Day Nitai-Pada-Kamala Purport -- Los Angeles, January 31, 1969:

Nitāi-pada-kamala, koṭi-candra-suśītala, je chāyāy jagata jurāy. This is a song by Narottama dāsa Ṭhākura, a great ācārya of the Gauḍīya-vaiṣṇava-sampradāya. He has written many songs about the Vaiṣṇava philosophy, and they are approved as completely corresponding with Vedic instructions. So here Narottama dāsa Ṭhākura is singing that "The whole world is suffering under the blazing fire of material existence. Therefore, if one takes the shelter of the lotus feet of Lord Nityānanda...," whose birthday is today, 31st, January, 1969. So we should relish this instruction of Narottama dāsa Ṭhākura that in order to get relief from the pangs of blazing fire of this material existence, one should take shelter of the lotus feet of Lord Nityānanda because it is as cooling as the moon rays combined together of millions of moons.

Lord Nityananda Prabhu's Appearance Day Nitai-Pada-Kamala Purport -- Los Angeles, January 31, 1969:

Just like if you touch electricity, immediately you become electrified. That is natural. Similarly, Nityānanda is eternal happiness, if you touch Nityānanda some way or other, then you become also eternally happy. Tāṅhāra sevaka nitya. Therefore one who has in contact with Nityānanda, they have become eternal.

nitāiyer caraṇa satya, tāṅhāra sevaka nitya,

dṛḍha kori' dharo nitāir pāy

So just catch Him very tightly. Narottama boro duḥkhī, nitāi more koro sukhī. At the last Narottama dāsa Ṭhākura, the composer of this song, he is appealing to Nityānanda, "My dear Lord, I am very unhappy. So You please make me happy. And You kindly keep me in corner of Your lotus feet." That is the sum and substance of this song.

Lord Nityananda Prabhu's Avirbhava Appearance Day Lecture -- Bhuvanesvara, February 2, 1977:

This bala-hinena labhyaḥ, this Vedic injunction, means "Without the mercy of Balarāma you cannot understand, you cannot realize your spiritual identification. So that Balarāma comes as Nityānanda Prabhu. Balarāma hailā nitāi. Therefore we must take shelter of Balarāma. That is... This song has been sung by Narottama dāsa Ṭhākura. Nitāi-pada-kamala, koṭi-candra-suśītala. If we take shelter of Nityānanda Prabhu, then we get peace. Koṭi-candra-suśītala.

Lord Nityananda Prabhu's Avirbhava Appearance Day Lecture -- Bhuvanesvara, February 2, 1977:

Our real aim of life—how to go back home back to Godhead and associate with Rādhā Kṛṣṇa. In another song the same author says,

manuṣya-janama pāiyā, rādhā-kṛṣṇa nā bhajiyā,

jāniyā śuniyā biṣa khāinu

Unless you come to Rādhā-Kṛṣṇa, you cannot get real pleasure. If you want to dance and get pleasure, don't dance independently. Dance with Kṛṣṇa. Then you'll be happy.

His Divine Grace Srila Bhaktisiddhanta Sarasvati Gosvami Prabhupada's Appearance Day, Lecture -- Mayapur, February 8, 1977:

Our Guru Mahārāja Bhaktisiddhānta Sarasvatī Ṭhākura, he is Vaiṣṇava, cent percent Vaiṣṇava. And he was para-duḥkha-duḥkhi. This is Vaiṣṇava. He criticized nirjana bhajana. He has personally written one song, mana tumi kīsera vaiṣṇava. Nirjanera ghare pratiṣṭhāra tare, tava hari-nāma kevala kaitava. Mana tumi kīsera vaiṣṇava. He has in long song... Pratiṣṭhā... Vaiṣṇava means he doesn't want any material profit or material opulence or material reputation. He doesn't want. This is... But in the material world everyone is busy for three things—material profit, material reputation, and material adoration. This is not Vaiṣṇava's business.

Arrival Addresses and Talks

Arrival Address -- Los Angeles, February 9, 1975:

The purport of this song made by Narottama dāsa Ṭhākura, that anyone who is not coming to Kṛṣṇa consciousness is simply wasting his valuable human life... (sounds of children) (aside:) Take care of the children. This life is meant for reviving our lost Kṛṣṇa consciousness. There is Kṛṣṇa consciousness... (babies crying) Otherwise how it is happening that this place was a church and nobody was coming, so much so that they had to sell it to others? We purchased it. When I first came here to see this church, there was nobody. The place is the same. The people is the same. I have not brought men from India. Why it is crowded now? This is the proof that in everyone's heart Kṛṣṇa consciousness is there. Nitya-siddha kṛṣṇa-bhakti sādhya kabhu naya.

Arrival Address -- Denver, June 27, 1975:

Prabhupāda: Who sang this song? You sang. You know the meaning?

Devotee: "O venerable Vaiṣṇava, O ocean of mercy, please be merciful unto your servant. Please give me one drop of mercy. I pray for the shade of your lotus feet."

Prabhupāda: Yes. So Narottama dāsa Ṭhākura has also said, chāḍiyā vaiṣṇava-sevā, nistāra pāyeche kebā. Our this Kṛṣṇa consciousness movement is for nistāra. Nistāra means to be liberated from the capture of māyā. That is called nistāra, release, release from the capture of māyā. So Vaiṣṇava... Chāḍiyā vaiṣṇava-sevā, nistāra pāyeche kebā. Narottama dāsa Ṭhākura, another Vaiṣṇava... As it sung by Bhaktivinoda Ṭhākura, similarly, you know that Narottama dāsa Ṭhākura, he also has sung many song, approved songs. Viśvanātha Cakravartī Ṭhākura says that Narottama dāsa Ṭhākura's songs are Vedic evidence. All Vaiṣṇavas, songs are like that, Vedic evidence. There is no mistake, cheating, imperfectness or illusion. Conditioned soul, they are manufacturing by mental concoction. That is another thing. They are full of imperfection, illusion, mistake and cheating. But when we hear songs by the Vaiṣṇava, that is for liberation.

Arrival Talk -- Aligarh, October 9, 1976:

Caitanya Mahāprabhu said. Caitanya Mahāprabhu, He, once only, He went to Vṛndāvana. Does it mean He was not in Vṛndāvana? So this is Caitanya Mahāprabhu's mission, that preaching must go on in hell and heaven. We should be very much expert and follow the instruction of Caitanya Mahāprabhu, the simple instructions. Mukunda mādhava yādava hari bolena bolo re vadana bori. Simply chant the holy names of Lord, mukunda mādhava yādava. This is Caitanya. Rise early in the morning. You go and preach, and work hard, day and night, and that is Caitanya Mahāprabhu's... This song indicates. That's all.

Initiation Lectures

Initiation of Rukmini Dasi -- Montreal, August 15, 1968:

Devotee: Will you always be our spiritual master?

Prabhupāda: I don't follow. What do you say?

Devotee: Will you be our spiritual master for eternity?

Prabhupāda: I think so. (laughs) Whatever we do here, it is for eternity because it is not on the material stages. It is all on the spiritual platform. There is a song by Narottama dāsa Ṭhākura, cakhu-dān dilo yei janme janme pitā sei: "One who has opened the eyes, he is, birth after birth, he is my father."

Initiation Lecture -- Los Angeles, December 19, 1968:

Jaya-gopāla: When one is fully engaged in transcendental loving service, how is freedom of choice playing a part in your..., in choice of service? Does one have a choice? Like when Kṛṣṇa completely takes over one's life.

Prabhupāda: I do not follow what you said. (break) (chanting of Bhaja bhakata) One line is missing. Puruṣottama, you have taught them? (referring to ārati song) Thank you. That's all right. Now you learn it, it will be all right. Now you can take prasādam. Hare Kṛṣṇa. In this way one or two, practice daily, then it will come out nice. Yes.

Tamāla Kṛṣṇa: (indistinct) take prasādam, Prabhupāda?

Prabhupāda: Yes. (ārati song) Loudly.

Initiation Lecture and Bhagavan dasa's Marriage Ceremony -- New Vrindaban, June 4, 1969:

Māyā is always ready to attack. Always. So we have to take this injunction, this antivaccine, Hare Kṛṣṇa. Enechi auṣadhi māyā nāśibāro lāgi'. That song, Jīv Jāgo, Jīv Jāgo. "I have brought this medicine for killing this Hong Kong flu of māyā." Enechi auṣadhi māyā nāśibāro lāgi', hari-nāma mahā-mantra lao tumi māgi. Now you take. This is greatest contribution of Caitanya Mahāprabhu to fight against this attack of material influence. Everyone is subjected. Daivī hy eṣā guṇamayī mama māyā duratyayā (BG 7.14). Under the three modes of material nature people are entangled. So to get out of this, the same proposition, as I explained in the beginning, to get out of this entanglement of constant transmigrating from one body to another, so this is the mantra.

Initiation Lecture -- Hamburg, August 27, 1969:

The tongue is the most important sense within our body; therefore for controlling our senses it is recommended that one should control first of all the tongue. Śrīla Bhaktivinoda Ṭhākura sings in his song: tā'ra madhye jihvā ati lobhamaya sudurmati. Our present conditional state is like this. Śarīra avidyā-jāl, we are packed up in the network of this material body. It is just like a fish is caught within a net. Similarly, we are caught up by this network of this material body. Not only this body—we are changing this net in various phases of life.

General Lectures

Lecture -- Los Angeles, November 13, 1968:

...introduced by the disciplic succession of Lord Caitanya, and this Narottama dāsa Ṭhākura who has sung this hari hari biphale janama goṅāinu, he's a famous ācārya. His compositions are accepted as Vedic truth. So this purport of this song is very nice. He's lamenting, appealing to Hari, the Lord. Hari hari biphale janama goṅāinu: "My dear Lord, I have uselessly spoiled my life." Biphale means uselessly, and janama means birth, and goṅāinu means "I have passed." He's representing a common man, as every one of us is simply spoiling our life. They do not know that they are spoiling their life. They are thinking that "I've got very nice apartment, very nice car, very nice wife, very nice income, very nice social position." So many things. These are the material attractions.

Lecture -- Los Angeles, November 13, 1968:

Caitanya Mahāprabhu has made easy to become such kind of great soul simply by chanting Hare Kṛṣṇa. Therefore Narottama dāsa Ṭhākura, at the end he says, hā hā prabhu nanda-suta, vṛṣabhānu-sutā-juta. Again the sutā, the son, son of Nanda, and Rādhārāṇī, the daughter of Vṛṣabhānu, They are standing. Kṛṣṇa... Vaiṣṇava, they do not worship Kṛṣṇa alone without Rādhārāṇī. They do not worship Rāma without Sītā. They do not worship Nārāyaṇa without Lakṣmī, because the Lord and the energy must be there. We don't say..., we don't believe that God is without any energy. No. "Hare Kṛṣṇa." First the energy is addressed, Harā, Hare, then Kṛṣṇa. So here also, Narottama dāsa Ṭhākura prays, "My dear Lord Kṛṣṇa, You are now present before me with Your internal potency, Your pleasure potency, Rādhārāṇī. So I am surrendering unto You." Hā hā prabhu nanda-sutā. "Don't neglect me because I am so sinful, my past life is so black. Don't neglect me. Please accept me. Don't kick me away. I surrender unto You." This is the purport of this song.

Lecture at Engagement -- Columbus, may 19, 1969:

In the beginning we understand that this body, "I am this body." Therefore, so long the bodily concept of life is there, we are interested in sense gratification, because body means the senses. And when we fail to achieve any gratification by indulging in the senses, then we become philosophers or thoughtful. That is the mental platform. Indriyāṇi parāṇy āhur indriyebhyaḥ paraṁ manaḥ (BG 3.42). Because these senses are centered round by, of the mind. Mind is practically the controller of the senses. So when you fail to achieve real, I mean to say, pleasure from the senses, we go to the mental platform: poetry, philosophy, similar, songs. But you have to transcend even the mental platform. That is intellectual platform. Above that intellectual platform, your soul is there. So you have to immediately come to the platform of soul, and you'll be happy.

Lecture (Day after Lord Rama's Appearance Day) -- Los Angeles, April 16, 1970:

So about Lord Buddha we have got a nice prayer:

nindasi yajña-vidher ahaha śruti-jātaṁ

sadaya-hṛdaya darśita-paśu-ghātam

keśava-dhṛta-buddha-śarīra jaya jagadīśa hare

This song was sung by a great Vaiṣṇava poet, Jayadeva Gosvāmī. So the purport of this verse, Sanskrit verse, is keśava-dhṛta-buddha-śarīra. "My dear Kṛṣṇa"—Keśava means Kṛṣṇa—"You have assumed the form of Lord Buddha. And what is Your function? Nindasi yajña-vidher ahaha śruti-jātam." In the Vedic literature there are numerous prescription of sacrifice. And in some of the sacrifices animal sacrifice is also recommended. So that animal sacrifice does not mean to kill the animal. Animal sacrifice means to prove the strength of Vedic hymns so that one old animal is put into the fire and he's given again a new life, renewed life, just to show the potency of the hymns, Vedic hymns. But in this age, Kali-yuga, those sacrifices are forbidden. So Lord Buddha, when he saw that people are sacrificing animals in the name of religious rituals without any pity for them, at that time Lord Buddha appeared.

Pandal Lecture at Cross Maidan -- Bombay, March 26, 1971:

He predicted that "All over the world, as many villages and towns are there, this saṅkīrtana movement should be spread." That is the responsibility given to the human society of Bhārata-varṣa at least. Because we followers of the footsteps of Lord Caitanya, beginning from Rūpa Gosvāmī, who is giving us direction that nirbandhe kṛṣṇa-sambandhe yukta-vairāgyam ucyate. Prāpañcikatayā... Anāsaktasya viṣayān. There are two use, two kinds of uses of everything. Just like this microphone is being used for spreading Kṛṣṇa consciousness, the same microphone can be used for singing a cinema song. So microphone is not bad, but as you use it for different purposes it is bad or good. Similarly, this world, or things which we accept for our maintenance of the soul, body and soul together, they are called viṣaya. Viṣaya means eating, sleeping, mating, and defending. That is viṣaya. So anāsaktasya viṣayān. We should not be attached to the viṣayas. Just like eating. Everyone is eating. You are eating, I am also eating. So what is the difference between you and me? The difference is that we who are engaged in the service of the Lord, we are eating for maintaining the body just to keep ourselves fit for working for the Supreme Personality of Godhead.

Lecture -- San Francisco, June 28, 1971:

So in those days, a scholarly section, learned section, rich section were attracted by Caitanya Mahāprabhu's movement. And what was their business? This business, as you are doing: kṛṣṇa kīrtana-gāna-nartana-parau. Their engagement was kṛṣṇa ut kīrtanam. Kṛṣṇa kīrtanam, singing about Kṛṣṇa, just like you are doing—Hare Kṛṣṇa. Kṛṣṇot-kīrtana, very loudly chanting Hare Kṛṣṇa, Hare Kṛṣṇa, kṛṣṇot-kīrtana-gāna, and sometimes prayers, songs. Nartana. Naratana means dancing. These were their engagement: kṛṣṇot-kīrtana-gāna-nartana-parau premāmṛtāmbho-nidhī. And as soon as they chanted, immediately they were immersed in the ocean of bliss, prema, ecstasy of love of God, Kṛṣṇa.

Pandal Lecture -- Delhi, November 12, 1971:

Just like Bhaktivinoda Ṭhākura, he sang a very nice song, that arpiluṅ tuyā pade nanda-kiśora. Mānasa deho geho jo kichu mora. He says that "Whatever I possess." First thing his mind, mānasa. Just like Ambarīṣa Mahārāja. First of all we have to give our mind to Kṛṣṇa because mind is the creative force by which we become entangled. In the Bhagavad-gītā it is said that mind is the enemy or mind is the friend. If you can create your mind your friend, then there is immense profit Kṛṣṇa conscious. And if you create your mind enemy, the mind will drag you in so many things, you will forget your duty and responsibility of human life.

Speech -- New Vrindaban, August 31, 1972:

Those who have taken to this Kṛṣṇa consciousness movement, they're very, very fortunate. So I shall further explain one song sung by Narottama dāsa Ṭhākura. Narottama dāsa Ṭhākura was one of our predecessor ācāryas, teacher, and his songs are accepted in our Vaiṣṇava society as Vedic truth. He has written in simple language, but it contains the Vedic truth. So he has got many songs. One of the songs is hari hari biphale janama goṅāinu. He says, "My dear Lord, I am simply wasting the valuable time of my life." Biphale janama goṅāinu. Everyone takes birth as human being, but he does not know how to utilize it. He utilizes it just like animal. The animal eats; we simply make arrangement of eating unnaturally. That is our advancement.

Speech -- New Vrindaban, August 31, 1972:

So I was explaining Narottama dāsa Ṭhākura's song. Let me finish it. He says:

hari hari biphale janama goṅāinu

manuṣya-janama pāiyā, rādhā-kṛṣṇa nā bhajiyā

jāniyā śuniyā viṣa khāinu

He says, "My dear Lord, I got this valuable human form of life, but I have wasted it for nothing. Because this life is meant for understanding Rādhā and Kṛṣṇa. But I did not do so; therefore I have taken poison with knowledge." Just like sometimes (to) make suicide, he takes poison. He knows that as soon as he'll take the poison he'll die. Similarly, one who is not taking to Kṛṣṇa consciousness, that means he's taking poison. This is the opportunity of becoming Kṛṣṇa conscious. And if you don't take this opportunity, that means knowingly I am drinking poison.

Lecture -- Bombay, September 25, 1973:

Kṛṣṇa is open for everyone. Māṁ hi pārtha vyapāśritya ye 'pi syuḥ pāpa-yonayaḥ (BG 9.32). Even lower born, born in the lower grade family, he is also open. Simply one has to adopt the means. That is recommended by... There are many songs. Locana dāsa, Narottama dāsa Ṭhākura, he also says,

viṣaya chāḍiyā kabe śuddha ha'be mana

kabe hāma herabo śrī vṛndāvana

Viṣaya means sense enjoyment. Sense enjoyment. So one has to give up this practice of sense enjoyment. Then he becomes purified. There is no prohibition for eating, but there is prohibition of eating things which are rejected, amedhya. Eating is not stopped, but you cannot eat anything which is not accepted by Kṛṣṇa. That is called anācāra.

Lecture After Play -- Mayapur, April 6, 1975:

By Caitanya Mahāprabhu's personal example we can see that there was a dancing and musical play by women in the Jagannātha temple. Of course, ordinary visitors, they can see, but sannyāsīs or brahmacārīs, they are strictly prohibited. So when the music was going on, Caitanya Mahāprabhu became very ecstatic, that "Such a nice music is coming from Jagannātha temple. Let Me go and see." Then His personal servant Govinda prohibited Him, "Sir, these songs are from woman." "Oh? It is from woman? Govinda, you have saved My life." (laughter) So sannyāsīs and brahmacārīs are strictly prohibited to hear or to see dancing woman. Of course, in your country it is very difficult. But at least if such play, dramatical play performed, the sannyāsīs, brahmacārīs cannot take part. But if the parts are played by male members, everyone can see, in front of the Deity. There is no harm.

Lecture with Translator -- Sanand, December 27, 1975:

Kṛṣṇa appeared as Caitanya Mahāprabhu to teach us practically how to preach Kṛṣṇa consciousness and how to deliver persons from the pāpa-yoni. Śrī Narottama dāsa Ṭhākura, a ācārya of the Gauḍīya sampradāya, he says in his song, śrī-nanda-nandana yei, nanda-suta haila yei, śacī-suta haila sei. Śrī Caitanya Mahāprabhu, He appeared as the son of mother Śacī. Narottama dāsa Ṭhākura sings, "The same Personality of Godhead who appeared as the son of Mahārāja Nanda," nanda-suta haila yei, śacī-suta haila sei, "He has now appeared as the son of mother Śacī." And balarāma haila nitāi: "And the same Balarāma has appeared as Nityānanda prabhu." Now, what is Their business? That is described: pāpī tāpī yata chilo, hari-nāme uddhārilo. So pāpī tāpī yata chilo, harinām..., ta'ra sākṣī jagāi and mādhāi. Then he is giving evidence how the pāpī and tāpīs are delivered.

Lecture -- Bhuvanesvara, January 21, 1977:

So Narottama das Ṭhākura sings,

hari hari biphale janama goṅāinu

manuṣya-janama pāiyā, rādhā-kṛṣṇa nā bhajiyā

jāniyā śuniyā biṣa khāinu

So we should always remember song of Narottama dāsa Ṭhākura. He is ācārya. He's guru. Ācāryopāsanam. Ācārya upāsanā is one of the process of making progress. So this song is very important.

General Lecture -- (location & date unknown):

So, apart from Vaiṣṇavas, even Śaṅkarācārya, who is impersonalist, who is Brahmavadi, he also accepts Kṛṣṇa as the Supreme Personality of Godhead. Those who have read Śaṅkarācārya's commentary on the Bhagavad-gītā, they must have seen it in the very beginning: sa bhagavān svayaṁ kṛṣṇaḥ. He begins his commentary, nārāyaṇaḥ paraḥ avyaktat: "Nārāyaṇa is beyond this material creation." And then he says, "That Nārāyaṇa is svayaṁ bhagavān, Kṛṣṇa." Kṛṣṇa. Sa bhagavān svayaṁ kṛṣṇaḥ. And he has specifically mentioned that "He has appeared as the son of Devaki and Vasudeva." Beside that, he has written many songs and prayers about Kṛṣṇa. And at the last stage of his life he has written a very nice poem,

bhaja govindam bhaja govindam bhaja govindam mūḍha mate

prāpte sannihite khalu marane na hi na hi rakṣati dukṛn-karaṇe

Because the Māyāvādī philosophers, they interpret Vedic mantras by grammatical jugglery, therefore Śaṅkarācārya has warned that "Your grammatical jugglery, this dukṛn-pratyaya, karaṇe, will not save you." Mūḍha-mate: "You foolish person, you kindly take shelter of Govinda." Bhaja govinda. So this is the verdict of all ācāryas.

Philosophy Discussions

Philosophy Discussion on Charles Darwin:

Prabhupāda: There is no standard. There is Trayita Darpana(?), there is a book, you can... So many words, the first pronunciation five, second pronunciation seven, like that. There's different kinds of (indistinct), sandhi.

Śyāmasundara: So it's meant for hearing and memorizing.

Prabhupāda: Yes. You can sing also very nicely, sing also, like songs, with tamboura. It is very nice. (sings:) Cintāmaṇi-prakara-sadmasu kalpa, like that, it is very nice. In every temple there should be, one man should play on tamboura and chant. It requires nice pronunciation, and with the sound of tamboura it will be (indistinct). People are coming, offering darśana, and the singing is going on. That is the system in Indian temples. It immediately vibrates.

Philosophy Discussion on Henri Bergson:

Prabhupāda: Reason explain... He cannot explain because he does not know. The soul is a living force, and it has got little independence. So the supreme living force is God, and he is part and parcel of God, exactly like the spark of the whole fire. So this song, he has finished, bhuliya tomāre saṁsāre. So as soon as the soul receives his independence from (indistinct) become God Himself or wants to become enjoyer of the material nature, he becomes powerless, and he is subjected to the influence (indistinct) by the physical elements, and because he forgets his real identity, he thinks that he is body. Just like Darwin's theory. He is not this body. It is simply, circumstantially, a covering, a dress, and the living soul is different from the physical body.

Śyāmasundara: He

Purports to Songs

Purport to Bhajahu Re Mana -- New York, March 30, 1966:

This is a song which a devotee is praying and asking his mind, bhajahū re mana. Mana means mind. Because, at the present moment, our mind is the driver, and this body is just like a car... In the Bhagavad-gītā also it is stated, bhrāmayan sarva-bhūtāni yantrārūḍhāni māyayā (BG 18.61). This body is a car made of this material nature. The living entity, what is said, "I," I am now seated on this car prepared by the nature, material nature. And the driver is the mind. And the driver is not in my control. The driver is taking me anywhere he likes. You see? I am... Personally, I am not able to drive. I have engaged one driver, which is called the mind, and this body is the car, and the mind is carrying me like driver anywhere it likes. So therefore the proprietor, I, I am, I am requesting the driver... When I am helpless, so I am requesting, "My dear mind," bhajahū re mana, "my dear mind..." Mana means mind. "You kindly worship Lord Kṛṣṇa." Śrī-nanda-nandana. Śrī-nanda-nandana means Lord Kṛṣṇa.

Purport to Bhajahu Re Mana -- San Francisco, March 16, 1967:

So the poet sings, Śravaṇa, kīrtana, smaraṇa, vandana, pāda-sevana, dāsya re. So there are different processes: hearing, chanting, remembering, worshiping in the temple, engaging oneself in the service. So he is desiring all nine kinds of devotional service. Ultimately, pūjana sakhī-jana. Sakhī-jana means those who are confidential devotees of the Lord, to please them. And ātma-nivedana. Ātmā means self, and nivedana means surrender. Govinda-dāsa-abhilāṣa. The poet's name is Govinda dāsa, and he expresses that his desires are only this. He wants to utilize the opportunity of his human form of life in this way. This is the sum and substance of this song.

Purport to Gauranga Bolite Habe -- Los Angeles, January 5, 1969:

This is a song sung by Narottama dāsa Ṭhākura. He says, "When that day will come, that I shall sing simply Lord Caitanya's name and there will be shivering on my body?" Gaurāṅga bolite habe pulaka-śarīra. Pulaka-śarīra means shivering on the body. When one is factually situated in the transcendental platform, sometimes there are eight kinds of symptoms: crying, talking like a madman, and shivering of the body, dancing without any care for any other men... These symptoms develop automatically. They are not practiced artificially. So Narottama dāsa Ṭhākura is aspiring for that day, not that one has to artificially imitate.

Purport excerpt to Sri-Krsna-Caitanya Prabhu -- Montreal, July 17, 1968:

This is a prayer to Lord Caitanya. The devotee is saying, "O Lord Śrī Caitanya Mahāprabhu, kindly show me your causeless mercy." Śrī-kṛṣṇa-caitanya prabhu dayā karo more. "Because You have come to deliver fallen souls, so You will not find the most fallen soul like me." This is the humble prayer. We should be conscious of our fallen condition and pray to the Lord in that way, that "My dear Lord, somehow or other I am fallen. Now kindly pick me up." The substance of this song is like this. Of course, the language, Sanskrit, you may understand..., you may not understand, but the vibration will act.

Purport to Nitai-Pada-Kamala -- Los Angeles, December 21, 1968:

Nitāi-pada-kamala, koṭi-candra-suśītala, je chāyāy jagata jurāy. This is a very nice song sung by Narottama dāsa Ṭhākura. He is advising that nitāi-pada, the lotus feet of Lord Nityānanda Kamala means lotus feet, er, lotus, and pada means feet. So Nitāi-pada-kamala means the lotus feet of Lord Nityānanda. Koṭi-candra-suśītala. It is just a shelter where you will get the soothing moonlight not only of one, but of millions of moons. Just we have to imagine what is the aggregate total value of the soothing shine of millions of moons. Koṭi-candra-suśītala, je chāyāy jagata jurāy. Jagat, this material world, which is progressing towards hell, and there is always a blazing fire, everyone is struggling hard, nobody finds peace. Therefore, if the world wants to have real peace, then it should take shelter under the lotus feet of Lord Nityānanda, which is supposed to be cooling like the shining moon, millions in number.

Purport to Nitai-Pada-Kamala -- Los Angeles, December 21, 1968:

In other song also Narottama dāsa Ṭhākura says, hari hari biphale janama goṅāinu: "Anyone who does not approach Rādhā-Kṛṣṇa through the relationship of Nityānanda, his life is uselessly spoiled." Se sambandha nāhi jā'r, bṛthā janma gelo tā'r. Bṛthā means useless, janma means life, tāra means his, and sambandha means relationship. "So anyone who has no relationship with Nityānanda, he is simply spoiling his, the boon of human form of life." Why he is spoiling? Se paśu boro durācār. Se means that; paśu, animal; durācār, dura, misbehaved, mostly misbehaved. Because without our elevation to Kṛṣṇa consciousness through the mercy of Lord Caitanya-Nityānanda, the life is simply animal propensities. That's all. Sense gratification.

Purport to Prayers by King Kulasekhara -- Los Angeles, December 25, 1968:

(This) verse was sung by King Kulaśekhara, a great king, and, at the same time, a great devotee of the Lord. His songs are recorded in the book known as Mukunda-mālā-stotra. That is very famous book. It is sung by many devotees. So it does not matter whether a man is king, or a poor mendicant. Everyone has the facility to become the greatest devotee of the Lord. So he's praying "My dear Kṛṣṇa, Your feet is lotus." Generally we say "Lotus feet". But where the lotus flower is there, the white swans, they come to the lotus flower and try to play with the stem. They sport, going down the water, and be entangled with the stem of that lotus flower. That is their sporting. So King Kulaśekhara is praying that "Let the swan of my mind be immediately entered into the network of the stem of Your lotus feet." So that means he wants to engage his mind on the lotus feet of the Lord immediately.

Spelling of Prayers to the Six Gosvamis -- Los Angeles, December 26, 1968:

Kṛṣṇotkīrtana-gāna-nartana-parau premāmṛtāmbho-nidhī. Kṛṣṇotkīrtana-gāna-nartana-parau premāmṛtāmbho-nidhī. The meaning: kṛṣṇotkīrtena, "loudly chanting the holy name of Kṛṣṇa," kṛṣṇotkīrtana-gāna, "in musical sound, in songs, with music," kṛṣṇotkīrtana-gāna-nartana, nartana means "dancing, chanting and dancing," parau, "always engaged," kṛṣṇotkīrtana-gāna-nartana-parau premāmṛtāmbho-nidhī, "and dipped into the ocean of ecstatic love for Kṛṣṇa." (sings) Kṛṣṇotkīrtana-gāna-nartana-parau premāmṛtāmbho-nidhī. Next line: dhīra, d-h-i-r-a, strong a, dhīra. Dhīra, d-h-i-r-a. One is dhīra, another is dhīra. Dhīrādhīra-jana, j-a-n-a, jana. Dhīrādhīra-jana. Kṛṣṇotkīrtana-gāna-nartana-parau premāmṛtāmbho-nidhī dhīrādhīra-jana-priyau. P-r-i-y-a-u. Dhīrādhīra-jana-priyau priyakarau, p-r-i-y-a-k-a-r-a-u, priyakarau. Dhīrādhīra-jana-priyau priyakarau nirmatsarau, n-i-r-m-a-t-s-a-r-o-u, nirmatsarau, pūjitau, p-u-j-a-t-o-u. So second line is dhīra, "those who are gentle, sober," and adhīra... Adhīra means "those who are not gentle, ruffians." So they were, by chanting these songs of kīrtana, where dhīrādhīra, "both to the gentle and to the ruffians," priyau, "dear, equally dear and popular to both classes of men," not that they were simply popular to the gentle class, but even the ruffian class also loved them. Dhīrādhīra-jana-priyau priyakarau. Priya-karau means they were doing things which is very pleasant to everyone. Nirmatsarau. Nirmatsarau means without any enviousness, no discrimination, that "Kṛṣṇotkīrtana or the songs, saṅkīrtana, shall be given to the gentle class of men, not to the ruffians." No. They were equally kind and merciful, without any enviousness.

Purport to Gauranga Bolite Habe -- Los Angeles, December 29, 1968:

This song was sung by Narottama dāsa Ṭhākura, a great devotee-ācārya in the disciplic succession of Gauḍīya Vaiṣṇava Sampradāya. Gauḍīya Vaiṣṇava Sampradāya means the disciplic succession who are coming down from Lord Caitanya. So this Narottama dāsa Ṭhākura has written many songs, and it is recognized as a authority by all the Vaiṣṇavas. He has sung the songs in simple Bengali language, but the purport and the deep meaning of the song is very significant. He says: gaurāṅga bolite habe pulaka-śarīra. This is the perfection of chanting, that as soon as we chant or take the name of Lord Gaurāṅga, who initiated the Saṅkīrtana Movement, at once there will be a shivering in the body. So it is not to be imitated.

Purport to Sri-Sri-Gurv-astakam -- Los Angeles, January 2, 1969:

Verse:

saṁsāra-dāvānala-līḍha-loka-

trāṇāya kāruṇya-ghanāghanatvam

prāptasya kalyāṇa-guṇārṇavasya

vande guroḥ śrī-caraṇāravindam **

This song is offering obeisances particularly to the spiritual master, and the symptoms of the spiritual master are described in this prayer. The spiritual master has two kind of symptoms in his activities. One kind is called constant, and other kind is called temporary. So the first verse says that the constant symptom of the spiritual master is that he can deliver his disciples from the blazing fire of this material existence. That is the eternal qualification of spiritual master.

Purport to Parama Koruna -- Los Angeles, January 4, 1969:

Parama koruṇa, pahū dui jana, nitāi gauracandra. This is a song by Locana dāsa Ṭhākura, a great devotee and ācārya of the Gauḍīya-sampradāya. He is declaring that pahū dui jana. Pahū means lords. Dui jana means two. Who are the two lords? Nitai Gauracandra. One is Lord Nitāi, Nityānanda; another is Lord Śrī Caitanya Mahāprabhu. So he says that "These two Lords are very merciful." Parama koruṇa, pahū dui jana. Parama koruṇa means very merciful. Nitai Gauracandra. Saba avatāra, sāra śiromaṇi. Avatāra means incarnation, and saba means all. "They are the essence of all incarnations."

Purport to Gaurangera Duti Pada -- Los Angeles, January 6, 1969:

Gaurāṅgera duṭi pada, yāra dhana sampada, sei jāne bhakati-rasa-sāra. This is another song composed by Narottama das Ṭhākura, and he says that "One who has accepted the lotus feet of Lord Caitanya, in other words, one who has the only asset of possession, the two feet of Lord Caitanya, such person is supposed to know what is the essence of devotional service." Sei jāne bhakati-rasa-sāra. What is the purport of devotional service, or what is the humor of devotional service, can be understood by a person who has accepted Lord Caitanya's lotus feet as everything. The idea is that actually Lord Caitanya, He is Kṛṣṇa Himself, and He is teaching devotional sevvice to the living entities personally. Directly. Therefore the modes of devotional service, as taught by Lord Caitanya, is the most perfect. There cannot be any doubt.

Purport to Gaurangera Duti Pada -- Los Angeles, January 6, 1969:

So in Śaṅkara sampradāya nobody is accepted as bona fide impersonalist unless he has accepted the renounced order of life. But here, in Caitanya's movement, there is no such restriction. Advaita Prabhu, He was a householder. Nityānanda, He was householder. Gadādhara, He was also householder. And Śrīvāsa, he was also householder. And Caitanya Mahāprabhu also married twice. So it doesn't matter. Narottama dāsa Ṭhākura says that to become in renounced order of life, or to remain in householder life, that does not matter. If he is actually taking part in the movements of Caitanya's saṅkīrtana activities and actually understanding what it is, he is taking sport in the waves of such devotional ocean, then such person is always liberated. And Narottama dāsa Ṭhākura is aspiring his association ever increasingly. That is the sum and substance of this song.

Purport to Bhajahu Re Mana -- Los Angeles, January 7, 1969:

Bhajahū re mana, śrī-nanda-nandana-abhaya-caraṇāravinda re. This is a song composed by Govinda dāsa, a great poet and Vaiṣṇava. He says, addressing his own mind Because mind is the center of all elevation. In the Bhagavad-gītā it is said that if you have your mind controlled, then your mind is the best friend. But if your mind is uncontrolled, then he is your greatest enemy. So we are seeking after friend or enemy. So both of them are sitting with me. If we can utilize the friendship of the mind, then we are elevated to the highest perfectional stage. But if we create mind as my enemy, then my path to hell is clear. Therefore Govinda dāsa Ṭhākura, he is addressing his mind. The yogis try to control the mind by different gymnastic process. That is also approved.

Purport to Gauranga Bolite Habe -- Los Angeles, January 9, 1969:

This nice song was sung by Narottama dāsa Ṭhākura, one of the great ācāryas of the Gauḍīya Vaiṣṇava sampradāya. That is the sect of Vaisnavism started by Lord Caitanya Mahāprabhu. Gauḍīya means belonging to Bengal. There are five Gauḍa-deśa in the northern part of India, out of which, part of Bengal, West Bengal, is called Gauḍa-deśa. So Narottama dāsa Ṭhākura's songs are very appropriate just to the conclusions of Vedic injunctions. So he sings this song, how one can rise up to the transcendental plane for associating directly with Rādhā and Kṛṣṇa, what is that process. The process is one should begin this

Purport to Gauranga Bolite Habe -- Los Angeles, January 9, 1969:

So Narottama dāsa Ṭhākura says, gaurāṅga bolite habe pulaka śarīre. He's expecting. Although he was a great ācārya, still, he was expecting, "When that stage will come?" The wording of the song is as follows. G-a-u-r-a-n-g-a, gaurāṅga. Bolite, b-a-l-i-t-e. Habe, h-a-b-e. Gaurāṅga bolite habe pulaka, p-u-l-a-k-a. Pulaka śarīra, s-a-r-i-r. Gaurāṅga bolite habe pulaka śarīra hari hari, h-a-r-i h-a-r-i. Bolite, b-a-l-i-t-e. Hari hari bolite habe, h-a-b-e. Hari hari bolite kabe. Not habe, kabe, k-a-b-e. Nayane, n-a-y-a-n-e. Ba'be, b-a-b-e, Nīra, n-e-e-r. The meaning is that there will be not only shivering as soon as I utter the name of Gaurāṅga, but there will be torrents of tears in my eyes as soon as I chant Hare Kṛṣṇa. this is the explanation.

Purport to Gaura Pahu -- Los Angeles, January 10, 1969:

Gaura pahū nā bhajiyā goinu, prema-rathana-dhana helāya hārāiṅu. This is another song by Narottama dāsa Ṭhākura. He's saying that "I have invited my spiritual death by not worshiping Lord Caitanya." Gaura pahū nā bhajiyā goinu. Gaura pahū means "Lord Caitanya," and nā bhajiyā, "without worshiping." Goinu, "I have invited spiritual death." And adhame yatane kari dhanu tainu. "Why I have invited the spiritual death? Because I am engaged in something which is useless and I have rejected the real purpose of my life."Adhama means valueless things. And dhana means valuables. So actually, everyone of us, neglecting our spiritual emanicipation, we are engaged in material sense gratification, and therefore we are losing the opportunity of this human form of body to elevate myself on the spiritual platform.

Purport to Sri Krsna Caitanya Prabhu -- Los Angeles, January 11, 1969:

Śrī-kṛṣṇa-caitanya prabhu doyā koro more, tomā binā ke doyālu jagata-māyāre. This is a song composed by Narottama dāsa Ṭhākura. He is praying Lord Caitanya that "My dear Lord, please be merciful upon me because who can be more merciful than Your Lordship within these three worlds?" Actually, this is the fact. Not only Narottama dāsa Ṭhākura, but also Rūpa Gosvāmī, he also prayed for Lord Caitanya when both of them met at Prayāga, Allahabad, in the first meeting of Lord Caitanya and Rūpa Gosvāmī at Prayāga. At that time, Śrīla Rūpa Gosvāmī also said, "My dear Lord, You are the most munificent of all incarnations. Because You are distributing love of Kṛṣṇa, Kṛṣṇa consciousness." In other words, when Kṛṣṇa was personally present, He simply asked us to surrender, but He did not distribute Himself so easily.

Purport to Sri Krsna Caitanya Prabhu -- Los Angeles, January 11, 1969:

Actually, Narottama dāsa Ṭhākura was in the disciplic succession after Śrīnivāsa Ācārya. Or almost he was contemporary. And his personal friend was Rāmacandra, Rāmacandra Cakravartī. So he is praying that "I always desire the company of Rāmacandra." Devotee's company. The whole process is that we should always be praying mercy of the superior ācāryas. And we should keep company with pure devotee. Then it will be easier for us to advance in Kṛṣṇa consciousness to receive the mercy of Lord Caitanya and Lord Kṛṣṇa. This is the sum and substance of this song sung by Narottama dāsa Ṭhākura.

Purport to Parama Koruna -- Los Angeles, January 16, 1969:

Parama koruṇa, pahū dui jana, nitāi gauracandra. This is a song sung by Locana dāsa Ṭhākura, a great devotee of Lord Caitanya, almost contemporary. He wrote one book, Caitanya-maṅgala, depicting the activities of Lord Caitanya. That is a very famous book, Caitanya-maṅgala. And he has composed many songs. Practically all Vaiṣṇavas, they are transcendentally poetic. That is one of the 26 qualifications of the Vaiṣṇava. So he says that "These two Lords," nitāi gauracandra, "Lord Nityānanda and Lord Gaurāṅga, or Lord Caitanya, They are very merciful incarnations." Saba avatāra-sāra śiromaṇi. "They are essence of all incarnations." The incarnation is stated in the Bhagavad-gītā that whenever there is discrepancies in the prosecution of religiosities and there is prominence of impious activities, at that time the Lord incarnates, or He descends on this material world, for protecting the pious and annihilating the impious. That is the mission of incarnation.

Purport to Jiv Jago -- Columbus, May 20, 1969:

So Lord Caitanya is trying to wake up all children of māyā, nature's son, to wake up. The similar instruction is in the Vedic Upaniṣad. Uttiṣṭhata jāgrata. The advice is that "Everyone should now wake up. They should not sleep under the spell of illusion, material nature. This human form of body must be utilized." The same thing Lord Caitanya is speaking in ordinary songs, jīv jāgo, jīv jāgo, gauracānda bole: "All living entities wake up. Don't miss this opportunity." Kota nidrā jāo māyā-piśācīra: "How long you shall remain asleep in this way, under the spell of māyā? This is the opportunity. Don't sleep."

Purport to Jiv Jago -- Columbus, May 20, 1969:

So this is a song composed by Bhaktivinoda Ṭhākura. So he says that bhakativinoda prabhu-caraṇe pariyā: "Bhaktivinoda Ṭhākura took the advantage of the instruction of Lord Caitanya and immediately fell down on the lotus feet of the Lord." Hari-nāma mahā-mantra loilo māgiyā: "And very humbly he begged Lord Caitanya, 'Kindly give me this medicine, and I shall utilize it.' " The whole instruction is that all sleeping members of the human society, they should take advantage of this Kṛṣṇa consciousness movement and willingly they should accept. Then there will be immediate effect and everyone will be out of the clutches of māyā, and his original consciousness, or Kṛṣṇa consciousness, will be awakened, and his life will be sublime.

Purport to Hari Hari Biphale -- Hamburg, September 10, 1969:

...biphale janama goṅāinu. This is a song sung by Narottama dāsa Ṭhākura, a very stalwart ācārya in the line of Caitanya Mahāprabhu's sampradāya, disciplic succession. He has sung many songs, important songs, and his songs are accepted as Vedic conclusion. (break) ...very authoritative songs. So he says, praying to Lord Kṛṣṇa, "My dear Lord," hari hari, "I have simply spoiled my life." Hari hari biphale janama goṅāinu. Why you have spoiled your life? He says, manuṣya-janama pāiyā, "I got this human form of life," rādhā-kṛṣṇa nā bhajiyā, "but I did not care to worship Rādhā-Kṛṣṇa. Therefore I have spoiled my life." And how it is? It is exactly like one takes poison knowingly. If somebody takes poison unknowingly, there is excuse, but if somebody takes poison knowingly, it is suicidal. So he says that "I have committed suicide simply by not worshiping Rādhā and Kṛṣṇa in this human form of life."

Purport to Hari Hari Biphale -- Hamburg, September 10, 1969:

This Kṛṣṇa consciousness movement, saṅkīrtana movement, is nothing material. It is directly imported from the spiritual kingdom known as Goloka Vṛndāvana. So golokera prema-dhana. And it is not ordinary song. It is just the treasure of love of Godhead. So... "But I have no attraction for this." Rati nā janmilo kene tāy. "I have no attraction for it. On the contrary," viṣaya-biṣānale, dibā-niśi hiyā jwale, "and because I did not accept it, therefore the blazing fire of the poison of material existence is constantly burning me." Dibā-niśi hiyā jwale. "Day and night, my heart is burning on account of this poisonous effect of material existence." And taribare nā koinu upāy. "But I did not seek any remedy for this." In other words, the remedy for this blazing fire of material existence is this saṅkīrtana movement. It is imported from the spiritual kingdom.

Purport to Hari Hari Biphale -- Hamburg, September 10, 1969:

So Narottama dāsa Ṭhākura's explanation says that in this age although people are drunkard, woman-hunter, meat-eater, and all..., gambler, all kinds of sinful actor, still, if they take to this Kṛṣṇa consciousness movement and chant Hare Kṛṣṇa, they'll be delivered, undoubtedly. This is the blessings of Lord Caitanya. Then Narottama dāsa Ṭhākura prays, hā hā prabhu nanda-suta, vṛṣabhānu-sutā-juta. "My dear Lord Kṛṣṇa, You are son of King Nanda, and Your consort Rādhārāṇī is the daughter King Vṛṣabhānu. So You are together here standing." Narottama dāsa kahe, nā ṭheliho rāṅgā pāy, "Now I am surrendering unto You, please do not kick me away or push me away with Your lotus feet because I have no other shelter. I am just taking shelter unto Your lotus feet without having any other means. So please accept me and deliver me." This is the sum and substance of this song.

Purport to Jaya Radha-Madhava -- Gorakhpur, February 14, 1971:

...gopī-jana-vallabha giri-vara-dhārī, yasoda-nandana braja-jana-rañjana yamunā-tīra-vana-cārī. This small song you can practice. The tune I can give you. (Prabhupāda sings each line and devotees respond, then with mṛdaṅga and karatālas.) This is actual picture of Kṛṣṇa, Rādhā-Mādhava giri-vara-dhārī. Original Kṛṣṇa this is. Rādhā-Mādhava giri-vara-dhārī. Vraja-jana-vallabha. His business is to please the inhabitants of Vṛndāvana. That's all. He has no other business. And the vraja-jana also, they have no other business than to please Kṛṣṇa. That's all. This is original Kṛṣṇa. Vraja-jana-vallabha giri-vara-dhārī. And first business is Rādhā-Madhave. Of course, Kṛṣṇa is concerned with everyone, especially concerned with Rādhārāṇī. Rādhā-Mādhava, kuñja-bihārī, and enjoys with Rādhā in different kuñjas, bushes, of Vṛndāvana. And then, yaśodā-nandana.

Purport to Hare Krishna Maha Mantra -- Los Angeles, July 10, 1971:

So it is explained here that Lord Brahmā is also chanting this Hare Kṛṣṇa Hare Kṛṣṇa Kṛṣṇa Kṛṣṇa Hare Hare, Hare Rāma Hare Rāma Rāma Rāma Hare Hare, with his four mouths. Still he is chanting. He does not think that he is satiated. This transcendental name is so sweet that either you chant with your one mouth and one tongue or with one thousand mouths or one thousand tongues, still, you will never feel tired. That is the purport of this song. Śrīla Rūpa Gosvāmī, he lamented that "This Hare Kṛṣṇa Hare Kṛṣṇa Kṛṣṇa Kṛṣṇa Hare Hare, Hare Rāma Hare Rāma Rāma Rāma Hare Hare, these names are so sweet that how I can relish the transcendental sweetness with one tongue and one mouth? If God would have given me millions of tongues and millions of mouths, then I would have relished a little of it." So he lamented.

Purport to Jaya Radha-Madhava -- New York, July 20, 1971:

Prabhupāda: So you know this song Jaya Rādhā-Mādhava?

Devotees: Jaya!

Prabhupāda: So you can follow me?

Devotees: Jaya! Haribol! (Śrīla Prabhupāda leads singing of Jaya

Rādhā-Mādhava)

Prabhupāda: So this is the-sit down-original nature of Kṛṣṇa, original nature of Kṛṣṇa. He is Rādhā-Mādhava. He is the lover of Śrīmatī Rādhārāṇī. And kuñja-vihārī, always enjoying the company of the gopīs within the bushes of Vrdavana forest. Rādhā-mādhava kuñja-vihārī. So He's not only lover of Rādhārāṇī, but braja-jana-vallabha. The whole residents of Vṛndāvana, they love Kṛṣṇa. They do not know anything else.

Purport to Bhajahu Re Mana -- Los Angeles, May 27, 1972:

So this song was sung by Govinda dasa. Govinda-dāsa-abhilāsa re. What is his desire? Abhilāsa means desire. Bhajahū re mana śrī-nanda-nandana: "My dear mind..." Because mind is our friend and enemy. If you train the mind, then mind is your best friend. And if you cannot train your mind, then will be your bitterest enemy. Sa vai manaḥ kṛṣṇa-padāravindayoḥ (SB 9.4.18). Therefore mind has always to be engaged on the lotus feet of Kṛṣṇa, then mind automatically will be controlled and will become friend. So Govinda dasa is expressing his desire: "My dear mind, you just be engaged in devotional service of Nanda-nandana." His..., he does not say Kṛṣṇa. He says Nanda-nandana. If we address Kṛṣṇa directly, that is not very pleasing, but if we say Kṛṣṇa: Nanda-nandana, Yaśodā-nandana, Devakī-nandana, Pārtha-sārathi—in relationship with His devotee—then He becomes more pleased. So bhajahū re mana śrī-nanda-nandana.

Purport to Bhajahu Re Mana -- Los Angeles, May 27, 1972:

So everyone should desire like Govinda dasa. Śravana kīrtana, these are the devotional processes: hearing; chanting; remembering; arcana, worshiping the Deity; vandana, offering prayer. There are nine kinds. So human life is meant for this purpose. By this process, gradually we ignite the fire of Kṛṣṇa consciousness, or spiritual consciousness. Then, by that fire, as by blazing fire the wood itself becomes burnt into ashes, so our, all of our covering... The spirit soul is covered by matter, by ignorance. So this covering and ignorance will be burnt into ashes, and you'll become free and go back to home, back to Godhead. This is the purport of this song.