Player (Letters)

Expressions researched:
"player" |"players"

1966 Correspondence

Regarding the mrdanga player, if you think that he is REALLY expert as it should be, then he may come even though he does not know English. We may engage him so many other things.

Letter to Mangalaniloy Brahmacari -- New York 23 June, 1966:

Regarding the mrdanga player, if you think that he is REALLY expert as it should be, then he may come even though he does not know English. We may engage him so many other things.

1967 Correspondence

Any sitar player or tabla player or any other musician invited in the temple cannot play anything except Hare Krishna.

Letter to Mukunda -- New York 13 May, 1967:

Any sitar player or tabla player or any other musician invited in the temple cannot play anything except Hare Krishna. Neither any one can utilize the temple for some musical demonstration. Such things are items for sense gratification. If somebody comes in the temple to chant Hare Krishna by his musical talents he is welcome otherwise not. Please follow this principle.

The record player which you gave me at the Stinson Beach is lost. It is stolen by somebody from my room while I was alone sleeping. I can take some police action but I do not wish to implicate myself in such a way because I am going to Calcutta. Is it possible to send me another to my Calcutta address by air mail. If it is too costly do not send. But such portable record players are not available in India.

Letter to Mukunda -- Delhi 7 October, 1967:

I am starting for Calcutta with Ramanuja and Acyutananda (9/10/67) who I think have already written to you about your Tanbura etc. Tanbura from Delhi by Air Mail is very costly. When I go to Calcutta on the 9th October 1967 I shall personally try for the Tanbura Harmoniums etc and settle the terms with Dwarkin and Sons. My address in Calcutta is mentioned above.

The record player which you gave me at the Stinson Beach is lost. It is stolen by somebody from my room while I was alone sleeping. I can take some police action but I do not wish to implicate myself in such a way because I am going to Calcutta. Is it possible to send me another to my Calcutta address by air mail. If it is too costly do not send. But such portable record players are not available in India. What happened to your cymbals. Now as I am going to Calcutta, I shall personally try for all kinds of supply. Please let me know in details all the goods that you may require from India to execute regular transaction for which you have already started a partnership establishment.

I thank you very much for sending me a record player by air freight, but since you have not mentioned that it is an unsolicited gift, customs has raised objections & they want to levy duty to the extent of 100 Rs. Please immediately send a letter addressed to Calcutta Customs stating that the record player was sent to me as an unsolicited gift.

Letter to Mukunda -- Navadvipa 28 October, 1967:

Please accept my blessings. I thank you very much for sending me a record player by air freight, but since you have not mentioned that it is an unsolicited gift, customs has raised objections & they want to levy duty to the extent of 100 Rs. Please immediately send a letter addressed to Calcutta Customs stating that the record player was sent to me as an unsolicited gift.

I am much obliged to you for sending me the record player which is essential but I could save the customs duty of 120 Rs if you could have sent a note stating that it was an unsolicited gift.

Letter to Mukunda -- Calcutta 4 November, 1967:

Please accept my blessings. I am in due receipt of your letter dated Oct. 22 and I've noted the contents. I am much obliged to you for sending me the record player which is essential but I could save the customs duty of 120 Rs if you could have sent a note stating that it was an unsolicited gift. Anyway the machine was received intact and I am enjoying it. But I have not heard anything definitely whether I shall wait for the final disposal of your visa application or if I may start immediately.

I am in due receipt of your letter dated Nov. 5, including the air waybill but before this, I had cleared the record player paying a duty of 120.oo Rs. So there is no more any chance of getting back this money. But your timely dispatching the machine is very much appreciated by Krishna and I thank you very much for this prompt service.

Letter to Mukunda -- Calcutta 11 November, 1967:

Please accept my blessings. I am in due receipt of your letter dated Nov. 5, including the air waybill but before this, I had cleared the record player paying a duty of 120.oo Rs. So there is no more any chance of getting back this money. But your timely dispatching the machine is very much appreciated by Krishna and I thank you very much for this prompt service.

1968 Correspondence

If all the members keep their faith in Krishna and tries to please Him, certainly everyone will be pleased by hearing our Kirtana. It is sure and certain. When such Kirtana will be demonstrated, only the harmonium player may sit, and all the others may stand up and join the Kirtana and dancing properly dressed.

Letter to Hamsaduta -- Los Angeles 4 February, 1968:

Regarding Kirtana Party: My idea is that at least one dozen persons should form a Kirtana Party. Two persons play mrdangas, eight persons play karatalas, one person playing tamboura, and one person playing melodious harmonium. The person who will play on tamboura will be leader singer. You have just calculated what I want, when you suggest that the leader should sing as I do, and the others will respond. That will be very nice. But all the members of the party will be pure devotees. None of them should be outsiders. We do not want any outsiders as far as possible. Mrdanga playing as you are doing at present will make you more and more expert as you go on playing. Here also I see Gaurasundara simply by playing is improving. If all the members keep their faith in Krishna and tries to please Him, certainly everyone will be pleased by hearing our Kirtana. It is sure and certain. When such Kirtana will be demonstrated, only the harmonium player may sit, and all the others may stand up and join the Kirtana and dancing properly dressed. This is actual idea and I hope if such Kirtanas are performed even on public stage, we can sell tickets. That will be a source of earning to maintain our activities.

I wish to form a nice Kirtana party consisting of 12 heads—2 mrdanga players, 1 harmonium player in melody, 1 tambura player, and at least 6 cymbal players. In this way 12 heads shall perform Kirtana very rhythmically and melodiously. The harmonium should be practiced just to follow the song; not simply for tuning.

Letter to Mukunda -- Montreal 11 June, 1968:

Your presence in the London center with other assistants will be great helpful, considering the fact that I wish to form a nice Kirtana party consisting of 12 heads—2 mrdanga players, 1 harmonium player in melody, 1 tambura player, and at least 6 cymbal players. In this way 12 heads shall perform Kirtana very rhythmically and melodiously. The harmonium should be practiced just to follow the song; not simply for tuning. I think you can very well organize this Sankirtana party, and if we have a successful Sankirtana party, with me, backed by our books and literature, we can make a nice propaganda of this sublime movement in all the European cities. And if we are successful in Europe then we may go to other countries also in Asia. In India also if we go with this Sankirtana party we shall be very much welcome and there is great possibility of cooperation of the richer section of India. So I am thinking of organizing this nice Sankirtana party very seriously and you may also think in that way.

I have already heard that in San Francisco they are going to celebrate Rathayatra festival very successfully. In New York also they will perform this ceremony, and most probably here in Montreal the ceremony will be performed. The Montreal temple is very big and spacious, and there is good prospect for organizing this temple. So I shall try my best to organize this center with the cooperation of Indians here, and then I shall start for London. You are learning some techniques about playing mrdanga is very nice; that will help others also to know how to play.

Regarding gramophone records: When I was in India, Acyutananda knows that my record player was stolen. But when we went to Calcutta, one gentleman loaned us his record player machine, and it was nicely played. This is known to Acyutananda. This means that our record was played in another gentleman's machine. So there is no difficulty to play the records in Indian machine.

Letter to Acyutananda, Jayagovinda -- Montreal 21 August, 1968:

Regarding gramophone records: When I was in India, Acyutananda knows that my record player was stolen. But when we went to Calcutta, one gentleman loaned us his record player machine, and it was nicely played. This is known to Acyutananda. This means that our record was played in another gentleman's machine. So there is no difficulty to play the records in Indian machine.

The Sankirtana party is selling Back To Godhead nicely and if they display the record on a record player in the street, I think we can sell this album very nicely.

Letter to Krsna Devi, Dinesh Candra -- Seattle 29 September, 1968:

In continuation of my last letter, I have taken quotation from New York about record manufacturing and Brahmananda has sent me the following quotation as per leaflet enclosed herewith. Brahmananda says it will be still not cheaper so far printing of albums is concerned, so if we get 5000 albums, I have estimated, it will be more or less around 2000 dollars, or about 45 cents per record. So if Dinesh and you think that the record playing has come out very successful, then we must print 5000 copies. If you get $2000. from your father, that will be sufficient for 5000 copies, and if need be, we can arrange to invest one hundred or two hundred more, if so required. So you ask Dinesh to open correspondence immediately with Brahmananda, and it will be nice to print 5000 albums immediately.

The Sankirtana party is selling Back To Godhead nicely and if they display the record on a record player in the street, I think we can sell this album very nicely.* If you get a cheaper price than this rate, let me know, otherwise we may get it manufactured in New York. So far album art work is concerned, I shall ask Muralidhara to do it very nicely. So please let me know what you are going to do in this connection and I hope you are in good health.

Your ever well-wisher,

A.C. Bhaktivedanta Swami

*I understand stereo records are in greater demand than mono records. So you will have to do stereo records.

It is very nice that you are preparing these puppet stories of Srimad-Bhagavatam. Such program will not fail to have an uplifting effect upon the viewers as well as the players. So do this nicely, it shall be very good.

Letter to Harer Nama -- Los Angeles 1 December, 1968:

I have received your letter dated November 22, 1968 and I thank you for it. It is very nice that you are preparing these puppet stories of Srimad-Bhagavatam. Such program will not fail to have an uplifting effect upon the viewers as well as the players. So do this nicely, it shall be very good. I also understand from your letter that you and Tosana working outside to support the Santa Fe temple. This is all right and you should continue with this. Our program is that no matter what our engagement may be, we shall perform it in Krishna Consciousness, chanting Hare Krishna and thinking about something of Krishna, His Name, His Form, His Beauty, etc. This will bring the highest benediction of our life and by executing the same we shall elevate not only ourself but similarly we will elevate those with which we come into association.

They wanted to get some expert player of Mrdangam, from India, so please cooperate with me, and help my missionary activities.

Letter to Sumati Morarjee -- Montreal 30 August, 1968:

Regarding free passage to be provided to my men, as you have kindly agreed, in your above letter; there will be no difficulty to get the Reserve Bank permission, because I shall arrange for sponsoring their expenses here in United States, and it is not possible to pay their fare. They wanted to get some expert player of Mrdangam, from India, so please cooperate with me, and help my missionary activities. By practical experience, I am seeing that by spreading Krishna Consciousness movement, the people here, especially the younger generation, who were feeling frustration, and confusion, are getting great relief, and they are joining this movement although the restriction for becoming initiated in this line are strictly according to our Vaisnava rituals. Still they are accepting; they do not take meat; they have given up drinking; and all kinds of intoxicants, not even will they take tea and cigarette; they have no illicit sex life, except in marriage union, and they have given up gambling. So if you want to see, two of my students are there in India, and if you so desire, I can ask them to see you. They are presently in Vrindaban. And you will be pleased to see how they have changed from their old habits to Vaisnava initiation. So I request you again that, kindly continue your cooperation as per your letter dated 11th April, 1966, and oblige.

1969 Correspondence

Regarding your question about kirtana, practically we are not concerned with the instruments. They are used sometimes to make it sweeter, but if we divert our attention for using the instruments more, that is not good. Generally kirtana is performed with mrdanga and karatalas, but if somebody is expert instrument player, he can be admitted to join Sankirtana.

Letter to Jadurani -- New Vrindaban 26 May, 1969:

Regarding your question about kirtana, practically we are not concerned with the instruments. They are used sometimes to make it sweeter, but if we divert our attention for using the instruments more, that is not good. Generally kirtana is performed with mrdanga and karatalas, but if somebody is expert instrument player, he can be admitted to join Sankirtana. We can accept everything for Krishna's service, but not taking the risk of diverting attention to any other thing which will hinder our Krishna Consciousness. That should be our motto, or principle.

Regarding your request for a kirtana musician, we don't require anyone who is very musically talented. Here in New Vrindaban Hayagriva has organized very nice kirtana party, and they are singing and chanting thrice daily very, very nicely. So I think you are the best mrdanga player, and similarly you have Rsi Kumar, Madhusudana, Uddhava, as well as others, so if you think all of you are deficient, I can send you a tape recording teaching playing techniques, and you will learn from this.

Letter to Brahmananda -- New Vrindaban 26 May, 1969:

Regarding your request for a kirtana musician, we don't require anyone who is very musically talented. Here in New Vrindaban Hayagriva has organized very nice kirtana party, and they are singing and chanting thrice daily very, very nicely. So I think you are the best mrdanga player, and similarly you have Rsi Kumar, Madhusudana, Uddhava, as well as others, so if you think all of you are deficient, I can send you a tape recording teaching playing techniques, and you will learn from this. You have got another devotee, Mohini Mohan, Purusottama's friend, and Purusottama says he is a musical master, so utilize the talent you have got and surely your propaganda will be successful and more men will come. It is in the same way that I came here with only one pair of cymbals, and now there are hundreds of cymbals going on. So Krishna will send us men; gradually as we qualify ourselves everything will come.

I am very glad to learn that Mr. George Harrison was playing on harmonium and guitar; Digvijaya and Gurudasa were playing karatalas; Yamuna and Malati were singing; and you were playing dilruba. Kulasekhara is so nice khole player I thought it was being played by Mukunda. Why do I not find the name of Mukunda?

Letter to Syamasundara -- Los Angeles 13 August, 1969:

Regarding your recording of Nama Om and Hare Krishna, it is very, very good and everyone says that it is technically all-perfect. So your endeavor to induce the Beatles to cooperate with us is successful to a greater extent. Now when I shall go to London I shall carry with me various other recordings sung by me, and if these recordings can be attuned in the same technical perfection, then under my direction we can produce at least one dozen Hare Krishna recordings in varieties of tunes. I am sure people will like them very much when they are presented through Mr. George Harrison and his company. I am very glad to learn that Mr. George Harrison was playing on harmonium and guitar; Digvijaya and Gurudasa were playing karatalas; Yamuna and Malati were singing; and you were playing dilruba. Kulasekhara is so nice khole player I thought it was being played by Mukunda. Why do I not find the name of Mukunda?

I am also very glad to learn that this record is being played on some first class radio station all day, and wherever you go people congratulate you by chanting Hare Krishna. This is very encouraging. Similarly, I am encouraged that Kirtana Party led by Trivikrama is collecting $25-50 daily.

I have received from Dinesh two records of Bunde Hum, but I could not play them as yet for want of a record player.

Letter to Damodara -- Ascott, England 23 October, 1969:

Madhusudana and yourself both are a good combination, and I am sure our Washington center will become very soon one of the first grade branches. From the plane we saw Washington city, and if possible, when I go to Boston I may visit your place also. I have received from Dinesh two records of Bunde Hum, but I could not play them as yet for want of a record player. Anyway, please convey my thanks to him. If he is earning something, let him send some money for my book fund.

1970 Correspondence

I beg to acknowledge receipt of your letter dated 16 February, 1970, along with "Govindam" record. I have heard it played on a record player and, although the machine was not very good, still I enjoyed the transcendental vibration very much.

Letter to Syamasundara -- Los Angeles 21 February, 1970:

I beg to acknowledge receipt of your letter dated 16 February, 1970, along with "Govindam" record. I have heard it played on a record player and, although the machine was not very good, still I enjoyed the transcendental vibration very much.

In the beginning I was seriously corresponding with Indian friends to get some good mrdanga players, but when I found it too difficult to get a man from India some of my students were given the rudimentary lessons in playing and simply by practice they are putting on Sankirtana Party everywhere.

Letter to Satsvarupa -- Los Angeles 21 April, 1970:

Regarding organization of the artists, there is no need of wasting time for learning the art from study of texts. We should always remember that our time is very short. I think our artists should be satisfied with whatever they have learned already, that is sufficient. They should be simply be engaged in painting pictures always, and that will teach them the art sufficiently.

In the beginning I was seriously corresponding with Indian friends to get some good mrdanga players, but when I found it too difficult to get a man from India some of my students were given the rudimentary lessons in playing and simply by practice they are putting on Sankirtana Party everywhere. My Guru Maharaja used to say that in a foreign land where you cannot speak the language with the natives very nicely, what do you do when there is a fire in your house just to get their help? In such emergency one has to express himself somehow or other to his foreign friends and get their help to extinguish the fire. But if he wants to learn the language first and then talk with the foreign friends to get help, then everything in the meantime would be finished. Similarly if we have to learn and then paint, it will be a long-term affair. But immediately we want so many pictures for all of our books, so all the artists may always be engaged in painting works and that painting itself will gradually teach them how to make things nice.

One of the karatala players is lead singer, and the dancer dances freely up and down between the two lines of players three on each side as in the drawing. If there are only four parties, the arrangement should be that one party is on each side, and in back and front of the Ratha: So the dancer should dance very freely.

Letter to Himavati, Hamsaduta -- Los Angeles 13 June, 1970:

Regarding the Rathayatra procession in London, the procession should be made like this: The arrangement is for seven kirtana parties, or if you do not have enough men, four parties. Each party must consist of seven men as follows: two mrdanga, four karatala, and one dancer. One of the karatala players is lead singer, and the dancer dances freely up and down between the two lines of players three on each side as in the drawing. If there are only four parties, the arrangement should be that one party is on each side, and in back and front of the Ratha:

So the dancer should dance very freely, you may distribute Prasadam and especially distribute our literatures from a table on wheels for the purpose.

1972 Correspondence

Perhaps you can work together with Visnujana for presenting our road show opera to the public also. I had opportunity to see that opera in Pittsburgh and it was very well done, with a lot of drama and dancing as well. You may keep me informed from time to time what is the progress of your play-acting group, Vaikuntha Players.

Letter to Nayanabhirama -- Los Angeles 18 September, 1972:

Yes, I did not see your drama in New Vrndavana about the advent of Lord Krsna. But I have heard from others that it was done very nicely, so I am very much pleased. These kinds of dramas about Krsna, Krsna's pastimes, and also Lord Caitanya's pastimes, are very much desirable for presenting to the public widely. So if you can organize your traveling party to present such dramas all over your country and other places that will be very much appreciated. Perhaps you can work together with Visnujana for presenting our road show opera to the public also. I had opportunity to see that opera in Pittsburgh and it was very well done, with a lot of drama and dancing as well. You may keep me informed from time to time what is the progress of your play-acting group, Vaikuntha Players.

1973 Correspondence

Regarding the activities of the Vaikuntha Players, it is very nice to hear that you are taking information from our Srimad-Bhagavatam and Krsna Book for presenting everything very authoritatively, without any deviation from the sastras.

Letter to Nayanabhirama -- Calcutta 28 January, 1973:

Regarding the activities of the Vaikuntha Players, it is very nice to hear that you are taking information from our Srimad-Bhagavatam and Krsna Book for presenting everything very authoritatively, without any deviation from the sastras. Yes, one or two of the girls may learn this Indian dance technique, but we cannot take too much endeavor for such things. If they can do it without too much trouble that is all right. Now you continue executing your Krsna Conscious activities, chanting 16 rounds, studying our books, going on sankirtana, worshiping the deity, etc., and in this way you will become advanced more and more. Also as you are senior devotee you must set a nice example for the others to follow. Here also in India we are making drama, and at our Bombay Pandal on the last evening we had one drama about Krsna and the gopis in which the gopis gave the dust of their feet for curing Krsna's headache. This was very much appreciated by the audience. So in this way we can present the philosophy of Krsna Consciousness very nicely for everyone to relish.

1974 Correspondence

You can also arrange to have the Her Govinda dramatical players and our own players as well.

Letter to Gurudasa -- Melbourne 1 July, 1974:

There is no reason why we have to think we are dependent on any Indian goswami in order to conduct our ceremony in Vrindaban. So you understand this and be convinced of it, and let them come as invited but we shall conduct the affair ourselves. You can also arrange to have the Her Govinda dramatical players and our own players as well. There should be abundant prasadam for whoever comes all day long. The kitchen should go on. So see there is sufficient stock of rice, attar, ghee, etc. The life members should be especially cared for and invited. We shall manage our own affairs. If they come that is good but if not we shall manage. From our side everything should be done nicely.

1976 Correspondence

Don't try for Vaikuntha players, etc. in Eastern Europe at this time. It will make too much encumbrance and you may not be able to manage it.

Letter to Harikesa -- New Vrindaban 24 June, 1976:

Don't try for Vaikuntha players, etc. in Eastern Europe at this time. It will make too much encumbrance and you may not be able to manage it.