Peacock feather (Conv and Letters)

Expressions researched:
"peacock feather" |"peacock feathers"

1969 Conversations and Morning Walks

Mīrā appreciated that Lord Caitanya is Kṛṣṇa, and she has written one poetry, song, that "Now You have left aside Your flute, and You have taken the sannyāsī rod." In that way she has written nice poetry. "And where is Your hair and peacock feather? Now You are bald-headed." In this way.

Room Conversation with Allen Ginsberg -- May 13, 1969, Columbus, Ohio:

Guest (1): Mīrā was a devotee. She was a Vaiṣṇava.

Prabhupāda: Yes. Devotee means...

Guest (1): Vaiṣṇava. She was, Mīrā, Kṛṣṇa devotee. Oh, her songs has called me.

Allen Ginsberg: Have you used her songs here at all?

Prabhupāda: Yes, in India it is very popular, Mīrā's song. Mostly they are written in Hindi, and some of them have been interpolated. But Mīrā was a devotee. She saw Rūpa Gosvāmī, a contemporary. She has written many poetry about Lord Caitanya.

Allen Ginsberg: Oh, she was a contemporary of Caitanya?

Prabhupāda: Yes.

Allen Ginsberg: Did they meet?

Prabhupāda: No. She appreciated that Lord Caitanya is Kṛṣṇa, and she has written one poetry, song, that "Now You have left aside Your flute, and You have taken the sannyāsī rod." In that way she has written nice poetry. "And where is Your hair and peacock feather? Now You are bald-headed." In this way. So Mīrā appreciated. Her life is also very excellent. Her father gave her a small Kṛṣṇa doll to play, and she developed love for Kṛṣṇa as husband. So when she was married... She was princess, daughter of king, and she was married with another prince.

1971 Conversations and Morning Walks

Barhāvataṁsam: He has got a peacock feather on His head.

Room Conversation -- January 17, 1971, Allahabad:

Prabhupāda: Śyāmasundaram... But the Śyāmasundaram means He is blackish, still, He is so beautiful that thousands of Cupids cannot be compared with Him. Kandarpa-koṭi-kamanīya-viśeṣa-śobhaṁ (Bs. 5.30). Kandarpa-koṭi. Cupid is supposed to be the most beautiful, but about Kṛṣṇa it is stated that:

veṇuṁ kvaṇantam aravinda-dalāyatākṣaṁ

barhāvataṁsam asitāmbuda-sundarāṅgam

kandarpa-koṭi-kamanīya-viśeṣa-śobhaṁ

govindam ādi-puruṣaṁ tam ahaṁ bhajāmi

(Bs. 5.30)

Veṇuṁ kvaṇantam: He is playing on flute. Aravinda-dalāyatākṣaṁ: His eyes are just like petals of the lotus flower. Barhāvataṁsam: He has got a peacock feather on His head. Asitāmbuda: and His color is just like black cloud. Sundarāṅgam: but His beauty, total beauty is kandarpa-koṭi-kamanīya-viśeṣa-śobhaṁ (Bs. 5.30). Still, the beauty... As soon as we say blackish, we think that he... If somebody is blackish, he is not beautiful.

1974 Conversations and Morning Walks

The Māyāvādīs say, "They have imagined a form of God as Kṛṣṇa, with peacock feather, with murlī." But that's not the fact.

Morning Walk -- April 5, 1974, Bombay:

Dr. Patel: (reads Bg verse 11.20 in Sanskrit)

Girirāja: (reads synonyms) "Translation: Although You are one, You are spread throughout the sky and the planets and all space between. O great one, as I behold this terrible form, I see that all the planetary systems are perplexed."

Prabhupāda: For devotee, that is a terrible form. That is not very pleasing. Therefore they do not worship the virāṭ form. They worship Kṛṣṇa's original, dvi-bhuja. Dvi-bhuja murlīdhāra śyāmasundara. That is the original form.

Dr. Patel: That is what we say.

Prabhupāda: Yes, Dvi-bhuja murlidhara śyāmasundara. Venuṁ kvaṇantam aravinda-dalāyatākṣaṁ barhāvataṁsam asitāmbudha-sundarāṅgam (Bs. 5.30). Arcā-vigraha. Venuṁ kvaṇantam aravinda-dalāyatākṣaṁ barhāvataṁ... Barha, this peacock feather. They are described in the Vedic literature, but these rascals say, "That it is imagination. They have imagined." The Māyāvādīs say, "They have imagined a form of God as Kṛṣṇa, with peacock feather, with murlī." But that's not the fact. The fact is there in the Vedic literature. So Kṛṣṇa has got this universal form, but the devotees are not interested with this universal form. But they know that Kṛṣṇa has universal form.

Subject is there, that "Kṛṣṇa's color is bluish, Kṛṣṇa has got in His hand a flute, Kṛṣṇa has got a peacock feather on His head, Kṛṣṇa stands, little curving.".

Reporters Interview -- June 29, 1974, Melbourne:

Guest (2): But some of these pictures are slightly different. They show different...

Prabhupāda: No, no, on principle it is, as Kṛṣṇa's color is there, Kṛṣṇa's flute is there, Kṛṣṇa's peacock feather is there, these things... These are described in the śāstra. Veṇuṁ kvaṇantam aravinda-dalāyatākṣaṁ barhāvataṁ samasitāmbuda-sun... (Bs. 5.30). So Kṛṣṇa's... Suppose even a painting of yourself. One man paints a little different from your face. Another man paints. But on the whole, it is the same. In that way Kṛṣṇa is not depending on the painting but on the features of His description as it is in the śāstra. Kṛṣṇa's color is described there. Kṛṣṇa's peacock feather is described there. Kṛṣṇa's flute is there. Kṛṣṇa's ever eternal consort... Praṇaya-keli. In loving mood always, Kṛṣṇa... Praṇaya-keli-kalā-vilāsam. He's always in enjoying spirit. So we get idea. Idea of Kṛṣṇa and Kṛṣṇa being Absolute, the idea of Kṛṣṇa and Kṛṣṇa is nondifferent.

Guest (2): But if a painter was to paint a picture of me or of Allen or of anybody, first they'd take the subject, and the subject would be a living person, and then they would paint the picture and the picture would be in...

Prabhupāda: Yes. Subject is there, that "Kṛṣṇa's color is bluish, Kṛṣṇa has got in His hand a flute, Kṛṣṇa has got a peacock feather on His head, Kṛṣṇa stands, little curving." Tri-bhaṅga-lalitam. Tri-bhaṅga means in three ways He is curved. You see. Tri-bhaṅga. Three, three times He is curved. Śyāmaṁ tri-bhaṅga-lalitaṁ niyata-prakāśam (Bs. 5.31). These are the description of the Vedas. Just like my students, they have painted so many pictures, so I have given simply the hints that "This picture should be like this." So they take note and make the picture, and people very much appreciate our picture. So you can paint pictures by taking hints from the authority. That is going on. So if you are intelligent, you can make almost like that.

1976 Conversations and Morning Walks

There is a verse in the Brahma-saṁhitā: "Kṛṣṇa has got one peacock feather on His head and He's blackish, but wonderfully beautiful."

Interview with Jackie Vaughn (Black Congressman) -- July 12, 1976, Detroit:

Puṣṭa Kṛṣṇa: Another meaning of kṛṣṇa is blackish.

Jackie Vaughn: Black is beautiful?

Prabhupāda: Why not? He's the most beautiful. Otherwise, why people are attracted? There is a verse in the Brahma-saṁhitā: kandarpa-koṭi-kamanīya-viśeṣa-śobham (Bs. 5.30); barhāvataṁsam asitāmbuda-sundarāṅgam. He has got one peacock feather on His head and He's blackish, but wonderfully beautiful. These words are used. Kandarpa-koṭi-kamanīya. He's so beautiful that thousands of Cupids cannot be compared with His beauty. Cupid is understood to be the most beautiful person within this universe. You know Cupid? Yes. He enchants by beauty. But Kṛṣṇa's beauty is so great that millions of beauty, kandarpa or Cupid, cannot be compared with Him.

Kṛṣṇa is God; whatever He likes, you have to supply. That is God. Why He likes, we cannot question.

Garden Conversation -- June 14, 1976, Detroit:

Satsvarūpa: ...Sundays ago, one Indian man asked after the Sunday lecture why does Kṛṣṇa like a peacock feather, or why does Kṛṣṇa have a peacock feather? So Mādhavānanda answered, "Because He likes it." And the man said, "This is not an answer. There has to be some reason." So then I said, "You cannot question why Kṛṣṇa likes something. He's a person." But he wasn't satisfied.

Prabhupāda: Kṛṣṇa is God; whatever He likes, you have to supply. That is God. Why He likes, we cannot question. That is not the business of the servant. So as servant we simply obey the orders. That's all. That is real servant. Is there any instance the servant is asking, "Why you are asking me to supply you this?" Therefore what would be the position of the servant? He would be dismissed.

1968 Correspondence

The Deities are offered a fan, nice peacock feather fan.

Letter to Aniruddha -- Los Angeles 14 November, 1968:

Arati is performed at 1 1/2 hour before sunrise to awaken the Deities. Each offering is made by moving it in 7 big circles, starting at the Lotus Feet of the Lord, and going clockwise round. First of all, burning camphor or ghee (5 fires if possible) is offered in this way, slowly circling them before the Lord. With left hand bell is being rung, and with right hand the offerings are made by circling. Next burning dhupa is offered. Then water is offered in a conchshell. Then a nice handkerchief is offered. Then a nice flower, as a rose. Then the Deities are offered a fan, nice peacock feather fan. And the last item is the blowing of the conch shell three times. Throughout arati there is bell ringing, cymbals, mrdanga, gong, harmonium, etc.

1969 Correspondence

I have placed the peacock feather upon Lord Jagannatha in my altar room, and He is looking very beautiful with it.

Letter to Anuradha , Tulsi -- Los Angeles 27 January, 1969:

NB: I have placed the peacock feather which was sent by Anuradha upon Lord Jagannatha in my altar room, and He is looking very beautiful with it.

I think the Deities have already helmets and peacock feathers and hair to be dressed with. If not, make arrangements for this also.

Letter to Satsvarupa -- Los Angeles 12 February, 1969:

Regarding your idea of having an installation ceremony for the Deities, it is very good suggestion, and you may also have the sacrificial fire. The Deities should be bathed with milk, and while bathing, They must have covering of thin cotton cloth, and the whole Body and the clothing should be wet by pouring the milk. You can see the picture of this in the new Back To Godhead, and perhaps you saw the ceremony when it was held in New York. The Deities should be decorated with sufficient flowers and nice gorgeous dresses and ornaments. Beforehand, you should polish the Bodies with a mixture of tamorind pulp and fullers earth. Apply the pulp on the Bodies, then rub it and then polish nicely with tissue paper. This will gave a very good shine. Then bath the Deities with milk, and dress very nicely with ornaments, and place Them on the throne with flowers, candles, etc. The throne, if possible, should be coated with silver sheets, and the canopy should be red velvet with gold embroidered work. Before the Deities, on the staircase, there may be some silver polished cups, pitchers, etc. I think the Deities have already helmets and peacock feathers and hair to be dressed with. If not, make arrangements for this also. I do not know how big is the throne, but if it is very big, then within the throne there may be a raised seat to accommodate the Deities. On the whole, everything should be very gorgeous; then it will be successful.

1976 Correspondence

Regarding the use of Ostrich feathers, we don't find such things mentioned in the sastras, only peacock feathers. But, there is no harm. It is for dressing the Deity.

Letter to Adi-kesava -- Bombay 26 December, 1976:

Regarding the use of Ostrich feathers, we don't find such things mentioned in the sastras, only peacock feathers. But, there is no harm. It is for dressing the Deity.