Bangles

Expressions researched:
"bangle" |"bangles"

SB Canto 1

SB 1.15.16, Purport:

Karṇa: Born of Kuntī by the sun-god prior to her marriage with Mahārāja Pāṇḍu, Karṇa took his birth with bangles and earrings, extraordinary signs for an undaunted hero. In the beginning his name was Vasusena, but when he grew up he presented his natural bangles and earrings to Indradeva, and thenceforward he became known as Vaikartana. After his birth from the maiden Kuntī, he was thrown in the Ganges. Later he was picked up by Adhiratha, and he and his wife Rādhā brought him up as their own offspring. Karṇa was very charitable, especially toward the brāhmaṇas. There was nothing he could not spare for a brāhmaṇa. In the same charitable spirit he gave in charity his natural bangles and earrings to Indradeva, who, being very much satisfied with him, gave him in return a great weapon called Śakti.

SB Canto 2

SB 2.2.11, Translation:

He is well decorated with an ornamental wreath about His waist and rings studded with valuable jewels on His fingers. His leglets, His bangles, His oiled hair, curling with a bluish tint, and His beautiful smiling face are all very pleasing.

SB 2.3.21, Translation:

The upper portion of the body, though crowned with a silk turban, is only a heavy burden if not bowed down before the Personality of Godhead who can award mukti (freedom). And the hands, though decorated with glittering bangles, are like those of a dead man if not engaged in the service of the Personality of Godhead Hari.

SB 2.3.21, Purport:

Mahārāja Pratāparudra's subordination before Lord Jagannātha made him a powerful king, so much so that even the great Pathan in his time could not enter into Orissa on account of the powerful Mahārāja Pratāparudra. And at last Mahārāja Pratāparudra was graced by Lord Śrī Caitanya on the very grounds of his acceptance of subordination to the Lord of the universe. So even though a rich man's wife has glittering bangles made of gold on her hands, she must engage herself in rendering service to the Lord.

SB Canto 3

SB 3.15.21, Purport:

The ladies in the Vaikuṇṭha planets are as beautiful as the goddess of fortune herself. Such transcendentally beautiful ladies, their hands playing with lotuses and their leg bangles tinkling, are sometimes seen sweeping the marble walls, which are bedecked at intervals with golden borders, in order to receive the grace of the Supreme Personality of Godhead.

SB 3.18.9, Translation:

The demon, who had a wealth of ornaments, bangles and beautiful golden armor on his body, chased the Lord from behind with a great mace. The Lord tolerated his piercing ill words, but in order to reply to him, He expressed His terrible anger.

SB 3.20.29, Purport:

As early morning is the period for spiritual cultivation, the beginning of evening is the period for passion. Demoniac men are generally very fond of sex enjoyment; therefore they very much appreciate the approach of evening. The demons took the approach of the evening twilight to be a beautiful woman, and they began to adore her in various ways. They imagined the twilight to be a very beautiful woman with tinkling bangles on her feet, a girdle on her hips, and beautiful breasts, and for their sexual satisfaction they imagined the appearance of this beautiful girl before them.

SB 3.22.17, Purport:

The vision was so distinct that the Gandharva Viśvāvasu was bewildered by her beauty and by hearing the sound of her ankle bangles, and being captivated by the sound and beauty, he fell down. Kardama Muni mentioned the incident as he had heard it.

SB 3.23.31, Translation:

Her entire body, including her head, was completely bathed, and she was decorated all over with ornaments. She wore a special necklace with a locket. There were bangles on her wrists and tinkling anklets of gold about her ankles.

SB 3.28.15, Purport:

Everything taken from everything remains everything, or, as has been stated, in the spiritual world one minus one equals one, and one plus one equals one. The bees hum around the fresh flowers, and their sweet sound is enjoyed by the Lord. The Lord's bangles, necklace, crown and anklets are all bedecked with invaluable jewels. Since the jewels and pearls are spiritual, there is no material calculation of their value.

SB Canto 4

SB 4.5.6, Translation:

Many other soldiers of Lord Śiva followed the fierce personality in a tumultuous uproar. He carried a great trident, fearful enough to kill even death, and on his legs he wore bangles which seemed to roar.

SB 4.7.20, Purport:

His complexion was blackish, His garment yellow like gold, and His helmet as dazzling as the sun. His hair was bluish, the color of black bees, and His face was decorated with earrings. His eight hands held a conchshell, wheel, club, lotus flower, arrow, bow, shield and sword, and they were decorated with golden ornaments such as bangles and bracelets. His whole body resembled a blossoming tree beautifully decorated with various kinds of flowers.

SB 4.22.44, Purport:

Kings and emperors used to keep a private treasury which was known as ratna-bhāṇḍa. The ratna-bhāṇḍa was a special treasury room which contained special jewelries, such as bangles, necklaces and so on, which were presented to the king by the citizens. This jewelry was kept separate from the regular treasury house where all the collected revenues were kept. Thus Pṛthu Mahārāja offered his stock of private jewelry to the lotus feet of the Kumāras.

SB 4.24.12, Purport:

In the case of Śatadruti, however, she was so beautiful that she attracted the whole universe at her marriage ceremony. Indeed, she attracted all the learned and exalted demigods simply by the tinkling of her ankle bells. This indicates that all the demigods wanted to see her beauty completely, but they were not able to see it because she was fully dressed and covered with ornaments. Since they could only see the feet of Śatadruti, they became attracted by her ankle bells, which tinkled as she walked. In other words, the demigods became captivated by her simply by hearing the tinkling of her ankle bells. They did not have to see her complete beauty. It is sometimes understood that a person becomes lusty just by hearing the tinkling of bangles on the hands of women or the tinkling of ankle bells, or just by seeing a woman's sari. Thus it is concluded that woman is the complete representation of māyā.

SB 4.24.12, Purport:

Although Viśvāmitra Muni was engaged in practicing mystic yoga with closed eyes, his transcendental meditation was broken when he heard the tinkling of bangles on the hands of Menakā. In this way Viśvāmitra Muni became a victim of Menakā and fathered a child who is universally celebrated as Śakuntalā. The conclusion is that no one can save himself from the attraction of woman, even though he be an exalted demigod or an inhabitant of the higher planets. Only a devotee of the Lord, who is attracted by Kṛṣṇa, can escape the lures of woman. Once one is attracted by Kṛṣṇa, the illusory energy of the world cannot attract him.

SB 4.24.47-48, Purport:

The Lord is superexcellently beautiful on account of His open and merciful smile and Mis sidelong glance upon His devotees. His black hair is curly, and His garments, waving in the wind, appear like flying saffron pollen from lotus flowers. His glittering earrings, shining helmet, bangles, garland, ankle bells, waist belt and various other bodily ornaments combine with conchshell, disc, club and lotus flower to increase the natural beauty of the Kaustubha pearl on His chest.

SB Canto 5

SB 5.2.5, Purport:

As Pūrvacitti passed by on the road in a very beautiful style and mood of her own, the pleasing ornaments on her ankles tinkled with her every step. Although Prince Āgnīdhra was controlling his senses, practicing yoga with half-open eyes, he could see her with his lotuslike eyes, and when he heard the sweet tinkling of her bangles, he opened his eyes slightly more and could see that she was just nearby.

SB 5.2.5, Purport:

In the same way that Viśvāmitra Muni was attracted by the tinkling bangles of Menakā, Prince Āgnīdhra, upon hearing the tinkling bangles of Pūrvacitti, immediately opened his eyes to see her beautiful movements as she walked. The prince was also very handsome. As described herein, his eyes were just like the buds of lotus flowers.

SB 5.3.3, Translation:

Lord Viṣṇu appeared before King Nābhi with four arms. He was very bright, and He appeared to be the best of all personalities. Around the lower portion of His body, He wore a yellow silken garment. On His chest was the mark of Śrīvatsa, which always displays beauty. He carried a conchshell, lotus flower, disc and club, and He wore a garland of forest flowers and the Kaustubha gem. He was beautifully decorated with a helmet, earrings, bangles, belt, pearl necklace, armlets, ankle bells and other bodily ornaments bedecked with radiant jewels. Seeing the Lord present before them, King Nābhi and his priests and associates felt just like poor people who have suddenly attained great riches. They received the Lord and respectfully bent their heads and offered Him things in worship.

SB 5.16.20-21, Translation:

The mud on both banks of the River Jambū-nadī, being moistened by the flowing juice and then dried by the air and the sunshine, produces huge quantities of gold called Jāmbū-nada. The denizens of heaven use this gold for various kinds of ornaments. Therefore all the inhabitants of the heavenly planets and their youthful wives are fully decorated with golden helmets, bangles and belts, and thus they enjoy life.

SB 5.25.5, Translation:

Lord Ananta's arms are attractively long, beautifully decorated with bangles and completely spiritual. They are white, and so they appear like silver columns. When the beautiful princesses of the serpent kings, hoping for the Lord's auspicious blessing, smear His arms with aguru pulp, sandalwood pulp and kuṅkuma, the touch of His limbs awakens lusty desires within them. Understanding their minds, the Lord looks at the princesses with a merciful smile, and they become bashful, realizing that He knows their desires. Then they smile beautifully and look upon the Lord's lotus face, which is beautified by reddish eyes rolling slightly from intoxication and delighted by love for His devotees.

SB Canto 6

SB 6.16.30, Translation:

Upon reaching the shelter of Lord Śeṣa, the Supreme Personality of Godhead, Citraketu saw that He was as white as the white fibers of a lotus flower. He was dressed in bluish garments and adorned with a brilliantly glittering helmet, armlets, belt and bangles. His face was smiling, and His eyes were reddish. He was surrounded by such exalted liberated persons as Sanat-kumāra.

SB Canto 8

SB 8.6.3-7, Translation:

Lord Brahmā, along with Lord Śiva, saw the crystal-clear personal beauty of the Supreme Personality of Godhead, whose blackish body resembles a marakata gem, whose eyes are reddish like the depths of a lotus, who is dressed with garments that are yellow like molten gold, and whose entire body is attractively decorated. They saw His beautiful, smiling, lotuslike face, crowned by a helmet bedecked with valuable jewels. The Lord has attractive eyebrows, and His cheeks are adorned with earrings. Lord Brahmā and Lord Śiva saw the belt on the Lord's waist, the bangles on His arms, the necklace on His chest, and the ankle bells on His legs. The Lord is bedecked with flower garlands, His neck is decorated with the Kaustubha gem, and He carries with Him the goddess of fortune and His personal weapons, like His disc and club. When Lord Brahmā, along with Lord Śiva and the other demigods, thus saw the form of the Lord, they all immediately fell to the ground, offering their obeisances.

SB 8.8.33, Translation:

He was dressed in yellow garments and wore brightly polished earrings made of pearls. The tips of his hair were anointed with oil, and his chest was very broad. His body had all good features, he was stout and strong like a lion, and he was decorated with bangles. In his hand he carried a jug filled to the top with nectar.

SB 8.8.41-46, Translation:

The Supreme Personality of Godhead, Viṣṇu, who can counteract any unfavorable situation, then assumed the form of an extremely beautiful woman. This incarnation as a woman, Mohinī-mūrti, was most pleasing to the mind. Her complexion resembled in color a newly grown blackish lotus, and every part of Her body was beautifully situated. Her ears were equally decorated with earrings, Her cheeks were very beautiful, Her nose was raised and Her face full of youthful luster. Her large breasts made Her waist seem very thin. Attracted by the aroma of Her face and body, bumblebees hummed around Her, and thus Her eyes were restless. Her hair, which was extremely beautiful, was garlanded with mallikā flowers. Her attractively constructed neck was decorated with a necklace and other ornaments, Her arms were decorated with bangles, Her body was covered with a clean sari, and Her breasts seemed like islands in an ocean of beauty. Her legs were decorated with ankle bells. Because of the movements of Her eyebrows as She smiled with shyness and glanced over the demons, all the demons were saturated with lusty desires, and every one of them desired to possess Her.

SB 8.12.8, Purport:

The Lord says, mayā tatam idaṁ sarvam: "In My impersonal feature I am spread throughout the world." Therefore, this world is not different from Him. The difference is a difference in names. For example, whether we speak of gold earrings, gold bangles or gold necklaces, ultimately they are all gold. In a similar way, all the different manifestations of matter and spirit are ultimately one in the Supreme Personality of Godhead.

SB 8.15.8-9, Translation:

Then, after getting on the chariot given by Śukrācārya, Bali Mahārāja, decorated with a nice garland, put protective armor on his body, equipped himself with a bow, and took up a sword and a quiver of arrows. When he sat down on the seat of the chariot, his arms decorated with golden bangles and his ears with sapphire earrings, he shone like a worshipable fire.

SB 8.18.2, Translation:

The body of the Supreme Personality of Godhead, blackish in complexion, was free from all inebrieties. His lotus face, decorated with earrings resembling sharks, appeared very beautiful, and on His bosom was the mark of Śrīvatsa. He wore bangles on His wrists, armlets on His arms, a helmet on His head, a belt on His waist, a sacred thread across His chest, and ankle bells decorating His lotus feet.

SB Canto 10.1 to 10.13

SB 10.3.9-10, Translation:

Vasudeva then saw the newborn child, who had very wonderful lotuslike eyes and who bore in His four hands the four weapons śaṅkha, cakra, gadā and padma. On His chest was the mark of Śrīvatsa and on His neck the brilliant Kaustubha gem. Dressed in yellow, His body blackish like a dense cloud, His scattered hair fully grown, and His helmet and earrings sparkling uncommonly with the valuable gem Vaidūrya, the child, decorated with a brilliant belt, armlets, bangles and other ornaments, appeared very wonderful.

SB 10.5.11, Translation:

In the ears of the gopīs were brilliantly polished jeweled earrings, and from their necks hung metal lockets. Their hands were decorated with bangles, their dresses were of varied colors, and from their hair, flowers fell onto the street like showers. Thus while going to the house of Mahārāja Nanda, the gopīs, their earrings, breasts and garlands moving, were brilliantly beautiful.

SB 10.9.3, Translation:

Dressed in a saffron-yellow sari, with a belt tied about her full hips, mother Yaśodā pulled on the churning rope, laboring considerably, her bangles and earrings moving and vibrating and her whole body shaking. Because of her intense love for her child, her breasts were wet with milk. Her face, with its very beautiful eyebrows, was wet with perspiration, and mālatī flowers were falling from her hair.

SB 10.9.18, Purport:

When mother Yaśodā and the other ladies finally saw that Kṛṣṇa, although decorated with many bangles and other jeweled ornaments, could not be bound with all the ropes available in the house, they decided that Kṛṣṇa was so fortunate that He could not be bound by any material condition. Thus they gave up the idea of binding Him.

SB 10.13.47-48, Translation:

All those personalities had four arms, holding conchshell, disc, mace and lotus flower in Their hands. They wore helmets on Their heads, earrings on Their ears and garlands of forest flowers around Their necks. On the upper portion of the right side of Their chests was the emblem of the goddess of fortune. Furthermore, They wore armlets on Their arms, the Kaustubha gem around Their necks, which were marked with three lines like a conchshell, and bracelets on Their wrists. With bangles on Their ankles, ornaments on Their feet, and sacred belts around Their waists, They all appeared very beautiful.

SB Cantos 10.14 to 12 (Translations Only)

SB 10.42.14, Translation:

The sight of Kṛṣṇa aroused Cupid in the hearts of the city women. Thus agitated, they forgot themselves. Their clothes, braids and bangles became disheveled, and they stood as still as figures in a painting.

SB 10.60.8, Translation:

Her hand adorned with rings, bangles and the cāmara fan, Queen Rukmiṇī looked resplendent standing near Lord Kṛṣṇa. Her jeweled ankle-bells tinkled, and her necklace glittered, reddened by the kuṅkuma from her breasts, which were covered by the end of her sāri. On her hips she wore a priceless belt.

SB 10.60.24, Translation:

Rukmiṇī's mind was overwhelmed with unhappiness, fear and grief. Her bangles slipped from her hand, and her fan fell to the ground. In her bewilderment she suddenly fainted, her hair scattering all about as her body fell to the ground like a plantain tree blown over by the wind.

SB 10.84.48, Translation:

Vasudeva received initiation along with his wives, who wore silk sārīs and were adorned with bangles, necklaces, ankle bells and earrings. With his body wrapped in a deerskin, Vasudeva shone splendidly.

CC Adi-lila

CC Adi 3.46, Translation:

He is decorated with sandalwood bangles and armlets and anointed with the pulp of sandalwood. He especially wears these decorations to dance in śrī-kṛṣṇa-saṅkīrtana.

CC Adi 5.186, Translation:

He wore golden earrings on His ears, and golden armlets and bangles. He wore tinkling anklets on His feet and a garland of flowers around His neck.

CC Adi 13.112, Translation:

She brought different kinds of golden ornaments, including armlets, necklaces, anklets and bangles for the hands.

CC Madhya-lila

CC Madhya 2.31, Purport:

The upper portion of the body, though crowned with a silk turban, is only a heavy burden if not bowed down before the Personality of Godhead, who can award mukti (freedom). And the hands, though decorated with glittering bangles, are like those of a dead man if not engaged in the service of the Personality of Godhead Hari.

CC Madhya 10.171, Translation:

"All the symptoms mentioned in the verse from the Viṣṇu-sahasra-nāma-stotra are visible in the body of Śrī Caitanya Mahāprabhu. His arms are decorated with sandalwood pulp and the thread received from the Śrī Jagannātha Deity, and these are His ornamental bangles."

CC Madhya 19.202, Translation:

“"While Kṛṣṇa was joking with Rukmiṇī in Dvārakā, she was full of distress, fear and lamentation. She had also lost her intelligence. She dropped her hand bangles and the fan she was using to fan the Lord. Her hair became disarrayed, and she fainted and fell suddenly, appearing like a banana tree knocked down by high winds."

CC Madhya 19.202, Purport:

This verse from Śrīmad-Bhāgavatam (10.60.24) refers to Kṛṣṇa's speaking to Rukmiṇī in His bedroom. Just to test her sincerity, He began to joke with her, presenting Himself as poor, incapable and unfit to be her lover. Not understanding that He was joking, Rukmiṇī took Him seriously and thought that He wanted to leave her company. This misunderstanding made her very unhappy, and her whole body was affected. Her fan and bangles fell to the floor, and she also fell down like a banana tree knocked down by high winds.

CC Antya-lila

CC Antya 14.45, Translation:

“The yogī of My mind wears the torn quilt of anxiety on his dirty body, which is covered with dust and ashes. His only words are "Alas! Kṛṣṇa!" He wears twelve bangles of distress on his wrist and a turban of greed on his head. Because he has not eaten anything, he is very thin.

CC Antya 17.43, Translation:

“The tinkling of Kṛṣṇa's ankle bells surpasses the songs of even the swan and crane, and the sound of His bangles puts the singing of the caṭaka bird to shame. Having allowed these sounds to enter the ears even once, one cannot tolerate hearing anything else.

CC Antya 17.48, Translation:

"Only the most fortunate can hear these four nectarean sounds—Kṛṣṇa's words, the tinkling of His ankle bells and bangles, His voice and the vibration of His flute. If one does not hear these sounds, his ears are as useless as small conchshells with holes."

Nectar of Devotion

Nectar of Devotion 26:

One gopī addressed her friend and began to praise the bodily features of Kṛṣṇa. She praised His blackish complexion, the reddish color of chewing pan enhancing His beauty hundreds of times, the curling hair on His head, the kuṁkum red spots on His body and the tilaka on His forehead.

His helmet, His earrings, His necklace, His four garments, the bangles on His head, the rings on His fingers, His ankle bells and His flute—these are the different features of Kṛṣṇa's ornaments. Kṛṣṇa, the enemy of Agha, always looked beautiful with His incomparable helmet, His earrings made of diamonds, His necklace of pearls, His bangles, His embroidered garments and the beautiful rings on His fingers.

Nectar of Devotion 29:

One day Śrīmatī Rādhārāṇī was churning yogurt for Kṛṣṇa. At that time the jeweled bangles on Her hands were circling around, and She was also chanting the holy name of Kṛṣṇa. All of a sudden She thought, "I am chanting the holy name of Kṛṣṇa, and My superiors—My mother-in-law and My sister-in-law—may hear Me!" By this thought Rādhārāṇī became overanxious. This is an instance of feeling guilty because of devotion to Kṛṣṇa.

Nectar of Devotion 36:

Descriptions of the bodily features of the anugas in Vṛndāvana are given in the following statement: "Let us offer our respectful obeisances unto the constant associates of the son of Mahārāja Nanda. They always stay in Vṛndāvana, and their bodies are decorated with garlands of pearls and with bangles and bracelets of gold. Their colors are like black bees and the golden moon, and they are dressed just to suit their particular special bodily features.

Nectar of Devotion 43:

In Śrīmad-Bhāgavatam, Tenth Canto, Ninth Chapter, verse 3, Śukadeva Gosvāmī gives Mahārāja Parīkṣit a description of the form and beauty of mother Yaśodā. He says, "My dear King, the wide hips of mother Yaśodā were surrounded by silk and linen clothes, and her breasts were flowing with milk because of her affection. When she was churning butter and tightly holding the rope, the bangles on her hands and the earrings on her ears were moving, and from the nice decoration in her hair the flowers were slackening and falling down. Due to her excessive labor, there were drops of perspiration on her face."

Krsna, The Supreme Personality of Godhead

Krsna Book 5:

As the dust on the lotus flower exhibits the exquisite beauty of the flower, all the gopīs (cowherd women) applied the dust of kuṅkuma on their lotuslike faces. These beautiful gopīs took their different presentations and very soon reached the house of Mahārāja Nanda. Overburdened with their heavy hips and swollen breasts, the gopīs could not proceed very quickly toward the house of Nanda Mahārāja, but out of ecstatic love for Kṛṣṇa they proceeded as quickly as possible. Their ears were decorated with pearl rings, their necks with jeweled lockets, their lips and eyes with different kinds of lipstick and ointment, and their hands with nice golden bangles. As they were very hastily passing over the stone road, the flower garlands which were decorating their bodies fell to the ground, and it appeared that a shower of flowers was falling from the sky. From the movement of the different kinds of ornaments on their bodies, they were looking still more beautiful. In this way, they all reached the house of Nanda-Yaśodā and blessed the child: "Dear child, You live long just to protect us." While they were blessing child Kṛṣṇa in this way, they offered a mixture of turmeric powder, oil, yogurt, milk and water. They sprinkled this mixture not only on the body of child Kṛṣṇa but on all other persons who were present there. Also on that auspicious occasion, there were different bands of expert musicians playing.

Krsna Book 9:

The end of her sari was tightly wrapped while she churned, and on account of her intense love for her son, milk automatically dripped from her breasts, which moved as she labored very hard, churning with two hands. The bangles and bracelets on her hands tinkled as they touched each other, and her earrings and breasts shook. There were drops of perspiration on her face, and the flower garland which was on her head scattered here and there. Before this picturesque sight, Lord Kṛṣṇa appeared as a child. He felt hungry, and to increase His mother's love, He wanted her to stop churning. He indicated that her first business was to let Him suck her breast, and then she could churn butter later.

Krsna Book 33:

As the gopīs and Kṛṣṇa danced together, a very blissful musical sound was produced from the tinkling of their bells, ornaments and bangles. It appeared that Kṛṣṇa was a greenish sapphire locket in the midst of a golden necklace decorated with valuable stones. While Kṛṣṇa and the gopīs danced, they displayed extraordinary bodily features. The movements of their legs, their placing their hands on one another, the movements of their eyebrows, their smiling, the movements of the gopīs' breasts, clothes and earrings, their cheeks, their hair with flowers—as Kṛṣṇa and the gopīs sang and danced these combined to appear like clouds, thunder, snow and lightning. Kṛṣṇa's bodily features appeared just like a group of clouds, the gopīs' songs were like thunder, their beauty appeared to be just like lightning in the sky, and the drops of perspiration visible on their faces appeared like falling snow. In this way, the gopīs and Kṛṣṇa fully engaged in dancing.

Krsna Book 33:

The gopīs became tired after long singing and dancing. Kṛṣṇa was dancing beside them, and to alleviate their fatigue they took Śrī Kṛṣṇa's hand and placed it on their raised breasts. Kṛṣṇa's hand, as well as the breasts of the gopīs, are eternally auspicious; therefore when they combined, both of them became spiritually enhanced. The gopīs so enjoyed the company of Kṛṣṇa, the husband of the goddess of fortune, that they forgot that they had any other husbands in the world, and upon being embraced by the arms of Kṛṣṇa and dancing and singing with Him, they forgot everything. Śrīmad-Bhāgavatam thus describes the beauty of the gopīs while they were rāsa dancing with Kṛṣṇa. There were lotus flowers over both their ears, and their faces were decorated with sandalwood pulp. They wore tilaka, and there were drops of perspiration on their smiling mouths. From their feet came the tinkling sound of ankle bells and bangles. The flowers within their hair were falling to the lotus feet of Kṛṣṇa, and He was very satisfied.

Krsna Book 39:

His arms, reaching to the knees, were very strongly built. His shoulders were high, His chest was very broad, and His neck was shaped like a conchshell. His navel was very deep, and His abdomen was marked with three lines. His hips were broad and big, resembling those of a woman, and His thighs resembled the trunks of elephants. The other parts of His legs, the joints and lower extremities, were all very beautiful, the nails of His feet were dazzling, and His toes were as beautiful as the petals of the lotus flower. His helmet was decorated with very valuable jewels. There was a nice belt around His waist, and He wore a sacred thread across His broad chest. Bangles were on His hands, and armlets on the upper portion of His arms. He wore bells on His ankles. He possessed dazzling beauty, and His palms were like lotus flowers. He was further beautified by the different emblems of the viṣṇu-mūrti—the conchshell, club, disc and lotus flower—which He held in His four hands. His chest was marked with the particular signs of Viṣṇu, and He wore fresh flower garlands.

Krsna Book 46:

Nanda and Uddhava thus passed the whole night discussing Kṛṣṇa. In the morning, the gopīs prepared for morning ārati by lighting their lamps and sprinkling butter mixed with yogurt. After finishing their maṅgala-ārati, they engaged themselves in churning butter from yogurt. While the gopīs were thus engaged, the lamps reflected on their ornaments made the ornaments still brighter. Their churning rods, their arms, their earrings, their bangles, their breasts—everything moved, and kuṅkuma powder gave their faces a saffron luster comparable to the rising sun. While making sounds by churning, they also sang the glories of Kṛṣṇa. The two sound vibrations mixed together, ascended to the sky and sanctified the whole atmosphere.

Krsna Book 48:

After chewing betel nut and other intoxicating eatables and spraying herself with scents, she appeared before Kṛṣṇa. Her smiling glance and moving eyebrows were full of feminine bashfulness as she stood gracefully before Lord Kṛṣṇa, who is known as Mādhava, the husband of the goddess of fortune. When Kṛṣṇa saw Kubjā hesitating to come before Him, He immediately caught hold of her hand, which was decorated with bangles. With great affection, He dragged her near Him and made her sit by His side. Simply by having previously supplied pulp of sandalwood to the Supreme Lord, Kṛṣṇa, Kubjā became free from all sinful reactions and eligible to enjoy with Him. She then took Kṛṣṇa's lotus feet and placed them on her breasts, which were burning with the blazing fire of lust. By smelling the fragrance of Kṛṣṇa's lotus feet, she was immediately relieved of all lusty desires. She was thus allowed to embrace Kṛṣṇa with her arms and mitigate her long-cherished desire to have Him as a visitor in her house.

Krsna Book 60:

The tears from her eyes mixed with the black cosmetic ointment from her eyelids and dropped down, washing the kuṅkuma and saffron from her breasts. Choked up on account of great anxiety, unable to speak even a word, she kept her head downward and remained standing just like a stick. Due to extremely painful fear and lamentation, she lost all her powers of reason and became weak, her body losing so much weight that the bangles on her wrists became slack. The cāmara with which she was serving Kṛṣṇa immediately fell from her hand. Her brain and memory became puzzled, and she lost consciousness. The nicely combed hair on her head scattered here and there, and she fell down straight, like a banana tree cut down by a whirlwind.

Krsna Book 69:

Throughout the palace were many canopies made by Viśvakarmā that were decorated with strings of pearls. The chairs and other furniture were made of ivory and bedecked with gold and diamonds, and jeweled lamps dissipated the darkness within the palace. There was so much incense and fragrant gum burning that the scented fumes were coming out of the windows. The peacocks sitting on the steps became illusioned by the fumes, mistaking them for clouds, and began dancing jubilantly. There were many maidservants, all of whom were decorated with gold necklaces, bangles and beautiful saris. There were also many menservants, nicely dressed in cloaks and turbans and jeweled earrings. Beautiful as they were, the servants were all engaged in different household duties.

Krsna Book 73:

They saw that the color of the transcendental body of Lord Kṛṣṇa resembled the hue of a newly arrived cloud in the sky. He appeared before them nicely covered by yellow silken garments, with four hands like Viṣṇu, and carrying the different symbols of the club, the conchshell, the disc and the lotus flower. His chest was marked with a golden line, and the nipples on His chest appeared like the whorls of lotus flowers. His eyes appeared to spread like the petals of a lotus, and His smiling face exhibited the symbol of eternal peace and prosperity. He wore glittering shark-shaped earrings, and His helmet was bedecked with valuable jewels. The Lord's necklace of pearls and the bangles and bracelets nicely situated on His body all shone with a transcendental beauty.

Krsna Book 84:

Professional dancers, both male and female, began to dance. The sūtas and māgadhas, who were professional singers, began to offer prayers by singing. And the Gandharvas and their wives, whose voices were very sweet, began to sing many auspicious songs. Vasudeva anointed his eyes with black cosmetic, smeared butter over his body and then, along with his eighteen wives, headed by Devakī, sat before the priests to be purified by the abhiṣeka ceremony. While the ceremony was being observed strictly according to the principles of the scriptures, Vasudeva resembled the moon encircled by stars. Because he was being initiated for the sacrifice, he was dressed in a deerskin, but all his wives were dressed with very nice saris, bangles, necklaces, ankle bells, earrings and many other ornaments. Vasudeva looked very beautiful surrounded by his wives, exactly like the King of heaven when he performs such sacrifices.

Krsna Book 87:

The personified Vedas presented the example that those seeking gold do not reject gold earrings, gold bangles or anything else made of gold simply because they are shaped differently from the original gold. All living entities are part and parcel of the Supreme Lord and are qualitatively one with Him, but they are now differently shaped in 8,400,000 species of life, just like many different ornaments manufactured from the same source of gold. As one who is interested in gold accepts all the differently shaped gold ornaments, so a Vaiṣṇava, knowing well that all living entities are of the same quality as the Supreme Personality of Godhead, accepts all living entities as eternal servants of God. A Vaiṣṇava, then, has ample opportunity to serve the Supreme Personality of Godhead simply by reclaiming these conditioned, misled living entities, training them in Kṛṣṇa consciousness and leading them back home, back to Godhead. The fact is that the minds of the living entities are now agitated by the three material qualities, and the living entities are therefore transmigrating, as if in dreams, from one body to another. When their consciousness is changed into Kṛṣṇa consciousness, however, they immediately fix Kṛṣṇa within their hearts, and thus their path toward liberation becomes clear.

Bhagavad-gita As It Is Lectures

Lecture on BG 2.58-59 -- New York, April 27, 1966:

So the Menakā was sent to Viśvāmitra, and Viśvāmitra was meditating, but his eyes were closed. So that woman made some sound of his (her) bangles, and Viśvāmitra thought, "Oh, in front me, a very nice beautiful woman, very young." Now, that woman was sent for that purpose, so he became implicated in that woman, and a girl was born out of that combination. That girl's name is Śakuntalā. Perhaps... That's a famous name. There is a book of Śakuntalā. That is the daughter of that combination. Now, here is the example, that he was a great meditator, a great yogi. But the inner implications of enjoying sex life or material enjoyment, that did not go. That was by force. By force it was submerged. That sort of forcing, forcing our senses not to act, that will not be suitable. We have to see something more beautiful than this material life. Then we can be refrained, acting material; otherwise not. Otherwise it is not possible.

Lecture on BG 4.26 -- Bombay, April 15, 1974:

Just like Viśvāmitra Muni. He was practicing yoga, that indriya-saṁyama. He was especially... Because he was king, so especially he was very sexually inclined. And the yoga process, he was trying to control the sex. But what was the result? The result was that Menakā, a society girl of the heaven, she appeared, and she was traveling there. There have been many instances like that. And tinkling of bangles, oh, immediately his yoga practice was broken. And he become attached by Menakā and there was birth of Śakuntalā. There is a drama written by Kālidāsa Kavi, "Śakuntalā." This is the subject matter, how a yogi failed to control his senses and was attached by a beautiful woman girl, and how Śakuntalā, the beautiful girl was born. That is the subject matter.

Lecture on BG 6.40-43 -- New York, September 18, 1966:

As there is competition... This is also... Heaven means that is also material world. So this competition—no businessman wants an another businessman go ahead. He wants to cut down. Competition of price, quality. Similarly, that Indra, he thought that "This man is so strongly meditating, it may be that I may be deposed and he come to my seat." Then he arranged one of his society girls, Menakā, to go there and allure this muni. So when Menakā approached that ṛṣi, Viśvāmitra Ṛṣi, he was meditating. And simply by the sound of her bangles, he could understand, "There is some woman." And as soon as he saw there was heavenly, celestial beauty, he was captivated. Then there was a result, that a great... Śakuntalā. Perhaps some of you may know. There is a book made by Kālidāsa, Śakuntalā. This Śakuntalā is supposed to be the most beautiful girl in the world, and she was born by this combination of Viśvāmitra Muni and Menakā.

Lecture on BG 7.1 -- San Francisco, March 17, 1968:

Just like you have a gold mine and you are preparing so many golden utensils, ornaments and many other things, but they are all gold because the origin is gold. Similarly, you may name it as "earring," but you have to add "gold" earring. You may name it as "necklace," but "gold." Because originally it is coming from the gold mine. Similarly, originally, everything is coming from Kṛṣṇa. Janmādy asya yataḥ (SB 1.1.1). Because if He is Supreme, He is Absolute Truth, then nothing is different from Him. Just like either you say earrings or necklace or bangle or wristwatch, if they are all made of gold, they are gold. But you cannot say at the same time, "This is gold, this is gold." This is gold necklace. If you say that "Why necklace? It is gold..." The Māyāvādī philosophers say, "Everything is gold. Everything is Brahman."

Srimad-Bhagavatam Lectures

Lecture on SB 1.8.40 -- Los Angeles, May 2, 1973:

Oyster. The oyster produces pearls, very valuable. If you can collect the oysters you'll get valuable pearls. One pearl, ten thousand dollars. The wealth is there. So formerly people used these pearls, the valuable stones, silk, gold, silver, and decorated the body with nice manufactured ornaments. The beautiful for body.(?) But where are those things gone? Those things are now gone. Now plastic bangles. Advancement of civilization. All these beautiful girls without any ornament of gold, pearls and nice jewels, they have got plastic bangles. Just see the fun!

Lecture on SB 1.15.33 -- Los Angeles, December 11, 1973:

Just like big, big swamis in India... Sometimes they come to your country also. They say that "This world is false," jagan mithyā, mithyā. But we don't say that it is false. We say it is reality, but temporary. That is right philosophy. How it can be false? Because everything is produced by the truth, by the Absolute Truth. Janmādy asya yataḥ (SB 1.1.1). Nothing can come out except from the Absolute Truth. Kṛṣṇa says, ahaṁ sarvasya prabhavaḥ: (BG 10.8) "I am the origin of everything." If Kṛṣṇa is truth, He is the origin of everything, so how everything can be false? Is that very logical? No. If something has come from gold... Just like we have got so many preparations of gold: gold bangles, gold earring, gold necklace. But it has come from the gold; therefore it is gold. How it can be false? Gold is never false. Gold is gold. So this philosophy that brahma satyaṁ jagan mithyā, that "Gold mine is right, but the gold earring is wrong..." No. That you cannot say. If gold mine is right, then gold earring is also right because it has come from the gold mine. Similarly, Kṛṣṇa says that ahaṁ sarvasya prabhavaḥ: (BG 10.8) "I am the origin of everything." And the Vedānta-sūtra also says, janmādy asya yataḥ: (SB 1.1.1) "Absolute Truth is that from whom everything emanates."

Lecture on SB 1.15.40 -- Los Angeles, December 18, 1973:

So the one process is voluntarily giving up. Just like Yudhiṣṭhira Mahārāja. He is the king. He is giving up a royal dress. Valayādi. A king is decorated with fine jewelries, bangles and many other, here, here, here. You have seen. Nowadays nobody has seen also how many different types of ornaments there is. They do not know it. Simply plastic plate or a paper plate, and he thinks something. That's all. They do not know what is golden plate, what is silver plate, what is jewelry. All forgotten. All forgotten. And still, they are proud of advancement of material civilization. What you have got? Plastic and paper plates only. That's all. No more ornament, no jewel, no house, no garment, no life—everything is gone. And still, they are proud: "We are advancing in this material civilization." Money. "We have got money." What is that money? Paper, that's all. (laughter) And everyone is cheated. "Take hundred dollars." What is this? A paper. That's all. So it is the society now at the present moment, the cheater and the cheated. Similarly religion. Similarly science. Similarly philosophy. Everything is cheating. Because all of them are rascals, and people are rascals, they cannot protest. They cannot protest.

Lecture on SB 1.15.40 -- Los Angeles, December 18, 1973:

The president, your president, he knows that "After three years it will be finished. So people are protesting. Why shall I...? Let me give it up." No. He is so much attached to the post that he cannot give it, even for two years or three years or for one day. And here you see in comparison, Mahārāja Yudhiṣṭhira, the emperor of the whole world, and so much opulence... I think any executive officer of any state has bangles or ornaments or jewels? No. There is no possibility. But he is giving up, everything. He divided the kingdom to his grandsons, to the grandson of Kṛṣṇa and others. And now he is becoming completely nir, no possessions. No possessions. Why? Nirmama nirahaṅkāraḥ. Nirmama. Nirmama means... Mama means "my." Mama means "my." And nir means negation. This is called nirmama. And nirahaṅkāra. Ahaṅkāra, "egotism," and nir means "not."

Lecture on SB 1.15.41 -- Los Angeles, December 19, 1973:

Spirit soul is eternal, so his senses are eternal. You cannot stop the activities of his senses. That is not possible. Just like others. They think that "If we stop... " Just like Viśvāmitra Muni. He was a great yogi. He stopped the senses. He wanted to stop. He closed the eyes, "I'll not see a beautiful woman." But he failed as soon as he heard the tinkling sound of the bangles of the apsarā, Menakā.

So our senses are so strong. If you stop this sense, the other sense is prepared to kill you. Because they are called enemies, they are manaḥ ṣaṣṭhānīndriyāṇi prakṛti-sthāni karṣati (BG 15.7). We are struggling for existence with the mind and the senses. Otherwise it is explained in the Bhagavad-gītā, "These living entities, they are My part and parcel." That means "They are as good as I am." Why they are rotting in this material world? Because on account of the mind and the senses.

Lecture on SB 2.3.20-21 -- Los Angeles, June 17, 1972:

Pradyumna: (reads synonyms, then:) Translation: "The upper portion of the body, though crowned with a silk turban, if not bowed down before the Personality of Godhead who can award mukti, freedom, is a heavy burden only. And the hands, though decorated with glittering bangles, if not engaged in the service of the Personality of Godhead Hari, are like those of a dead man."

Prabhupāda: So you have seen Indian turban—very, very big, made of silk and jewels. Perhaps you can, you have seen the typical turban by the Indian Airways, a big turban. So what is the use of the turban? It is a great burden, you, if you do not bow down before the Lord. Similarly, if you don't engage your hand in the service of the Lord, it is exactly like the dead man's hand. If the dead man's hand, if it is decorated with nice, glittering, golden bangles, what is the beauty? There is no beauty. So we'll discuss tomorrow again. Thank you.

Lecture on SB 2.3.21 -- Los Angeles, June 18, 1972:

Pradyumna: (leads chanting, etc.)

bhāraḥ paraṁ paṭṭa-kirīṭa-juṣṭam

apy uttamāṅgaṁ na namen mukundam

śāvau karau no kurute saparyāṁ

harer lasat-kāñcana-kaṅkaṇau vā

(SB 2.3.21)

Translation: "The upper portion of the body, though crowned with a silk turban, if not bowed down before the Personality of Godhead who can award mukti, freedom, is a heavy burden only. And the hands, though decorated with glittering bangles, if not engaged in the service of the Personality of Godhead Hari, are like those of a dead man."

Prabhupāda: So bhāraḥ paraṁ paṭṭa-kirīṭa-juṣṭam. A silk turban with pearl, what is called, decoration, bedecked with pearls, these are the signs of king. Just like we decorate Kṛṣṇa with turban, bedecked with jewels. So this turban is good so long we bow down before the Deity. Otherwise it is a great burden. Although it is made of silk, still, it will be a great burden.

Lecture on SB 2.3.21 -- Los Angeles, June 18, 1972:

Anyone who has got some power, he must know that "This power is given by Kṛṣṇa unto me, and to execute His will, not my sense gratification." Otherwise, it will be burden, and he will be finished. This is laws of God. Nobody can become the enjoyer. The only enjoyer is God. And if we want to enjoy falsely, then we will be in trouble. Similarly, those who are rich, have got ornaments, bangles, if the hand is not engaged in the service of the Lord... Therefore we should always engage our hands. Not only hands. Hands, legs, eyes—everything should be engaged in Kṛṣṇa's service. Either you wipe the floor of the temple, or you type, or anything, or you do something... hands must be engaged for the service of the Lord. Similarly, legs should be engaged also for the service of the Lord.

Lecture on SB 2.9.11 -- Tokyo, April 27, 1972:

Jaipur Mahārāja's photograph, earrings, big, nice. Ornaments, huge ornaments. Kṛṣṇa is going to tend the cows—He has got so much ornaments. That is asset. Formerly also in our childhood, a woman having no sufficient ornaments, he (she) will be ashamed to go to the society: "Oh, others will think me so much poor. I will not go. I'll never go." Therefore I was surprised when I came to your country. I saw young girls and ladies, they have no bangles, no ornaments. At least, I was surprised. And smoking cigarettes. (laughter) What is this opulence? See? I heard they are very rich. They have got the tendency, but they do not get it. Those who are very rich, they are getting ornaments. These are the psychological. Every woman, every girl, has the aspiration for nice ornament, nice dress. But they don't get it. Therefore dissatisfied. In the Manu-saṁhitā it is recommended that if you want to keep your wife satisfied, you must give sufficient ornament. These are the psychological things. So the Kali-yuga, therefore, dākṣyaṁ kuṭumba-bharaṇam. People will be so much wretched that they'll be unable to maintain his wife and children. Therefore in this age, if a man can maintain his family, that will be dākṣyam: "Oh, very fortunate."

Lecture on SB 3.26.10 -- Bombay, December 22, 1974:

So viśeṣavat. The word is used here, viśeṣavat. It appears like viśeṣa, variety, but actually it has no variety. It is the material element. In another place it is said, tejo-vāri-mṛdāṁ vinimayo yatra tri-sargaḥ amṛṣā. Somebody says, amṛṣā. It is created. In the Bhagavad-gītā it is said this creation is going on, bhūtvā bhūtvā pralīyate (BG 8.19). It is created at a certain time, and then again it is annihilated. And when annihilated, mixed together, that is avyaktam. And when they are again created into forms, that is called vyaktam. Just like you take a lump of gold and prepare many ornaments. You can make bangles, you can make necklace, earring, and so many things. And again melt it—it becomes lump of gold. So that is the distinction between vyaktam and avyaktam. When they are made into varieties, that is called vyaktam, and when it is again mixed together, then it is called avyaktam.

Lecture on SB 6.1.15 -- Los Angeles, June 27, 1975:

The root remains there, and as soon as there will be facility or there will be rainy season, the same grasses and twigs and other things will come out again, new growth. That is... Even after so much tapasya... There are many instances. Just like Viśvāmitra Muni. Viśvāmitra Muni was a king. He wanted to become a brāhmaṇa, and he practiced mystic yoga for many years. Still, he became a victim of a woman, Menakā. He was meditating, closing eyes, and Indra sent this woman, Menakā. And simply by hearing the sound of the bangles, ching, ching, ching, "Oh, there is woman. Yes, very nice," (laughter) all mystic yoga finished. Then he begot one daughter. That..., her name is Śakuntalā, the famous beautiful daughter. So that history is there.

Lecture on SB 6.1.56-62 -- Surat, January 3, 1971, at Adubhai Patel's House:

A prostitute should, I mean to say, comb her hair in that way so that people can understand she is prostitute and she is chaste woman. And this sindūra, the red, red lead, these were the signs. A vidava, one who has no husband, they should wear without any skirt, sari without any skirt, vidava, without any bangles. So people will understand, "This woman is without husband," "This woman is prostitute," "This woman is chaste woman," "This woman is not married," "This woman's husband is away from home." So different dresses. Proṣita-bhartṛkā. Proṣita-bhartṛkā. The name was... A woman whose husband is away from home, she should not dress very nicely. She should not comb her hair. That is the system. There are so many systems.

1967 Conversations and Morning Walks

Discourse on Lord Caitanya Play Between Srila Prabhupada and Hayagriva -- April 5-6, 1967, San Francisco:

Prabhupāda: Fifth scene, Lord Caitanya's mother, Śacīdevī, is sitting underneath a tree, a nim tree. It is called nim tree. And the little child on her lap and the visitors, so many visitors are coming, and they are offering some presentation. Somebody is offering gold necklace, somebody offering some bangles, some cloth, some money, and his father, he...what is called...Jagannātha Miśra. Jagannātha Miśra is there? Yes. Jagannātha Miśra, His father. He was, whatever money and clothes and gold and silver, they were coming, he was also distributing to poor men, some dancers. In India there is a system... What you call the eunuchs? Those who are neither male or female. What do you call? What is their name?

Hayagrīva: A combination of both, male and female? A hermaphrodite. A hermaphrodite.

Prabhupāda: Eunuch, what is that eunuch?

Hayagrīva: A eunuch is...

Prabhupāda: Feminine.

1969 Conversations and Morning Walks

Lord Caitanya Play Told to Tamala Krsna -- August 4, 1969, Los Angeles:

Prabhupāda: That is another thing. It may be understood that he was Śeṣa, but that was the incident. And another incident is that when He was just walking... So it is the system that small children, they are decorated with ornaments here, here, bangle, so many ornaments, here. So one thief saw that... He stole away the child. So he was seeking some secret place, lonely place, so that he can rob of... In this way seeking, seeking, he traveled, and at last he came just in front of the house, and he dropped the child, that "Somebody may see that I have taken this child. Then I'll be beaten, I will be caught." So out of fear he fled away. And the guardians, ladies, they were very much anxious, "Who has taken the child? He was with ornaments." But they saw that the child is there. So Caitanya Mahāprabhu enjoyed for some time on the shoulder of the thief.

1971 Conversations and Morning Walks

Room Conversation -- August 25, 1971, London:

Revatīnandana: The people who listen, they become very impressed. At many programs, the students, after I finish speaking and I answer some questions, they realize that we know something very completely. They become very interested. They come around and bring more questions. Very nice.

Prabhupāda: Yes. And you will get all ideas from our books. That is Indian śaṅkha? That in your hand, bangle, white bangle.

Woman: Ah, elephant?

Prabhupāda: It is called śaṅkha. From conchshell, it is made from conchshell. Where you have purchased it?

Woman: I'm afraid this is ivory.

Prabhupāda: Ivory? Oh. There is similar made from conchshell.

Woman: Yes, I had those in Allahabad. I was going there to...

Prabhupāda: Allahabad? Conch, from conchshell? It is especially used in Bengal. A woman... that is an auspicious sign that she is with her husband, to have conchshell bangle. Śaṅkha-sari. A woman dressed śaṅkha and sari, śaṅkha-sari. They don't require any other ornament. One nice sari and śaṅkha. That is Indian conception of woman having husband. That is distinction between widow and a woman having husband. Widow will not accept sari. All finished. Vedic culture, widow should finish her life after having the husband. Saha-gamana. Satī. Yes. (break) ...have got enough to preach. People will like it.

1974 Conversations and Morning Walks

Morning Walk -- April 10, 1974, Bombay:

Prabhupāda: ...even the richest man, their wife has no bangles. You see? And they are jewelries. Jewelries. Cow, butter, throwing butter like anything, and silk sari and enough food grains. What is more want for material advancement? That is real material ad... You have got everything, material needs. (break) If a man can feed his wife and children, then he is successful. There is no question of charity. There is no question of charity. But here it is said they were also giving in charity. (break) ...stopped to become real brāhmaṇa and give instruction to the society, and they also stopped giving charity to the brāhmaṇas. So therefore the society is so fallen. There is no instruction from the brāhmaṇas and no charity from the kṣatriya and vaiśya. (break) ...proṣita bhārtṛkā. By the dress a woman is recognized. When she does not dress very nicely, it is to be understood that her husband is out of home. When there is the vermillion, that means she is married. When the, what is called, division? Siti. Siti is in this side, then she is prostitute. The dress, when the woman dresses with white dress, they are widow, no husband.

1977 Conversations and Morning Walks

Room Conversation -- March 22, 1977, Bombay:

Prabhupāda: What about Sai Baba?

Guest (1): He is doing some, but... He is doing all this gold bangles, and gold rings and all those things, giving it to the people. So people are attracted. Sometimes the biggest families which are blessed by him are also in Karmanis.

Tamāla Kṛṣṇa: What happened to them?

Guest (1): They are all fighting.

Tamāla Kṛṣṇa: One of them died, I remember.

Guest (1): That... One of them died. But some other people also fought in the families. Company can't pay heavy... They lost control of the company. If saints come and business is ruined, it is not correct. If he's a real saint, he should have guided them properly. All the professor(?) fighting.

Tamāla Kṛṣṇa: Big family.

Guest (1): They are Jains

Prabhupāda: Who are these Karmani? They are famous family.

Room Conversation -- March 24, 1977, Bombay:

Tamāla Kṛṣṇa:

bhāraḥ paraṁ paṭṭa-kirīṭa-juṣṭam

apy uttamāṅgaṁ na namen mukundam

śāvau karau no kurute saparyāṁ

harer lasat-kāñcana-kaṅkaṇau vā

"The upper portion of the body, though crowned with a silk turban, if not bowed down before the Personality of Godhead who can award mukti, or freedom, is a heavy burden only. And the hands, though decorated with glittering bangles, if not engaged in the service of the Personality of Godhead, Hari, are like those of a dead man." Purport: "As stated hereinbefore, there are three kinds of devotees of the Lord. The first-class devotee does not at all see anyone who is not in the service of the Lord, but the second-class devotee makes distinction between devotees and nondevotees. The second-class devotees are therefore meant for preaching work, and..." (break) Sometimes the scholars criticize you that you are giving us all the Kṛṣṇa viewpoint instead of being impartial.

Prabhupāda: Kṛṣṇa is supreme. Mattaḥ parataraṁ nānyat (BG 7.7). Bhāgavata begins, namo bhagavate vāsudevāya. Vāsudeva is Kṛṣṇa.

Tamāla Kṛṣṇa: Your writings are all surcharged with Kṛṣṇa consciousness.

Prabhupāda: (break) ...kīrtanaṁ viṣṇoḥ. Then everything will be... (break) ...brother's country, and there was a subway from Ceylon to Brazil. Still there is. Did you...? Do you know that?

Hṛdayānanda: Yes, they have found gigantic tunnels in South America.

Prabhupāda: Rāmacandra was taken from here to there to be sacrificed before goddess Kālī.

Room Conversation -- March 31, 1977, Bombay:

Prabhupāda: ...and bangle, and tink-tink-tink. Then he took away another bangle, again tink-tink-tink. Another bangle, again tink-tink-tink. When there was only one, there was no tink-tink-tink.

Hari-śauri: Right.

Prabhupāda: So remain always one and read books. Then there will be no noise. And as soon as you become two, tink-tink-tink. That I don't want.

Tamāla Kṛṣṇa: No, it won't happen. If anyone comes to see me, I'll go out of the apartment.

Prabhupāda: Yes. That you can make reception there.

1970 Correspondence

Letter to Krsna dasa -- Los Angeles 18 February, 1970:

It will be very nice if you can make some jewelries for my Deities—two sets of crowns, necklaces, bangles, and earrings, and a flute for Krsna. The flute should be this size and on the end it should have a head like this, I think you may have seen some picture. Devananda will make some drawings of the other jewelry and send to you.

1975 Correspondence

Letter to Saksi Gopala -- Vrindaban 6 December, 1975:

Therefore to clear this cloudy consciousness Caitanya Mahaprabhu recommended that one should simply chant the Holy name of God sincerely and hear it with attention. To chant dance, take prasadam and be happy. Marriage is not recommended. Are you prepared to get a job, live outside the temple in apartment, provide the wife with bangles saris and sex? Better you concentrate on this chanting and hearing process, teach others and give them prasadam. So you and Bhumadeva are doing this already, now be steady and increase it more and more. Hamsaduta will guide you in this engagement, he is there to help you execute your program.