Gaze

Expressions researched:
"gaze" |"gazed" |"gazing"

SB Canto 3

SB 3.19.28, Translation:

Brahmā continued: He was struck by a forefoot of the Lord, whom yogīs, seeking freedom from their unreal material bodies, meditate upon in seclusion in mystic trance. While gazing on His countenance, this crest jewel of Diti's sons has cast off his mortal coil.

SB 3.28.25, Purport:

It is explained in the Brahma-saṁhitā that each limb of the Lord has the potency of every other limb; because everything is spiritual, His parts are not conditioned. The Lord can see with His ears. The material ear can hear but cannot see, but we understand from the Brahma-saṁhitā that the Lord can also see with His ears and hear with His eyes. Any organ of His transcendental body can function as any other organ. His abdomen is the foundation of all the planetary systems. Brahmā holds the post of the creator of all planetary systems, but his engineering energy is generated from the abdomen of the Lord. Any creative function in the universe always has a direct connecting link with the Lord. The necklace of pearls which decorates the upper portion of the Lord's body is also spiritual, and therefore the yogī is advised to gaze at the whitish luster of the pearls decorating His chest.

SB Canto 4

SB 4.24.71, Purport:

In the haṭha-yoga system one has to practice bodily exercises, dhyāna, dhāraṇā, āsana, meditation, etc. One also has to sit in one place in a particular posture and concentrate his gaze on the tip of the nose. There are so many rules and regulations for the haṭha-yoga system that it is practically impossible to perform it in this age. The alternative system of bhakti-yoga is very easy not only in this age but in others as well, for this yoga system was advocated long ago by Lord Śiva when he advised the princes, the sons of Mahārāja Prācīnabarhiṣat. The bhakti-yoga system is not newly introduced, for even five thousand years ago Lord Kṛṣṇa recommended this bhakti-yoga as the topmost yoga.

SB Canto 5

SB 5.2.5, Purport:

It is said that yogīs always think of the Supreme Personality of Godhead within their hearts. Dhyānāvasthita-tad-gatena manasā paśyanti yaṁ yoginaḥ (SB 12.13.1). The Supreme Personality of Godhead is always observed by yogīs who practice controlling the venomous senses. As recommended in Bhagavad-gītā, yogīs should practice samprekṣya nāsikāgram, keeping their eyes half-open. If the eyes are closed completely, there will be a tendency to sleep. So-called yogīs sometimes practice a fashionable form of yoga by closing their eyes and meditating, but we have actually seen such so-called yogīs sleeping and snoring while meditating. This is not the practice of yoga. To actually practice yoga, one should keep his eyes half-open and gaze at the tip of his nose.

SB 5.2.10, Purport:

With lusty desires to see Pūrvacitti, Āgnīdhra especially gazed upon the girl's attractive hips and waist. When a man looks upon a woman with such lusty desires, he is captivated by her face, her breasts and her waist, for a woman first attracts a man to fulfill his sexual desires by the beautiful features of her face, by the beautiful slope of her breasts and also by her waist. Pūrvacitti was dressed in fine yellow silk, and therefore her hips looked like kadamba flowers. Because of her belt, her waist seemed to be encircled by burning cinders. She was fully dressed, but Āgnīdhra had become so lusty that he asked, "Why have you come naked?"

SB 5.26.35, Translation and Purport:

A householder who receives guests or visitors with cruel glances, as if to burn them to ashes, is put into the hell called Paryāvartana, where he is gazed at by hard-eyed vultures, herons, crows and similar birds, which suddenly swoop down and pluck out his eyes with great force.

According to the Vedic etiquette, even an enemy who comes to a householder's home should be received in such a gentle way that he forgets that he has come to the home of an enemy. A guest who comes to one's home should be received very politely. If he is unwanted, the householder should not stare at him with blinking eyes, for one who does so will be put into the hell known as Paryāvartana after death, and there many ferocious birds like vultures, crows, and coknis will suddenly come upon him and pluck out his eyes.

SB Canto 7

SB 7.2.2, Translation and Purport:

Filled with rage and biting his lips, Hiraṇyakaśipu gazed at the sky with eyes that blazed in anger, making the whole sky smoky. Thus he began to speak.

As usual, the demon is envious of the Supreme Personality of Godhead and inimical toward Him. These were Hiraṇyakaśipu's external bodily features as he considered how to kill Lord Viṣṇu and devastate His kingdom, Vaikuṇṭhaloka.

SB Cantos 10.14 to 12 (Translations Only)

SB 10.25.23, Translation:

Lord Kṛṣṇa, forgetting hunger and thirst and putting aside all considerations of personal pleasure, stood there holding up the hill for seven days as the people of Vraja gazed upon Him.

SB 10.42.24, Translation:

At the time of Mukunda's (Kṛṣṇa's) departure from Vṛndāvana, the gopīs had foretold that the residents of Mathurā would enjoy many benedictions, and now the gopīs' predictions were coming true, for those residents were gazing upon the beauty of Kṛṣṇa, the jewel among men. Indeed, the goddess of fortune desired the shelter of that beauty so much that she abandoned many other men, although they worshiped her.

SB 10.43.20, Translation:

O King, as the citizens of the city and the people from outlying districts gazed upon those two Supreme Personalities from their seats in the galleries, the force of the people's happiness caused their eyes to open wide and their faces to blossom. They drank in the vision of the Lords' faces without becoming satiated.

SB 10.51.23-26, Translation:

As he gazed at the Lord, King Mucukunda saw that He was dark blue like a cloud, had four arms, and wore a yellow silk garment. On His chest He bore the Śrīvatsa mark and on His neck the brilliantly glowing Kaustubha gem. Adorned with a Vaijayantī garland, the Lord displayed His handsome, peaceful face, which attracts the eyes of all mankind with its shark-shaped earrings and affectionately smiling glance. The beauty of His youthful form was unexcelled, and He moved with the nobility of an angry lion. The highly intelligent King was overwhelmed by the Lord's effulgence, which showed Him to be invincible. Expressing his uncertainty, Mucukunda hesitantly questioned Lord Kṛṣṇa as follows.

SB 10.51.34, Translation:

Your unbearably brilliant effulgence overwhelms our strength, and thus we cannot fix our gaze upon You. O exalted one, You are to be honored by all embodied beings.

SB 10.53.51-55, Translation:

Rukmiṇī appeared as enchanting as the Lord's illusory potency, who enchants even the sober and grave. Thus the kings gazed upon her virgin beauty, her shapely waist, and her lovely face adorned with earrings. Her hips were graced with a jewel-studded belt, her breasts were just budding, and her eyes seemed apprehensive of her encroaching locks of hair. She smiled sweetly, her jasmine-bud teeth reflecting the glow of her bimba-red lips. As she walked with the motions of a royal swan, the effulgence of her tinkling ankle bells beautified her feet. Seeing her, the assembled heroes were totally bewildered. Lust tore at their hearts. Indeed, when the kings saw her broad smile and shy glance, they became stupefied, dropped their weapons and fell unconscious to the ground from their elephants, chariots and horses. On the pretext of the procession, Rukmiṇī displayed her beauty for Kṛṣṇa alone. Slowly she advanced the two moving lotus-whorls of her feet, awaiting the arrival of the Supreme Lord. With the fingernails of her left hand she pushed some strands of hair away from her face and shyly looked from the corners of her eyes at the kings standing before her. At that moment she saw Kṛṣṇa. Then, while His enemies looked on, the Lord seized the princess, who was eager to mount His chariot.

SB 10.55.9, Translation:

After a short time, this son of Kṛṣṇa—Pradyumna—attained His full youth. He enchanted all women who gazed upon Him.

SB 10.82.39, Translation:

Śukadeva Gosvāmī said: While gazing at their beloved Kṛṣṇa, the young gopīs used to condemn the creator of their eyelids, (which would momentarily block their vision of Him). Now, seeing Kṛṣṇa again after such a long separation, with their eyes they took Him into their hearts, and there they embraced Him to their full satisfaction. In this way they became totally absorbed in ecstatic meditation on Him, although those who constantly practice mystic yoga find such absorption difficult to achieve.

SB 11.4.13, Translation:

When the followers of the demigods gazed upon the fascinating mystic beauty of the women created by Nara-Nārāyaṇa Ṛṣi and smelled the fragrance of their bodies, the minds of these followers became bewildered. Indeed, upon seeing the beauty and magnificence of such women, the representatives of the demigods were completely diminished in their own opulence.

Nectar of Devotion

Nectar of Devotion 29:

In the arena of Kaṁsa, when Kṛṣṇa was attacked by big elephants, all of the ladies present began to address Him in this way: "My dear boy—please leave this place immediately! Please leave this place immediately! Don't You see the big elephants coming to attack You? Your innocent gazing upon them is causing us too much perturbation!" Kṛṣṇa then told mother Yaśodā, "My dear mother, don't be perturbed by the appearance of the elephants and horses that are so forcibly coming and raising dust, causing blindness to these lotus-eyed women. Let even the Keśī demon come before Me; My arms will still be adequate for victory. So please don't be perturbed."

Nectar of Devotion 33:

When Jarāsandha angrily attacked the city of Mathurā, he looked at Kṛṣṇa with sarcastic glances. At that time Baladeva took up His plow weapon and gazed upon Jarāsandha with colored eyes.

There is a statement in the Vidagdha-mādhava wherein Śrīmatī Rādhārāṇī, in an angry mood, addressed Her mother, Paurṇamāsī, after she had accused Rādhārāṇī of going to Kṛṣṇa. "My dear mother," Rādhā declared, "what can I say to you? Kṛṣṇa is so cruel that He often attacks Me on the street, and if I want to cry out very loudly, this boy with a peacock feather on His head immediately covers My face so that I cannot cry. And if I want to go away from the scene because I am afraid of Him, He will immediately spread His arms to block My path. If I piteously fall down at His feet, then this enemy of the Madhu demon, in an angry mood, bites My face! Mother, just try to understand My situation, and don't be unnecessarily angry with Me. Instead, please tell Me how I can save Myself from these terrible attacks of Kṛṣṇa!"

Nectar of Devotion 43:

In enjoying Kṛṣṇa's attitude of stealing butter very stealthily, mother Yaśodā experienced the ecstasy of maternal love by smelling His head, sometimes patting His body with her hand, sometimes offering blessings, sometimes ordering Him, sometimes gazing at Him, sometimes maintaining Him and sometimes giving Him good instructions not to become a thief. Such activities are in maternal ecstatic love. An important point to be observed in this connection is that the childish propensity of stealing is there even in the Supreme Personality of Godhead, and therefore this propensity is not artificial. However, in the spiritual relationship there is no inebriety to this stealing propensity, as there is in the material world.

Nectar of Devotion 49:

The following statement was made by Kṛṣṇa to the gopīs: "My dear enchanted, don't gaze at Me with longing eyes like this. Be satisfied and return to your homes in Vṛndāvana. There is no necessity of your presence here." While Kṛṣṇa was joking in this way with the damsels of Vraja, who with great hope had come to enjoy the rāsa dance with Him, Subala was also on the scene, and he began to look at Kṛṣṇa with wide and laughing eyes. Subala's feeling contained a mixture of fraternity and laughter in devotional service. Fraternity is considered here to be the whole, and the laughter is considered the part.

Krsna, The Supreme Personality of Godhead

Krsna Book 53:

Struck with wonder upon seeing Rukmiṇī, they thought she was especially manufactured by the Creator to bewilder all the great chivalrous princes. Her body was well constructed, the middle portion being thin. Her high hips were adorned with a jeweled locket, she had pink lips, and the beauty of her face was enhanced by her slightly scattered hair and by different kinds of earrings. The bodily luster and beauty of Rukmiṇī appeared as if painted by an artist perfectly presenting beauty following the descriptions of great poets. Rukmiṇī’s breasts are described as being somewhat high, indicating that she was just a youth not more than thirteen or fourteen years old. Her beauty was specifically intended to attract the attention of Kṛṣṇa. Although the princes gazed upon her beautiful features, she was not at all proud. Her eyes moved restlessly, and when she smiled very simply, like an innocent girl, her teeth appeared just like jasmine buds. Expecting Kṛṣṇa to take her away at any moment, she proceeded slowly toward her home. Her legs moved just like a full-grown swan, and her ankle bells tinkled mildly.

Light of the Bhagavata

Light of the Bhagavata Preface:

The book has been divided into two sections to accommodate the tastes of different readers. Those who prefer to gaze with poetic imagination will appreciate the first section which contains the beautiful color reproductions of Madame Li's work, forty-eight paintings completed in less than a year's time, meticulous in their detail despite her advanced age and sometimes failing eyesight. Undoubtedly, this collection presents the culmination of her long distinguished career as one of the great artists of modern China. Her Gongbi style of painting together with Śrīla Prabhupāda's poetic descriptions which appear along side make for a unique blending of the world's two oldest cultural traditions—India and China.

Srimad-Bhagavatam Lectures

Lecture on SB 3.28.21 -- Nairobi, November 1, 1975:

Devotees: Jaya! All glories to Śrīla Prabhupāda. (break)

Prabhupāda: Yes, begin by seeing the lotus feet of Kṛṣṇa. That is advised here. Tat caraṇāravindam. Sa vai manaḥ kṛṣṇa padāravinda. If you worship the Deity, always see the lotus feet, then gradually you will understand.

Devotee (1): Should we not gaze...?

Prabhupāda: Huh? Yes, gradually. No, no. First of all see the lotus feet and meditate. When you are fully practiced to see the lotus feet simply by thinking of Kṛṣṇa, then that business is finished. Then go up, then go up, then go up, then go up. Then see the face. This is the process of meditation. Not... Therefore I said, "Not jumping over the face, rasa-līlā." What do you know about Kṛṣṇa's līlā, rāsa-līlā? First of all study what is Kṛṣṇa, then Kṛṣṇa's rāsa-līlā.

Philosophy Discussions

Philosophy Discussion on Charles Darwin:

Prabhupāda: That missing link, let them learn from us. We can give him the missing link.

Karandhara: But ultimately they'll say it'll come down to we propose that Kṛṣṇa is the creator or that God is the creator, then they'll say "That must be proved to me." In other words, they want to fit God within their own empiric gaze. That will be their only satisfaction when they actually become able to circumvent God's existence and create a power by their own intelligence.

Prabhupāda: He has to admit that the theory of uncertainty is bogus, but everything is there, and that masking behind all these things there must be big brain. That one has to accept. Simply uncertainty, that is not a science. The certainty is that behind all these things there is a big brain. I do not know Him—that is a different thing—but there is a big brain.

Śyāmasundara: Darwin, he was not so much interested in those questions of origin and those things, but he was a botanist and a biologist, and he simply wanted to investigate how things evolved from one simple form to a more complex form...

Prabhupāda: That he cannot say, how the evolved. He captured something out of his imagination, but he cannot explain scientifically.

Philosophy Discussion on Carl Gustav Jung:

Hayagrīva: He says, "I can only gaze with wonder and awe at the depths and heights of our psychic nature."

Prabhupāda: Psychic nature means so long you are not Kṛṣṇa conscious there will be varieties of psychic nature, because we are changing constantly to different bodies by transmigration. So we, we are accumulating varieties of experiences. But if we don't change, remain fixed up in Kṛṣṇa consciousness, then one identification we have got—that "I am servant of Kṛṣṇa. My duty is to serve Him." Kariṣye vacanaṁ tava (BG 18.73), as Arjuna realized after studying Bhagavad-gītā. "Yes," naṣṭo mohaḥ smṛtir labdhā. "Now I have revived my real consciousness and I will act as You dictate." That is final.

Philosophy Discussion on Plotinus:

Hayagrīva: He uses this following metaphor. He says, "We are like a chorus grouped about a conductor who allow their attention to be distracted by the audience. If, however, they"—that is we, the individual souls—"were to turn toward their conductor, they would sing as they should and would really be with him. We are always around the One. If we were not, we would dissolve and cease to exist. Yet our gaze does not remain fixed upon the One. When we look at it, we then attain the end of our desires and find rest. Then it is that all discord passes. We dance an inspired dance around it. In this dance the soul looks upon the source of life, the source of the intelligence, the root of being, the cause of the good, the root of the soul. All these entities emanate from the One without any lessening, for it is not a material mass."

Prabhupāda: Yes. There is good sense, that God is individual and the soul is individual. As he has given the metaphor or analogy that the con..., parties of a concert party...

Devotee: Conductor and a chorus.

Prabhupāda: ...they are singing in the tune, sometimes attention diverted by the audience, it becomes out of the tune. Similarly we, when we divert our attention to the illusory energy, then we fall down, and although we remain the same part and parcel of the Lord, but the influence of the material energy covers us, and we identify with the covering elements, and life after life bodies changing, and we are identify with the covering, and this is our miserable condition of material existence. And therefore first education is that "I am not this covering." That is spiritual education. That is the beginning of Bhagavad-gītā instruction, that "You are not this body. Arjuna, you are not this body.

1977 Conversations and Morning Walks

Room Conversation with Svarupa Damodara -- January 30, 1977, Bhuvanesvara:

Prabhupāda: How it evolved.

Svarūpa Dāmodara: Yeah, how it evolved. He cannot explain by his theory. So he said whenever he gazed at it, that makes him sick.

Pradyumna: It's the opposite of the devotee.

Prabhupāda: (chuckles) Rascal. Artificially how long you'll stand?

Svarūpa Dāmodara: Actually he has... He has remarked many important things for us also, especially in his autobiography. We are quoting some of his words saying that when he was young, in his childhood, he was very fascinated by works of art like reading literature, like works of Shakespeare and poets like Byron, Keats, and Shelley. He said he was very fascinated in his childhood.

Prabhupāda: No, he was a thoughtful man, undoubtedly.

1969 Correspondence

Letter to Rukmini -- Los Angeles 31 January, 1969:

I am in due receipt of your letter dated January 23, 1969, and also I have seen your wonderful portrait of my Guru Maharaja. This picture is a great joy to me, and it is now hanging in my room in the temple where I may always gaze upon it. I thank you so much for your sincere service, and i am very much encouraged that you are already a nice artist, and what to speak of the improvements you will make with further practice.

1970 Correspondence

Letter to Syamasundara -- Los Angeles 10 February, 1970:

I am so glad to learn that you are always gazing on the Sri Murti in our Temple, and this is also very much helpful in advancing Krishna Consciousness.

1972 Correspondence

Letter to Bhakta dasa -- Calcutta 5 March, 1972:

By now you must have completed nice clothes, ornaments, and all gorgeous arrangements for installing the deity, so you may place Jagannatha just as with Caitanya Mahaprabhu's picture without any ceremony required. In general we do not allow anyone without sacred thread to attend to the deity, but if there is lack of qualified brahmanas, men without sacred thread may be employed to cleanse the floor and other things which do not require their touching or gazing upon the deity at close quarter.