Black art

Expressions researched:
"black art" |"black magic"

BG Chapters 7 - 12

There are many men who practice this black art, and they think that it is spiritualism, but such activities are completely materialistic.

BG 9.25, Purport:

If one has any desire to go to the moon, the sun or any other planet, one can attain the desired destination by following specific Vedic principles recommended for that purpose, such as the process technically known as darśa-paurṇamāsī. These are vividly described in the fruitive activities portion of the Vedas, which recommends a specific worship of demigods situated on different heavenly planets. Similarly, one can attain the Pitā planets by performing a specific yajña. Similarly, one can go to many ghostly planets and become a Yakṣa, Rakṣa or Piśāca. Piśāca worship is called "black arts" or "black magic." There are many men who practice this black art, and they think that it is spiritualism, but such activities are completely materialistic. Similarly, a pure devotee, who worships the Supreme Personality of Godhead only, achieves the planets of Vaikuṇṭha and Kṛṣṇaloka without a doubt. It is very easy to understand through this important verse that if by simply worshiping the demigods one can achieve the heavenly planets, or by worshiping the Pitās achieve the Pitā planets, or by practicing the black arts achieve the ghostly planets, why can the pure devotee not achieve the planet of Kṛṣṇa or Viṣṇu? Unfortunately many people have no information of these sublime planets where Kṛṣṇa and Viṣṇu live, and because they do not know of them they fall down. Even the impersonalists fall down from the brahmajyoti. The Kṛṣṇa consciousness movement is therefore distributing sublime information to the entire human society to the effect that by simply chanting the Hare Kṛṣṇa mantra one can become perfect in this life and go back home, back to Godhead.

SB Canto 5

The practice of forcing one's wife to drink one's own semen is a black art practiced by extremely lusty persons.

SB 5.26.26, Purport:

The practice of forcing one's wife to drink one's own semen is a black art practiced by extremely lusty persons. Those who practice this very abominable activity say that if a wife is forced to drink her husband's semen, she remains very faithful to him. Generally only low-class men engage in this black art, but if a man born in a higher class does so, after death he is put into the hell known as Lālābhakṣa. There he is immersed in the river known as Śukra-nadī and forced to drink semen.

SB Cantos 10.14 to 12 (Translations Only)

SB 10.55.22, Translation:

Resorting to the black magic of the Daityas taught to him by Maya Dānava, Śambara suddenly appeared in the sky and released a downpour of weapons upon Kṛṣṇa's son.

SB 10.66.40, Translation:

Frustrated by the power of Lord Kṛṣṇa's weapon, O King, the fiery creature produced by black magic turned his face away and retreated. Created for violence, the demon then returned to Vārāṇasī, where he surrounded the city and then burned Sudakṣiṇa and his priests to death, even though Sudakṣiṇa was his creator.

CC Adi-lila

There are many tantric followers who, wishing to eat meat and drink wine, practice the black art of worshiping the goddess Bhavānī in a crematorium.

CC Adi 17.52, Purport:

There are many tantric followers who, wishing to eat meat and drink wine, practice the black art of worshiping the goddess Bhavānī in a crematorium. Such fools also consider this bhavānī-pūjā to be as good as worship of Lord Kṛṣṇa in devotional service. But such abominable tantric activities performed by so-called svāmīs and yogīs are herein condemned by Lord Caitanya Mahāprabhu. He declares that such bhavānī-pūjā for drinking wine and eating meat quickly plunges one into hellish life. The method of worship itself is already hellish, and its results must also be hellish and nothing more.

Nectar of Devotion

Śrīla Rūpa Gosvāmī has therefore compared possessing these bhukti (material) and mukti (liberation) desires with being influenced by the black art of a witch.

Nectar of Devotion 3:

However, the perfect spiritual concept of life is complete knowledge of one's constitutional position, in which one knows enough to dovetail himself in the transcendental loving service of the Lord. One must know that he is finite and that the Lord is infinite. Thus it is not possible to actually become one with the Lord even if one aspires for this. It is simply not possible. Therefore, anyone who has any desire or aspiration for satisfying his senses by becoming more and more important, either in the material sense or in the spiritual sense, cannot actually relish the really sweet taste of devotional service. Śrīla Rūpa Gosvāmī has therefore compared possessing these bhukti (material) and mukti (liberation) desires with being influenced by the black art of a witch: in both cases one is in trouble. Bhukti means material enjoyment, and mukti means to become freed from material anxiety and to become one with the Lord. These desires are compared to being haunted by ghosts and witches, because while these aspirations for material enjoyment or spiritual oneness with the Supreme remain, no one can relish the actual transcendental taste of devotional service.

Krsna, The Supreme Personality of Godhead

Pūtanā knew the black art of killing small children by ghastly sinful methods.

Krsna Book 6:

After consulting with his demoniac ministers, Kaṁsa instructed a witch named Pūtanā, who knew the black art of killing small children by ghastly sinful methods, to kill all kinds of children in the cities, villages and pasturing grounds. Such witches can play their black art only where there is no chanting or hearing of the holy name of Kṛṣṇa. It is said that wherever the chanting of the holy name of Kṛṣṇa is done, even negligently, all bad elements—witches, ghosts and dangerous calamities—immediately disappear. And this is certainly true of the place where the chanting of the holy name of Kṛṣṇa is done seriously—especially in Vṛndāvana when the Supreme Lord was personally present. Therefore, the doubts of Nanda Mahārāja were certainly based on affection for Kṛṣṇa. Actually there was no danger from the activities of Pūtanā, despite her powers. Such witches are called khecarī, which means they can fly in the sky. This black art of witchcraft is still practiced by some women in the remote northwestern side of India. They can transfer themselves from one place to another on the branch of an uprooted tree. Pūtanā knew this witchcraft, and therefore she is described in the Bhāgavatam as khecarī.

With a determined vow of austerity, he began to execute the black art of chanting mantras, assisted by the priests.

Krsna Book 66:

When Sudakṣiṇa was encouraged by Lord Śiva in that way, he was sure that he would be able to kill Kṛṣṇa. With a determined vow of austerity, he began to execute the black art of chanting mantras, assisted by the priests. After this, out of the fire came a great demoniac form, whose hair, beard and mustache were exactly the color of hot copper. This form was very big and fierce. As the demon arose from the fire, cinders of fire emanated from the sockets of his eyes. The giant fiery demon appeared still more fierce due to the movements of his eyebrows. He exhibited long, sharp teeth and, sticking out his long tongue, licked his upper and lower lips. He was naked, and he carried a big trident, blazing like fire. After appearing from the fire of sacrifice, he stood wielding the trident in his hand. Instigated by Sudakṣiṇa, the demon proceeded toward the capital city, Dvārakā, with many hundreds of ghostly companions, and it appeared that he was going to burn all outer space to ashes. The surface of the earth trembled because of his striking steps. When he entered the city of Dvārakā, all the residents panicked, just like animals in a forest fire.

As a result of his return, all the priests who had helped instruct the black art of mantras, along with their employer, Sudakṣiṇa, were burned to ashes by the glaring effulgence of the fiery demon.

Krsna Book 66:

Having failed to set fire to Dvārakā, the fiery demon went back to Vārāṇasī, the kingdom of Kāśīrāja. As a result of his return, all the priests who had helped instruct the black art of mantras, along with their employer, Sudakṣiṇa, were burned to ashes by the glaring effulgence of the fiery demon. According to the methods of black art mantras instructed in the tantras, if the mantra fails to kill the enemy, then, because it must kill someone, it kills the original creator. Sudakṣiṇa was the originator, and the priests assisted him; therefore all of them were burned to ashes. This is the way of the demons: the demons create something to kill God, but by the same weapon the demons themselves are killed.

Srimad-Bhagavatam Lectures

The witches, by their black art, they suck the blood of children.

Lecture on SB 2.3.19 -- Los Angeles, June 15, 1972:

So din ka ḍākinī, rāt ka bāghinī, palak palak rahe cuṣe. The witches, they also, by their black art, they suck the blood of children. Do you know that? There are witches. You know? I am asking Svarūpa Dāmodara. The kamekha (?) witches, from the black art. The Pūtanā was like that. They suck the blood of children by some mantra. So din ka ḍākinī, rāt ka bāghinī. It is pointing out to one's wife. During daytime she is ḍākinī, witches, and at night she is tigress. So Tulasī dāsa says that. . . Tulasī dāsa's life is very interesting. Therefore he had very bad experience of his wife. Everyone. So bāghinī. Nobody keeps a tigress to suck one's blood, but Tulasī dāsa says, duniyā sab bhora hoye. The whole world, being mad, they keep one tigress. Palak palak rahe cuṣe. In every moment, sucking blood. This criticism is for the materialistic person. Those who are spiritually advancing, this criticism does not apply. For materialistic person, this agent of sucking blood is their happiness, is their happiness.