By devotional service one can understand that Kṛṣṇa first of all manifests Himself as svayam-rūpa, His personal form, then as tadekātma-rūpa, and then as āveśa-rūpa. It is in these three features that He manifests Himself in His transcendental form. The feature of svayam-rūpa is the form by which Kṛṣṇa can be understood by one who may not understand His other features. In other words, the form by which Kṛṣṇa is directly understood is called svayam-rūpa, or His personal form. The tadekātma-rūpa is that form which most resembles the svayam-rūpa, but there are some differences in the bodily features. The tadekātma-rūpa is divided into two manifestations—the personal expansion (svāṁśa) and the pastime expansion (vilāsa). As far as the āveśa-rūpa is concerned, when Kṛṣṇa empowers some suitable living entity to represent Him, that living entity is called āveśa-rūpa, or śaktyāveśa-avatāra.
Bodily features (CC and other books)
Expressions researched:
"bodily features"
Sri Caitanya-caritamrta
CC Adi-lila
The prakāśa forms are manifested by Lord Kṛṣṇa for His pastimes, and their features are exactly like His. When Lord Kṛṣṇa married sixteen thousand queens in Dvārakā, He did so in sixteen thousand prakāśa expansions. Similarly, during the rāsa dance He expanded Himself in identical prakāśa forms to dance beside each and every gopī simultaneously. When the Lord manifests His vilāsa expansions, however, they are all somewhat different in their bodily features. Lord Balarāma is the first vilāsa expansion of Lord Kṛṣṇa, and the four-handed Nārāyaṇa forms in Vaikuṇṭha expand from Balarāma. There is no difference between the bodily forms of Śrī Kṛṣṇa and Balarāma except that Their bodily colors are different. Similarly, Śrī Nārāyaṇa in Vaikuṇṭha has four hands, whereas Kṛṣṇa has only two. The expansions of the Lord who manifest such bodily differences are known as vilāsa-vigrahas.
Nārāyaṇa and Śrī Kṛṣṇa are the same Personality of Godhead, but although They are identical, Their bodily features are different.
Such a person is called nyagrodha-parimaṇḍala. Śrī Caitanya Mahāprabhu, who personifies all good qualities, has the body of a nyagrodha-parimaṇḍala.
No one other than the Supreme Lord Himself, who has engaged the conditioned souls by His own illusory energy, can possess these bodily features. These features certainly indicate an incarnation of Viṣṇu and no one else.
The Vraja-devīs have diverse bodily features. They are Her expansions and are the instruments for expanding rasa.
His associates have the same bodily features as the Lord. They all have four arms and are dressed in yellow garments like Nārāyaṇa.
"Dear Caitanya Mahāprabhu," they said, "to tell You the truth, we are greatly pleased to hear Your words, and furthermore Your bodily features are so pleasing that we feel extraordinary satisfaction in seeing You."
Because the Māyāvādīs offered a little respect to Śrī Caitanya Mahāprabhu and because they were pious and actually followed the austere rules and regulations of sannyāsa, they had some understanding of Vedānta philosophy, and by the grace of Lord Caitanya Mahāprabhu they could appreciate that He was none other than the Supreme Personality of Godhead, who is endowed with all six opulences. One of these opulences is His beauty. By His extraordinarily beautiful bodily features, the Māyāvādī sannyāsīs recognized Śrī Caitanya Mahāprabhu as Nārāyaṇa Himself. He was not a farcical Nārāyaṇa like the daridra-nārāyaṇas invented by so-called sannyāsīs.
"In the Caitanya-bhāgavata, Antya-khaṇḍa, Chapter Five, there is the following statement: 'Murāri Caitanya dāsa had no material bodily features, for he was completely spiritual. Thus he would sometimes chase after tigers in the jungle and treat them just like cats and dogs. He would slap the cheek of a tiger and take a venomous snake on his lap. He had no fear for his external body, of which he was completely forgetful. He could spend all twenty-four hours of the day chanting the Hare Kṛṣṇa mahā-mantra or speaking about Lord Caitanya and Nityānanda. Sometimes he would remain submerged in water for two or three days, but he would feel no bodily inconvenience. Thus he behaved almost like stone or wood, but he always used his energy in chanting the Hare Kṛṣṇa mahā-mantra.'"
CC Madhya-lila
"My dear Sir, according to Your behavior and bodily features, You are the Supreme Personality of Godhead. It is impossible for ordinary living beings to possess such transcendental qualities."
Śrī Caitanya Mahāprabhu's bodily features were uncommon. Indeed, His body was extraordinary in its measurements. The measurement of His chest and the measurement of His forearms were the same. This is called nyagrodha-parimaṇḍala.
Lord Mahā-Viṣṇu, who is situated beyond this material world, was also attracted by the bodily features of Kṛṣṇa. Mahā-Viṣṇu had actually stolen the sons of the brāhmaṇa in Dvārakā so that Kṛṣṇa and Arjuna would come visit Him. This verse is quoted to show that Kṛṣṇa is so attractive that He attracts Mahā-Viṣṇu.
The Lord's bodily features were very beautiful, and in addition He was always in the ecstasy of love of Godhead. Simply by seeing Him, everyone began chanting the holy name of Kṛṣṇa, and thus everyone became a Vaiṣṇava devotee.
"'Pure devotees always reject the five kinds of liberation, which include living in the spiritual Vaikuṇṭha planets, possessing the same opulences as those possessed by the Supreme Lord, having the same bodily features as the Lord's, associating with the Lord and merging into the body of the Lord. The pure devotees do not accept these benedictions without the service of the Lord.'"
This is a verse from Śrīmad-Bhāgavatam (3.29.13).
"'Just as one is immediately frightened upon seeing a live serpent or even the form of a serpent, one endeavoring for self-realization should similarly fear a materialistic person and a woman. Indeed, he should not even glance at their bodily features.'"
This is a quotation from Śrī Caitanya-candrodaya-nāṭaka (8.24).
"'When the bodily features are delicate and expertly curved, and when the eyebrows are very beautifully agitated, the ornament of feminine charm, called lalita alaṅkāra, is manifest.'"
This verse is from the Ujjvala-nīlamaṇi (Anubhāva-prakaraṇa 51).
After Śrī Caitanya Mahāprabhu explained the difference between an ordinary living being and the Supreme Personality of Godhead, the people said, “No one considers You an ordinary human being. You are like Kṛṣṇa in every respect, in both bodily features and characteristics.
"By Your bodily features we can see that You are none other than the son of Nanda Mahārāja, although the golden luster of Your body has covered Your original complexion."
The tad-ekātma-rūpa forms are also described in the Laghu-bhāgavatāmṛta (Pūrva-khaṇḍa, verse 14):
- yad rūpaṁ tad-abhedena svarūpeṇa virājate
- ākṛtyādibhir anyādṛk sa tad-ekātma-rūpakaḥ
"The tad-ekātma-rūpa forms exist simultaneously with the svayaṁ-rūpa form and are nondifferent. At the same time, their bodily features and specific activities appear to be different." The tad-ekātma-rūpa forms are divided into two categories—svāṁśa and vilāsa.
"When the Lord expands Himself in innumerable forms, there is no difference in the forms, but due to different features, bodily colors and weapons, the names are different."
In the beginning, Kṛṣṇa has three bodily features: (1) svayaṁ-rūpa, as a cowherd boy in Vṛndāvana; (2) tad-ekātma-rūpa, which is divided into svāṁśaka and vilāsa; and (3) āveśa-rūpa. The svāṁśaka, or expansions of the personal potency, are (1) Kāraṇodakaśāyī, Garbhodakaśāyī, Kṣīrodakaśāyī and (2) incarnations such as the fish, tortoise, boar and Nṛsiṁha. The vilāsa-rūpa has a prābhava division, including Vāsudeva, Saṅkarṣaṇa, Pradyumna and Aniruddha. There is also a vaibhava division, in which there are twenty-four forms, including the second Vāsudeva, Saṅkarṣaṇa, Pradyumna and Aniruddha. For each of these, there are three forms; therefore there are twelve forms altogether. These twelve forms constitute the predominant names for the twelve months of the year as well as the twelve tilaka marks on the body.
"Of Them, Padmanābha, Trivikrama, Nṛsiṁha, Vāmana, Hari, Kṛṣṇa and so on all have different bodily features."
"Bodily features, nature and form are the personal characteristics. Knowledge of His activities provides the marginal characteristics."
Whoever hears or recites these descriptions of the expansions of Kṛṣṇa's body is certainly a very fortunate man. Although this is very difficult to understand, one can nonetheless acquire some knowledge about the different features of Kṛṣṇa's body.
Śrī Caitanya Mahāprabhu was ecstatic in this way because He was presenting Himself in the mood of the gopīs. The gopīs wanted to drink the ocean of sweetness arising from the bodily features of Kṛṣṇa, but Kṛṣṇa did not allow them to come near. Consequently their desire to meet Kṛṣṇa increased, and being unable to drink the ambrosia of Kṛṣṇa's bodily features, they became very unhappy.
"'Kṛṣṇa, the supreme hero, has the most beautiful transcendental body. This body possesses all good features. It is radiant and very pleasing to the eyes. His body is powerful, strong and youthful.'"
This verse and the following six verses are also found in the Bhakti-rasāmṛta-sindhu (2.1.23–29).
"'Lord Śrī Kṛṣṇa attracts the minds of all the gopīs with His beautiful, transcendental bodily features.'"
"'Those who want to be relieved from the material clutches give up the worship of the various demigods who have fearful bodily features. Such peaceful devotees, who are not envious of the demigods, worship the different forms of the Supreme Personality of Godhead, Nārāyaṇa.'"
This is a quotation from the Śrīmad-Bhāgavatam (1.2.26).
CC Antya-lila
He had handsome bodily features, and he was learned and youthful, but he could not tolerate the statement that simply by glimpsing the awakening of the Lord's holy name one can attain liberation.
Other Books by Srila Prabhupada
Teachings of Lord Caitanya
The personal form of Kṛṣṇa can be divided into two: svayam-rūpa and svayam-prakāśa. As far as His svayam-rūpa (or pastime form) is concerned, it is in that form that He remains always in Vṛndāvana with the inhabitants of Vṛndāvana. This personal form (svayam-rūpa) can be further divided into the prābhava and vaibhava forms. For instance, Kṛṣṇa expanded Himself in multiple forms during the rāsa dance in order to dance with each and every gopī who took part in forms in order to accommodate His 16,108 wives. There are some instances of great mystics' also expanding their bodily features in different ways, but Kṛṣṇa did not expand Himself by any yoga process. Each expansion of Kṛṣṇa was a separate individual. In Vedic history, Saubhari Ṛṣi, a sage, expanded himself into eight forms by the yoga process, but Saubhari Ṛṣi remained one. As far as Kṛṣṇa is concerned, when He manifested Himself in different forms, each and every one of them was a separate individual.
Any intelligent person can understand the characteristics of an avatāra by understanding two features—the principal feature, called personality, and the marginal features. In the scriptures there are descriptions of the characteristics of the body and the activities of an incarnation, and the description of the body is the principal feature by which an incarnation can be identified. The activities of the incarnation are the marginal features. This is confirmed in the beginning of Śrīmad-Bhāgavatam (1.1.1) where the features of an avatāra are nicely described.
The external features exhibited on the bodies of devotees are called udbhāsvara. The vyabhicārī symptoms are thirty-three in number, and they primarily involve words uttered by the devotee and different bodily features. These different bodily features—such as dancing trembling and laughing—when mixed with the vyabhicārī symptoms are called sañcārī. When bhāva, anubhāva and vyabhicārī symptoms are combined, they make the devotee dive into the ocean of immortality.
God is so kind and merciful that He can give Himself in exchange for the devotional service of the devotee. His transcendental qualities are such that the perfection of His beauty, His perfect reciprocation of love between Himself and His devotees, and the flavor of His transcendental qualities attract different kinds of transcendentalists and liberated souls. For example, He attracted the mind of Sanaka Kumāra simply by the aroma emanating from the flowers offered to Him. The mind of Śukadeva Gosvāmī was attracted by the transcendental pastimes of Lord Kṛṣṇa, and the minds of the damsels of Vṛndāvana were attracted by His personal beauty. Rukmiṇī's attention was attracted by His bodily features and transcendental qualities, and the mind of the goddess of fortune was attracted by His flute playing and other transcendental features.
Sometimes one becomes attracted to Kṛṣṇa and His transcendental qualities simply by looking upon the beautiful features of His transcendental body, in which case one abandons the desire for liberation and engages in His devotional service. The devotee regrets his loss of time in the so-called cultivation of knowledge and becomes a pure devotee of the Lord.
Nectar of Devotion
A similar passage appears in the Third Canto, Twenty-fifth Chapter, verse 34, wherein Kapiladeva instructs His mother and says, "My dear mother, devotees whose hearts are always filled in the service of My lotus feet and who are prepared to do anything for My satisfaction, especially those fortunate devotees who assemble together to understand My qualities, pastimes and form and thus glorify Me congregationally and derive transcendental pleasure therefrom, never desire to become one with Me. And what to speak of becoming one with Me, if they are offered a post like Mine in My abode, or opulence like Mine, or even personal association with Me with similar bodily features, they refuse to accept, because they are satisfied simply by being engaged in My devotional service."
In the Ninth Canto of the Bhāgavatam, Fourth Chapter, verse 67, the Lord of Vaikuṇṭha replies to Durvāsā Muni thus: "My pure devotees are always satisfied being engaged in devotional service, and therefore they do not aspire even after the five liberated stages, which are (1) to be one with Me, (2) to achieve residence on My planet, (3) to have My opulences, (4) to possess bodily features similar to Mine and (5) to gain personal association with Me. So when they are not interested even in these liberated positions, you can know how little they care for material opulences or material liberation."
In a similar passage in the Nārada-pañcarātra it is stated, "My dear Lord, I do not wish any perfectional stage by performing the ritualistic religious ceremonies or by economic development or by sense gratification or liberation. I simply pray that You grant me the favor of keeping me under Your lotus feet. I do not wish any kind of liberation such as sālokya (to reside on Your planet) or sārūpya (to have the same bodily features as You). I simply pray for Your favor that I may be always engaged in Your loving service."
There are five stages of liberation, already explained as being (1) to become one with the Lord, (2) to live on the same planet as the Lord, (3) to obtain the same bodily features as the Lord, (4) to have the same opulences as the Lord and (5) to have constant association with the Lord. Out of these five liberated stages, the one which is known as sāyujya, or to merge into the existence of the Lord, is the last to be accepted by a devotee. The other four liberations, although not desired by devotees, still are not against the devotional ideals.
In the Skanda Purāṇa it is also said that for a person who has lived in Dvārakā for six months, for one month, or even for one fortnight, there is awaiting elevation to the Vaikuṇṭhalokas and all the profits of sārūpya-mukti (the privilege of having the same four-handed bodily features as Nārāyaṇa).
In the Brahmā Purāṇa it is said, "The transcendental significance of Puruṣottama-kṣetra, which is the eighty-square-mile field of Lord Jagannātha, cannot be properly described. Even the demigods from higher planetary systems see the inhabitants of this Jagannātha Purī as having exactly the same bodily features possessed by one in Vaikuṇṭha. That is, the demigods see the inhabitants of Jagannātha Purī as being four-handed."
In the Dvārakā-māhātmya the importance of dancing before the Deity is stated by Lord Kṛṣṇa as follows: "A person who is in a jubilant spirit, who feels profound devotional ecstasy while dancing before Me, and who manifests different features of bodily expression can burn away all the accumulated sinful reactions he has stocked up for many, many thousands of years."
Sometimes an impersonalist may gradually elevate himself to the personal conception of the Lord. Bhagavad-gītā confirms this: "After many births and deaths, he who is actually in knowledge surrenders unto Me." By such surrender, an impersonalist can be elevated to the Vaikuṇṭhaloka (spiritual planet) where, as a surrendered soul, he attains bodily features like those of the Lord.
In the Nārada-pañcarātra it is said that if on account of profound veneration for the greatness of the Supreme Lord one attains a great affection and steady love for Him, one is certainly assured of attaining the four kinds of Vaiṣṇava liberation—namely achieving the same bodily features as the Lord, achieving the same opulence as the Lord, dwelling on the planet where the Lord is residing, and attaining eternal association with the Lord. The Vaiṣṇava liberation is completely different from the Māyāvāda liberation, which is simply a matter of being merged into the effulgence of the Lord.
One devotee praised the bodily features of Kṛṣṇa when he saw the Lord in His manifested personal feature. He exclaimed, "How wonderful is the personal feature of Lord Kṛṣṇa! How His neck is just like a conchshell! His eyes are so beautiful, as though they themselves were encountering the beauty of a lotus flower. His body is just like the tamāla tree, very blackish. His head is protected with a canopy of hair. There are the marks of Śrīvatsa on His chest, and He is holding His conchshell. By such beautiful bodily features, the enemy of the demon Madhu has appeared so pleasing that He can bestow upon me transcendental bliss simply by my seeing His transcendental qualities."
Śrīla Rūpa Gosvāmī, after consulting various scriptures, has enumerated the transcendental qualities of the Lord as follows: (1) beautiful features of the entire body; (2) marked with all auspicious characteristics; (3) extremely pleasing; (4) effulgent; (5) strong; (6) ever youthful; (7) wonderful linguist; (8) truthful; (9) talks pleasingly; (10) fluent; (11) highly learned; (12) highly intelligent; (13) a genius; (14) artistic; (15) extremely clever; (16) expert; (17) grateful; (18) firmly determined; (19) an expert judge of time and circumstances; (20) sees and speaks on the authority of Vedas, or scriptures; (21) pure; (22) self-controlled; (23) steadfast; (24) forbearing; (25) forgiving; (26) grave; (27) self-satisfied; (28) possessing equilibrium; (29) magnanimous; (30) religious; (31) heroic; (32) compassionate; (33) respectful; (34) gentle; (35) liberal; (36) shy; (37) the protector of surrendered souls; (38) happy; (39) the well-wisher of devotees; (40) controlled by love; (41) all-auspicious; (42) most powerful; (43) all-famous; (44) popular; (45) partial to devotees; (46) very attractive to all women; (47) all-worshipable; (48) all-opulent; (49) all-honorable; (50) the supreme controller.
Any comparison of the different parts of the Lord's body to different material objects cannot factually be a complete comparison. Ordinary persons, who cannot understand how exalted are the bodily features of the Lord, are simply given a chance to understand by a material comparison. It is said that Kṛṣṇa's face is as beautiful as the moon, His thighs are powerful just like the trunks of elephants, His arms are just like two pillars, His palms are expanded like lotus flowers, His chest is just like a doorway, His hips are dens, and the middle of His body is a terrace.
He continued, "This boy has a reddish luster in seven places—His eyes, the ends of His hands, the ends of His legs, His palate, His lips, His tongue and His nails. A reddish luster in these seven places is considered to be auspicious. Three parts of His body are very broad: His waist, forehead and chest. Three parts of His body are short: His neck, thighs and genitals. Three parts of His body are very deep: His voice, intelligence and navel. There is highness in five parts of His body: His nose, arms, ears, forehead and thighs. In five parts of His body there is fineness: His skin, the hairs on His head and on the other parts of His body, His teeth and His fingertips. The aggregate of all these bodily features is manifest only in the bodies of great personalities."
Beautiful bodily features which automatically attract the eyes are called rucira (pleasing). Kṛṣṇa possesses this attractive feature of rucira in His personal features. In the Third Canto, Second Chapter, verse 13, of Śrīmad-Bhāgavatam, there is a statement about this. "The Supreme Personality of Godhead, in His pleasing dress, appeared at the scene of the sacrificial arena when King Yudhiṣṭhira was performing the Rājasūya sacrifice. All important personalities from different parts of the universe had been invited to the sacrificial arena, and all of them, upon beholding Kṛṣṇa there, considered that the Creator had ended all of His craftsmanship in the creation of this particular body of Kṛṣṇa."
In this connection, the following statement given by Indra, the King of heaven, is very significant: "My dear Lord, I admit that I have committed great offenses unto You, but I cannot express my feelings of regret, being bewildered at seeing Your extraordinary chivalrous spirit, Your endeavor to protect Your devotees, Your determination, Your steadiness in lifting the great hill of Govardhana, Your beautiful bodily features and Your astonishing characteristic of being pleased simply by accepting the prayers of Your devotees and offenders."
When Kṛṣṇa was speaking to Mahārāja Yudhiṣṭhira about religious principles, He demonstrated Himself to be a great learned scholar, but because He accepted the position of younger cousin to Yudhiṣṭhira, He was speaking in a very gentle tone which enhanced His beautiful bodily features. The movements of His eyes and the mode of His speech proved that He was very, very expert in giving moral instruction. Sometimes, Mahārāja Yudhiṣṭhira is also accepted by learned scholars as dhīra-praśānta.
Kṛṣṇa's age, His transcendental bodily features, His beauty and His mildness are qualities pertaining to His body. There is no difference between Kṛṣṇa and His body, and therefore the transcendental features pertaining to His body are the same as Kṛṣṇa Himself. But because these qualities stimulate the devotee's ecstatic love, they have been analyzed as separate causes of that love. To be attracted by the qualities of Kṛṣṇa means to be attracted by Kṛṣṇa Himself, because there is no real distinction between Kṛṣṇa and His qualities.
There is a statement in this connection that Kṛṣṇa, on arriving at this age, manifested such beautiful bodily features that His restless eyes became the playthings of Cupid, and His mild smile resembled the newly grown lotus flower. The enchanting vibration of His songs became a great impediment to the young girls, who were supposed to remain chaste and faithful to their husbands.
In the kaiśora age, beginning from the eleventh year and continuing up to the end of the fifteenth year, Kṛṣṇa's arms, legs and thighs became marked with three divisional lines. At that time Kṛṣṇa's chest challenged a hill of marakata jewels, His arms challenged pillars of the indranīla jewel, the three lines of His waist challenged the waves of the River Yamunā, and His thighs challenged beautiful bananas. One gopī said, "With all these exquisite features of His body, Kṛṣṇa is too extraordinarily beautiful, and therefore I am always thinking of Him to protect me, because He is the killer of all demons."
This kaiśora age can be translated as adolescence. At the end of this period all the gopīs said, "Kṛṣṇa is the killer of the attraction of Cupid, and as such He disturbs the patience of all newly married girls. Kṛṣṇa's bodily features have become so exquisite—it is as if they were all manifesting an artistic sense of the highest sort. His dancing eyes have dimmed the brilliance of the most expert dancer, and so there is no longer any comparison to the beauty of Kṛṣṇa." Learned scholars therefore describe the features of His body at this time as nava-yauvana, newly invented youthfulness. At this stage of Kṛṣṇa's bodily features, the conjugal love affairs with the gopīs and similar pastimes become very prominent.
It is said that even when Kṛṣṇa was a boy of five He manifested such youthful energies, but learned scholars do not explain them because of the absence of suitable age. Kṛṣṇa was beautiful because every part of His body was perfectly arranged without any defect. Such perfect bodily features of Kṛṣṇa are described as follows: "My dear enemy of Kaṁsa, Your broad eyes, Your rising chest, Your two pillarlike arms and the thin middle portion of Your body are always enchanting to every lotus-eyed beautiful girl." The ornaments on the body of Kṛṣṇa were not actually enhancing His beauty, but just the reverse—the ornaments were beautified by Kṛṣṇa.
One gopī addressed her friend and began to praise the bodily features of Kṛṣṇa. She praised His blackish complexion, the reddish color of chewing pan enhancing His beauty hundreds of times, the curling hair on His head, the kuṁkum red spots on His body and the tilaka on His forehead.
Among the Kuru dynasty, Bhīṣma, Mahārāja Parīkṣit and Vidura are also known as close associates of Lord Kṛṣṇa. It is said, "All the associates of Lord Kṛṣṇa have lustrous bodily features, and their eyes are just like lotus flowers. They have sufficient power to defeat the strength of the demigods, and the specific feature of their persons is that they are always decorated with valuable ornaments."
Descriptions of the bodily features of the anugas in Vṛndāvana are given in the following statement: "Let us offer our respectful obeisances unto the constant associates of the son of Mahārāja Nanda. They always stay in Vṛndāvana, and their bodies are decorated with garlands of pearls and with bangles and bracelets of gold. Their colors are like black bees and the golden moon, and they are dressed just to suit their particular special bodily features. Their specific duties can be understood from a statement by mother Yaśodā, who said, 'Bakula, please cleanse the yellowish dress of Kṛṣṇa. Vārika, you just flavor the bathing water with aguru scent. And Rasāla, you just prepare the betel nuts. You can all see that Kṛṣṇa is approaching. There is dust overhead, and the cows can be seen very distinctly.'"
Among all the anugas, Raktaka is considered to be the chief. The description of his bodily features is as follows: "He wears yellow clothing, and his bodily color is just like newly grown grass. He is very expert in singing and is always engaged in the service of the son of Mahārāja Nanda. Let us all become the followers of Raktaka in offering transcendental loving service to Kṛṣṇa!"
Out of Kṛṣṇa's many sons, Pradyumna, a son of Kṛṣṇa's chief queen, Rukmiṇī, is considered the leader. Pradyumna's bodily features resemble Kṛṣṇa's exactly. Pure devotees of Kṛṣṇa glorify Pradyumna because he is so fortunate: like father like son.
The impetus to fraternal love upon seeing the associates of Kṛṣṇa in Vṛndāvana is also very natural, for their personal bodily features, their qualities and their dress are all equal to Kṛṣṇa's. These associates are always happy in their service to Kṛṣṇa, and they are generally known as vayasyas, or friends of the same age. The vayasyas are fully confident of protection by Kṛṣṇa.
Subala once addressed Him in this way: "My dear Keśava, Your round turban, the lotus flower in Your hand, the vertical marks of tilaka on Your forehead, Your kuṁkum-flavored musk and all of Your beautiful bodily features are defeating me today, although I am usually stronger than You or any of our friends. Since this is so, I do not know how these features of Your body can fail to defeat the pride of all the young girls of Vṛndāvana. When I am so defeated by this beauty, what chance is there for those who are naturally very simple and flexible?"
In the Mathurā-khaṇḍa chapter of the Skanda Purāṇa, there is a description of Kṛṣṇa and Balarāma, surrounded by all the cowherd boys, always engaged in taking care of the cows and calves. When Kṛṣṇa was met by Arjuna at a potter's shop in the city of Drupada-nagara, because of the similarity of their bodily features they made intimate friendship. This is an instance of friendship caused by the attraction of similar bodies.
Some specific provocations for parental love of Kṛṣṇa are listed as His blackish bodily hue, which is very attractive and pleasing to see, His all-auspicious bodily features, His mildness, His sweet words, His simplicity, His shyness, His humility, His constant readiness to offer respect to the elderly and His charity. All of these qualities are considered ecstatic provocations for parental love.
The description of Nanda Mahārāja's bodily features is as follows. The hairs on his head are generally black, but some of them are gray. His garments are of greenish color, like the new-grown leaves of a banyan tree. His belly is fatty, his complexion is exactly like the full moon, and he has a beautiful mustache.
While Kṛṣṇa was in the middle of His kaumāra age, His waist became thinner, His chest became broader, and His head was decorated with His curly hairs, resembling the falling of the wings of a crow. These wonderful features of Kṛṣṇa's body never failed to astonish mother Yaśodā.
When all the wives of Vasudeva were present in the arena of Kaṁsa, they saw the most pleasing bodily features of Kṛṣṇa, and immediately, out of parental affection, milk began to flow from their breasts, and the lower parts of their sārīs became wet. This symptom of ecstatic love is an example of the result of fulfillment of desire.
A pure devotee follows in the footsteps of the gopīs and worships the gopīs as follows: "Let me offer my respectful obeisances to all the young cowherd girls, whose bodily features are so attractive. Simply by their beautiful attractive features they are worshiping the Supreme Personality of Godhead, Kṛṣṇa."
The beauty of Śrīmatī Rādhārāṇī is described as follows: "Her eyes defeat the attractive features of the eyes of the cakorī bird. When one sees the face of Rādhārāṇī, he immediately hates the beauty of the moon. Her bodily complexion defeats the beauty of gold. Thus, let us all look upon the transcendental beauty of Śrīmatī Rādhārāṇī." Kṛṣṇa's attraction for Rādhārāṇī is described by Kṛṣṇa Himself thus: "When I create some joking phrases in order to enjoy the beauty of Rādhārāṇī, Rādhārāṇī hears these joking words with great attention; but by Her bodily features and counterwords She neglects Me. And I even possess unlimited pleasure by Her neglect of Me, for She becomes so beautiful that She increases My pleasure one hundred times."
Another devotee said, "My dear friend, my youthful beauty is as temporary as lightning in the sky, and therefore my possessing attractive bodily features is unimportant. I have never met Kṛṣṇa, so I request you to please arrange for my meeting Him immediately." In this statement there is the incompatibility of a neutral mellow mixed with conjugal love.
Nectar of Instruction
Kṛṣṇa's devotee is not subjected to material condition, even though his bodily features may appear materially conditioned. One should therefore not see a pure devotee from a materialistic point of view. Unless one is actually a devotee, he cannot see another devotee perfectly.
Krsna, The Supreme Personality of Godhead
In the Vedas it is said that the Supreme Personality of Godhead has already expanded Himself into so many living entities by His energy. Therefore it was not very difficult for Him to expand Himself again into so many boys and calves. He expanded Himself to become exactly like the boys, who were of all different features and facial and bodily construction, and who were different in their clothing and ornaments and in their behavior and personal activities. In other words, although each boy, being an individual soul, had entirely different tastes, activities and behavior, Kṛṣṇa exactly expanded Himself into all the different positions of the individual boys.
Brahmā said, "My dear Lord, You are the only worshipable Supreme Lord, the Personality of Godhead; therefore I am offering my humble obeisances and prayers just to please You. Your bodily features are of the color of clouds filled with water. You are glittering with a silver electric aura emanating from Your yellow garments."
According to Vedic principle, religious rituals must be executed by the husband and wife together. When the brāhmaṇas' wives returned, the sacrifice was duly and nicely executed. One of the brāhmaṇas' wives, however, who had been forcibly checked from going to see Kṛṣṇa, began to remember Him as she heard of His bodily features. Being completely absorbed in His thought, she gave up her material body conditioned by the laws of nature.
When He saw that they continued to smile, He said, "I very much appreciate your bodily features. All of you have nice, very thin waists." All of the gopīs there were exquisitely beautiful. They are described by the word sumadhyamā; the standard of beauty of a woman is said to be sumadhyamā, when the middle portion of the body is slender.
While Kṛṣṇa and the gopīs danced, they displayed extraordinary bodily features. The movements of their legs, their placing their hands on one another, the movements of their eyebrows, their smiling, the movements of the breasts of the gopīs and their clothes, their earrings, their cheeks, their hair with flowers—as they sang and danced these combined to appear like clouds, thunder, snow and lightning. Kṛṣṇa's bodily features appeared just like a group of clouds, the gopīs' songs were like thunder, their beauty appeared to be just like lightning in the sky, and the drops of perspiration visible on their faces appeared like falling snow. In this way, the gopīs and Kṛṣṇa fully engaged in dancing.
At that time Kṛṣṇa appeared on the scene and touched the serpent with His lotus feet. Immediately upon being touched by the lotus feet of Kṛṣṇa, the serpent shed its reptilian body and appeared as a very beautiful demigod named Vidyādhara. His bodily features were so beautiful that he appeared to be worshipable. There was a luster and effulgence emanating from his body, and he was garlanded with a gold necklace. He offered obeisances to Lord Kṛṣṇa and stood before Him with great humility. Kṛṣṇa then asked the demigod, "You appear to be a very nice demigod and to be favored by the goddess of fortune. How is it that you performed such abominable activities that you got the body of a serpent?" The demigod then began to narrate the story of his previous life.
When Akrūra entered Vṛndāvana, he saw Kṛṣṇa and Balarāma engaged in supervising the milking of the cows. Kṛṣṇa was dressed in yellow garments and Balarāma in bluish. Akrūra also saw that Their eyes were exactly like the beautiful lotus flower that grows during the autumn season. He saw Kṛṣṇa and Balarāma in the spring of Their youth. Although They had the same bodily features, Kṛṣṇa was blackish in complexion, whereas Balarāma was whitish. Both were the shelter of the goddess of fortune. They had well-constructed bodies, beautiful hands and pleasing faces, and They were as strong as elephants. Now, after seeing Their footprints, marked with flag, trident, thunderbolt and lotus, Akrūra actually saw Kṛṣṇa and Balarāma face to face.
According to the opinion of authorities, Kaṁsa attained sārūpya-mukti after death; that is to say, he attained the same form as Nārāyaṇa (Viṣṇu). On the Vaikuṇṭha planets all the inhabitants have the same bodily features as Nārāyaṇa. After his death, Kaṁsa attained liberation and was promoted to Vaikuṇṭhaloka. From this instance we can understand that even a person who thinks of the Supreme Personality of Godhead as an enemy gets liberation or a place in a Vaikuṇṭha planet, so what to speak of the pure devotees, who are always absorbed in favorable thoughts of Kṛṣṇa?
In the meantime, Uddhava, a cousin-brother of Kṛṣṇa's, came to see Kṛṣṇa from Dvārakā. He was the son of Vasudeva's brother and was almost the same age as Kṛṣṇa. His bodily features resembled Kṛṣṇa's almost exactly. After Kṛṣṇa returned from His teacher's home, He was pleased to see Uddhava, who happened to be His dearmost friend. Kṛṣṇa wanted to send him to Vṛndāvana with a message to the residents to pacify their deep feelings of separation.
When the gopīs saw Uddhava, they observed that his features almost exactly resembled those of Kṛṣṇa, and they could understand that he was a great devotee of Kṛṣṇa's. His arms were very long and his eyes were just like the petals of the lotus flower. He was dressed in yellow garments and wore a garland of lotus flowers. His face was very beautiful. Having achieved the liberation of sārūpya and thus having the same bodily features as the Lord, Uddhava looked almost like Kṛṣṇa.
When the gopīs saw that Uddhava was representing Kṛṣṇa even in his bodily features, they thought he must be a soul completely surrendered unto the Supreme Personality of Godhead. They began to contemplate, "Who is this boy who looks just like Kṛṣṇa? He has the same eyes like lotus petals, the same raised nose and beautiful face, and he is smiling in the same way. In all respects he resembles Kṛṣṇa, Śyāmasundara, the beautiful blackish boy. He is even dressed exactly like Kṛṣṇa. Where has this boy come from? Who is the fortunate girl who has him for her husband?" Thus they talked among themselves.
It may be that Śrīmatī Rādhārāṇī purposely addressed the bumblebee sarcastically in order to indirectly criticize the messenger Uddhava. Like the other gopīs, Śrīmatī Rādhārāṇī saw that Uddhava's bodily features resembled Kṛṣṇa's, but She also saw Uddhava as being equal to Kṛṣṇa. Indirectly, therefore, She indicated that Uddhava was as unreliable as Kṛṣṇa Himself. Śrīmatī Rādhārāṇī wanted to give specific reasons why She was dissatisfied with Kṛṣṇa and His messenger.
Before seeing Kṛṣṇa, Kālayavana had heard about Him from Nārada, and now the descriptions of Nārada were confirmed. Kālayavana noticed Kṛṣṇa's specific marks and the jewels on His chest, His beautiful garland of lotus flowers, His lotuslike eyes and similar beautiful bodily features. He concluded that this beautiful personality must be Vāsudeva, for every description he had previously heard from Nārada was substantiated by the presence of Kṛṣṇa.
Rukmiṇī was the daughter of King Bhīṣmaka, a powerful king. Thus Kṛṣṇa did not address her as Rukmiṇī; He addressed her this time as the princess. "My dear princess, it is very surprising. Many great personalities in the royal order wanted to marry you. Although not all of them were kings, all possessed the opulence and riches of the kingly order; they were well behaved, learned, famous among kings, beautiful in their bodily features and personal qualifications, liberal, very powerful in strength and advanced in every respect. They were not unfit in any way, and over and above that, your father and your brother had no objection to such a marriage. On the contrary, they gave their word of honor that you would be married with Śiśupāla. Indeed, the marriage was sanctioned by both your parents. Śiśupāla was a great king and was so lusty and mad after your beauty that if he had married you I think he would always have remained with you just like your faithful servant."
On hearing Citralekhā’s inquiries, Ūṣā replied, "My dear friend, in my dream I saw a nice young man who is very, very beautiful. His complexion is swarthy, his eyes are just like lotus petals, and he is dressed in yellow garments. His arms are very long, and his general bodily features are so pleasing that any young girl would be attracted. I feel much pride in saying that this beautiful young man was kissing me, and I was very much enjoying the nectar of his kissing. But I am sorry to inform you that just after this he disappeared, and I have been thrown into the whirlpool of disappointment. My dear friend, I am very anxious to find this wonderful young man, the desired lord of my heart."
As far as Pauṇḍraka was concerned, somehow or other he always thought of Lord Vāsudeva by falsely dressing himself in imitation of the Lord. Therefore Pauṇḍraka achieved sārūpya, one of the five kinds of liberation, and was thus promoted to the Vaikuṇṭha planets, where the devotees have the same bodily features as Viṣṇu, with four hands holding the four symbols. Factually, his meditation was concentrated on the Viṣṇu form, but because he thought himself Lord Viṣṇu, it was offensive. By his being killed by Kṛṣṇa, however, that offense was mitigated. Thus he was given sārūpya liberation, and he attained the same form as the Lord.
While creating such great disturbances all over the country, sometimes he heard very sweet musical sounds from Raivataka Mountain, and so he entered that mountainous region. There he saw Lord Balarāma in the midst of many beautiful young girls, enjoying their company while singing and dancing. He became captivated by the beauty of Lord Balarāma's body, whose every feature was very beautiful, decorated as He was with a garland of lotus flowers. Similarly, all the young girls present, dressed and garlanded with flowers, exhibited much beauty. Lord Balarāma seemed fully intoxicated from drinking the vāruṇī beverage, and His eyes appeared to be rolling in a drunken state. Lord Balarāma appeared just like the king of the elephants in the midst of many she-elephants.
Although Lord Balarāma patiently heard their insulting words and simply observed their uncivil behavior, from His appearance it was clear that He was burning with anger and was thinking of retaliating with great vengeance. His bodily features became so much agitated that it was difficult for anyone to look at Him. He laughed very loudly and said, "It is true that if a man becomes too much puffed up because of his family, opulence, beauty and material advancement, he no longer wants a peaceful life but becomes belligerent toward all others. It is useless to give such a person good instruction for gentle behavior and a peaceful life; on the contrary, one should search out the ways and means to punish him."
Mukunda-mala-stotra (mantras 1 to 6 only)
The present verse of the Mukunda-mālā-stotra states that the color of the Lord's body is blackish, like that of a new cloud. Also, His body is very soft. Softness of the body is a sign of a great personality. The śāstras state that the following bodily features indicate a great personality: a reddish luster in seven places—the eyes, the palms, the soles, the palate, the lips, the tongue, and the nails; broadness in three places—the waist, the forehead, and the chest; shortness in three places—the neck, the thighs, and the genitals; deepness in three places—the voice, the intelligence, and the navel; highness in five places—the nose, the arms, the ears, the forehead, and the thighs; and fineness in five places—the skin, the hair on the head, the bodily hair, the teeth, and the fingertips. All these features are present in the body of the Lord.
Narada-bhakti-sutra (sutras 1 to 8 only)
A self-realized person also sees all living entities equally. For him, there is no distinction between the higher and lower species of life. It is also stated that a learned man does not distinguish between a wise brāhmaṇa and a dog because he sees the soul within the body, not the external bodily features. Such a perfected, self-realized person becomes eligible to understand bhakti, or devotional service to the Lord.
| Page Title: | Bodily features (CC and other books) |
| Compiler: | Labangalatika |
| Created: | 07 of May, 2011 |
| Totals by Section: | BG=0, SB=0, CC=27, OB=63, Lec=0, Con=0, Let=0 |
| No. of Quotes: | 90 |