Rāmānanda Rāya could understand the motive of Lord Caitanya; therefore he stated that attainment of pure love of Godhead is the highest perfectional stage. There is a very nice verse in Padyāvalī which is said to be composed by Rāmānanda Rāya himself. The purport of the verse is: "As long as there is hunger in the belly and one feels like eating and drinking, one can become happy by taking anything eatable. Similarly, there may be much paraphernalia for worshiping the Supreme Lord, but when that is mixed with pure love of Godhead, it becomes an actual source of transcendental happiness." Rāmānanda Rāya also composed another verse which stated that even after millions and millions of births one cannot achieve a sense of devotional service, but if, somehow or other, one desires to attain devotional service, the association of a pure devotee will render it possible. Thus one should have a strong desire to engage in devotional service. In these two verses, Rāmānanda Rāya has described the regulative principles and developed love of Godhead.
Padyavali
Srimad-Bhagavatam
SB Canto 10.1 to 10.13
"Let others study the Vedas, smṛti and Mahābhārata, fearing material existence, but I shall worship Nanda Mahārāja, in whose courtyard is crawling the Supreme Brahman. Nanda Mahārāja is so great that the Parabrahman is crawling in his yard, and therefore I shall worship him." (Padyāvalī 126)
Brahmā was falling down in ecstasy. Because of the presence of the Supreme Personality of Godhead, who exactly resembled a human child, Brahmā was naturally astonished. Therefore with a faltering voice he offered prayers, understanding that here was the Supreme Person.
Sri Caitanya-caritamrta
CC Adi-lila
In the Bhakti-ratnākara there is a list of the books Śrī Rūpa Gosvāmī compiled. Of all his books, the following sixteen are very popular among Vaiṣṇavas: (1) Haṁsadūta, (2) Uddhava-sandeśa, (3) Kṛṣṇa-janma-tithi-vidhi, (4 and 5) Rādhā-kṛṣṇa-gaṇoddeśa-dīpikā, Bṛhat (major) and Laghu (minor), (6) Stavamālā, (7) Vidagdha-mādhava, (8) Lalita-mādhava, (9) Dāna-keli-kaumudi, (10) Bhakti-rasāmṛta-sindhu (this is the most celebrated book by Śrī Rūpa Gosvāmī), (11) Ujjvala-nīlamaṇi, (12) Ākhyāta-candrikā, (13) Mathurā-mahimā, (14) Padyāvalī, (15) Nāṭaka-candrikā and (16) Laghu-bhāgavatāmṛta. Śrī Rūpa Gosvāmī gave up all family connections, joined the renounced order of life and divided his money, giving fifty percent to the brāhmaṇas and Vaiṣṇavas and twenty-five percent to his kuṭumba (family members), and keeping twenty-five percent for personal emergencies.
CC Madhya-lila
Śrīla Rūpa Gosvāmī also compiled the Dāna-keli-kaumudī, Stavāvalī, Līlā-cchanda, Padyāvalī, Govinda-virudāvalī, Mathurā-māhātmya and Nāṭaka-varṇana.
This verse appears in the Padyāvalī (386), an anthology of verses compiled by Śrīla Rūpa Gosvāmī.
This verse also appears in the Padyāvalī (387), an anthology of verses compiled by Śrīla Rūpa Gosvāmī.
The previous two verses are included in the Padyāvalī (13, 14), an anthology compiled by Śrīla Rūpa Gosvāmī. Verse 69 refers to devotional service in faith, and verse 70 refers to devotional service rendered out of intense greed. The first is devotional service rendered in accordance with the regulative principles, and the second refers to spontaneous loving service of the Lord without extraneous endeavor. Henceforward the basic principle underlying the talks between Śrī Caitanya Mahāprabhu and Rāmānanda Rāya will be spontaneous loving service to the Lord. The regulative principles according to the injunctions of the śāstras are necessary insofar as one's original dormant Kṛṣṇa consciousness is not spontaneously awakened. An example of spontaneous action is the flowing of rivers into the ocean. Nothing can stop this flow of water. Similarly, when one's dormant Kṛṣṇa consciousness is awakened, it spontaneously flows to the lotus feet of Kṛṣṇa without impediment. Whatever will be spoken henceforth by Rāmānanda Rāya based on spontaneous love will be agreeable to Śrī Caitanya Mahāprabhu, and the Lord will ask him more and more about this subject.
This is verse 74 from the Padyāvalī, an anthology of verses compiled by Śrīla Rūpa Gosvāmī.
This verse appears in the Padyāvalī (386).
This verse is found in the Padyāvalī (29), an anthology of verses compiled by Śrīla Rūpa Gosvāmī.
This verse recited by Raghupati Upādhyāya was later included in Śrī Rūpa Gosvāmī’s Padyāvalī (126).
This verse was also later included in the Padyāvalī (99).
This verse is found in the Padyāvalī (82).
This verse appears in the Padyāvalī (53) and the Bhakti-rasāmṛta-sindhu (1.2.265).
CC Antya-lila
This is the verse composed by Śrīla Rūpa Gosvāmī. It is included in the Padyāvalī (386), an anthology of verses he compiled.
This verse is found in the Padyāvalī (16), an anthology of verses compiled by Śrīla Rūpa Gosvāmī.
She thought, "Now I am going to die, and when I die, Kṛṣṇa will surely come back to see Me again. But when He hears of My death from the people of Vṛndāvana, He will certainly be very unhappy. Therefore I shall not die."” This is the explanation of the word cintā.
Jāgara, wakefulness. As stated in the Padyāvalī (326):
- yāḥ paśyanti priyaṁ svapne dhanyās tāḥ sakhi yoṣitaḥ
- asmākaṁ tu gate kṛṣṇe gatā nidrāpi vairiṇī
Thinking Herself very unfortunate, Śrīmatī Rādhārāṇī addressed Her very dear friend Viśākhā, "My dear friend, if I could see Kṛṣṇa in My dreams, I would certainly be glorified for My great fortune. But what can I do? Sleep also plays mischievously with Me. Indeed, it has become My enemy. Therefore I have not slept since the departure of Kṛṣṇa."
Other Books by Srila Prabhupada
Teachings of Lord Caitanya
Nectar of Devotion
In the book Padyāvalī by Rūpa Gosvāmī there is the following statement about Vṛndāvana: "In this place the son of Mahārāja Nanda used to live with His father, who was king of all cowherd men. In this place Lord Kṛṣṇa broke the cart in which the Śakaṭāsura demon was concealed. At this place Dāmodara, who can cut the knot of our material existence, was tied up by His mother, Yaśodā."
A pure devotee of Lord Kṛṣṇa resides in the district of Mathurā or Vṛndāvana and visits all the places where Kṛṣṇa's pastimes were performed. At these sacred places Kṛṣṇa displayed His childhood activities with the cowherd boys and mother Yaśodā. The system of circumambulating all these places is still current among devotees of Lord Kṛṣṇa, and those coming to Mathurā and Vṛndāvana always feel transcendental pleasure.
A person is called a genius when he can refute any kind of opposing element with newer and newer arguments. In this connection there is a statement in Padyāvalī which contains the following conversation between Kṛṣṇa and Rādhā. One morning, when Kṛṣṇa came to Rādhā, Rādhā asked Him, "My dear Keśava, where is Your vāsa at present?" The Sanskrit word vāsa has three meanings: one meaning is residence, one meaning is fragrance, and another meaning is dress.
Actually Rādhārāṇī inquired from Kṛṣṇa, "Where is Your dress?" But Kṛṣṇa took the meaning as residence, and He replied to Rādhārāṇī, "My dear captivated one, at the present moment My residence is in Your beautiful eyes."
To this Rādhārāṇī replied, "My dear cunning boy, I did not ask You about Your residence. I inquired about Your dress."
This is the influence of Kṛṣṇa. Anyone who becomes attracted to Kṛṣṇa can be relieved from the bondage of birth and death, which can be compared to the locked—up homes that were neglected by the wives of the brāhmaṇas.
In the Padyāvalī there is a statement by some devotees: "We shall not care for any outsiders. If they should deride us, we shall still not care for them. We shall simply enjoy the transcendental mellow of chanting Hare Kṛṣṇa, and thus we shall roll on the ground and dance ecstatically. In this way we shall eternally enjoy transcendental bliss."
In such a state of apprehension, one tries to take shelter of something which provides safety. There may be standing of the hairs on the body, trembling of the body and sometimes the committing of mistakes. And sometimes the body may become stunned.
In the Padyāvalī there is the following statement: "My dear friend, Kṛṣṇa's residence in the demoniac circle at Mathurā, under the supremacy of the king of demons, Kaṁsa, is causing me much worry." This is one instance of apprehending some danger to Kṛṣṇa in ecstatic love for Him.
When Vṛṣāsura appeared in Vṛndāvana as a bull, all of the gopīs became greatly affected with fear. Being perturbed in that way, they began to embrace the tamāla trees. This is an instance of fear caused by a ferocious animal and of the search for shelter while remembering Kṛṣṇa in ecstatic love.
In the Padyāvalī, one of the friends of Rādhārāṇī once addressed Her thus: "My dear friend, please do not be too puffed up because Kṛṣṇa has decorated Your forehead with His own hand. It may be that Kṛṣṇa is yet attracted by some other beautiful girl. I see that the decoration on Your forehead is very nicely made, and so it appears that Kṛṣṇa was not too disturbed in painting it. Otherwise, He could not have painted such exact lines!" This is an instance of envy caused by Rādhā's good fortune.
In the Tenth Canto, Thirtieth Chapter, verse 30, of Śrīmad-Bhāgavatam, there is the following statement: "When the gopīs were searching for Kṛṣṇa and Rādhā after the rāsa dance, they thus began to speak among themselves: 'We have seen the footprints of Kṛṣṇa and Rādhā on the ground of Vṛndāvana, and they are giving us great pain, because although Kṛṣṇa is everything to us, that girl is so cunning that She has taken Him away alone and is enjoying His kissing without sharing Him with us!' " This is another instance of envy of the good fortune of Śrīmatī Rādhārāṇī.
"My dear great soul, just see how wonderful it is! Although as human beings we are contaminated with so many taints of material existence, simply by our conversing with you about the Supreme Personality of Godhead we are now gradually decrying our desire for liberation."
In Padyāvalī a devotee says, "Persons who are attached to speculative knowledge for self-realization, who have decided that the supreme truth is beyond meditation and who have thus become situated in the mode of goodness—let them peacefully execute their engagement. As for us, we are simply attached to the Supreme Personality of Godhead, who is by nature so pleasing, who possesses a complexion like a blackish cloud, who is dressed in yellow garments and who has beautiful lotuslike eyes. We wish only to meditate upon Him."
A similar statement can be found in Gīta-govinda, wherein it is said that when the enemy of Kaṁsa, Śrī Kṛṣṇa, embraces Śrīmatī Rādhārāṇī, He immediately becomes entangled in a loving condition and gives up the company of all other gopīs.
In the Padyāvalī of Rūpa Gosvāmī it is stated that when the gopīs hear the sound of Kṛṣṇa's flute, they immediately forget all rebukes offered by the elderly members of their families. They forget their defamation and the harsh behavior of their husbands. Their only thought is to go out in search of Kṛṣṇa. When the gopīs meet Kṛṣṇa, the display of their exchanging glances as well as their joking and laughing behavior is called anubhāva, or subecstasy in conjugal love.
In the Lalita-mādhava, Rūpa Gosvāmī explains that the movements of Kṛṣṇa's eyebrows are just like the Yamunā and that the smiling of Rādhārāṇī is just like the moonshine. When the Yamunā and the moonshine come in contact on the bank of the river, the water tastes just like nectar, and drinking it gives great satisfaction. It is as cooling as piles of snow. Similarly, in the Padyāvalī, one constant companion of Rādhārāṇī says, "My dear moon-faced Rādhārāṇī, Your whole body appears very content, yet there are signs of tears in Your eyes. Your speech is faltering, and Your chest is also heaving. By all these signs I can understand that You must have heard the blowing of Kṛṣṇa's flute, and as a result of this, Your heart is now melting."
In the same Padyāvalī there is the following description, which is taken as a sign of frustration in conjugal love. Śrīmatī Rādhārāṇī said, "Dear Mr. Cupid, please do not excite Me by throwing your arrows at My body. Dear Mr. Air, please do not arouse Me with the fragrance of flowers. I am now bereft of Kṛṣṇa's loving attitude, and so, under the circumstances, what is the use of My sustaining this useless body? There is no need for such a body by any living entity." This is a sign of frustration in ecstatic love for Kṛṣṇa.
The steady ecstasy of conjugal love is the original cause of bodily enjoyment. In the Padyāvalī this original cause of union is described when Rādhārāṇī tells one of Her constant companions, "My dear friend, who is this boy whose eyelids, dancing constantly, have increased the beauty of His face and attracted My desire for conjugal love? His ears are decorated with buds of aśoka flowers, and He has dressed Himself in yellow robes. By the sound of His flute, this boy has already made Me impatient."
When the lover and the beloved have a distinct feeling of not meeting each other, that stage is called pūrva-rāga, or preliminary attraction. In Padyāvalī Rādhārāṇī told Her companion, "My dear friend, I was just going to the bank of the Yamunā, and all of a sudden a very nice boy whose complexion is like a dark blue cloud became visible in front of My eyes. He glanced over Me in a way that I cannot describe. But since this has occurred, I am sorry that I can no longer engage My mind in the duties of My household affairs." This is an instance of preliminary attraction for Kṛṣṇa. In Śrīmad-Bhāgavatam, Tenth Canto, Fifty-third Chapter, verse 2, Kṛṣṇa told the messenger brāhmaṇa who came from Rukmiṇī, "My dear brāhmaṇa, just like Rukmiṇī I cannot sleep at night, and My mind is always fixed on her. I know that her brother Rukmī is against Me and that due to his persuasion My marriage with her has been cancelled." This is another instance of preliminary attraction.
An example of pravāsa, or being out of contact because of living in a distant place, is given in the Padyāvalī as follows: "Since the auspicious day when Kṛṣṇa left for Mathurā, Śrīmatī Rādhārāṇī has been pressing Her head on one of Her hands and constantly shedding tears. Her face is always wet now, and therefore there is no chance of Her sleeping even for a moment." When the face becomes wet, the sleeping tendency is immediately removed. So when Rādhārāṇī was always weeping for Kṛṣṇa because of His separation, there was no chance of Her getting any sleep for Herself. In the prahlāda-saṁhitā Uddhava says, "The Supreme Personality of Godhead, Govinda, panic-stricken due to being pierced by the arrows of Cupid, is always thinking of you (the gopīs), and He is not even accepting His regular lunch. Nor is He getting any proper rest."
When the lover and beloved come together and enjoy one another by direct contact, this stage is called sambhoga. There is a statement in Padyāvalī as follows: "Kṛṣṇa embraced Śrīmatī Rādhārāṇī in such an expert manner that He appeared to be celebrating the dancing ceremony of the peacocks."
Śrī Rūpa Gosvāmī thus ends the fifth wave of his Ocean of the Nectar of Devotion. He offers his respectful obeisances to the Supreme Personality of Godhead, who appeared as Gopāla, the eternal form of the Lord.
Thus ends the Bhaktivedanta summary study of the third division of Bhakti-rasāmṛta-sindhu in the matter of the five primary relationships with Kṛṣṇa.
| Page Title: | Padyavali |
| Compiler: | Visnu Murti, RupaManjari |
| Created: | 27 of Jun, 2012 |
| Totals by Section: | BG=0, SB=1, CC=15, OB=14, Lec=0, Con=0, Let=0 |
| No. of Quotes: | 30 |