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Poetry (Lectures)

Lectures

Bhagavad-gita As It Is Lectures

Lecture on BG 2.1 -- Ahmedabad, December 7, 1972:

In a poetry, Prema-vivarta, it is said that piśācī pāile yena mati-cchanna haya, māyā-grasta jīvera haya se bhāva udaya. Māyā-grasta jīva. Māyā-grasta. Māyā means illusion, hallucination. So we are, in this material world, we are all illusioned. Illusioned means accepting something as fact which is not.

Lecture on BG 2.8-12 -- Los Angeles, November 27, 1968:

Śaṅkarācārya's statement is there. We can give evidence. He accepts Kṛṣṇa as the supreme authority. He has written so many nice poems praising or worshiping Kṛṣṇa. And at the last time he says, bhaja govindaṁ bhaja govindaṁ bhaja govindaṁ mūḍha-mate. "You rascal fools. Oh, you are depending on grammar to understand. This is all nonsense." Bhaja govindam. "Just worship Govinda."

Lecture on BG 2.55-58 -- New York, April 15, 1966:

This is ordinary life. Mostly people are working for that purpose, mostly. And above them, above them, if somebody is intelligent, he's working on the mind—philosophy, poetry, nice idea in novel, nice idea in drama, some psychological..., all these things. So they are little better than those who are working day and night hard for sense gratification.

Lecture on BG 4.1 -- Montreal, August 24, 1968:

In our childhood we read one poetry that a boy has brought one bird, and the bird is talking with the boy. "My dear bird, you live with me. I shall give you very nice fruits. I shall talk with you," and so many things. But the bird says, "No, I want to go away. I want to go away." "No, I shall give you a golden cage. You don't go away." So he says, "No, no. I don't like golden cage. I want freedom." So that was talk.

Lecture on BG 4.9 -- Bombay, March 29, 1974:

To satisfy the senses that is sukh. That is happiness. And those who are a little disgusted with sense gratification, indriyāṇi parāṇy āhur indriyebhyaḥ paraṁ manaḥ (BG 3.42). They are mental speculators. They write poetries and utopian theories, "This philosophy, that philosophy." In this way they satisfy the mind. But that is also not happiness. Mental happiness. Mano-rathena asato dhāvato bahiḥ. If you become satisfied by mental happiness, then you'll have to come down again.

Lecture on BG 4.10 -- Calcutta, September 23, 1974:

Īśvara, the Supreme Personality of Godhead, is situated in everyone's heart. And He is giving us the facilities for material enjoyment. Because we have come here, we have come in this, in the material world, for sense enjoyment.

kṛṣṇa-bahirmukha hañā bhoga vāñchā kare
nikaṭa-stha māyā tāre jāpaṭiyā dhare
(Prema-vivarta)

This is a simple poetry given by a Vaiṣṇava. As soon as we want to enjoy life independently, immediately māyā captures. So this is simple presentation.

Lecture on BG 4.26 -- Bombay, April 15, 1974:

And those who are little advance, they are in the enjoyment of the mind, mental speculation, philosophy, or theosophy. So many "sophies" are there. Somebody putting some theories, this theory, that theory, that theory. Mental speculation. They derives poetry, writing poetry, nice poetry. They are not on the gross platform of sense gratification but on the subtle platform of sense... Mind is also sense. Mind is also sense.

Lecture on BG 4.39-5.3 -- New York, August 24, 1966:

There is another instance in a Bengali poetry, gṛhe vā vanete thāke, sadā gaurāṅga bole ḍāke, that "A man may be situated as a householder or a man may be situated as a renounced order in life. That doesn't matter. If he is attached with Kṛṣṇa consciousness, he is the perfect man." So here is the indication.

Lecture on BG 6.1 -- Los Angeles, February 13, 1969:

Somebody are trying to find out pleasure from the material point of view, somebody's trying to find pleasure from speculation, philosophy, poetry of art. And somebody's trying to find out pleasure in the transcendental stage. Everyone is trying to find out pleasure. That is our business only.

Lecture on BG 7.3 -- Montreal, June 3, 1968:

This material world is full of danger in every step. There is a very nice verse:

samāśritā ye pada-pallava-plavaṁ
mahat-padaṁ puṇya-yaśo murāreḥ
bhavāmbudhir vatsa-padaṁ paraṁ padaṁ
padaṁ padaṁ yad vipadāṁ na teṣām
(SB 10.14.58)

It is very nice poetry. Śrīmad-Bhāgavatam, in every verse there is poetic genius. Now, you see in this verse, vatsa-padaṁ paraṁ padaṁ padaṁ padaṁ yad vipadāṁ na teṣām. The padaṁ padam. You see? Anuprāsa.

Lecture on BG 7.7 -- Bombay, February 22, 1974:

These are simple Bengali poetries by Vaiṣṇavas that as soon as you desire to enjoy your senses... That enjoyment of senses will not give you happiness. That is our practical experience. Anybody, call anybody who is engaged in sense gratification, ask him, "Are you happy?" He'll never say. They are... We have practically seen.

Lecture on BG 9.2 -- Calcutta, March 7, 1972:

So this devotional service is rāja-vidyā because it is uttama, utgata tama. There is nothing material contamination, uttama. Therefore Kṛṣṇa is sometimes called Uttama-śloka. Kṛṣṇa is worshiped by verses which is not ordinary poetry, ordinary poetry.

Lecture on BG 9.4 -- Melbourne, April 22, 1976:

This is called varṇāśrama-dharma, not to become... It is said in a Bengali poem, janame janame sabe pitā-mātā pāya: "In every life everyone gets a father and mother." Because without father and mother there is no question of birth. Janame janame sabe pitā-mātā pāya, kṛṣṇa guru nāhi mile bhaja hu diya (?): "But you cannot get the proper guidance, guru and Kṛṣṇa, in every life.

Lecture on BG 13.2 -- Melbourne, April 4, 1972:

We don't think that, that "Why you are forced to leave?" That we do not think. But that's a fact. I am living very comfortably with my society, family. "Society, friendship and love, divinely bestowed upon man." There is one poetry. That's all right, but it is so nice, it is so pleasing, but one day comes, "Please get out." Finished. You cannot protest. You cannot say that "I have worked so hard. I have made my country, my family, my house so nice. Why I shall get out?" "No. You must leave." "Oh, let me stay here for some days more." "No, not even a second. You must get out." We cannot consider all these points. We are simply attached.

Lecture on BG 13.4 -- Paris, August 12, 1973:

Just like yesterday one boy and girl came, he's poet. I asked him, "What poetry you write? What is the subject matter?" No subject matter. No subject matter. (laughter) This is pāgal, Pāgal means "mad." Piśācī pāile yena mati-cchana haya māyār grasta jīvera sei dāsa upajaya. Piśācī, ghost. Ghostly haunted. A person, when he becomes ghostly haunted, he speaks all kinds of nonsense. So māyā grasta jīvera sei dāsa upajaya. Those who have come to this material world under the influence of the external energy of Kṛṣṇa, māyā, they are all madmen.

Lecture on BG 13.8-12 -- Bombay, October 5, 1973:

By remembering, yaḥ smaret puṇḍarīkākṣam, the lotus-eyed Kṛṣṇa, if you always think, that is śuci. And in Bengali there is a word, poetry, muci haya śuci haya yadi kṛṣṇa bhaje. If one is Kṛṣṇa conscious, even if he is born in a cobbler's family, muci... In India there are two things, muci and śuci. Śuci means perfect brāhmaṇa, and muci means cobbler, the shoemaker. So muci haya śuci haya yadi kṛṣṇa bhaje. If one becomes Kṛṣṇa conscious, even if he is born in the family of a muci, camāra, he can become a brāhmaṇa. And śuci haya muci haya yadi kṛṣṇa tyaje. And if he gives up Kṛṣṇa, even if he's born in a brāhmaṇa family, he becomes a muci.

Lecture on BG 13.20 -- Bombay, October 14, 1973:

We are not enjoyer, but every one of us, we are thinking we are enjoyer, individually, collectively, nationally, socially, communical..., any way, everyone.

kṛṣṇa-bahirmukha hañā bhoga vāñchā kare
nikaṭa-stha māyā tāre jāpaṭiyā dhare
(Prema-vivarta)

This is a Bengali poetry. It says, "As soon as we forget the real enjoyer and we want to enjoy, immediately that is called māyā."

Srimad-Bhagavatam Lectures

Lecture on SB 1.2.5 -- Aligarh, October 9, 1976:

They have no information of the superior nature. But Kṛṣṇa says that these five elements, eight elements. Five gross and three subtle. The mind is also material. Khaṁ mano buddhir. These are material. People think this mental speculation, poetry, philosophy, that is spiritual. No. So long the subject matter is material, the concoction of the mind, speculation of the mind, the so-called philosophy, is also material.

Lecture on SB 1.2.6 -- Hyderabad, November 26, 1972:

The whole world is going on. Material world means everyone is working hard only for the happiness of the body. And some of them, they are trying to be happy by the happiness of the mind. Just like arts, poetry, philosophy, speculating on. But both of these kinds of happiness will not give us real happiness. Because real happiness belongs to the soul. Basic principle of happiness missing.

Lecture on SB 1.2.12 -- Los Angeles, August 15, 1972:

So here is... The first thing is how much eager you are to see Kṛṣṇa. Kṛṣṇa will respond. If you are actually eager to see Kṛṣṇa... It, the reason may be different, either you are lusty or to steal His ornament. Some way or other, you become attracted to Kṛṣṇa, then your business is successful. Rūpa Gosvāmī has advised that... He says in a poetry. It is on the matter of the gopīs talking.

Lecture on SB 1.2.12 -- Los Angeles, August 15, 1972:

In another poetry Rūpa Gosvāmī says, kṛṣṇa-bhakti-rasa-bhāvitā matiḥ kriyatāṁ yadi kuto 'pi labhyate. The, our this Kṛṣṇa consciousness, I have taken this from this word kṛṣṇa-bhakti-rasa-bhāvitā matiḥ. This is actual translation in Sanskrit or... Kṛṣṇa-bhakti-rasa-bhāvitā matiḥ. So Rūpa Gosvāmī advises that "Kṛṣṇa consciousness, if it is possible, please purchase. Don't delay." Kṛṣṇa-bhakti-rasa-bhāvitā matiḥ kriyatām. "Purchase immediately!"

Lecture on SB 1.2.18 -- Los Angeles, August 21, 1972:

So whimsically, we cannot write any poetry for Kṛṣṇa. That is not possible. That will create havoc. Śrīla Rūpa Gosvāmī says,

śruti-smṛti-purāṇādi-
pañcarātra-vidhiṁ vinā
aikāntikī harer bhaktir
utpātāyaiva kalpate
(Brs. 1.2.101)

Any devotional sentiment which is not supported by Vedas, śruti... Śruti means Veda, and smṛti means corollary to the Veda, or things which are written in corroboration with the Vedic ideas... That is called smṛti. Just like Bhagavad-gītā is smṛti.

Lecture on SB 1.2.18 -- Calcutta, September 26, 1974:

There are so many prayers in the śāstras. So therefore His name is Uttama-śloka. These prayers are composed by not ordinary rascal poet. They are composed by very, very stalwart, great personalities like Lord Brahmā, Lord Śiva and others, Sūta Gosvāmī, Śukadeva Gosvāmī, Vyāsadeva. Therefore they are called uttama-śloka, selected poetry. Therefore Bhagavān's another name is Uttama-śloka. He is offered prayers by the great personalities with selected composition of poetry and prayers. So bhagavaty uttama-śloke.

Lecture on SB 1.5.9-11 -- New Vrindaban, June 6, 1969:

On the contrary, this is a kind of literature very nicely written, metaphorical, and poetry, everything. But there is no question of glorifying the Lord. That is compared with, just like the same place, where the crows will take pleasure. On the other hand, other kind of literature, what is that? Tad-vāg-visargo janatāgha-viplavo yasmin prati-ślokam abaddhavaty api (SB 1.5.11). A literature presented to the people, to the public for reading, which are even grammatically incorrect, but because there is glorification of the Lord, it can produce revolution.

Lecture on SB 1.5.9-11 -- New Vrindaban, June 6, 1969:

This is the version of Nārada Muni. We should be taking note of this. And for the Vaiṣṇava there is one qualification: poetic. You should... Everyone should be poetic. So... But that poetry, that poetry language, should be simply to glorify the Lord. Then it is... Just like Narottama dāsa Ṭhākura, Bhaktivinoda Ṭhākura, Locana dāsa Ṭhākura, they are poets. They have produced so many songs.

Lecture on SB 1.5.11 -- New Vrindaban, June 10, 1969:

It is simply wasting time, valuable time in the human life, to divert our attention to such ordinary literature. They are called grāmya-kathā. In Sanskrit language it is called grāmya-kathā. Grāmya-kathā means any book, any poetry, or any novel, or any drama... There is some hero and heroine, a man or woman, about their loving affairs, tragedy, comic, like that. Actually, it is grāmya-kathā. The same thing as we are experiencing daily, āhāra-nidrā-bhaya-maithunam, this eating, sleeping, mating, that's all. What is the value of such literature?

Lecture on SB 1.5.11 -- New Vrindaban, June 10, 1969:

Śrīdhara Svāmī gives note that there may not be any poetic, metaphorical, or analogical, ornamental language, but vināpi pada-cāturyam. Pada-cāturyam. Pada means composition. In every language there are rules and regulations for composing poetry or prose, grammatical, rhetorical. So even such knowledge, even without such knowledge, pada-cāturyaṁ bhagavad-yaśaḥ-pradhānam. Just like we chant Hare Kṛṣṇa.

Lecture on SB 1.5.11 -- New Vrindaban, June 10, 1969:

Ginsberg gives so many poetic ideas. People throng: "Oh, Ginsberg is speaking." But there is... Now he's chanting, of course, Hare Kṛṣṇa. But in his poetry there is very rarely we can find about here. So anyway these things are not appealing to the persons who are really transcendentalists. But a, a composition which is even in broken language, if it is meant for glorifying the Supreme Lord, that is appreciated.

Lecture on SB 1.5.12-13 -- New Vrindaban, June 11, 1969:

We have given the list of qualification of a devotee. One of the qualification is poetic. Poetic means not write poetry. Poetic means literary man. They must give literature. Naturally they'll give. That is the nature of devotee. Because without literature, how can we enlighten the people at large? My Guru Mahārāja used to say that this press is bṛhad-mṛdaṅga. Bṛhat means bigger, at large, bigger mṛdaṅga, bigger.

Lecture on SB 1.8.22 -- Los Angeles, April 14, 1973:

Throughout the whole world, whatever knowledge is there, in the Śrīmad-Bhāgavatam, everything is there. There is literature, there is poetry, there is philosophy, there is religion, there is love of Godhead, there is astronomy. Everything is there. Śrīmad-bhāgavatam amalaṁ purāṇam. Vidyā bhāgavatāvadhiḥ. If one simply reads this Śrīmad-Bhāgavatam, his education is the topmost.

Lecture on SB 1.8.32 -- Mayapura, October 12, 1974:

So these are the terms used in the śāstras. As Kṛṣṇa is Uttama-śloka, similarly, a devotee is puṇya-śloka. As the devotee worships Kṛṣṇa with selected poems, uttama-śloka... They are not ordinary poems. Cintāmaṇi-prakara-sadmasu kalpa-vṛkṣa-lakṣāvṛteṣu surabhīr abhipālayan... (Bs. 5.29). These are not ordinary verse. These are transcendental verses: Govindam ādi-puruṣaṁ tam ahaṁ bhajāmi **. So Kṛṣṇa is worshiped by transcendental verses, transcendental language, Vedic language. That is transcendental language.

Lecture on SB 1.8.45 -- Los Angeles, May 7, 1973:

Just like the birds are flying, but we cannot fly. Sometimes we desire, "Had I the wings of a dove..." There are poetry: "I could immediately go." But that mystic power is also within you. If you develop by yogic practice, you can also fly in the air. That is possible.

Lecture on SB 1.8.47 -- Los Angeles, May 9, 1973:

I have explained several times the dhīra. The example of dhīra is given in the Kumāra-sambhava poetry, by Kālidāsa. We had our syllabus studying Kumāra-sambhava in our I.A. class in college. So there the example, Kālidāsa is giving example: the dhīra is Lord Śiva. Just see. The story is when Lord Śiva lost his wife in the dakṣa-yajña... Dākṣāyaṇī, daughter of Mahārāja Dakṣa, became the wife of Lord Śiva.

Lecture on SB 1.16.5 -- Los Angeles, January 2, 1974:

People are interested in reading, but they are reading all so-called literature, poetry. But we are not interested in such, such kind of literature, because there is no kṛṣṇa-kathā. We are interested in Śrīmad-Bhāgavatam and Bhagavad-gītā.

Lecture on SB 1.16.11 -- Los Angeles, January 8, 1974:

Formerly, amongst the learned scholar, any nonsense you write will not be accepted as poetry. It must be according to the rules and regulation of literary perfection. So there were some literary imperfection, and Śrī Caitanya Mahāprabhu pointed out, and He was also learned scholar.

Lecture on SB 2.1.1 -- Los Angeles, July 1, 1970:

Svarūpa Dāmodara was Lord Caitanya's personal secretary, so unless something is passed through Svarūpa Dāmodara, nobody can directly approach Caitanya Mahāprabhu. So one learned scholar, he composed some poetries and he wanted the poetries to be heard by Caitanya Mahāprabhu. But Svarūpa Dāmodara, he knew that "This man is mundane.

Lecture on SB 2.1.1 -- Los Angeles, July 1, 1970:

So because he requested, a Vaiṣṇava, so Svarūpa Dāmodara agreed to hear, but he pointed out his all faults, and he chastised him that "You don't write poetry in this way. You first of all read Bhāgavata from the bhāgavata. Then try to write." So that you will find in the Caitanya-caritāmṛta. He advised that "Go and read Bhāgavatam from bhāgavatam. Then try to write."

Lecture on SB 2.3.15 -- Los Angeles, June 1, 1972:

Just like we offer prayer, cintāmaṇi-prakara-sadmasu kalpa-vṛkṣa... (Bs. 5.29). Each line is full of poetry, poetic and literary character, grammar. Anything you take, they're all full. All Bhāgavata, all Śrīmad-Bhāgavatam. You cannot produce such literature in this day. Such meaningful. Because Vyāsadeva was incarnation, he could produce. Therefore it is uttamaśloka: by the best selected verses, Kṛṣṇa is described.

Lecture on SB 2.3.23 -- Los Angeles, June 20, 1972:

There were many poets and writers used to come and visit Caitanya Mahāprabhu when He was at Jagannātha Purī, and they would present some writings, but these writings would not be presented before Caitanya Mahāprabhu unless it was sanctioned by His secretary Svarūpa Dāmodara. That was the system. So one brāhmaṇa, he wrote one poetry that... The purport of the poetry was that "Jagannātha is Kṛṣṇa. But He cannot move. He's wooden Kṛṣṇa. And Caitanya Mahāprabhu is also Kṛṣṇa, but He is moving Kṛṣṇa." That means he distinguished between Jagannātha and Caitanya Mahāprabhu. So this is not siddhānta.

Lecture on SB 2.3.23 -- Los Angeles, June 20, 1972:

This is not conclusion of the śāstra. Śāstra conclusion is: the Deity and Kṛṣṇa, the same. There is no difference. We have many times explained this. Deity, the worshipful Deity in the temple, is not different from Kṛṣṇa. So Svarūpa Dāmodara did not approve of the poetry to be presented to Śrī Caitanya Mahāprabhu. At that time, he chastised him that "You do not know the conclusion, and you dare to write some poetry. Don't do this." And he said, bhāgavata para giya bhāgavata-sthāne:(?) "If you want to understand Śrīmad-Bhāgavatam, then you go and study Śrīmad-Bhāgavatam from the pure devotee. Then you'll understand. Otherwise, you'll write all these nonsense."

Lecture on SB 2.9.4-8 -- Tokyo, April 23, 1972:

So in Bhāgavata, it is not that whimsically written. There is literary beauty, metaphor, simile, and what is called, symmetry, reason(?). Everything is complete. Not that whimsically a line, three lines, one line, and two lines, and it becomes a poetry. In Sanskrit poetry writing is not so easy. You have to follow so many rules and regulations. How many words in the beginning, first line, how many words in the second line. Sāhitya-darpaṇa. There is a book, Sāhitya-darpaṇa. Therefore it is called Sanskrit. Sanskrit, everything is reformed.

Lecture on SB 3.25.7 -- Bombay, November 7, 1974:

So here Devahūti says that bhūmann asad-indriya-tarṣaṇāt: "I am in this material world." In simple words there is a Bengali poem:

kṛṣṇa-bahirmukha hañā bhoga vāñchā kare
nikaṭa-stha māyā tāre jāpaṭiyā dhare
(Prema-vivarta)

We are purely part and parcel of Kṛṣṇa. We are actually the senses of Kṛṣṇa. And when we forget this position and we want to satisfy ourself, that is our material condition.

Lecture on SB 3.25.14 -- Bombay, November 14, 1974:

There is a Bengali poetry: śuci haya muci haya yadi kṛṣṇa tyaje, muci haya śuci haya yadi kṛṣṇa bhaje. If somebody takes to Kṛṣṇa consciousness, even born in the family of cobbler, muci, he becomes śuci. He becomes more than a brāhmaṇa. And muci haya śuci haya. If one is born in the family of a brāhmaṇa, but he... (sounds of fireworks) ...but if he gives up Kṛṣṇa consciousness, then he becomes a muci.

Lecture on SB 3.25.42 -- Bombay, December 10, 1974:

There are many incarnation. Kṛṣṇa is the original Personality of Godhead. In the Śrīmad-Bhāgavatam there is a list of different avatāras, and the conclusion... Lord Buddha's also name is there. Kīkaṭeṣu bhaviṣyati, sura-dviṣām. So Lord Buddha's name is there, and Jayadeva has also given his poem Daśa-vidha, Daśāvatāra-stotra. In that Daśāvatāra also, Lord Buddha's name is there: keśava dhṛta-buddha-śarīra jaya jagadīśa hare. So Vaiṣṇavas, they know, by the grace of Kṛṣṇa, how many avatāras are there.

Lecture on SB 3.26.23-4 -- Bombay, January 1, 1975:

Before our material body creation, in spiritual consciousness, it is clear, crystal clear. But when it is agitated by the material desires... In Bengali there is that poetry, kṛṣṇa-bahirmukha hañā bhoga vāñchā kare. What is that? That desire is that "I can independently enjoy." The example... There are many such examples.

Lecture on SB 3.26.34 -- Bombay, January 11, 1975:

So mind is the basic principle of another form of body. Therefore our Kṛṣṇa consciousness movement is training the mind how to remain Kṛṣṇa conscious at the time of death, because Kṛṣṇa says in the Bhagavad-gītā, yaṁ yaṁ vāpi smaran bhāvam (BG 8.6). Therefore in Bengali poetry there is a saying, bhajan kara sādhan kara mate janle haya,(?) means "You are doing everything in spiritual life, but everything will be examined at the time of death.

Lecture on SB 6.1.25 -- Honolulu, May 25, 1976:

Therefore in the Vedic civilization two things are very much stressed: to teach the man from childhood how to become expert in sad-ācāra, and woman trained up how to become chaste. So this chaste woman and this sad-ācāra, brāhmaṇa, ideal is brāhmaṇa, he'll become married. Then there will be peace, there will be progress, there will be peace in the society, peace in the family. There is a poetry in English, "Society, friendship and love, divine (indistinct)." But that society is not this society. If we become husband of the prostitute, no, that is not possible.

Lecture on SB 6.1.28-29 -- Honolulu, May 28, 1976:

So we have to go to the platform of soul. That is spiritual education. But there are so many other stages. Somebody's stopping in the mind. He's thinking that this is the final. Philosophy, poetry, imagination, the mind mental... As we see that mostly your Western philosophers, they are stuck up on the platform of mind. That's all.

Lecture on SB 6.1.44 -- Los Angeles, June 10, 1976:

So through the śāstra we can understand that who is who through śāstra. Therefore in my poetry, on the strength of śāstra, I said that rajas tamo guṇe erā sabāi ācchanna, vāsudeva-kathā ruci mahe se prasanna: (SB 1.2.16) "Most of the population here is covered by the material modes of ignorance and passion. Absorbed in material life, they think themselves very happy and satisfied; therefore they have no taste for the transcendental message of Vāsudeva.

Lecture on SB 6.1.68 -- Vrndavana, September 4, 1975:

Remain in sattva-guṇa and try to elevate yourself from sattva-guṇa to transcendental stage, brahma-bhūtaḥ. Then life is successful. Otherwise we shall be repeatedly punished so long we have got the tendency to enjoy material happiness and get another body, one after another. We shall be punishable by the Ya mache piche. It is the Bengali poetry. It is said, kṛṣṇa nāma koro bhāi.

Lecture on SB 6.2.5-6 -- Vrndavana, September 9, 1975:

There is a Bengali poetry by a Bengali Vaiṣṇava: kaname janame sabe pitā mātā paya, kṛṣṇa guru nahi mile bhajaha e aya.(?) As soon as you take birth, there is father. Either you take birth as a snake or you take birth as a human being, without father and mother there is no question of birth. So father and mother you will get in every birth.

Lecture on SB 7.5.30 -- London, September 9, 1971:

Gross means this high skyscraper building, machines, factories, nice road goes motorcar. These are gross. And subtle: nice song, poetry, philosophy. That is subtle, subtle matter. So people are trying to be happy with this gross and subtle material existence. That cannot be. Durāśayā ye bahir-artha-māninaḥ. Na te viduḥ svārtha-gatiṁ hi viṣṇuṁ durāśayā ye bahir-artha-māninaḥ, andhā yathāndhair upanīyamānāḥ (SB 7.5.31). Why they have accepted this sort of civilization? Because they are led by blind leaders.

Lecture on SB 7.6.1 -- Hong Kong, April 18, 1972:

So civilization based on this bodily concept of life are interested only sense gratification. That is their aim of life. Indriya. Sense gratification. And those who are disgusted with sense gratification, they go little higher on the mental platform, mental speculation. Just like philosophy, poetry, like that. Gross means they are working very hard day and night for sense gratification. Just like hogs and dogs. That is stated in the śāstra.

Lecture on SB 7.6.3 -- Montreal, June 16, 1968:

This is material civilization. Very nice clothing, very nice food, very nice apartment, very nice car, or very nice sense enjoyment—everything is very nice. But that is to this body. And when one is frustrated to this very nice arrangement, then he goes to the mind: poetry, mental speculation, LSD, marijuana, drinking, and so many things. These are all mental. Actually, happiness is not there in the body, nor in the mind. Read happiness is in the spirit.

Lecture on SB 7.6.5 -- Toronto, June 21, 1976:

It is very pleasing to the ear and the mind. Chrotra, chrotra means ear and mano means mind. Even one is not liberated, still, it is so pleasing to the ear and the mind. Bhavauṣadhac chrotra-mano-'bhirāmāt. Such a nice thing. What is that? Uttamaśloka-guṇānuvādāt. Uttamaśloka means the Supreme Personality of Godhead who is prayed by selected poems. Uttama, transcendental poetry, transcendental songs. He's worshiped by transcendental vibration of sound.

Lecture on SB 7.9.7 -- Mayapur, February 14, 1976:

Śrī Caitanya Mahāprabhu was visited by many learned brāhmaṇas when He was at Purī, Jagannātha Purī. So one learned brāhmaṇa, he wrote some poems about Śrī Caitanya Mahāprabhu. There were many brāhmaṇas, they were coming, but all such reading matter, first it was to be tested by His secretary, Svarūpa Dāmodara. If Svarūpa Dāmodara would pass, then Caitanya Mahāprabhu will hear.

Lecture on SB 7.9.7 -- Mayapur, February 14, 1976:

So one brāhmaṇa, he wrote something about Caitanya Mahāprabhu and came to read, recite before Caitanya Mahāprabhu, and Svarūpa Dāmodara found many mistakes in that poem, so he did not allow him, that "You do not know how to present theistic literature. You don't. You cannot see Caitanya Mahāprabhu." He chastised him about the mistake. So to write theistic literature is not to be done by any ordinary man.

Lecture on SB 7.9.12 -- Montreal, August 18, 1968:

For offering prayer to the Supreme Personality of Godhead, you do not require any high qualification. It doesn't matter. You can offer your prayer from any standard of life. Not that you have to become a very learned man, very scholarly man, and you have to present your prayers in a very nicely selected words so that poetry, rhetoric, prosody, everything is there, metaphor. Nothing required. Simply you have to express your feelings.

Lecture on SB 7.9.12 -- Montreal, August 19, 1968:

Suppose a person, a great devotee, is writing some prayers for God, but he has no idea of the rhetorical or prosodic method, the system of poetry. He has no such idea, but he is simply expressing his feeling. But if that feeling is correct, even the language is broken... There are many examples. Just like a child, he prays mother, parents, simply by crying. It has no language, but the mother understands what is the feeling of the child. It is the feeling that is taken into consideration, not the language. So Prahlāda Mahārāja very much encouraged, that tasmād ahaṁ vigata-viklava.

Lecture on SB 7.9.49 -- Vrndavana, April 4, 1976:

So in this material world there is ādi, ādy-anta, beginning and ending. But Kṛṣṇa has no beginning or end. The material... Therefore Kṛṣṇa is not material. Urugāya. Kṛṣṇa is urugāya. Uru means He is exalted with nice, many, many ślokas, gāya. Gāya means songs, poetry. Uru. We cannot imagine. Uru-gāya. Just like in the Brahma-saṁhitā: yasyaika-niśvasita-kālam athāvalambya jīvanti loma-vilajā jagad-aṇḍa-nāthāḥ (Bs. 5.48). Loma-vilajā jagad-aṇḍa-nāthāḥ. So this jagad-aṇḍa-nāthāḥ, mean Brahmā... Jagad-aṇḍa. Āṇḍa means egglike, egg-shaped, this Brahmāṇḍa or this universe.

Nectar of Devotion Lectures

The Nectar of Devotion -- Vrndavana, October 20, 1972:

Caitanya Mahāprabhu's secretary, Śrī Svarūpa Dāmodara, recommended one brāhmaṇa, bhagavat para giyā bhagavat sthāne. Bhagavat... He, he came to Caitanya Mahāprabhu to read some poetry he had written, but it was the system that unless anything written... There were many devotees. Caitanya Mahāprabhu was living at Purī, Jagannātha Purī. So many devotees from other provinces used to come and visit. And some of them wrote some poetries. But all of them, first of all, would be tested by Svarūpa Dāmodara. And then he'll be allowed to go before Caitanya Mahāprabhu and read it. That was the system.

The Nectar of Devotion -- Calcutta, January 29, 1973:

Just like Rabindranath Tagore, he has written Gītāñjali, "Tumi." Who is that tumi, he does not know. All the poetry's "tumi, tomāra," and who is that rascal, tumi or tomāra? But that he does not know. This is going on. Now if I say, "My husband, tumi," I know, he's my husband. Or his form is like that. Then I can say. But he does not know who is that tumi. Everyone... The impersonalists will pray, tam eva mātā tam eva pitā. But who is that mātā, who is that pitā? That he does not know.

Sri Caitanya-caritamrta Lectures

Lecture on CC Adi-lila 7.1 -- Mayapur, March 1, 1974:

My Guru Mahārāja, His Divine Grace Bhaktisiddhānta Sarasvatī Gosvāmī Prabhupāda, whenever he got some time he used to read Caitanya-caritāmṛta. And he predicted that the whole world like to read Caitanya-caritāmṛta, and for this reason they'll learn Bengali. Therefore, following his footsteps, I have kept the Bengali character and tried to give the literary meaning of each word of the Bengali poem. This is, of course, Sanskrit. This book is full of Sanskrit verses. Some of them are composed by the author himself, Kavirāja Gosvāmī, and some of them are quoted from various literature, Vedic literature.

Lecture on CC Adi-lila 7.109-114 -- San Francisco, February 20, 1967:

So Śaṅkarācārya was covered devotee. He's covered devotee. His aim was to bring men to the standard of devotional service, but the time and circumstances in which he was preaching, he could not place his real object because they were unable to understand. At last, at the end of his life, he composed so many poetries in praise of Vṛndāvana-līlā, and especially his very famous Catpar pandika (?), that is, he has stated,

bhaja govindaṁ bhaja govindaṁ
bhaja govindaṁ mūḍha-mate
prāpte sannihite kāla maraṇe
na hi na hi rakṣati ḍukṛñ-karaṇe

"My dear foolish brothers, you kindly worship Kṛṣṇa, Govinda..." Thrice he has said, bhaja govindaṁ bhaja govindaṁ bhaja govindaṁ mūḍha-mate. Mūḍha-mate means "You foolish nonsense, you kindly worship Govinda."

Lecture on CC Madhya-lila 20.100 -- Washington, D.C., July 5, 1976:

Now I have become servant of dog and māyā. So if I give up this service and again become servant of God, that is mukti. That is mukti. Muktir hitvānyathā rūpam. We are trying to become... Here māyā means "which is not." Ma-ya. We are every one of us, we are thinking, "I am master." "I am the monarch of all I survey." Here is a poetry. Everyone is thinking. I made my plan, I make my survey, and I become king. But that is māyā. You cannot become.

Lecture on CC Madhya-lila 20.105 -- New York, July 11, 1976:

Prabodhānanda Sarasvatī, he has made one poetry, kaivalyaṁ narakāyate. Kaivalya means to merge into the Brahman existence—no difference, oneness. That is called kaivalya. So for a Vaiṣṇava the kaivalya is as good as the hell. Prabhodānanda Sarasvatī said, kaivalyaṁ narakāyate. This kaivalya.... No Vaiṣṇava will say, "Now I am going to merge into the existence," no, because they hate it as hell. Kaivalyam narakāyate.

Lecture on CC Madhya-lila 20.108-109 -- New York, July 15, 1976:

There is an English poetry. Everyone is thinking. Why this is so much struggle in this New York City? Because now there is Presidential election, so everyone is thinking, "If I could become the President." That is everyone's desire. But those who are not so fit, they do not stand for election, but those who are little fit, so they stand, make competition, "I am the President." If you are President, why you require election? The simple truth. If you are actually President, then why do you depend on other's vote? You become President. No. Artificial President. Simply by votes he is President.

Lecture on CC Madhya-lila 20.125 -- New York, November 27, 1966:

There is some transcendental ecstasy, feeling, in the service of the Lord. So in the beginning we may not relish that transcendental feeling, but as we go on, increasing, we'll feel it. Kṛṣṇa-sevā kare, kṛṣṇa-rasa-āsvādana. This is called kṛṣṇa-rasa. Just like anything we do, there is some humor, there is some taste. Suppose a person writes poetry. In writing that poetry he feels some taste; therefore he writes. Some, somebody plays on flute. So everything... Somebody drinks. So there is some particular taste.

Lecture on CC Madhya-lila 20.353-354 -- New York, December 26, 1966:

Śaṅkarācārya has made many prayers about Kṛṣṇa, especially about His Vṛndāvana līlā, he has made. He has worshiped Kṛṣṇa in many ways. And last, this is his last composition of poetry. Bhaja govindaṁ bhaja govindaṁ bhaja govindaṁ mūḍha mate: "You fools, you mūḍha mate..." Muḍḥa mate means "you fools." He was addressing the whole world, "you fools." Bhaja govindam: "Just become devotee of Kṛṣṇa. Just become Kṛṣṇa consciousness."

Lecture on CC Madhya-lila 21.62-67 -- New York, January 6, 1966:

Who are you?" "I am Keśava Kāśmīrī." "Oh. Come on, come on. Sit down." The introduction was there. They sat down. And then Nimāi Paṇḍita requested, "So, I have heard that you are a very vastly learned scholar, and from your feature also I can understand, so best thing will be that you compose some poetry in praising Ganges." Because they were on the bank of the Ganges, and it is a Hindu system... Ganges water is considered very sacred, and there are many prayers of Ganges. Patita-dharaṇī gaṅge. Patita-dharaṇī gaṅge. Ganges is the shelter for all the fallen souls. She can deliver. Śaṅkarācārya had composed many poems on the Ganges. There are many poetry on the Ganges. So Keśava Kāśmīrī was very learned scholar. Without any hesitation, he began to compose Sanskrit verses in praising Ganges. So he composed about one hundred verses immediately while talking.

Lecture on CC Madhya-lila 21.62-67 -- New York, January 6, 1966:

Sanskrit language is very scholarly language, reformed. You cannot deviate even a line, even a letter in the sense, in the poetry, in the writing. There are all regulation, strict regulation, grammatical and metric and so many things. So nobody can surpass, not that... Just like nowadays we write poetry—one line is three hundred miles, one hundred, (chuckles) and only one mile. That sort of poetry will not be allowed in Sanskrit. You cannot adjust three hundred miles and one mile. No. It must be very symmetrical. That is Sanskrit language.

Lecture on CC Madhya-lila 21.62-67 -- New York, January 6, 1966:

"Oh, He is asking to compose some poetries. I shall show Him how can I compose poetry, hundreds." He did not care so much that He will point out so many defects in them. But when he saw it, he became sorry. And then the students, Lord Caitanya's students, as it is usual, they began to laugh. Caitanya Mahāprabhu at once told them, "Don't laugh in that way." So this Keśava Kāśmīrī went to his home, and he was a devotee of Goddess Sarasvatī. He prayed that "Mother, I was never defeated in such a way.

Lecture on CC Madhya-lila 22.14-20 -- New York, January 10, 1967:

One who performs great penance, one who is very charitably disposed, one who is very famous, one who is very mentally advanced, he can think nice things, writes philosophical thesis, write nice poetry. Manasvinaḥ. These are the products of great mind. Manasvino mantra-vidaḥ. Mantra-vidaḥ means the chanters of Vedic hymns. Mantra-vidaḥ sumaṅgalāḥ. These things are all nice, auspicious. These things are all... But kṣemaṁ na vindanti vinā yad-arpaṇam. But these things cannot... By these things you cannot alone have success unless it is not offered to the Supreme Lord.

Sri Isopanisad Lectures

Sri Isopanisad, Mantra 10 -- Los Angeles, May 15, 1970:

Six kinds of agitating agents: the mind, the tongue, the belly, the genital, the speaking... So one who has control over these six things, he is called dhīrāṇām. Dhīra. Hara eva (?) dhīra. Just like in Kumāra-sambhava. There is a nice poetry made by a great poet, Kālidāsa. It is called Kumāra-sambhava. This Kumāra-sambhava, we had our prescribed books in our intermediate I.A. class, Kumāra-sambhava. Kumāra-sambhava, the fact of the Kumāra-sambhava is that when Pārvatī suicided herself in the Dakṣa-yajña, then Lord Śiva was very angry. He left this world. That's a Dakṣa-yajña story.

Sri Brahma-samhita Lectures

Lecture on Brahma-samhita, Lecture -- New York, July 28, 1971:

So those who are in the bodily platform, they're trying to satisfy the senses. And those who are on the mental platform, they're writing poetries and philosophical speculation to satisfy the mind. Similarly, there is intellectual platform. But soul is above intellect.

Lecture on Brahma-samhita, Lecture -- New York, July 28, 1971:

In the Bhagavad-gītā it is said that first of all you have got bodily conception: "I am this body." Generally people are in bodily concept of life. Therefore body means the senses. They want to satisfy the senses. And then mental platform, they are satisfying the mind by philosophical speculation or some poetry. So Rabindra..., Rabindranath Tagore, he belongs to the mental platform. So one has to transcend the bodily platform, mental platform, intellectual platform and come to the simple spiritual platform.

Festival Lectures

His Divine Grace Srila Bhaktisiddhanta Sarasvati Gosvami Prabhupada's Disappearance Day, Lecture -- Hyderabad, December 10, 1976:

So whatever I appreciated forty years ago, the same principle is going on. We have no change. What I understood my spiritual master... Practically I met him in 1922, and this poetry was written in 1936. That means fourteen years before writing this poetry, I met my Guru Mahārāja in 1922. At that time I was quite a young man, twenty-five years old only, and I was posted in a very responsible position and as the office manager of Dr. Bose's laboratory. And I was fond of in those days, of Gandhi's movement. In 1922 I joined Gandhi's movement, and I gave up my educational career because one of the Gandhi's program was to boycott the universities. That's a very long story. And many students gave up their educational career and joined this Gandhi's movement, and I was one of them.

His Divine Grace Srila Bhaktisiddhanta Sarasvati Gosvami Prabhupada's Disappearance Day, Lecture -- Hyderabad, December 10, 1976:

And then, in 1936-it's a long history-during this Vyāsa-pūjā day, this Vyāsa-pūjā day, whatever I studied about our relationship with my Guru Mahārāja, I expressed in this poetry, and since that day my Godbrothers used to call me "poet." And Guru Mahārāja also very much appreciated this poetry. Now somehow or other you have found it. (laughs) I thought the poetry is lost, but I do not know how it was found out by some of our disciples. I think it was found out in London museum or somewhere else by Guru dāsa. They had a stock of Harmonist, and from the Harmonist, my Guru Mahārāja's paper, this poetry was found. Otherwise I thought it was lost. So anyway, this poetry is "Adore, adore ye all the happy day, blessed than heaven, sweeter than May." So I heard that the month of May is very pleasing in the Western countries, so I compared the happiness of this day with the May Day.

Varaha-dvadasi, Lord Varaha's Appearance Day Lecture Dasavatara-stotra Purport -- Los Angeles, February 18, 1970:

So these prayers were offered by Jayadeva Gosvāmī. One Vaiṣṇava poet advented about seven hundred years before Lord Caitanya's appearance. He was a great devotee, and his specific poetry, Gīta-govinda, is very famous all over the world. Gīta-govinda. Gīta-govinda is the subject matter of Kṛṣṇa playing on flute about Rādhārāṇī. That is the subject matter of Gīta-govinda.

His Divine Grace Srila Bhaktisiddhanta Sarasvati Gosvami Prabhupada's Appearance Day, Lecture -- Los Angeles, February 7, 1969:

So you have heard the name of Professor Sanyal, and there were other Godbrothers. They asked me to write on the Vaiṣṇava-siddhānta in English. So perhaps in 1935 I wrote one poetry. The part of it, somebody, you have got. He was very pleased. Since then he was insisting me that "You write on, preach on in English." At that time I was thinking, "What can I do?" So anyway, after his passing away, this Back to Godhead paper was started, as late in 1944, I think, because the expenditure was three hundred, four hundred rupees per month.

Arrival Addresses and Talks

Arrival Address -- Los Angeles, February 9, 1975:

People thought like that, that Kṛṣṇa consciousness is the monopoly business for the Indians or for the Hindus. They were thinking like that: "It cannot be preached. Nobody will take it." But I thought, "If Kṛṣṇa is God, why it will not be taken by everyone? It must be taken." So I was not very much hopeful to become successful. When I was in Boston port, I wrote one poetry that "I do not know why I have been brought here. How these people will take to Kṛṣṇa consciousness? As soon as I will say these four regulative principles, they will ask me to go away."

General Lectures

Speech to Indian Audience -- Montreal, July 28, 1968:

Lord Caitanya instructed this verse. He gave us eight verses, known as Śikṣāṣṭaka. Śikṣa means "instructions"; aṣṭaka, "eight." This Śikṣāṣṭaka poetry, containing eight verses, are very valuable, and they were given by Lord Caitanya for understanding of the whole human society. It was not meant for any particular country or particular society, but it was meant for the whole human race. Lord Caitanya entrusted His countrymen, who are known as Bhāratīyas, to distribute this message througho ut the whole world, in every village and every town.

Lecture -- Seattle, October 2, 1968:

Those who are grossly on the bodily concept of self-realization, they are materialists. And those who are on the concept of mind and intelligence, they are the philosophers and poets. They are philosophizing or giving us some idea in poetry, but their conception is still wrong. When you come to the point of spiritual platform, then it is called devotional service. That is being explained by Caitanya Mahāprabhu.

Lecture at Engagement -- Columbus, may 19, 1969:

Mind is practically the controller of the senses. So when you fail to achieve real, I mean to say, pleasure from the senses, we go to the mental platform: poetry, philosophy, similar, songs. But you have to transcend even the mental platform. That is intellectual platform. Above that intellectual platform, your soul is there. So you have to immediately come to the platform of soul, and you'll be happy.

Pandal Lecture at Cross Maidan -- Bombay, March 26, 1971:

So as the cloudy sky is not different from the original sky, it is simply covered, similarly, this material world is not different from the spiritual world, but it is simply covered. In ignorance we forget Kṛṣṇa. That's all. The forgetfulness is compared with the cloud. That is stated in simple Bengali poetry:

kṛṣṇa bhuliya jīva bhoga vāñchā kare
pāśate māyā tāre jāpaṭiyā dhare

As soon as we forget Kṛṣṇa... Because we are eternally part and parcel of Kṛṣṇa, there cannot be any separation. There cannot be any separation between us and Kṛṣṇa because we are eternally related. But a cloudy thing, which is called forgetfulness, that comes between us and we cannot see, we cannot understand Kṛṣṇa.

Lecture -- Los Angeles, July 20, 1971:

So the doctor gave his opinion that "So far I have studied cases, all patients I've come in contact, they are more or less all crazy. So in that sense, if your lordship wants to excuse him, that is another thing." So that is the fact. In a nice Bengali poetry, one great Vaiṣṇava poet has written,

piśācī pāile yena mati-cchanna haya
māyā-grasta jīvera se dāsa upajaya

Piśācī, ghost, when a man becomes ghostly haunted, he speaks so many nonsense. Similarly, anyone who is under the influence of this material nature, he is ghostly haunted, and whatever he speaks, he speaks nonsense.

Pandal Lecture -- Delhi, November 13, 1971:

Material life means sensuous life. But those who are little above, they are on the mental platform—poetry, philosophy, mental speculation. Above this there is intelligence. That intellectual life required. That means we have to transcend the position of the sensuous life, we have to transcend the position of concocted mental speculation, we have to come to the intellectual platform. That intellectual platform is called brahma-jijñāsā. Athāto brahma jijñāsā.

Lecture Excerpt -- London, July 25, 1976:

Long, long ago, when Rabindranath Tagore came here, so when he saw that people are running, so he wrote one poetry, "Where these people are running? This country is very small, all around seas, so where they will go, running? They'll fall down." So our running has no meaning. It is dog's running. But people are still busy, trying to go here, there. But we are conditioned souls, baddha-jīva, bound up by the laws of nature.

General Lecture -- (location & date unknown):

He begins his commentary, nārāyaṇaḥ paraḥ avyaktat: "Nārāyaṇa is beyond this material creation." And then he says, "That Nārāyaṇa is svayaṁ bhagavān, Kṛṣṇa." Kṛṣṇa. Sa bhagavān svayaṁ kṛṣṇaḥ. And he has specifically mentioned that "He has appeared as the son of Devaki and Vasudeva." Beside that, he has written many songs and prayers about Kṛṣṇa. And at the last stage of his life he has written a very nice poem,

bhaja govindam bhaja govindam bhaja govindam mūḍha mate
prāpte sannihite khalu marane na hi na hi rakṣati dukṛn-karaṇe

Because the Māyāvādī philosophers, they interpret Vedic mantras by grammatical jugglery, therefore Śaṅkarācārya has warned that "Your grammatical jugglery, this dukṛn-pratyaya, karaṇe, will not save you." Mūḍha-mate: "You foolish person, you kindly take shelter of Govinda." Bhaja govinda. So this is the verdict of all ācāryas.

Philosophy Discussions

Philosophy Discussion on Hegel:

Prabhupāda: That we are doing, whenever we are painting picture, art, music, we are praising Kṛṣṇa with it. Our music, our painting, our anything, we center Kṛṣṇa.

Śyāmasundara: He says that of all arts, that music and poetry are the highest.

Prabhupāda: Yes, so therefore we write, Vyāsadeva has written so many nice poetries in praise of Kṛṣṇa. Brahmā is writing, cintāmaṇi-prakara-sadmasu kalpa-vṛkṣa lakṣāvṛteṣu surabhīr abhipālayantam (Bs. 5.29). All sages, they write praise of Kṛṣṇa.

Philosophy Discussion on Hegel:

Śyāmasundara: Poetry.

Prabhupāda: Yes, poetry. Therefore Kṛṣṇa's another name is Uttama-śloka, He is described by first-class poetry. And a devotee is supposed to be poet also, among the twenty-six qualification. So all of us writing, glorifying Kṛṣṇa. Poetry or prose doesn't matter. Anything sublime is called poetry, not that it has to be written in meter. Everything sublime is called poetry.

Philosophy Discussion on Arthur Schopenhauer:

Śyāmasundara: He is referring here to art, poetry.

Prabhupāda: Yes, everything is there. Here is art—we are painting. Our students are painting nice pictures. Art. And poetry, all our Bhagavad-gītā and Bhāgavatam are full of poetries.

Philosophy Discussion on Arthur Schopenhauer:

Prabhupāda: This is not suicide. This is... Our life is continuation, but on account of impure understanding we are getting different types of body and you are suffering different varieties of miseries. So this suicidal, this is not suicidal, that voluntarily accepting death, so that by dying, if he thinks of the spiritual life, he gets it. Just like Kulaśekhara, he has got a poetry that... In the Bhagavad-gītā it is stated, yaṁ yaṁ vāpi smaran bhāvaṁ tyajanty ante: (BG 8.6) we get next life according to the desire at the point of death. So generally, when death takes place, one sometimes remains in coma, all the bodily functions becomes defunct, he dreams in different ways and so on, so on.

Purports to Songs

Purport to Sri-Sri-Gurv-astakam -- Los Angeles, January 2, 1969:

Here is another example. Guṇārnava. Arṇava means ocean, and guṇa means spiritual qualities. Just like the same example is going on. It is very nice poetry. There is nice rhethorics and metaphor. The example is set, blazing fire, and it is to be extinguished with the cloud. And wherefrom the cloud comes? Similarly, wherefrom the spiritual master receives the mercy? The cloud receives his potency from the ocean. Therefore the spiritual master also receives his power from the ocean of spiritual quality, that is, from the Supreme Personality of Godhead.

Page Title:Poetry (Lectures)
Compiler:Vrindi, Serene, Labangalatika
Created:20 of Dec, 2008
Totals by Section:BG=0, SB=0, CC=0, OB=0, Lec=94, Con=0, Let=0
No. of Quotes:94