Category:Cantos of the Srimad-Bhagavatam
Pages in category "Cantos of the Srimad-Bhagavatam"
The following 248 pages are in this category, out of 248 total.
A
- A devotee is considered superlative or superior according to his attachment and love. In the Eleventh Canto of Srimad-Bhagavatam, the following symptoms have been given
- A glossary of some of the important words in this chapter (SB 4th Canto, Ch 28): Idhmavaha - The devotee who approaches the spiritual master. Idhma refers to wood that is taken to burn as fuel for a fire
- A glossary of some of the important words in this chapter (SB 4th Canto, Ch 28): Jaya - Intelligence, Jirna-sarpa - The fatigued air of life, Kalakanya - The invalidity of old age, Kama - A high fever, Kulacala - The place where there is no disturbance
- A glossary of some of the important words in this chapter (SB 4th Canto, Ch 28): Kutumbini - Intelligence, Madireksana - Madireksana refers to one whose eyes are so attractive that one who observes them becomes maddened by her
- A glossary of some of the important words in this chapter (SB 4th Canto, Ch 28): Malayadhvaja - A nice devotee who is like sandalwood, Pancala - The five sense objects, Paricchada - The total aggregate of the senses
- A glossary of some of the important words in this chapter (SB 4th Canto, Ch 28): Paura-jana - The seven elements that constitute the body, Pautra - Patience and gravity, Prajvara - A kind of fever called visnu jvara
- A glossary of some of the important words in this chapter (SB 4th Canto, Ch 28): Pratikriya - Counteracting agents such as mantras and medicines, Pura-palaka - The life air, Putra - Consciousness, Sainika - The condition of threefold miseries
- A glossary of some of the important words in this chapter (SB 4th Canto, Ch 28): Sapta-suta - The seven sons, namely hearing, chanting, remembering, offering prayers, serving the lotus feet of the Lord, worshiping the Deity&becoming a servant of the Lord
- A glossary of some of the important words in this chapter (SB 4th Canto, Ch 28): Sauhrdya - Endeavor, Suta - The son of Vaidarbhi, in other words, one who is somewhat advanced in fruitive activities & who comes in contact with a devotee spiritual master
- A glossary of some of the important words in this chapter (SB 4th Canto, Ch 28): Vidarbha-rajasimha - The best of persons who are expert in fruitive activities, Virya - One who has mercy, Yavana - The servant of Yamaraja
- A list of the anomalies for this age is given in the Twelfth Canto of this work. And so this age is very difficult for those who want to utilize this life for self-realization
- A pure devotee of the Lord, therefore (because the first nine Cantos lay the ground for the tenth Canto), must begin reading or hearing Srimad-Bhagavatam from the very beginning, and not from the Tenth Canto
- After giving up lofty puffed-up vanities, one may very submissively receive the orders of the Lord in the Bhagavad-gita or Bhagavatam from the lips of a bona fide devotee whose qualification is mentioned above
- Arsapreyoga means there may be discrepancies but it is all right. Just like Shakespeare, sometimes there are odd usages of language, but he is accepted as authority. I have explained all these things in my Preface to First Canto
- As already explained in the First Canto of Srimad-Bhagavatam, the Absolute Truth is realized in three different phases - although they are one and the same - in terms of the knower's capacity to understand
- As factually stated by Nanda Maharaja (in Chapter 8 of SB Canto 10), Garga Muni, being a devotee, had no needs. Similarly, when Krsna comes He has no needs, for He is purna, atmarama
- As it is said herein (SB 1.6.11), only the most important factors of history are picked up to be recorded in this transcendental literature
- As part and parcel of the Supreme Lord, a living entity is supposed to think of Krsna, but here (in SB 4th canto chapter 28) we see that King Puranjana (the living entity) is thinking of a woman
- As stated in the Twelfth Canto of Srimad-Bhagavatam, the men of the governments of Kali-yuga will be no better than rogues and plunderers
- As we have already discussed in the Second Canto of this literature, one who admits the supremacy of the Supreme Personality of Godhead does not need to worship the secondary demigods
- As we shall find in the Tenth Canto of this great literature, Lord Sri Krsna exhibited His humanly impossible activities even from the days of His lying on the lap of His mother
- At the beginning of this chapter 7 (of SB Canto 10), two extra verses sometimes appear: In this way, to chastise and kill the demons, the child Krsna demonstrated many activities in the house of Nanda, & the inhabitants of Vraja enjoyed these incidents
- At the end of Srimad-Bhagavatam, in the Twelfth Canto, the Twelfth Chapter contains forty-three verses in which Sri Krsna-dvaipayana Vedavyasa recapitulates Srimad-Bhagavatam’s entire subject matter
- At the end of the Ninth Canto, Twenty-fourth Chapter, Sukadeva Gosvami summarized the activities of Krsna
B
- Bali Maharaja and the history of his dealings with Visnu Vamanadeva are described in the Eighth Canto of Srimad-Bhagavatam (Chapter 10-23)
- Being situated in everyone's heart, the Lord is known as the supreme atma. Therefore all obeisances are offered unto Him. In this regard, one may refer to the prayers of Kunti in the First Canto of Srimad-Bhagavatam - SB 1.8.20
- Bhagavatam relates Krsna's pastimes with the gopis in the Tenth Canto. And in order to reach the position to understand the transcendental nature of Lord Krsna's pastimes with the gopis, the Bhagavatam promotes the student gradually in nine other cantos
- By his (Sri Srimad Bhaktisiddhanta Sarasvati Gosvami Prabhupada) grace we have finished three cantos already, and we are just trying to begin the Fourth Canto
C
- Caitanya Mahaprabhu quoted his (Sridhara Svami's) writings and explained that in the Tenth Canto of Bhagavatam the life and activities of Krsna are described because Krsna is the shelter of all manifestations
- Caitanya quoted a verse from 2nd Canto of Srimad-Bhagavatam (SB 2.1.9) in which Sukadeva Gosvami admits that although he was elevated to the liberated stage & free from the clutches of maya, he was still attracted by the transcendental pastimes of Krsna
- Concerning man's search for the ultimate goal of life, Caitanya Mahaprabhu relates a story from the commentary of Madhva which occurs in the Fifth Canto of Srimad-Bhagavatam (Madhva-bhasya) Sarvajna to a poor man who came to him to have his future told
- Consciousness in the mode of goodness is described in the Eleventh Canto of Srimad-Bhagavatam. The predominating Deity of the mode of goodness is called Aniruddha
E
- Even a person like Vivekananda, he said long ago that "This Vaisnavism is sex religion." They misunderstand. So just try to understand. This lila is kept in the Srimad-Bhagavatam in the Tenth Canto. So one has to understand Krsna first of all
- Everyone serious about understanding the transcendental science and seeing the transcendental form of the Lord must first of all attempt to see the lotus feet of the Lord by studying the First and Second Cantos of Srimad-Bhagavatam
F
- Faith in Krsna is also divided into three stages and described in Srimad-Bhagavatam. First-class attachment, second-class attachment, and third-class attachment are also explained in Srimad-Bhagavatam in the Eleventh Canto. BG 1972 purports
- For an explanation of sapta-dvipa, see Madhya-lila, Chapter Twenty, verse 218, and Srimad-Bhagavatam, Fifth Canto, Chapters Sixteen and Twenty
- For the association of pure devotees, all other association is kaitava, or cheating. This is confirmed in the First Canto of Srimad-Bhagavatam wherein it is stated that all cheating processes which obstruct transcendental realization are to be thrown off
- From the Sixth Canto we have already learned that when the Visnudutas came from Vaikuntha to deliver Ajamila, they looked exactly like Visnu, with four hands and the same features as Visnu
- From this introductory sloka, the beginning student should know that Srimad-Bhagavatam is the only transcendental literature meant for those who are paramahamsas and completely freed from the material disease called malice
H
- He (Sanatana Gosvami) wrote the Hari-bhakti-vilasa and Vaisnava-tosani, which is a commentary on the Tenth Canto of Srimad-Bhagavatam
- How he (Ajamila) fell down in spite of all these qualities (of a perfect brahmana) and thus came to be threatened with punishment by Yamaraja will be described in the following verses - of SB Sixth Canto, Chapter one
- How one awards fearlessness to his subordinate is mentioned in the Fifth Canto of Srimad-Bhagavatam
I
- Impersonalists twist some meanings out of Bhagavatam to suit and support impersonalist views, and the professional readers at once go to the Tenth Canto to misexplain the most confidential part of the Lord's pastimes
- In Bhagavad-gita the Lord Himself says that there is no paratattva (summum bonum) superior to Himself. Therefore the author at once worships the paratattva, Sri Krsna, whose transcendental activities are described in the Tenth Canto
- In his commentary on the First Canto of Srimad-Bhagavatam (SB 1.1.1), Sridhara Svami describes Lord Nrsimhadeva in this way: prahlada-hrdayahladam bhaktavidya-vidaranam, sarad-indu-rucim vande parindra-vadanam harim
- In order to learn how Krsna's pleasure can be obtained, we must read the Tenth Canto of Srimad-Bhagavatam in which Krsna's pleasure potency is displayed in His pastimes with Radharani and the damsels of Vraja
- In other words, one should not try to understand the topics of the Tenth Canto, such as the rasa-lila (love dance), unless he has spontaneous attraction for Srimad-Bhagavatam
- In Srimad-Bhagavatam (SB Seventh Canto) it is stated that every person belongs to a certain classification. A person is identifiable by the special symptoms mentioned in the sastras. By one’s symptoms, one is known to belong to a certain caste
- In Srimad-Bhagavatam also there are many instances in the Third and Fourth cantos in which devotees pray to the Lord simply to be engaged in His service, and nothing else
- In Srimad-Bhagavatam, Tenth Canto, it is stated that Rudra is always associated with the material nature when she is in the neutral, unmanifested stage, but when the modes of material nature are agitated he associates with material nature from a distance
- In Srimad-Bhagavatam, Third Canto, Fourth Chapter, verses 28 and 29, there is a description of Krsna's leaving His body
- In the 1st Canto of Srimad-Bhagavatam the sages of Naimisaranya asked Suta Gosvami how one can know the essence of Vedic literature. In answer, Suta Gosvami presented Srimad-Bhagavatam as the essence of all the Vedas, histories & other Vedic literatures
- In the beginning of the First Canto, in the First Chapter, first verse, of the Srimad-Bhagavatam, it has already been mentioned that Brahma was initiated by the Lord from within
- In the Bhagavatam there are twelve cantos, and the rasa-lila is in the tenth. So before one comes to the Tenth Canto, the Bhagavatam tries to convince him of the transcendental nature of the Absolute Truth
- In the Bhagavatam, Twelfth Canto, it is said that in the Kali-yuga marriage will be based on the consideration of sex life; as soon as there is deficiency in sex life, the question of divorce will arise
- In the Dasama-skandha, the Tenth Canto, of Srimad-Bhagavatam, there is a vivid description of how the demons appear before Krsna in various wonderful forms. For instance, Bakasura appeared before Krsna and His cowherd boyfriends as a gigantic crane
- In the Eleventh Canto of Srimad-Bhagavatam (SB 11.20.31), the Lord Himself says that there is no necessity to cultivate speculative knowledge and renunciation if one is actually engaged in the devotional service of the Lord
- In the Eleventh Canto of Srimad-Bhagavatam there are many instances recorded of devotees who became liberated in this life simply by engaging in devotional service
- In the Fifth Canto (of SB) it is stated that the Ganges began when Vamanadeva's left foot pierced the covering of the universe so that the transcendental water of the Causal Ocean leaked through
- In the Fifth Canto it will be seen how the Lord is worshiped in different planets in His different forms, even now, and how He is worshiped in different temples of this earth also
- In the Fifth Canto of Brhad-bhagavatamrta (5.44) it is stated that the association of a pure devotee is more desirable than life itself and that in separation from him one cannot even pass a second happily
- In the Fifth Canto of Srimad-Bhagavatam, the universal planetary systems are very fully explained. Within the universe there are lower, middle and higher planetary systems
- In the First Canto of Srimad-Bhagavatam, the principles of creation are described, and thus the First Canto may be called "Creation." In the Second Canto, the post-creation cosmic manifestation is described
- In the First Chapter of this Fourth Canto there are descriptions of the three daughters of Svayambhuva Manu and their descendants. The next six chapters describe the sacrifice performed by King Daksa and how it was spoiled
- In the Fourth Canto, Srila Sukadeva Gosvami explains that Narada Muni perfectly instructed King Priyavrata about the mission of human life. The mission of human life is to realize one's self and then gradually to go back home, back to Godhead
- In the matter of the changes of the Manus or manvantaras, such as the Svayambhuva-manvantara and Caksusa-manvantara, as they are discussed in the Third, Fourth, Fifth, Sixth and Seventh Cantos of Srimad-Bhagavatam, Lord Krsna is indicated
- In the Padma Purana also there is reference to the Bhagavatam in a conversation between Gautama and Maharaja Ambarisa. The king was advised therein to read regularly Srimad-Bhagavatam if he desired liberation from material bondage
- In the SB 2nd canto there are descriptions of the spiritual sky & of its inhabitants. There is even information given that there are spiritual airplanes in the spiritual sky & that the liberated entities there travel about on these planes like lightning
- In the Second Canto of Srimad-Bhagavatam, Lord Brahma says, "Both Lord Siva and I are engaged by the Supreme Personality of Godhead to act in different capacities under His direction"
- In the Second Canto the Absolute Truth as the Personality of Godhead is further emphasized, and the indication is the Supreme Lord Krsna
- In the Second Canto, Third Chapter, of Srimad-Bhagavatam, it is stated that those who desire material benefits are recommended to worship different types of demigods, and in conclusion the Bhagavatam recommends
- In the second chapter of this canto (second canto), this matter (the best type of body is a spiritual body) will be broadly discussed, but as far as the change of body is concerned, one must prepare now for the next life
- In the Sixth Canto of Srimad-Bhagavatam we read that when the Vaikuntha-dutas came to take Ajamila, they were four-handed and very beautiful. In the spiritual world, there are four-handed living entities, and they are all nitya-mukta, eternally liberated
- In the Sixth Canto we find the following statements of Yamaraja, the controller of all unfaithful living entities - The principles of religion are initiated by the SPG, & no one else, including the sages and demigods, can manufacture any such principles
- In the Srimad-Bhagavatam the process of understanding Krsna, the Supreme Personality of Godhead, the Absolute Truth, is described in the Second Chapter of the First Canto. BG 1972 purports
- In the Srimad-Bhagavatam the rasa dance pastimes are delineated in the Tenth Canto
- In the Srimad-Bhagavatam, Eleventh Canto, it is explicitly directed that one should perform sankirtana-yajna to please the Lord's incarnation as Sri Caitanya Mahaprabhu
- In the Srimad-Bhagavatam, Eleventh Canto, it is explicitly directed that one should perform sankirtana-yajna to please the Lord's incarnation as Sri Caitanya Mahaprabhu. This should be rigidly followed in order to achieve the result of yajna performance
- In the Srimad-Bhagavatam, First Canto, First Chapter, when the sages inquire about the activities of Krsna, it is stated that His appearance as a man bewilders the foolish. BG 1972 purports
- In the Srimad-Bhagavatam, Sixth Canto, Third Chapter, twenty-ninth verse, Yamaraja, the superintendent of death, tells his assistants what class of men they should bring before him
- In the Srimad-Bhagavatam, the science of God, the first nine cantos prepare the ground for hearing the Tenth Canto. This will be further explained in the last chapter of this canto. In the Third Canto it will be more explicit
- In the Srimad-Bhagavatam, Third Canto, it is stated that an individual soul, after his death, is put into the womb of a mother where he gets a particular type of body under the supervision of superior power. BG 1972 purports
- In the Tenth Canto of Srimad-Bhagavatam there is a description of the asraya-tattva, Sri Krsna. There are two tattvas - asraya-tattva and asrita-tattva. Asraya-tattva is the objective, and asrita-tattva is the subjective
- In the Tenth Canto of Srimad-Bhagavatam, Chapter 68, verse 23, there is a nice example of Rukmini shedding tears of lamentation
- In the Tenth Canto of Srimad-Bhagavatam, Chapter Six, verse 43, it is stated, When magnanimous, broad-hearted Nanda Maharaja came back from a tour, he immediately took his son Krsna on his lap and experienced transcendental bliss by smelling His head
- In the Tenth Canto of Srimad-Bhagavatam, that spiritual nature, the spiritual world, is described as Vrndavana, Goloka Vrndavana or Vraja-dhama
- In the Tenth Canto the sublime dealings with His conjugal associates, the gopis, as well as with His married wives at Dvaraka are mentioned
- In the Tenth Canto, 12th Chapter, 41st verse of Srimad-Bhagavatam, Maharaj Pariksit asked about Lord Ananta, and upon hearing this question, Sukadeva Gosvami began to show symptoms of collapsing
- In the Tenth Canto, 21st Chapter, 13th verse of Srimad-Bhagavatam there is an appreciation by the gopis of the inertia of the cows in Vrndavana
- In the Tenth Canto, 25th Chapter, 11th verse of Srimad-Bhagavatam, there is a description of Indra's causing severe torrents of rain at Vrndavana
- In the Tenth Canto, 39th Chapter, 48th verse, of Srimad-Bhagavatam a faltering voice due to jubilation was exhibited by Akrura when he was shown all of the Vaikuntha planets resting within the River Yamuna
- In the Tenth Canto, 71st Chapter, 35th verse of the Srimad-Bhagavatam, there is an account of King Yudhisthira's bewilderment after his bringing Krsna into his home with the greatest respect
- In the Tenth Canto, 7th Chapter, 22nd verse of Srimad-Bhagavatam there is a description of Krsna's being taken away by the whirlwind demon Trnavarta. As Krsna was being thus carried up into the sky, all the gopis began to cry aloud
- In the Tenth Canto, Ninth Chapter, verse 21, it is said, This Personality of Godhead (Krsna), appearing as the son of a cowherd damsel, is easily available and understandable to devotees
- In the Third Canto of Srimad-Bhagavatam we are informed that those who are expert in fruitive activities and sacrificial methods on earth attain to the moon at death. BG 1972 purports
- In the Twelfth Canto of Srimad-Bhagavatam (SB 12.1.40) there is a description of these thieves and rogues in government service
- In the Twelfth Canto of Srimad-Bhagavatam it is said that in Kali-yuga the government will levy taxes without reciprocally benefiting the citizens
- In the two previous slokas it has been definitely proved that the SB is the sublime literature which surpasses all other Vedic scriptures due to its transcendental qualities. It is transcendental to all mundane activities and mundane knowledge
- In the Vedas, the above-mentioned four activities are prescribed in the regulative way so that there will not be any undue competition for sense gratification. But Srimad-Bhagavatam is transcendental to all these sense gratificatory activities
- In this Fourth Canto of Srimad-Bhagavatam there are thirty-one chapters, and all these chapters describe the secondary creation by Brahma and the Manus
- It (Bhagavatam) is the ripened fruit of all the Vedas, as stated before. Besides that, the most perfectly liberated soul, Srila Sukadeva Gosvami, is absorbed in the studies of the Bhagavatam, although he is already self-realized
- It is clear in this (SB 4th canto chapter 28) verse that at the time of death thoughts of material enjoyment do not go away. This indicates that the living entity, the soul, is carried by the subtle body - mind, intelligence and ego
- It is clearly said that this Bhagavatam is the original commentary on the Brahma-sutras
- It is further comprehended herein (SB 1.2.24) that one has to rise to the platform of the mode of goodness (sattva) so that one can be eligible for the devotional service of the Lord
- It is said in the Second Chapter, Second Canto, of Srimad-Bhagavatam that a fully surrendered soul has no anxiety about the maintenance of his body
- It is said in the Tenth Canto of the Srimad-Bhagavatam that Lord Krsna is just like the moon and the internal potential damsels are like the stars around the moon
- It is stated in the Tenth Canto, 33rd Chapter, 12th verse of Srimad-Bhagavatam: "Upon seeing that Krsna's arm was placed on her shoulder, one of the gopis engaged in the rasa dance became so ecstatically happy that she kissed Krsna on His cheek"
- It is stated in the Twelfth Canto of Bhagavatam that at the end of Kali-yuga people will be so polluted that there will no longer be any grains, wheat, sugarcane or milk
- It is suggested by Lord Siva that one should first try to see the lotus feet of the Lord. This also means that if one is serious about reading Srimad-Bhagavatam, he must begin by seriously studying the First and Second Cantos
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- King Kamsa's death is only briefly described here (SB 3.3.1) because such pastimes are vividly and elaborately described in the Tenth Canto. The Lord (Krsna) proved to be a worthy son of His parents even at the age of sixteen years
- Knowing myself to be an old man and almost an invalid because of rheumatism, I have already translated the essence of all literatures, the Tenth Canto of Srimad-Bhagavatam, as a summary study in English
- Krsna's transcendental activities are specifically described in the Tenth Canto of Srimad-Bhagavatam, the canto which is considered to contain the substance of the whole work
L
- Lord Krsna had 16,108 wives, and for each and every one of them there was a fully equipped palace complete with necessary compounds and gardens. Full description of these palaces is given in the Tenth Canto
- Lord Krsna Himself says in the Eleventh Canto of Srimad-Bhagavatam (SB 11.25.12),The material modes of goodness, passion and ignorance are connected with the conditioned souls, but never with Me, the Supreme Personality of Godhead
- Lord Krsna is described as the Mahapurusa in the Srimad-Bhagavatam (Canto Eleven) in His devotional feature as Lord Sri Caitanya Mahaprabhu
M
- Maharaja Pariksit placed these two questions before Sukadeva Gosvami also on his arrival, and practically the whole of the Srimad-Bhagavatam, beginning from the Second Canto up to the last Twelfth Canto, deals with these two questions
- Maharaja Yadu's refusal was religious. As stated in the Tenth Canto, yados ca dharma-silaya: Maharaja Yadu was completely aware of the principles of religion
- My translation of the Srimad-Bhagavatam (published in three volumes first canto) is recognized by the Government of India both central and states education department
N
- Narada Muni continually went on to progressive spiritual emancipation. Srimad-Bhagavatam is the repetition of history which happened some hundreds of millions of years ago
- No one should try to go into the matters of the Tenth Canto without having thoroughly understood the purport of the other nine cantos
O
- Of the two sons Kasyapa and Purnima, herein (in SB 4.1.14) Purnima's descendants are described. An elaborate description of these descendants will be given in the Sixth Canto
- Oh, Tenth Canto
- Once the sons of Kuvera fell in the wrath of Narada for being intoxicated, but afterwards they regained their original forms by the grace of the Lord Sri Krsna. We shall find this story in the Tenth Canto
- One must complete the purificatory process by assimilating the contents of the first nine cantos. Then one should be admitted into the realm of the Tenth Canto of Srimad-Bhagavatam
- One should be intelligent enough to know the position of Srimad-Bhagavatam by considering personalities like Sukadeva Gosvami, who deals with the subject so carefully
- One should consult the discussion between Kapiladeva and Devahuti on the subject matter of devotional service. This is found in Srimad-Bhagavatam, Third Canto
- One should not approach the Tenth Canto immediately but should approach it gradually by developing knowledge of the subject matters first presented
- One's life is successful if he is absorbed in the attraction of Krsna's strength, beauty and pastimes as described in the Tenth Canto of Srimad-Bhagavatam
- Our publication project is to finish Srimad-Bhagavatam. If we publish one volume for one canto, still it will not be less than 12 volumes. Besides this we have Nectar of Devotion and two or three more books
P
- Professional reciters have created the impression that Srimad-Bhagavatam deals only with Krsna’s rasa-lila, although Krsna’s rasa-lila is described only in chapters 29 through 33 of the Tenth Canto
- Pure devotees, who take transcendental pleasure in hearing and chanting the glories of God, do not care for any kind of liberation; even if they are offered the five liberations, they refuse to accept them, as stated in the Bhagavatam in the Third Canto
R
- Regarding the attractiveness of Krsna's bodily beauty and the sound vibration of His flute, in the Tenth Canto, 29th Chapter, 37th verse, of Srimad-Bhagavatam, the gopis address Krsna as follows
- Regarding your desire for all twelve cantos, you will get it, rest assured. Your so much ardent desire will be fulfilled by Krsna
- Regarding your working on the translation of the second canto of Srimad-Bhagavatam, we shall see later on, for now just try to finish what you have begun
- Remembering this statement (of Pingala), Sri Caitanya Mahaprabhu became ecstatic. The story of Pingala is found in Srimad-Bhagavatam, Eleventh Canto, Eighth Chapter, verses 22-44, as well as in the Mahabharata, Santi-parva, Chapter 174
- Rukmini had ten sons, like Pradyumna. There were other queens also taken away by Lord Krsna in a similar way. Full description of this beautiful booty of Lord Krsna will be given in the Tenth Canto
- Rupa Gosvami writes, "I think now it is certain that gradually the verses of the Tenth Canto of Srimad-Bhagavatam, describing the pastimes of the Lord, will enter your ears and go into your heart"
S
- Since it has been stated hereinbefore that in the Bhagavatam the Absolute Truth is to be known, the questions of the sages of Naimisaranya are proper and just, because they pertain to Krsna, who is the Supreme Personality of Godhead, the Absolute Truth
- Since Maharaja Pariksit was a Vaisnava, when he heard the description, at the end of the Fifth Canto, of the different hellish conditions of life, he was very much concerned
- Sri Caitanya Mahaprabhu never discussed the topics of Rasaleela in public audience, but only with the most confidential associates. It is not for materialistic persons. I suggested you film the Srimad Bhagavatam, starting with the First Canto
- Sri Gunaraja Khan was one of the topmost Vaisnavas, and he translated the Tenth and Eleventh Cantos of Srimad-Bhagavatam for the understanding of the common man
- Sri means "beauty," aisvarya means "riches," praja means "children," and ipsavah means "desiring." As described in the Second Canto of Srimad-Bhagavatam, one has to worship various demigods for different types of benedictions
- Sridhara Svami gives a clear analytical study (of the spiritual and material energies) in his commentary on the first verse of the Tenth Canto of Srimad-Bhagavatam. Sridhara Svami was accepted by Lord Caitanya as an authorized commentator on SB
- Srila Kaviraja Gosvami, strictly following in the footsteps of Sri Vyasadeva, gives a synopsis of the lilas of Sri Caitanya-caritamrta. He has given such a description at the end of each canto
- Srila Sukadeva Gosvami has concluded the Ninetieth Chapter of the Tenth Canto of Srimad-Bhagavatam by pointing out five particular excellences of Lord Krsna
- Srimad-Bhagavatam gives the full narration of Krsna’s transcendental activities. The first nine cantos explain who Krsna is, and the Lord’s birth and activities are narrated in the Tenth Canto
- Srimad-Bhagavatam is considered to be the transcendental sound form of God, and the twelve cantos are divided in accordance with the transcendental form of God. The First and Second Cantos of Srimad-Bhagavatam are called the two lotus feet of the Lord
- Srimad-Bhagavatam is divided into twelve cantos, and in the Ninth Canto different kinds of mukti are described
- Srimad-Bhagavatam is not meant for any particular class of men or sect. It is for the sincere soul who actually wants his own welfare and peace of mind
- Srimad-Bhagavatam is transcendental to all of them because it has nothing to do with anything mundane. So the inquiries are very intelligent and relevant
- Such a personality of devotee is not a professional man who earns his livelihood by the business of Bhagavatam
- Supreme Personality of Godhead in the ultimate issue is confirmed by Brahma in his Brahma-samhita as isvarah paramah krsnah sac-cid-ananda-vigrahah (BS 5.1). So it is concluded in the Third Canto of the Srimad-Bhagavatam
- Suta Gosvami is twice addressed herein (SB 1.4.2) by Saunaka Gosvami out of great joy because he and the members of the assembly were eager to hear the text of Bhagavatam uttered by Sukadeva Gosvami
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- Tenth Canto is ninety chapters. That is Krsna's face, Krsna's beautiful face. Everyone is attracted by the smiling face of Krsna
- The actual object of glorification is the Supreme Personality of Godhead, who has created everything manifested before us. We have broadly discussed this fact from the beginning of the "janmady asya" (SB 1.1.1) sloka of this Bhagavatam
- The avataras associated with the reign of each Manu, known as manvantara-avataras, are listed as follows in Srimad-Bhagavatam (Eighth Canto, chapters 1, 5 and 13): (1) Yajna, (2) Vibhu, (3) Satyasena, (4) Hari, (5) Vaikuntha, (6) Ajita, (7) Vamana
- The avataras associated with the reign of each Manu, known as manvantara-avataras, are listed as follows in Srimad-Bhagavatam (Eighth Canto, chapters 1, 5 and 13): (12) Sudhama, (13) Yogesvara and (14) Brhadbhanu
- The avataras associated with the reign of each Manu, known as manvantara-avataras, are listed as follows in Srimad-Bhagavatam (Eighth Canto, chapters 1, 5 and 13): (8) Sarvabhauma, (9) Rsabha, (10) Visvaksena, (11) Dharmasetu
- The beauty of Krsna, especially the beauty of His face, is described in SB 9.24.65. At the end of the Ninth Canto, in the Twenty-fourth Chapter, we find a hint of Krsna's beauty. Now we are proceeding to the Tenth Canto, which is considered Krsna's head
- The BG is the spoken message of the Lord Himself recorded by Vyasadeva, and the SB is the transcendental narration of the activities of the same Krsna, which alone can satisfy the hankering desires of the living being for eternal peace and liberation
- The Bhagavatam deals exclusively with devotional service. Only one who studies Srimad-Bhagavatam in the spirit of renunciation can understand the pastimes of the Lord which are described in the Tenth Canto
- The Bhakti-ratnakara refers to the following books by Sanatana Gosvami: (1) the Brhad-bhagavatamrta, (2) the Hari-bhakti-vilasa and his commentary Dig-darsini, (3) the Lila-stava and (4) the commentary on the Tenth Canto of SB known as Vaisnava-tosani
- The complete text of Srimad-Bhagavatam, beginning with the janmady asya (SB 1.1.1) verse up to the last one in the Twelfth Canto (SB 12.13.23), was spoken by Sukadeva Gosvami for the attainment of salvation by Maharaja Pariksit
- The concluding portion of Krsna's pastimes is found in the Ninetieth Chapter of the Tenth Canto of Srimad-Bhagavatam, and in this chapter Sukadeva Gosvami wanted to explain how Krsna lived happily at Dvaraka with all opulences
- The conclusion is that those who are still entrapped by sex indulgence should never progress to meditation above the feet of the Lord; recital of Srimad-Bhagavatam by them should be restricted to the First and Second Cantos of the great literature
- The Dasama-tippani is a commentary on the Tenth Canto of Srimad-Bhagavatam. Another name for this commentary is Brhad-vaisnava-tosani-tika. In the Bhakti-ratnakara, it is said that the Dasama-tippani was finished in 1476 Sakabda - A.D. 1554
- The different planetary systems are described in the Second Canto as different parts of the universal body of the Lord. For this reason, the Second Canto may be called The Cosmic Manifestation
- The disease is there; the remedy is there. If you take the remedy, so there is no question of suffering from the disease. But you refuse to take the remedy. Just like this verse from Srimad-Bhagavatam, Twelfth Canto. This Kali-yuga is the ocean of faults
- The dissatisfaction which was being felt by Srila Vyasadeva is expressed herein (SB 1.4.31) in his own words. This was felt for the normal condition of the living being in the devotional service of the Lord
- The elaborate description of the above (Vrndavana, Goloka Vrndavana or Vraja-dhama) - mentioned sloka from the Ninth Canto - jato gatah pitr-grhad (SB 9.24.66) - will be found here, in the Tenth Canto
- The Eleventh Canto of Srimad-Bhagavatam describes the incarnations for each yuga in chronological order. The Bhagavatam says, krte suklas catur-bahuh, tretayam rakta-varno'sau, dvapare bhagavan syamah and krsna-varnam tvisakrsnam - SB 11.5.32
- The entire Srimad-Bhagavata Purana is the embodiment of Krsna's form, and the Tenth Canto is His face
- The envious Mayavadi cannot have access to the Bhagavatam, but those who are really anxious to get out of this material existence may take shelter of this Bhagavatam because it is uttered by the liberated Srila Sukadeva Gosvami
- The evidence of the truth of these talks is found in Srimad-Bhagavatam. There, in the section of the Tenth Canto known as the Bhramara-gita, "The Song to the Bumblebee," Srimati Radharani speaks insanely in ecstatic love for Krsna
- The explanation of the Supreme Self, as given to Brahma and already explained in the Second Canto of this great literature, is further clarified herein - SB 3.4.13
- The fifty-fifth verse (of SB, 9th Canto) says, svayam eva harih kila, indicating that Krsna, the eighth son of Devaki, is the Supreme Personality of Godhead. Krsna is not an incarnation
- The First Canto or Second Canto of Srimad-Bhagavatam are the two lotus feet of Krsna. So from the very beginning we should hear Srimad-Bhagavatam. Gradually, we shall come to the face. That is real understanding of Krsna
- The first chapter (of the Second Canto of Srimad-Bhagavatam) describes the glories of chanting, and it hints at the process by which the neophyte devotees may perform meditation on the universal form of the Lord
- The first nine categories, described in the first nine cantos of SB, from creation to liberation - including the purusa-avataras, the incarnations, the marginal energy, or living entities, and the external energy, or material world - are all asrita
- The first verse of the First Canto of Srimad-Bhagavatam describes the Supreme Absolute Truth as He who instructed Brahma through the heart
- The followers of the Vedas have a different method of acquiring knowledge. They accept the statements of the Vedic literatures as authority in toto, as we have already discussed in Canto One
- The following verse (CC Madhya 8.5) was composed by Sridhara Svami in his commentary on the Tenth Canto of Srimad-Bhagavatam - SB 10.87.1
- The fourteen worlds are enumerated in Srimad-Bhagavatam, Second Canto, Fifth Chapter
- The Gopinatha Deity is Krsna as master and proprietor of the gopis. He attracted all the gopis, or cowherd girls, by the sound of His flute, and when they came, He danced with them. These activities are all described in the Tenth Canto of SB
- The history of Prahlada Maharaja's activities is described in the Seventh Canto of Srimad-Bhagavatam
- The history of Prahlada Maharaja, the great devotee of Nrsimhadeva, is narrated in the Seventh Canto of Srimad-Bhagavatam
- The impersonal explanation of those four verses in the Second Canto is nullified herewith - SB 3.4.13
- The knowledge of the minute conditioned souls is covered, they are exhibited in so many species of life. It is said in the Srimad-Bhagavatam, Seventh Chapter, First Canto, "The living entities are illusioned by the material energy
- The living being thus subject to the control of external energy is differently situated. It is clear, however, from the present statement of Bhagavatam that the same external energy is situated in the inferior position before the SPG, or the perfect being
- The Lord (Krsna) is described in the Third Canto (SB 3.2.15) as follows: paravareso mahad-amsa-yukto hy ajo 'pi jato bhagavan. Although unborn, the Lord, the master of everything, appears like a born child by entering the mind of a devotee
- The moon is situated in the third status of the upper planetary system, and in the Fifth Canto of Srimad-Bhagavatam we shall be able to know the distant situation of the various planets scattered over the vast material sky
- The new Sixth Canto Bhagavatams are very nice. Yes, actually they are worshipable Deities
- The nine mystics mentioned in the Eleventh Canto of Srimad-Bhagavatam are understood to have been transcendentalists from birth by virtue of hearing of the transcendental qualities of Krsna from Brahma, Lord Siva and Narada
- The River Sarasvati is flowing in the Badarikasrama area of the Himalayas. So the place indicated here is Samyaprasa in Badarikasrama, where Sri Vyasadeva is residing
- The sixteen thousand cowherd damsels are a display of sixteen varieties of internal potencies. This will be more elaborately explained in the Tenth Canto
- The smiling face of the Lord is the Tenth Canto of Srimad-Bhagavatam, and there are many upstarts who at once try to begin with the Tenth Canto and especially with the five chapters which delineate the rasa-lila of the Lord
- The songs of the queens at Dvaraka, which are mentioned at the end of the Tenth Canto of Srimad-Bhagavatam, have a very special meaning. They are not understood even by the most learned scholars
- The Srimad-Bhagavatam is superior to all of these because it aims at the Supreme Truth which is the substance or the root of all categories
- The Srimad-Bhagavatam, the First Canto, Second Canto are two lotus feet of the Lord. We have to read very carefully, because we have to see, first of all, padambujam
- The Tattvavadis, or followers of Madhvacarya, do not accept the incident of Lord Brahma’s illusion, which is recorded in the Tenth Canto of Srimad-Bhagavatam
- The Tenth Canto (of Srimad-Bhagavatam) is the actual center of all discussions of mukti because the Personality of Godhead Sri Krsna, who is the tenth subject discussed in Srimad-Bhagavatam, is the exclusive subject of the Tenth Canto
- The Tenth Canto of Srimad-Bhagavatam reveals the tenth object, the Supreme Personality of Godhead, who is the shelter of all surrendered souls. He is known as Krsna, and He is the ultimate source of all the universes. Let me offer my obeisances unto Him
- The Third Canto has already described how Kardama Muni begot nine daughters in Devahuti and how all the daughters were later handed over to great sages like Marici, Atri and Vasistha
- The time was very short, and naturally Sukadeva Gosvami could have gone directly to the Tenth Canto to make a shortcut of the whole thing, as generally done by the professional reciters
- The transcendental position surpasses these (Virat, hiranyagarbha, & karana) designations and is therefore called the position of the fourth dimension. This is a quotation from Sridhara Svami’s commentary on the 11th Canto, 15th Chapter, verse 16, of SB
- The Vedic literatures, especially the BG and the Srimad-Bhagavatam, are specifically recommended to suffering humanity to bring about the desired effect of liberation from the pangs of material civilization, which is eating the vital part of human energy
- The verse quoted in this connection (of CC Adi 14.68) is the twenty-fifth verse of the Twenty-second Chapter, Tenth Canto, of Srimad-Bhagavatam
- The virat-rupa is conceived for those who are just neophyte worshipers. For them the material virat-rupa is presented, and it will be explained in the Second Canto
- There are also instances of pralaya in distress. One such example is described in the Tenth Canto, 39th Chapter, 14th verse of Srimad-Bhagavatam, where Sukadeva Gosvami tells King Pariksit
- There are so many inquiries by the learned Saunaka Muni because Srimad-Bhagavatam is the special contribution of Srila Vyasadeva
- There are ten chapters in the Second Canto, and in these ten chapters the purpose of Srimad-Bhagavatam and the different symptoms of this purpose are narrated
- There is a class of less intelligent devotees of the Bhagavata Purana who desire to relish at once the activities of the Lord narrated in the Tenth Canto without first understanding the primary cantos
- There is reference to Srimad-Bhagavatam in other Puranas which even indicate that the work consists of Twelve Cantos and eighteen thousand slokas
- There is reference to the Bhagavatam in other Puranas also, where it is clearly stated that this work was finished in twelve cantos, which include eighteen thousand slokas
- Therefore, no one can manufacture any system of religion without the principle of devotional service to the Lord. As we find in the Sixth Canto of Srimad-Bhagavatam, the initiator of religious principles is the Lord Himself
- These (foolish devotees) readers are specifically told herein that the other cantos of the Bhagavatam are as important as the Tenth Canto
- These dealings (between Krsna and the gopis) are given in the Tenth Canto of Srimad-Bhagavatam, and this indicates that we have to understand Krsna as He is by first reading the preceding nine cantos
- These songs (from CC Antya 19.108) of Srimad-Bhagavatam are verses 15-24 of the Ninetieth Chapter of the Tenth Canto
- These verses (of CC Madhya 14.8) from Srimad-Bhagavatam, Canto Ten, Chapter Thirty-one, constitute what is known as the Gopi-gita
- They (less intelligent devotees) are under the false impression that the other cantos are not concerned with Krsna, and thus more foolishly than intelligently they take to the reading of the Tenth Canto
- They (six Gosvamis) have chalked out ways for all classes of men in terms of the different castes and orders of life in pursuance of the teachings of Srimad-Bhagavatam and similar other authoritative scriptures
- This (CC Adi 2.95) quotation comes from Sridhara Svami’s commentary on the first verse of the Tenth Canto, Chapter One, of Srimad-Bhagavatam
- This (how Krsna displayed His transcendental characteristics) is very vividly described in Srimad-Bhagavatam - specifically, the Tenth Canto - and thus the basis of this book will be the Tenth Canto of Srimad-Bhagavatam
- This (reading or hearing Srimad-Bhagavatam starting from the Tenth Canto) is forbidden by such authorities as Sri Brahmaji
- This (the glorification of the holy name of God) is found in the Sixth Canto of Srimad-Bhagavatam, an epic work by Vyasadeva describing the pastimes of Lord Krsna and elaborating on the philosophy of Krsna consciousness
- This commentation (for Srimad-Bhagavatam 8th canto) has been finished in our New Delhi center today, the first of September, 1976, the day of Radhastami, by the grace of the Supreme Personality of Godhead and the acaryas
- This entire (tenth) canto of Srimad-Bhagavatam is full of activities performed in Vrndavana and Dvaraka. The first forty chapters describe Krsna's Vrndavana affairs, and the next fifty describe Krsna's activities in Dvaraka
- This is the first verse, the first chapter of Second Canto Srimad-Bhagavatam, spoken by Sukadeva Gosvami. Sukadeva Gosvami came to the scene when Maharaja Pariksit was on the verge of his death. So he was perplexed what to do at the time of death
- This is the foundation of Bhagavata. The nine cantos must be thoroughly read, then one can understand what is rasa-lila and what is Krsna
- This is the history of a monarchy (of the descendants of Ajamidha) that began with Jarasandha and continues for one thousand years as the above-mentioned kings (in SB 9th Canto, Chapter 22) appear on the surface of the globe
- This process of disciplic succession of the Bhagavata school suggests that in the future also Srimad-Bhagavatam has to be understood from a person who is factually a representative of Srila Sukadeva Gosvami
- This verse (CC Madhya 8.6) was composed by Sridhara Svami in his commentary on the Seventh Canto of Srimad-Bhagavatam - SB 7.9.1
- To help us understand the difference between the spiritual and material energies, there is a clear analysis of the two in the Second Canto of Srimad-Bhagavatam
- To learn how Krsna enjoys pleasure, we must study the first nine cantos of Srimad-Bhagavatam, and then we should study the Tenth Canto, in which Krsna's pleasure potency is displayed in His pastimes with Radharani and the damsels of Vraja - CC Intro
- Try to understand the philosophy of Bhagavata. Then gradually, when you are accustomed to understand what is Krsna, then go to the Tenth Canto, wherein Krsna's rasa dance is described
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- Unfortunately, unintelligent people turn at once to the sports of Krsna in the Dasama-skandha, the Tenth Canto (of SB) - CC Intro
- Unfortunately, unintelligent people turn at once to the sports of Krsna in the Dasama-skandha, the Tenth Canto - SB
- Unscrupulous people go at once to the Tenth Canto, especially to the five chapters which describe the Lord's rasa dance. However, this portion of Srimad-Bhagavatam is the most confidential part of that great literature
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- We are accepting the Srimad-Bhagavatam as it is without interpretation and in that book in the 3rd chapter of the 1st canto all the incarnations of Godhead are listed
- We are sure that everyone in human society will welcome Srimad-Bhagavatam, even though it is now presented with so many faults, for it is recommended by Sri Narada, who has very kindly appeared in this chapter
- We cannot live for a moment without being questioned or without giving answers. Because the SB deals with questions and answers that are related to Krsna, we can derive the highest satisfaction only by reading and hearing this transcendental literature
- We have several times been requested by so-called devotees to take up the Tenth Canto immediately, but we have refrained from such an action because we wish to present SB as the science of God and not as a sensuous understanding for the conditioned soul
- When we have understood these nine cantos, we can go on to the tenth. In this way we can understand that Krsna's activities are not ordinary but divine, and we can immediately become liberated
- When we turn to the Srimad-Bhagavatam, in the Twelfth Canto we find Sukadeva Gosvami telling Maharaja Pariksit that in the Golden Age, the Satyayuga, people were living for l00,000 years
- Worshiping the multidemigods for material gain is practically a perversity of religion. This sort of religious activity has been condemned in the very beginning of the Bhagavatam as kaitava-dharma