Bamboo flute

Expressions researched:
"bamboo" |"flute" |"flutes"

Notes from the compiler: Vedabase query: bamboo

SB Cantos 10.14 to 12 (Translations Only)

SB 10.14.47, Translation:

Lord Kṛṣṇa's transcendental body was decorated with peacock feathers and flowers and painted with forest minerals, and His bamboo flute loudly and festively resounded. As He called out to His calves by name, His cowherd boyfriends purified the whole world by chanting His glories. Thus Lord Kṛṣṇa entered the cow pasture of His father, Nanda Mahārāja, and the sight of His beauty at once produced a great festival for the eyes of all the cowherd women.

CC Adi-lila

CC Adi 10.116, Translation and Purport:

Rāmadāsa Abhirāma was fully absorbed in the mellow of friendship. He made a flute of a bamboo stick with sixteen knots.

Abhirāma was an inhabitant of Khānākula-kṛṣṇa-nagara.

CC Antya-lila

CC Antya 1.189, Translation and Purport:

“"May the sweet sound of Lord Kṛṣṇa"s flute, His authorized messenger, be glorified, for it expertly releases Śrīmatī Rādhārāṇī from Her shyness and attracts Her from Her home to the forest.’

This verse from the Lalita-mādhava (1.24) is spoken by Gārgī, the daughter of Garga Muni.

CC Antya 16.129, Translation:

"This flute is nothing but a dry stick of bamboo, but it becomes our master and insults us in so many ways that it forces us into a predicament. What can we do but tolerate it? The mother of a thief cannot cry loudly for justice when the thief is punished. Therefore we simply remain silent.

CC Antya 16.140, Translation and Purport:

“"My dear gopīs, what auspicious activities must the flute have performed to enjoy the nectar of Kṛṣṇa"s lips independently and leave only a taste for us gopīs, for whom that nectar is actually meant. The forefathers of the flute, the bamboo trees, shed tears of pleasure. His mother, the river on whose bank the bamboo was born, feels jubilation, and therefore her blooming lotus flowers are standing like hair on her body.’”

This verse, quoted from Śrīmad-Bhāgavatam (10.21.9), is part of a discussion the gopīs had among themselves. As the autumn season began in Vṛndāvana, Lord Kṛṣṇa was tending the cows and blowing on His flute. The gopīs then began to praise Kṛṣṇa and discuss the fortunate position of His flute.

CC Antya 16.144, Translation:

“"This flute is utterly unfit because it is merely a dead bamboo stick. Moreover, it belongs to the male sex. Yet this flute is always drinking the nectar of Kṛṣṇa"s lips, which surpasses nectarean sweetness of every description. Only by hoping for that nectar do the gopīs continue to live.

Nectar of Devotion

Nectar of Devotion 26:

As far as His flute is concerned, it is said that the vibration of this wonderful instrument was able to break the meditation of the greatest sages. Kṛṣṇa was thus challenging Cupid by advertising His transcendental glories all over the world.

There are three kinds of flutes used by Kṛṣṇa. One is called veṇu, one is called muralī, and the third is called vaṁśī. Veṇu is very small, not more than six inches long, with six holes for whistling. Muralī is about eighteen inches long with a hole at the end and four holes on the body of the flute. This kind of flute produces a very enchanting sound. The vaṁśī flute is about fifteen inches long, with nine holes on its body. Kṛṣṇa used to play on these three flutes occasionally when they were needed. Kṛṣṇa has a longer vaṁśī, which is called mahānandā, or sammohinī. When it is still longer it is called ākarṣiṇī. When it is even longer it is called ānandinī. The ānandinī flute is very pleasing to the cowherd boys and is technically named vaṁśulī. These flutes were sometimes bedecked with jewels. Sometimes they were made of marble and sometimes of hollow bamboo. When the flute is made of jewels it is called sammohinī. When made of gold, it is called ākarṣiṇī.

Krsna, The Supreme Personality of Godhead

Krsna Book 21:

Another gopī expressed her opinion that Kṛṣṇa and Balarāma, while tending the cows with the cowherd boys, appeared just like actors going to play on a dramatic stage. Kṛṣṇa was dressed in glowing garments of yellow, Balarāma in blue, and They held new twigs of mango tree, peacock feathers and bunches of flowers in Their hands. Dressed with garlands of lotus flowers, They were sometimes singing very sweetly among Their friends. One gopī told her friends, "How is it Kṛṣṇa and Balarāma are looking so beautiful?" Another gopī said, "My dear friends, we cannot even think of His bamboo flute—what sort of pious activities did it execute so that it is now enjoying the nectar of the lips of Kṛṣṇa, which is actually the property of us gopīs?" Kṛṣṇa sometimes kisses the gopīs; therefore the transcendental nectar of His lips is available only to them. So the gopīs asked, “How is it possible that the flute, which is nothing but a bamboo rod, is always engaged in enjoying the nectar from Kṛṣṇa's lips? Because the flute is engaged in the service of the Supreme Lord, the mother and the father of the flute must be happy.”

The lakes and the rivers are considered to be the mothers of the trees because the trees live simply by drinking water. So the waters of the lakes and rivers of Vṛndāvana were in a happy mood, full of blooming lotus flowers, because the waters were thinking, “How is it that our son, the bamboo rod, is enjoying the nectar of Kṛṣṇa's lips?” The bamboo trees standing by the banks of the rivers and the lakes were also happy to see their descendant so engaged in the service of the Lord, just as persons who are advanced in transcendental knowledge take pleasure in seeing their descendants engage in the service of the Lord. The trees were overwhelmed with joy and were incessantly yielding honey, which flowed from the beehives hanging on their branches.

Krsna Book 21:

Another gopī expressed her opinion that Kṛṣṇa and Balarāma, while tending the cows with the cowherd boys, appeared just like actors going to play on a dramatic stage. Kṛṣṇa was dressed in glowing garments of yellow, Balarāma in blue, and They held new twigs of mango tree, peacock feathers and bunches of flowers in Their hands. Dressed with garlands of lotus flowers, They were sometimes singing very sweetly among Their friends. One gopī told her friends, "How is it Kṛṣṇa and Balarāma are looking so beautiful?" Another gopī said, "My dear friends, we cannot even think of His bamboo flute—what sort of pious activities did it execute so that it is now enjoying the nectar of the lips of Kṛṣṇa, which is actually the property of us gopīs?" Kṛṣṇa sometimes kisses the gopīs; therefore the transcendental nectar of His lips is available only to them. So the gopīs asked, “How is it possible that the flute, which is nothing but a bamboo rod, is always engaged in enjoying the nectar from Kṛṣṇa's lips? Because the flute is engaged in the service of the Supreme Lord, the mother and the father of the flute must be happy.”

The lakes and the rivers are considered to be the mothers of the trees because the trees live simply by drinking water. So the waters of the lakes and rivers of Vṛndāvana were in a happy mood, full of blooming lotus flowers, because the waters were thinking, “How is it that our son, the bamboo rod, is enjoying the nectar of Kṛṣṇa's lips?” The bamboo trees standing by the banks of the rivers and the lakes were also happy to see their descendant so engaged in the service of the Lord, just as persons who are advanced in transcendental knowledge take pleasure in seeing their descendants engage in the service of the Lord. The trees were overwhelmed with joy and were incessantly yielding honey, which flowed from the beehives hanging on their branches.