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Resembling (CC and Other Books)

Sri Caitanya-caritamrta

CC Adi-lila

CC Adi 3.41, Translation:

The luster of His expansive body resembles molten gold. The deep sound of His voice conquers the thundering of newly assembled clouds.

CC Adi 4.72, Translation:

"I worship Govinda, the primeval Lord, who resides in His own realm, Goloka, with Rādhā, who resembles His own spiritual figure and who embodies the ecstatic potency (hlādinī). Their companions are Her confidantes, who embody extensions of Her bodily form and who are imbued and permeated with ever-blissful spiritual rasa."

CC Adi 4.106, Purport:

Lord Caitanya's heart was full of the feelings of Śrīmatī Rādhārāṇī, and His appearance resembled Hers. Svarūpa Dāmodara has explained His attitude as rādhā-bhāva-mūrti, the attitude of Rādhārāṇī. One who engages in sense gratification on the material platform can hardly understand rādhā-bhāva, but one who is freed from the demands of sense gratification can understand it. Rādhā-bhāva must be understood from the Gosvāmīs, those who are actually controllers of the senses.

CC Adi 4.224, Translation:

"My dear friends, just see how Śrī Kṛṣṇa is enjoying the season of spring! With the gopīs embracing each of His limbs, He is like amorous love personified. With His transcendental pastimes, He enlivens all the gopīs and the entire creation. With His soft bluish-black arms and legs, which resemble blue lotus flowers, He has created a festival for Cupid."

CC Adi 4.234, Translation:

All these conclusions are like the newly grown twigs of a mango tree; they are always pleasing to the devotees, who in this way resemble cuckoo birds.

CC Adi 5.18, Purport:

The abode known as Vṛndāvana or Gokula is also known as Goloka. The Brahma-saṁhitā states that Gokula, the highest region of the kingdom of God, resembles a lotus flower with thousands of petals. The outer portion of that lotuslike planet is a square place known as Śvetadvīpa. In the inner portion of Gokula there is an elaborate arrangement for Śrī Kṛṣṇa's residence with His eternal associates such as Nanda and Yaśodā. That transcendental abode exists by the energy of Śrī Baladeva, who is the original whole of Śeṣa, or Ananta. The tantras also confirm this description by stating that the abode of Śrī Anantadeva, a plenary portion of Baladeva, is called the kingdom of God. Vṛndāvana-dhāma is the innermost abode within the quadrangular realm of Śvetadvīpa, which lies outside of the boundary of Gokula Vṛndāvana.

CC Adi 5.19, Purport:

The above-mentioned dhāmas are movable, by the omnipotent will of Lord Kṛṣṇa. When Śrī Kṛṣṇa appears on the face of the earth, He can also make His dhāmas appear, without changing their original structure. One should not discriminate between the dhāmas on the earth and those in the spiritual sky, thinking those on earth to be material and the original abodes to be spiritual. All of them are spiritual. Only for us, who cannot experience anything beyond matter in our present conditioned state, do the dhāmas and the Lord Himself, in His arcā form, appear before us resembling matter to give us the facility to see spirit with material eyes. In the beginning this may be difficult for a neophyte to understand, but in due course, when one is advanced in devotional service, it will be easier, and he will appreciate the Lord's presence in these tangible forms.

CC Adi 5.22, Purport:

Like Lord Viṣṇu, the residents of Vaikuṇṭha have four hands decorated with a conchshell, wheel, club and lotus flower. Their chests are beautifully broad and fully decorated with necklaces of a brilliant diamondlike metal surrounded by costly jewels never to be found in the material world. The residents of Vaikuṇṭha are always powerful and effulgent. Some of them have complexions like red coral cat's eyes and lotus flowers, and each of them has earrings of costly jewels. On their heads they wear flowery crowns resembling garlands.

CC Adi 5.27-28, Purport:

"They saw the lotus-eyed Lord Viṣṇu, the Supreme Personality of Godhead, mounted on Garuḍa and holding Lakṣmī, the goddess of fortune, to His chest. He resembled a bluish rain cloud with flashing lightning, and in two of His four hands He held a conchshell and disc. His arms stretched down to His knees, and all His beautiful limbs were smeared with sandalwood and decorated with glittering ornaments. He wore yellow clothes, and by either side stood His energies Bhūmi and Nīlā."

CC Adi 13.104, Translation:

All sorts of respectable brāhmaṇa gentlemen and ladies, carrying plates filled with various gifts, came with their presentations. Seeing the newborn child, whose form resembled natural glaring gold, all of them happily offered their blessings.

CC Adi 13.116, Translation:

Seeing the transcendental bodily effulgence of the child, each of His nicely constructed limbs full of auspicious signs and resembling a form of gold, Sītā Ṭhākurāṇī was very pleased, and because of her maternal affection, she felt as if her heart were melting.

CC Adi 17.293, Translation:

"Prior to the rāsa dance, Lord Kṛṣṇa hid Himself in a grove just to have fun. When the gopīs came, their eyes resembling those of deer, by His sharp intelligence He exhibited His beautiful four-armed form to hide Himself. But when Śrīmatī Rādhārāṇī came there, Kṛṣṇa could not maintain His four arms in Her presence. This is the wonderful glory of Her love."

CC Madhya-lila

CC Madhya 1.189, Purport:

Unfortunately, because of being associated with the Muslim governmental service, their customs and behavior resembled those of the Muslims. Therefore they presented themselves as nīca-jāti. The word jāti means birth. According to śāstra, there are three kinds of birth. The first birth is from the womb of the mother, the second birth is the acceptance of the reformatory method, and the third birth is acceptance by the spiritual master (initiation).

CC Madhya 2.29, Translation:

“Of what use are the eyes of one who does not see the face of Kṛṣṇa, which resembles the moon and is the birthplace of all beauty and the reservoir of the nectarean songs of His flute? Oh, let a thunderbolt strike his head! Why does he keep such eyes?

CC Madhya 5.137, Translation:

The devotees saw that both Lord Caitanya Mahāprabhu and Gopāla were brilliantly effulgent and had eyes like lotuses. They were both absorbed in ecstasy, and both Their faces resembled full moons.

CC Madhya 8.80, Translation:

“"When Lord Śrī Kṛṣṇa was dancing with the gopīs in the rāsa-līlā, the gopīs were embraced around the neck by the Lord"s arms. This transcendental favor was never bestowed upon the goddess of fortune or the other consorts in the spiritual world. Nor was such a thing ever imagined by the most beautiful girls in the heavenly planets, girls whose bodily luster and aroma resemble the beauty and fragrance of lotus flowers. And what to speak of worldly women, who may be very, very beautiful according to material estimation?’

CC Madhya 8.95, Translation:

""Although the son of Devakī, the Supreme Personality of Godhead, is the reservoir of all kinds of beauty, when He is among the gopīs He nonetheless becomes more beautiful, for He resembles a marakata jewel surrounded by gold and other jewels.""

CC Madhya 8.139, Purport:

"I worship Govinda, the primeval Lord. He resides in His own realm, Goloka, with Rādhā, who resembles His own spiritual figure and who embodies the ecstatic potency (hlādinī). Their companions are Her confidantes, who embody extensions of Her bodily form and who are imbued and permeated with ever-blissful spiritual rasa."

CC Madhya 8.144, Translation:

“"My dear friends, just see how Śrī Kṛṣṇa is enjoying the season of spring! With the gopīs embracing each of His limbs, He is like amorous love personified. With His transcendental pastimes, He enlivens all the gopīs and the entire creation. With His soft bluish black arms and legs, which resemble blue lotus flowers, He has created a festival for Cupid."

CC Madhya 8.163, Translation:

“"I worship Govinda, the primeval Lord, who resides in His own realm, Goloka, with Rādhā, who resembles His own spiritual figure and who embodies the ecstatic potency (hlādinī). Their companions are Her confidantes, who embody extensions of Her bodily form and who are imbued and permeated with ever-blissful spiritual rasa."

CC Madhya 8.215, Translation:

“It is to be noted that the natural characteristic of the gopīs is to love the Supreme Lord. Their lusty desire is not to be compared to material lust. Nonetheless, because their desire sometimes appears to resemble material lust, their transcendental love for Kṛṣṇa is sometimes described as lust.

CC Madhya 8.232, Translation:

“"When Lord Śrī Kṛṣṇa was dancing with the gopīs in the rāsa-līlā, the gopīs were embraced around the neck by the Lord"s arms. This transcendental favor was never bestowed upon the goddess of fortune or the other consorts in the spiritual world. Nor was such a thing ever imagined by the most beautiful girls in the heavenly planets, girls whose bodily luster and aroma resemble the beauty and fragrance of lotus flowers. And what to speak of worldly women, who may be very, very beautiful according to material estimation?’”

CC Madhya 9.121, Translation:

“"When Lord Śrī Kṛṣṇa was dancing with the gopīs in the rāsa-līlā, the gopīs were embraced around the neck by the Lord"s arms. This transcendental favor was never bestowed upon the goddess of fortune or the other consorts in the spiritual world. Nor was such a thing ever imagined by the most beautiful girls in the heavenly planets, girls whose bodily luster and aroma exactly resemble the beauty and fragrance of lotus flowers. And what to speak of worldly women, who may be very, very beautiful according to material estimation?’

CC Madhya 9.282, Purport:

The city of Pāṇḍarapura is situated on the river Bhīmā. It is said that Śrī Caitanya Mahāprabhu initiated Tukārāma when He visited Pāṇḍarapura, and thus Tukārāma became His disciple. Tukārāma Ācārya became very famous in the Maharashtra province, and he spread the saṅkīrtana movement all over the province. The saṅkīrtana party belonging to Tukārāma is still very popular in Bombay and throughout the province of Maharashtra. Tukārāma's book is known as Abhaṅga. His saṅkīrtana party exactly resembles the Gauḍīya-Vaiṣṇava saṅkīrtana parties, for they chant the holy name of the Lord with mṛdaṅga and karatālas.

CC Madhya 13.25, Translation:

The fine, white sand spread all over the path resembled the bank of the Yamunā, and the small gardens on both sides looked just like those in Vṛndāvana.

CC Madhya 13.102, Translation:

His skin erupted with goose pimples, and the hairs of His body stood on end. His body resembled the śimulī (silk cotton tree), all covered with thorns.

CC Madhya 13.106, Translation:

Everyone saw the complexion of His body change from white to pink, so that His luster resembled that of the mallikā flower.

CC Madhya 13.194, Translation:

On the left side, Lord Jagannātha saw a neighborhood of brāhmaṇas and a coconut-tree grove. On the right side, He saw nice flower gardens resembling those in the holy place Vṛndāvana.

CC Madhya 14.119, Translation:

Pointing out the neighboring gardens, Śrī Caitanya Mahāprabhu said, “All these gardens exactly resemble Vṛndāvana; therefore Lord Jagannātha is very eager to see them again.

CC Madhya 14.224, Translation:

“In Vṛndāvana, the natural speech of the people sounds like music, and their natural motion resembles a dance.

CC Madhya 15.237, Purport:

"I worship Govinda, the primeval Lord, who resides in His own realm, Goloka, with Rādhā, who resembles His own spiritual figure and who embodies the ecstatic potency (hlādinī). Their companions are Her confidantes, who embody extensions of Her bodily form and who are imbued and permeated with ever-blissful spiritual rasa. I worship Govinda, the primeval Lord, who is Śyāmasundara, Kṛṣṇa Himself, with inconceivable innumerable attributes, whom the pure devotees see in their heart of hearts with the eye of devotion tinged with the salve of love."

CC Madhya 19.154, Purport:

"I worship Govinda, the primeval Lord. He resides in His own realm, Goloka, with Rādhā, who resembles His own spiritual figure and who embodies the ecstatic potency (hlādinī). Their companions are Her confidantes, who embody extensions of Her bodily form and who are imbued and permeated with ever-blissful spiritual rasa." In the spiritual world, the Supreme Personality of Godhead, Kṛṣṇa, has expanded Himself by His spiritual potency. He has His eternal form of bliss and knowledge (sac-cid-ānanda-vigraha (Bs. 5.1)). Everything in the Goloka Vṛndāvana planet is a spiritual expansion of sac-cid-ānanda.

CC Antya-lila

CC Antya 2.120, Purport:

One should strictly follow the regulative principles, namely no illicit sex, no meat-eating, no intoxication and no gambling, and in this way one should make progress in spiritual life. If an unfit person sentimentally accepts vairāgya or takes sannyāsa but at the same time remains attached to women, he is in a very dangerous position. His renunciation is called markaṭa-vairāgya, or renunciation like that of a monkey. The monkey lives in the forest, eats fruit and does not even cover itself with a cloth. In this way it resembles a saint, but the monkey always thinks of female monkeys and sometimes keeps dozens of them for sexual intercourse. This is called markaṭa-vairāgya. Therefore one who is unfit should not accept the renounced order of life.

CC Antya 2.149, Translation:

In a spiritual body resembling that of a Gandharva, Junior Haridāsa, although invisible, would sing at night for Śrī Caitanya Mahāprabhu to hear. No one but the Lord, however, knew of this.

CC Antya 4.201, Translation:

After saying this, Śrī Caitanya Mahāprabhu again embraced Sanātana Gosvāmī. Thus immediately Sanātana's sores disappeared, and his entire body resembled the color of gold.

CC Antya 6.284, Translation:

Hearing this news, Śrī Caitanya Mahāprabhu said, “He has done very well by no longer standing at the Siṁha-dvāra gate. Such begging of alms resembles the behavior of a prostitute.

CC Antya 7.29, Translation:

“"When Lord Śrī Kṛṣṇa was dancing with the gopīs in the rāsa-līlā, the gopīs were embraced around the neck by the Lord"s arms. This transcendental favor was never bestowed upon the goddess of fortune or the other consorts in the spiritual world. Nor was such a thing ever imagined by the most beautiful girls in the heavenly planets, girls whose bodily luster and aroma resemble the beauty and fragrance of lotus flowers. And what to speak of worldly women, who may be very, very beautiful according to material estimation?’

CC Antya 11.62, Translation:

The body of Haridāsa Ṭhākura was then raised onto a carrier that resembled an airship and taken to the sea, accompanied by congregational chanting.

CC Antya 15.21, Translation:

“Kṛṣṇa's transcendental body is so cool that it cannot be compared even to sandalwood pulp or to millions upon millions of moons. It expertly attracts the breasts of all women, which resemble high hills. Indeed, the transcendental body of Kṛṣṇa attracts the minds of all women within the three worlds.

CC Antya 15.66, Translation:

“Kṛṣṇa's yellow garments look exactly like restless lightning in the sky, and the pearl necklace on His neck appears like a line of ducks flying below a cloud. Both the peacock feather on His head and His Vaijayantī garland (containing flowers of five colors) resemble rainbows.

CC Antya 15.75, Translation:

“The two very beautiful arms of Kṛṣṇa are just like long bolts. They also resemble the bodies of black snakes that enter the space between the two hill-like breasts of women and bite their hearts. The women then die from the burning poison.

CC Antya 17.17, Translation:

As the Lord lay there unconscious, His body resembled a large pumpkin. Externally He was completely inert, but within He felt overwhelming transcendental bliss.

CC Antya 18.84, Translation:

“My dear friends, just see Lord Kṛṣṇa's sporting pastimes in the water! Kṛṣṇa's restless palms resemble lotus flowers. He is just like the chief of mad elephants, and the gopīs who accompany Him are like she-elephants.

CC Antya 18.86, Translation:

“The gopīs were like steady streaks of lightning, and Kṛṣṇa resembled a blackish cloud. The lightning began sprinkling water upon the cloud, and the cloud upon the lightning. Like thirsty cātaka birds, the eyes of the gopīs joyously drank the nectarean water from the cloud.

CC Antya 18.95, Translation:

“When the raised breasts of the gopīs, which resembled the globelike bodies of cakravāka birds, emerged from the water in separate couples, the bluish lotuses of Kṛṣṇa's hands rose to cover them.

CC Antya 18.96, Translation:

“The hands of the gopīs, which resembled red lotus flowers, arose from the water in pairs to obstruct the bluish flowers. The blue lotuses tried to plunder the white cakravāka birds, and the red lotuses tried to protect them. Thus there was a fight between the two.

CC Antya 19.39, Translation:

“My dear friend, where is that beautiful helmet with a peacock feather upon it like a rainbow upon a new cloud? Where are those yellow garments, shining like lightning? And where is that necklace of pearls that resemble flocks of ducks flying in the sky? The blackish body of Kṛṣṇa triumphs over the new blackish rain cloud.

CC Antya 19.40, Translation:

“If a person's eyes even once capture that beautiful body of Kṛṣṇa, it remains always prominent within his heart. Kṛṣṇa's body resembles the sap of the mango tree, for when it enters the minds of women, it will not come out, despite great endeavor. Thus Kṛṣṇa's extraordinary body is like a thorn of the seyā berry tree.

CC Antya 19.107, Purport:

“Kṛṣṇa no longer gives us the enchanting nectar of His lips; instead, He now gives that nectar to the women of Mathurā. Kṛṣṇa directly attracts our minds, yet He resembles a bumblebee like you because He gives up the association of a beautiful flower and goes to a flower that is inferior. That is the way Kṛṣṇa has treated us. I do not know why the goddess of fortune continues to serve His lotus feet instead of leaving them aside. Apparently she believes in Kṛṣṇa's false words. We gopīs, however, are not unintelligent like Lakṣmī.”

Other Books by Srila Prabhupada

Teachings of Lord Caitanya

Teachings of Lord Caitanya, Chapter 6:

By devotional service one can understand that Kṛṣṇa first of all manifests Himself as svayam-rūpa, His personal form, then as tadekātma-rūpa, and then as āveśa-rūpa. It is in these three features that He manifests Himself in His transcendental form. The feature of svayam-rūpa is the form by which Kṛṣṇa can be understood by one who may not understand His other features. In other words, the form by which Kṛṣṇa is directly understood is called svayam-rūpa, or His personal form. The tadekātma-rūpa is that form which most resembles the svayam-rūpa, but there are some differences in the bodily features. The tadekātma-rūpa is divided into two manifestations—the personal expansion (svāṁśa) and the pastime expansion (vilāsa). As far as the āveśa-rūpa is concerned, when Kṛṣṇa empowers some suitable living entity to represent Him, that living entity is called āveśa-rūpa, or śaktyāveśa-avatāra.

Teachings of Lord Caitanya, Chapter 31:

Although the associates of Rādhārāṇī do not expect any personal attention from Kṛṣṇa, Rādhārāṇī is so pleased with them that She arranges individual meetings between Kṛṣṇa and the damsels of Vraja. Indeed, Rādhārāṇī tries to combine or unite Her associates with Kṛṣṇa by many transcendental maneuvers, and She takes more pleasure in these meetings than in Her own meetings with Him. When Kṛṣṇa sees that both Rādhārāṇī and Her associates are pleased by His association, He becomes more satisfied. Such association and loving reciprocation have nothing to do with material lust, although it resembles the material union between man and woman. It is only because that similarity is there that such reciprocation is sometimes called, in transcendental language, transcendental lust. As explained in Gautamīya-tantra (Bhakti-rasāmṛta-sindhu 1.2.285): "Lust means attachment to one's personal sense gratification. But as far as Rādhārāṇī and Her associates are concerned, they did not desire personal sense gratification.

Nectar of Devotion

Nectar of Devotion 9:

A similar statement is in the Skanda Purāṇa, which says, "Persons who are decorated with tilaka or gopī-candana (a kind of clay resembling fuller's earth which is produced in certain quarters of Vṛndāvana), and who mark their bodies all over with the holy names of the Lord, and on whose necks and breasts there are tulasī beads, are never approached by the Yamadūtas." The Yamadūtas are the constables of King Yama (the lord of death), who punishes all sinful men. Vaiṣṇavas are never called for by such constables of Yamarāja. In the Śrīmad-Bhāgavatam, in the narration of Ajāmila's deliverance, it is said that Yamarāja gave clear instructions to his assistants not to approach the Vaiṣṇavas. Vaiṣṇavas are beyond the jurisdiction of Yamarāja's activities.

Nectar of Devotion 10:

There are many symptoms of ecstatic love caused by remembering Kṛṣṇa. For example, one friend of Kṛṣṇa informed Him, "My dear Mukunda, just after observing a bluish cloud in the sky, the lotus-eyed Rādhārāṇī immediately began to remember You. And simply by observing this cloud She became lusty for Your association." This is an instance of remembering Kṛṣṇa in ecstatic love because of seeing something resembling Him. Kṛṣṇa's bodily complexion is very similar to the bluish hue of a cloud, so simply by observing a bluish cloud, Śrīmatī Rādhārāṇī remembered Him.

Nectar of Devotion 21:

It is said that the transcendental body of Kṛṣṇa resembles the lotus flower in eight parts—namely His face, His two eyes, His two hands, His navel and His two feet. The gopīs and inhabitants of Vṛndāvana used to see the luster of lotus flowers everywhere, and they could hardly withdraw their eyes from such a vision.

Nectar of Devotion 22:

This was verified by Bilvamaṅgala Ṭhākura when in Kṛṣṇa-karṇāmṛta he addressed Kṛṣṇa thus: "My dear Lord, what can I say about the opulence of Your Vṛndāvana? Simply the ornaments on the legs of the damsels of Vṛndāvana are more than cintāmaṇi, and their dresses are as good as the heavenly pārijāta flowers. And the cows exactly resemble the surabhi cows in the transcendental abode. Therefore Your opulence is just like an ocean that no one can measure."

Nectar of Devotion 22:

Regarding the attractiveness of Kṛṣṇa's bodily beauty and the sound vibration of His flute, in the Tenth Canto, Twenty-ninth Chapter, verse 40, of Śrīmad-Bhāgavatam, the gopīs address Kṛṣṇa as follows: "Although our attitude toward You resembles loving affairs with a paramour, we cannot but wonder at how no woman can maintain her chastity upon hearing the vibration from Your flute. And not only women, but even stronghearted men are subject to falling down from their position at the sound of Your flute. In fact, we have seen that in Vṛndāvana even the cows, the deer, the birds, the trees—everyone—has been enchanted by the sweet vibration of Your flute and the fascinating beauty of Your person."

Nectar of Devotion 26:

There is a statement in this connection that Kṛṣṇa, on arriving at this age, manifested such beautiful bodily features that His restless eyes became the playthings of Cupid, and His mild smile resembled the newly grown lotus flower. The enchanting vibration of His songs became a great impediment to the young girls, who were supposed to remain chaste and faithful to their husbands.

Nectar of Devotion 40:

When Kṛṣṇa's sons dined with Him, they would sometimes open their mouths for Kṛṣṇa to feed them. Sometimes when Kṛṣṇa would pat one of His sons, the son would sit on Kṛṣṇa's lap, and while Kṛṣṇa was blessing the son's head by smelling it, the others would shed tears, thinking how many pious activities he must have performed in his previous life. Out of Kṛṣṇa's many sons, Pradyumna, a son of Kṛṣṇa's chief queen, Rukmiṇī, is considered the leader. Pradyumna's bodily features resemble Kṛṣṇa's exactly. Pure devotees of Kṛṣṇa glorify Pradyumna because he is so fortunate: like father like son.

Nectar of Devotion 40:

When Cupid came on one occasion to visit Lord Kṛṣṇa, some devotee addressed him thus: "My dear Cupid, because you have been so fortunate as to have placed your eyesight on the lotus feet of Kṛṣṇa, the drops of perspiration on your body have become frozen, and they resemble kaṇṭakī fruits (a kind of small fruit found in thorny bushes)." These are signs of ecstasy and veneration for the Supreme Personality of Godhead. When the princes of the Yadu dynasty heard the vibration of Kṛṣṇa's Pāñcajanya conchshell, the hairs on their bodies immediately stood up in ecstatic jubilation. It seemed at that time that all the hairs on the bodies of the princes were dancing in ecstasy.

Nectar of Devotion 43:

There is another description of mother Yaśodā in a devotee's prayer: "Let me be given protection by mother Yaśodā, whose curly hairs are bound with thread, whose hair is very brightly beautified by the vermilion placed in the part and whose bodily frame derides all her ornaments. Her eyes are always engaged in seeing the face of Kṛṣṇa, and thus they are always filled with tears. Her complexion, which resembles the bluish lotus flower, is enhanced in beauty by her dressing herself with many colorful garments. Let her merciful glance fall on all of us so that we may be protected from the clutches of māyā and smoothly progress in our devotional service!"

Nectar of Devotion 43:

While Kṛṣṇa was in the middle of His kaumāra age, His waist became thinner, His chest became broader, and His head was decorated with His curly hairs, resembling the falling of the wings of a crow. These wonderful features of Kṛṣṇa's body never failed to astonish mother Yaśodā. At the end of His kaumāra age, Kṛṣṇa carried a small stick in His hand, His clothing was a little longer, and He had a knot around His waist, resembling the hood of a snake. In that dress He used to take care of the calves near the house, and sometimes He played with cowherd boys of about the same age. He had a slender flute and a buffalo-horn bugle, and sometimes He played on a flute made from the leaves of trees. These are some of the symptoms of the end of Kṛṣṇa's kaumāra age.

Nectar of Devotion 45:

When a smiling person claps his hands and leaps in the air, the smiling expression changes into atihasita, or overwhelming laughter. An example of atihasita was manifested in the following incident. Kṛṣṇa once addressed Jaratī thus: "My dear good woman, the skin of your face is now slackened, and so your face exactly resembles a monkey's. As such, the King of the monkeys, Balīmukha, has selected you as his worthy wife." While Kṛṣṇa was teasing Jaratī in this way, she replied that she was certainly aware of the fact that the King of the monkeys was trying to marry her, but she had already taken shelter of Kṛṣṇa, the killer of many powerful demons, and therefore she had already decided to marry Kṛṣṇa instead of the King of the monkeys. On hearing this sarcastic reply by the talkative Jaratī, all the cowherd girls present there began to laugh very loudly and clap their hands. This laughter, accompanied by the clapping of hands, is called atihasita.

Krsna, The Supreme Personality of Godhead

Krsna Book 6:

The innocent cowherd women thought that she was the goddess of fortune appearing in Vṛndāvana with a lotus flower in her hand. It seemed to them that she had personally come to see Kṛṣṇa, who is her husband. Because of her exquisite beauty, no one checked her movement, and therefore she freely entered the house of Nanda Mahārāja. Pūtanā, the killer of many, many children, found baby Kṛṣṇa lying on a small bed, and she could at once perceive that the baby was hiding His unparalleled potencies, which resembled fire covered by ashes. Pūtanā thought, "This child is so powerful that He can destroy the whole universe immediately."

Krsna Book 13:

On Their chests was the mark of Śrīvatsa, Their arms were decorated with armlets and other jewelry, and Their necks were just like conchshells. Their legs were decorated with bells, Their waists with golden belts, and Their fingers with jeweled rings. Brahmā also saw that upon the whole body of each Lord Viṣṇu, from the lotus feet up to the top of the head, fresh tulasī leaves and buds had been thrown. Another significant feature of the Viṣṇu forms was that all of Them were looking transcendentally beautiful. Their smiling resembled the moonshine, and Their glancing resembled the early rising of the sun. Just by Their glancing They showed Themselves to be the creators and maintainers of the modes of ignorance and passion. Viṣṇu represents the mode of goodness, Brahmā represents the mode of passion, and Lord Śiva represents the mode of ignorance. Therefore as the maintainer of everything in the cosmic manifestation, Viṣṇu is also the creator and maintainer of Brahmā and Lord Śiva.

Krsna Book 14:

“My dear Lord Kṛṣṇa, those who deride You, claiming that You have a material body like an ordinary man, are described in the Bhagavad-gītā as demoniac and less intelligent. You are always transcendental. The nondevotees are cheated because they consider You to be a material creation. Actually, You have assumed this body, which exactly resembles that of an ordinary cowherd boy, simply to increase the devotion and transcendental bliss of Your devotees.

Krsna Book 16:

When Kṛṣṇa was swimming about just like a great strong elephant, He made a tumultuous sound, which the great black serpent Kāliya could hear. The tumult was intolerable for him, and he could understand that this was an attempt to attack his home. Therefore he immediately came before Kṛṣṇa. Kāliya saw that Kṛṣṇa was indeed worth seeing because His body was so beautiful and delicate; its color resembled that of a cloud, and His feet resembled lotus flowers. He was decorated with Śrīvatsa, jewels and yellow garments. He was smiling with a beautiful face and playing in the river Yamunā with great strength. But in spite of Kṛṣṇa's beautiful features, Kāliya felt great anger within his heart, and thus he grabbed Kṛṣṇa with his mighty coils. Seeing the incredible way in which Kṛṣṇa was enveloped in the coils of the serpent, the affectionate cowherd boys and other inhabitants of Vṛndāvana immediately became stunned out of fear.

Krsna Book 18:

Kṛṣṇa, the reservoir of pleasure, blowing His flute, accompanied by His elder brother Balarāma and the other cowherd boys and the cows, entered the beautiful forest of Vṛndāvana to enjoy the atmosphere. They walked into the midst of newly grown leaves of trees whose flowers resembled peacock feathers. They were garlanded by those flowers and decorated with saffron chalk. Sometimes they were dancing and singing and sometimes wrestling with one another. While Kṛṣṇa danced, some of the cowherd boys sang and others played on flutes; some bugled on buffalo horns or clapped their hands, praising Kṛṣṇa, "Dear brother, You are dancing very nicely." Actually, all these boys were demigods descended from higher planets to assist Kṛṣṇa in His pastimes.

Krsna Book 34:

At that time, while Kṛṣṇa, Balarāma and the damsels were so much absorbed, almost in madness, a demoniac associate of Kuvera (the treasurer of the heavenly planets) appeared on the scene. The demon's name was Śaṅkhacūḍa because on his head there was a valuable jewel resembling a conchshell. Just as the two sons of Kuvera had been puffed up over their wealth and opulence and did not care for Nārada Muni's presence, this Śaṅkhacūḍa was also puffed up over material opulence. He thought that Kṛṣṇa and Balarāma were two ordinary cowherd boys enjoying the company of many beautiful girls.

Krsna Book 34:

Thinking the brothers too powerful, Śaṅkhacūḍa left the company of the gopīs and ran in fear for his life. But Kṛṣṇa would not let him go. He entrusted the gopīs to the care of Balarāma and followed Śaṅkhacūḍa wherever he fled. Kṛṣṇa wanted to take the valuable jewel resembling a conchshell from the head of the demon. After following him a very short distance, Kṛṣṇa caught him, struck his head with His fist and killed him. He then took the valuable jewel and returned. In the presence of all the damsels of Vraja, He presented the valuable jewel to His elder brother, Balarāma.

Krsna Book 35:

"When Kṛṣṇa returns, He is garlanded with tulasī leaves," a gopī described Him to a friend. "He puts His hand on the shoulder of a cowherd boyfriend and begins to blow His transcendental flute. The wives of the black deer become enchanted upon hearing the vibration of His flute, which resembles the vibration of the vīṇā. The deer come to Kṛṣṇa and become so charmed that they stand still, forgetting their homes and husbands. Like us, who are enchanted by the ocean of the transcendental qualities of Kṛṣṇa, the she-deer become enchanted by the vibration of His flute."

Krsna Book 39:

In other words, after returning to the Yamunā, Akrūra saw Balarāma turned into Śeṣa Nāga and Kṛṣṇa turned into Mahā-Viṣṇu. He saw the four-handed Supreme Personality of Godhead, smiling very beautifully. He was very pleasing to all and was looking toward everyone with a merciful glance. He appeared beautiful with His raised nose, broad forehead, attractive ears and reddish lips. His arms, reaching to the knees, were very strongly built. His shoulders were high, His chest was very broad, and His neck was shaped like a conchshell. His navel was very deep, and His abdomen was marked with three lines. His hips were broad and big, resembling those of a woman, and His thighs resembled the trunks of elephants.

Krsna Book 42:

Kṛṣṇa next inquired from the citizens as to the location of the place of sacrifice. Kaṁsa had arranged for the sacrifice called Dhanur-yajña, and to designate this particular sacrifice he had placed a big bow near the sacrificial altar. The bow was very big and wonderful and resembled a rainbow in the sky. Within the sacrificial arena, this bow was protected by many constables and watchmen engaged by King Kaṁsa. As Kṛṣṇa and Balarāma approached the bow, They were warned not to go nearer, but Kṛṣṇa ignored this warning. He forcibly went up and immediately took the big bow in His left hand.

Krsna Book 46:

In the meantime, Uddhava, a cousin-brother of Kṛṣṇa's, came to see Kṛṣṇa from Dvārakā. He was the son of Vasudeva's brother and was almost the same age as Kṛṣṇa. His bodily features resembled Kṛṣṇa's almost exactly. After Kṛṣṇa returned from His teacher's home, He was pleased to see Uddhava, who happened to be His dearmost friend. Kṛṣṇa wanted to send him to Vṛndāvana with a message to the residents to pacify their deep feelings of separation.

Krsna Book 47:

When the gopīs saw Uddhava, they observed that his features almost exactly resembled those of Kṛṣṇa, and they could understand that he was a great devotee of Kṛṣṇa's. His arms were very long and his eyes were just like the petals of the lotus flower. He was dressed in yellow garments and wore a garland of lotus flowers. His face was very beautiful. Having achieved the liberation of sārūpya and thus having the same bodily features as the Lord, Uddhava looked almost like Kṛṣṇa. In Kṛṣṇa's absence, the gopīs had been coming dutifully to visit mother Yaśodā’s house early in the morning. They knew that Nanda Mahārāja and mother Yaśodā were always grief-stricken, and they had made it their first duty to come and pay their respects to the most exalted elder personalities of Vṛndāvana. Seeing the friends of Kṛṣṇa, Nanda and Yaśodā would remember Kṛṣṇa Himself and be satisfied, and the gopīs also would be pleased by seeing Nanda and Yaśodā.

Krsna Book 47:

When the gopīs saw that Uddhava was representing Kṛṣṇa even in his bodily features, they thought he must be a soul completely surrendered unto the Supreme Personality of Godhead. They began to contemplate, "Who is this boy who looks just like Kṛṣṇa? He has the same eyes like lotus petals, the same raised nose and beautiful face, and he is smiling in the same way. In all respects he resembles Kṛṣṇa, Śyāmasundara, the beautiful blackish boy. He is even dressed exactly like Kṛṣṇa. Where has this boy come from? Who is the fortunate girl who has him for her husband?" Thus they talked among themselves. They were very anxious to know about him, and because they were simple, unsophisticated village girls, they surrounded Uddhava.

Krsna Book 47:

You feel very proud because of having touched that garland, and your mustaches have become reddish. You have come here carrying a message for Me, anxious to touch My feet. But My dear bumblebee, let Me warn you—don’t touch Me! I don’t want any messages from your unreliable master. You are the unreliable servant of an unreliable master.” It may be that Śrīmatī Rādhārāṇī purposely addressed the bumblebee sarcastically in order to indirectly criticize the messenger Uddhava. Like the other gopīs, Śrīmatī Rādhārāṇī saw that Uddhava's bodily features resembled Kṛṣṇa's, but She also saw Uddhava as being equal to Kṛṣṇa. Indirectly, therefore, She indicated that Uddhava was as unreliable as Kṛṣṇa Himself. Śrīmatī Rādhārāṇī wanted to give specific reasons why She was dissatisfied with Kṛṣṇa and His messenger.

Krsna Book 50:

Almost all the infantry soldiers fell on the field of battle, their heads, hands and legs cut off. In this way, many thousands of elephants, horses and men were killed, and their blood flowed just like the waves of a river. In that river, the severed arms of men appeared like snakes and their heads like tortoises. The dead bodies of the elephants appeared like small islands, and the dead horses appeared like sharks. By the arrangement of the supreme will, there was a great river of blood filled with paraphernalia. The hands and legs of the infantry soldiers floated just like different kinds of fish, the hair of the soldiers floated like seaweed and moss, and the floating bows of the soldiers resembled waves of the river. And all the jewelry from the bodies of the soldiers and commanders seemed like many pebbles flowing down the river of blood.

Krsna Book 55:

Who is the fortunate young woman able to conceive this nice boy in her womb and become his mother? And who is that young woman who has accompanied him? How have they met? Remembering my own son, who was stolen from the maternity home, I can only guess that if he is living somewhere, he might have grown by this time to be like this boy.” Simply by intuition, Rukmiṇī could understand that Pradyumna was her own lost son. She could also observe that Pradyumna resembled Lord Kṛṣṇa in every respect. She was struck with wonder as to how he had acquired all the characteristics of Lord Kṛṣṇa. She therefore began to think more confidently that the boy must be her own grown-up son because she felt so much affection for him, and, as an auspicious sign, her left arm was trembling.

Krsna Book 70:

After entering the assembly house, He used to sit on the exalted royal throne and would be seen to emanate glaring rays of transcendental effulgence. In the midst of all the great heroes of the Yadu dynasty, Kṛṣṇa resembled the full moon in the sky surrounded by multiluminaries. In the assembly house were professional jokers, dancers, musicians and ballet girls, and as soon as the Lord sat on His throne they would begin their respective functions to please the Lord and put Him in a happy mood. First of all the jokers would talk in such a way that the Lord and His associates would enjoy their humor, which would refresh the morning mood.

Krsna Book 73:

However, because in that miserable condition they had had the opportunity to think about Lord Kṛṣṇa, they immediately saw Him now as the Supreme Personality of Godhead, Viṣṇu. They saw that the color of the transcendental body of Lord Kṛṣṇa resembled the hue of a newly arrived cloud in the sky. He appeared before them nicely covered by yellow silken garments, with four hands like Viṣṇu, and carrying the different symbols of the club, the conchshell, the disc and the lotus flower.

Krsna Book 77:

While Śrī Kṛṣṇa was thinking like this, Śālva brought before Him in custody a man exactly resembling Vasudeva, His father. These were all creations of the mystic power of Śālva.

Krsna Book 81:

While the learned brāhmaṇa was considering this, a group of beautiful men and women with features resembling those of the demigods, accompanied by musical chanters, approached to welcome him. All were singing auspicious songs. The wife of the brāhmaṇa was very glad on hearing the tidings of her husband's arrival, and with great haste she came out of the palace. The brāhmaṇa's wife appeared so beautiful that it seemed as if the goddess of fortune herself had come to receive him. As soon as she saw her husband present before her, tears of joy fell from her eyes, and her voice became so choked up that she could not even address her husband. She simply closed her eyes in ecstasy.

Krsna Book 82:

All the members of the Yadu dynasty were naturally very beautiful, yet on this occasion, when they appeared duly decorated with gold necklaces and flower garlands, dressed in valuable clothing and properly armed with their respective weapons, their natural beauty and personalities were a hundred times enhanced. The members of the Yadu dynasty came to Kurukṣetra in their gorgeously decorated chariots, which resembled the airplanes of the demigods and which were pulled by big horses that moved like the waves of the ocean. Some Yadus rode on sturdy, stalwart elephants that moved like the clouds in the sky. Their wives were carried on beautiful palanquins by beautiful men whose features resembled those of the Vidyādharas. The entire assembly looked as beautiful as an assembly of the demigods of heaven.

Krsna Book 82:

The ceremonial functions performed by the members of the Yadu dynasty externally resembled the ritualistic ceremonies performed by the karmīs. When a karmī performs some ritualistic ceremony, his ambition is sense gratification—good position, good wife, good house, good children or good wealth—but the ambition of the members of the Yadu dynasty was different. Their ambition was to offer Kṛṣṇa perpetual devotion with faith. All the members of the Yadu dynasty were great devotees. As such, after many births of accumulated pious activities, they were given the chance to associate with Lord Kṛṣṇa. In going to take their baths in the place of pilgrimage at Kurukṣetra, in observing the regulative principles during the solar eclipse, or in feeding the brāhmaṇas—in all their activities—they simply thought of devotion to Kṛṣṇa. Their ideal worshipable Lord was Kṛṣṇa, and no one else.

Krsna Book 84:

Vasudeva anointed his eyes with black cosmetic, smeared butter over his body and then, along with his eighteen wives, headed by Devakī, sat before the priests to be purified by the abhiṣeka ceremony. While the ceremony was being observed strictly according to the principles of the scriptures, Vasudeva resembled the moon encircled by stars. Because he was being initiated for the sacrifice, he was dressed in a deerskin, but all his wives were dressed with very nice saris, bangles, necklaces, ankle bells, earrings and many other ornaments. Vasudeva looked very beautiful surrounded by his wives, exactly like the King of heaven when he performs such sacrifices.

Krsna Book 87:

Women such as the gopīs were attached to Kṛṣṇa, being captivated by His beauty, and their mental concentration on Kṛṣṇa was provoked by lust. They wanted to be embraced by the arms of Kṛṣṇa, which resemble the beautiful round shape of a snake. Similarly, we, the Vedic hymns, simply concentrate our minds on the lotus feet of Your Lordship. Women like the gopīs concentrate upon You under the dictation of lust, and we concentrate upon Your lotus feet to go back home, back to Godhead. Your enemies also concentrate upon You, thinking always of how to kill You, and yogīs undertake great penances and austerities just to attain Your impersonal effulgence. All these different persons, although concentrating their minds in different ways, achieve spiritual perfection according to their different perspectives because You, O Lord, are equal to all Your devotees.”

Krsna Book 90:

"Dear beautiful cloud, the color of your beautiful body exactly resembles the bodily hue of our dearmost Śyāmasundara. We think, therefore, that you are very dear to our Lord, the chief of the dynasty of the Yadus, and because you are so dear to Him, you are absorbed in meditation, exactly as we are. We can appreciate that your heart is full of anxiety for Śyāmasundara. You appear excessively eager to see Him, and we see that for this reason only, drops of tears are gliding down from your eyes, just as they are from ours. Dear black cloud, we must admit frankly that to establish an intimate relationship with Śyāmasundara means to purchase unnecessary anxieties while we are otherwise comfortable at home."

Krsna Book 90:

Generally the cuckoo sounds its cooing vibration at the end of night or early in the morning. When the queens heard the cooing of the cuckoo at the end of night, they said, "Dear cuckoo, your voice is very sweet. As soon as you vibrate your sweet voice, we immediately remember Śyāmasundara because your voice exactly resembles His. We must frankly admit that your voice is imbued with nectar, and it is so invigorating that it is competent to bring back life to those who are almost dead in separation from their dearmost friend. So we are very much obliged to you. Please let us know how we can welcome you or how we can do something for you."

Renunciation Through Wisdom

Renunciation Through Wisdom 5.1:

I worship Govinda, the primeval Lord, residing in His own realm, Goloka, with Rādhā, resembling His own spiritual figure, the embodiment of the ecstatic potency possessed of the sixty-four artistic activities, in the company of Her confidantes (sakhīs), embodiments of the extensions of Her bodily form, permeated and vitalized by His ever-blissful spiritual rasa.

Renunciation Through Wisdom 5.1:

When the famous Māyāvādī sannyāsī Prakāśānanda Sarasvatī met Lord Caitanya in Benares, he spoke as follows to the Lord: "I see You are a sannyāsī, yet You are in the company of sentimentalists, and like them You are dancing and singing. The real business of sannyāsīs is to study the Vedas and meditate on Brahman. But You have rejected these duties and are acting like a sentimentalist. I am impressed with Your effulgent form, which resembles that of Lord Nārāyaṇa Himself, but why do You act below your status?"

Light of the Bhagavata

Light of the Bhagavata 4, Translation:

After heavy rain showers, the fields and forests in all directions appear green and healthy. Thus they resemble a man who has undergone severe austerities for some material gain and has achieved his end, for such a man is strong, hearty, and good-looking.

Light of the Bhagavata 15, Purport:

The Sanskrit word guṇa means "quality" or "mode," as well as "string" or "rope." When a rainbow appears during the rainy season, it is observed to be like a bow with no guṇa, or string. Similarly, the appearance of the Personality of Godhead or His transcendental servants has nothing to do with the qualitative modes of material nature. The phenomenal appearance of the Transcendence is free from the qualities of material nature, and thus it resembles a bow with no string.

Light of the Bhagavata 18, Translation:

Many plants and creepers that were almost dead during the months of April and May are now visible again in various forms, for they are nourished by their roots in the moist earth. These numberless plants and creepers resemble persons who dry up in severe penances for some material gain but then achieve their objectives and become luxuriously fat, nourished by sense enjoyment.

Light of the Bhagavata 18, Purport:

In Bhagavad-gītā it is said that when the daytime of Brahmā is over, the manifested creations of the universe all vanish, and after the end of Brahmā's night the creation is manifested again. Thus the cosmic creation, in its manifestation and nonmanifestation, resembles the creepers and plants that appear during the rainy season and gradually vanish when the season is over.

Light of the Bhagavata 20, Translation:

Fierce torrents of rain break over the strands and the partition walls of the paddy field. These disturbances resemble those created by the seasonal opponents of the standard principles of the Vedas, who are influenced by the age of Kali.

Light of the Bhagavata 36, Translation:

With the progress of the autumn season the moist earth and muddy places begin to dry up, and the green vegetation begins to fade. This drying up and fading resembles the gradual disappearance of the false sense of affinity and ego.

Light of the Bhagavata 44, Translation:

In the autumn season all the reservoirs of water are full of lotus flowers. There are also flowers that resemble the lotus but are of a different class. Among them is a flower called kumuda. When the sun rises, all the flowers but the kumuda blossom beautifully. Similarly, lotuslike men take pleasure in the advent of a responsible king, but men who are like the kumuda do not like the existence of a king.

Light of the Bhagavata 47, Translation:

From the Transcendence, which is called Kṛṣṇaloka, there emanates a glowing effulgence that resembles the tail of a comet. This glowing effulgence is unlimited, immeasurable, and unfathomable. Within this effulgence there are innumerable glowing planets, each of them self-luminous. Somewhere, a limited part of that glowing effulgence is covered by material energy, just as a part of the sky is covered by a cloud. Within this material energy there are innumerable universes, in every universe there are innumerable material planets, and the earth is one of these planets. Thus we can understand what an insignificant part of the entire cosmos is this globe on which we live.

Mukunda-mala-stotra (mantras 1 to 6 only)

Mukunda-mala-stotra mantra 2, Translation:

All glories to this Personality of Godhead known as the son of Śrīmatī Devakī devī! All glories to Lord Śrī Kṛṣṇa, the brilliant light of the Vṛṣṇi dynasty! All glories to the Personality of Godhead, the hue of whose soft body resembles the blackish color of a new cloud! All glories to Lord Mukunda, who removes the burdens of the earth!

Narada-bhakti-sutra (sutras 1 to 8 only)

Narada Bhakti Sutra 7, Purport:

"As there is a difference between iron and gold, so there is a difference between material lust and Kṛṣṇa's loving affairs with the gopīs" (CC Adi 4.164). Although such loving affairs may sometimes resemble material lust, the difference is as follows:

ātmendriya-prīti-vāñchā-tāre bali 'kāma'
kṛṣṇendriya-prīti-icchā dhare 'prema' nāma

"The desire to satisfy one's own senses is called lust, while the desire to satisfy the senses of Kṛṣṇa is called prema, love of God" (CC Adi 4.165).

Page Title:Resembling (CC and Other Books)
Compiler:Rishab, Gopinath
Created:17 of Jun, 2011
Totals by Section:BG=0, SB=0, CC=49, OB=51, Lec=0, Con=0, Let=0
No. of Quotes:100