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Artist (Letters)

Correspondence

1947 to 1965 Correspondence

Letter to Mr. Toshihiro Nakano -- Delhi 1 April, 1961:

My advance copy of speech, which I have already sent you, together with the pictographical explanation, may be formed into one book and the pictures may be drawn in colorful expressive tone by your good Japanese artist. Japan is famous for artistic work and India is famous for spiritual culture. We should now combine together for uplifting the unhappy human being from the muddy things of gross materialism.

1967 Correspondence

Letter to Jadurani -- San Francisco 10 February, 1967:

I am in due receipt of your letter dated 7th February 1967 and have carefully noted the contents. May krishna be pleased on you more and more for your sincere service. As you are good artist so also you write good hand. Accept Krishna as your husband and He will never cheat you. He is competent to maintain any number of wife with full comforts because He is Omnipotent. So remain busy in the service of your Husband and you will be happy in this life as well as in the next. May Krishna award with His all benedictions upon you.

Letter to Brahmananda -- San Francisco 14 March, 1967:

If the psychedelic men want to sell our Visnu pictures you can charge them at least $50.00 for each picture. For display you lend them one only returnable on demand. We require many pictures as painted by Jadurani for decorating the lecture-hall in the new building. You will be glad to learn that here also we have got another Jadurani whose name is Govinda Dasi wife of Gaura Sunder. Both the husband and the wife are good artist and they have printed a very nice picture of Radha Krishna.

Letter to Jadurani -- San Francisco 15 March, 1967:

I am sending herewith two pictures. I wish that you may enlarge one of them in painting. I like both the pictures but as an artist you can make your choice. I prefer the picture which contains all the body of Krishna on my right side. Anyway one of the pictures may be painted in three so that each branch may have one picture.

Letter to Jadurani -- Navadvipa 26 October, 1967:

I have seen the latest issue of BTG & have very much appreciated the presentation with your combined efforts—you artists & poets should try to increase the beauty of BTG as well as to promote the sales in larger & larger numbers. Your appreciation of Rayarama's effort is also shared by me in improving the condition of BTG. You can keep & stack your paintings & when I return I shall see where they will be most required.

Letter to Jadurani -- San Francisco 23 December, 1967:

Regarding your coming to San Francisco, I have no objection, but because you are only three in Boston, your absence may be felt by your other God-brothers. So if Satsvarupa agrees to leave you, you can come to S.F., otherwise, wait for the proper time. Now by Krishna's Grace, we have got many fine art students like Govinda dasi, Indira dasi, and Malati and many others. So as director of the art dept., you should organize them in one place and overflood with pictures. We require these pictures in large quantities both for selling and for decoration. So I think you should immediately organize these potential artists in one place, either in S.F. or N.Y., or wherever you like, and give daily at least one dozen pictures.

1968 Correspondence

Letter to Jadurani -- Los Angeles 13 January, 1968:

I thank you for your nice letters of Jan. 11, and 13. I thank you for your kind appreciation for the tapes received there. Also, thank you that you are trying to organize all the artists, and doing so nicely. No, there is no color picture of Lord Caitanya's birthplace and temple at Mayapur. You can color with your choice. Yes, try at your convenience to paint pictures from the Bhagavat statement, in terms of the purport and explanation.

Letter to Jadurani -- Los Angeles 21 February, 1968:

I have received your letter dated Feb. 14, 1968, and I am happy to hear all the good news from our fine art department. I think I have already given you instructions in this regard. In my opinion your guiding the girls working under you for painting is very important, and if this business doesn't suffer, you can think of going to S.F. for organizing the asrama. If all the Brahmacarini's gather together and work under your guidance, at any place, I will prefer that proposition. If the majority of the girls are in N.Y., why not have the other Brahmacarini's from S.F. go there and work under your direction, either in N.Y. or in Boston, as it is best. Hope you are well. For the time being drop the idea of going to S.F. better concentrate your energy in organizing the artist girls under your care. The Brahmacarinis at S.F. may be called at N.Y. or Boston.

Letter to Balai -- San Francisco 22 March, 1968:

I am so pleased to hear of the activities of Jadurani and her artist assistants. We require this service, as we require so many pictures. Pictures, books, etc., all we shall sell on world tour with our Sankirtana party. So we require a lot of pictures in stock; and wherever we open our centers, we must have at least Panca-tattva picture, Visnu picture, Sankirtana painting, and Spiritual Master's picture, and Radha Krishna painting—they are all required. Therefore, Krishna has sent so many devotees to work on the painting department, so we have to utilize them fully, so their service is fully utilized for advancing in Krishna Consciousness.

Letter to Rayarama -- San Francisco 23 March, 1968:

So far BTG is concerned, if Gaurasundara is not able to help in this matter, you can take help from the other artists who have been working in cooperation with Jadurani for now. You can suggest to them and I am certain they will be able to do it.

Letter to Jadurani -- San Francisco 8 April, 1968:

You are already a great artist. You don't want to become a great artist to satisfy the senses of the public. If your present paintings are not acceptable to the general public, I do not mind; they are fools. You continue trying your best to make your pictures as far they can be nice looking, but not to satisfy the senses of the rascal public. Yesterday I have been in a Unitarian Church and there I saw two pictures of only logs and bamboos, and I was explained by our great artist Govinda dasi that these are modern abstract arts. Anyway I couldn't see in them nothing but combination of logs and bamboos. There was nothing to impel my Krishna Consciousness. So, if you want to be a great artist in that way, I will pray that Krishna may save you. Anyway, if the public doesn't buy, we don't mind. Why you are anxious for selling? We shall distribute them to devotees without any price. If our things have no market in the sense gratification society that does not mean we are going to change our principles. We are meant for satisfying Krishna, not anybody's senses. That should be the principle of our life. In this connection I may remark that you have sent one picture of Narada Muni which I understand was copied from some so-called great artist, but Narada Muni's body appears to be very sensuous. He was a first class Brahmacari. He cannot have such a sensuous body. So you will do well not to work from the so-called well known artists. But you should follow exactly the descriptions of the scriptures. The picture of Narada Muni which you painted in N.Y. in my presence was very nice and good looking, but this picture here doesn't appeal to me. Better not to worry about this sort of technique and style. Anyway whenever I come there to N.Y. we can discuss all this as you suggested.

Letter to Jadurani -- San Francisco 13 April, 1968:

So the Hindu man said, "Sir, I have lost my caste, and still I am hungry!" Similarly, if artistic pictures as they are approved by the people in general in this country can be sold quickly, I have not any objection to present our pictures in such a way. But I know that pictures in this country are sold not on the merit of the picture, but on the reputation of the artist. That system is also current in India. But to come to the point of a reputed artist will require long duration of time. And our time is very short. We have to finish our Krishna Consciousness during our lifetime, and we should not waste a single moment for anything else. According to Caitanya Caritamrta, a man is famous who is known as a great devotee of Krishna. So if there is not possibility of selling our pictures immediately on presentation, I do not think there is any necessity to improve our artistic craftsmanship. We should be satisfied with our pictures hanging in our different temples. But we may not sacrifice our valuable time for becoming famous artists so that pictures may be sold like hotcakes.

Our institution is mainly for the devotees and as it is the custom in India, devotees are maintained by the general public, who are engaged in materialistic activities for sense gratification. But in this country it is not possible that the Brahmacaris or Sannyasis shall beg from door to door, as it is the custom in India. But at the same time we require some money for conducting our business of our society. Therefore the idea was that we may sell some pictures but so far I understand that even if we follow the principles of modern artists, still our pictures like Narada Muni, Panca-tattva, etc., will not have immediate prospective market. If there is actually any prospect for selling our pictures put up in this modern artistic way, then I have no objection for putting pictures in this way for selling them. But if that is not possible, then I think we should not waste time in this way. Of course, I am not an artist, neither I have power to see from artistic viewpoint; I am a layman, so whichever picture appeals to me I say it is nice, and whichever picture does not appeal to me I say it is not nice. That is my common sense affair. Therefore my remark has no value from artistic sense. Anyway, don't be depressed; you can go on with your work, and we shall talk more on this subject when we meet together. I have replied Yadunandana's letter, and I wish that you all should read that letter, because it contains some valuable information about our preaching method, and many intelligent questions by him have been replied in that letter. Hoping you are all well.

Letter to Brahmananda -- San Francisco 9 September, 1968:

I am contemplating also to publish one book, Krishna in picture. One boy, his name is Mark, he is very good artist. I have given him some ideas of drawing some pictures about Krishna from Srimad-Bhagavatam. And if I see he is successful, which I hope he will, be then we shall print to many books of pictures. The picture books will be most appealing. We shall give stress on this point.

Letter to Aniruddha -- Seattle 27 September, 1968:

I beg to acknowledge receipt of your letter dated Sept. 24, 1968, and it is very encouraging. May Krishna bless you all. I am so glad to learn that Nandarani and her husband are all so enthusiastically trying to render service to Krishna and you have got very good assistants—Harer Nama, and Varaha Murti. It is so encouraging to learn that Varaha Murti has got permission from his Hiranyaksa-father. Perhaps you know this story of Varaha Murti. Hiranyaksa put the earthly planet within the water, and Lord Varaha lifted the merged earthly planet by His big tusks. So Krishna has given you all a good chance for developing Hollywood, and I hope in the near future all the artists will take to Krishna Consciousness movement, and Hollywood shall become a holy place.

Letter to Satsvarupa -- Seattle 28 September, 1968:

You are both very sincere servitors to the cause of Krishna, and Krishna will give you necessary intelligence how to behave with one another. I am glad to learn that the girls under the guidance of Jadurani are doing nice painting work, and I am very much inclined to have many many Sankirtana pictures painted like the one which was in your Boston temple, on the wall, while I was there. I have one photograph of this picture and it is so nice that I feel my joys unlimited. (See enclosed sketch for identifying the exact painting I am speaking of). Our Madhavilata is also a good artist. She is painting a very nice picture of Radha Krishna seated on a swing. But she is a little independent spirited, and wants to wander with me. Anyway, she is a sincere good soul, and let her do the work in her own way. But it is a good asset for her that she has attraction to hear me. That will make her all right in the due course of time, and it may be that she will also come out a great painting assistant in our society.

Letter to Jadurani -- Los Angeles 5 December, 1968:

I was happy to read your recent letter (undated) and to see how you are working hard and now you are sending your finished paintings to our various centers to be appreciated. You will be pleased to know that our London center has managed to have one local newspaper devote a two-page spread to a comic book feature of the story of Prahlada Maharaja as depicted by Gaurasundara and Govinda Dasi. This is very nice propaganda so as much as possible we should try for overflooding publications with similar of our stories. We have so many artists now in Boston and also New York so if someone can work on this idea it will be very nice.

Letter to Joy Fulcher -- Los Angeles 12 December, 1968:

I know that now there is a shortage of hands in our Seattle center, so why not remain there to help out Upendra and the others. Also your services to attract brahmacarinis will be very valuable in Seattle. I know that you are very nice artist even without the guidance of Jadurani so for the time being you should remain in Seattle and paint independently. You should work to paint very quickly and very beautifully because we have need of such talented artists. When Jadurani first began to paint she was slow but now that she has practiced she has become very expert and quick. So this practice is what will improve all areas of your already very nice art work.

In the future there will be great use for an artist who can take hints from me and paint at least four pictures of 8.5 x 11 size each week. We are planning to begin an illustrated book of all of Krishna's pastimes and stories, so a very good, hard working artist will be required. So if you can practice to do this, it will be great service. With such an artist I can dictate stories for books about not only Krishna, but also Prahlad, Bhismadev, Queen Kunti, and many others from the Bhagavatam. If you can assist me in such a project when we are ready to begin it, then I think that you can come here to take direct instructions. So work hard to develop in this way and we shall see what happens as Krishna plans.

Letter to Hamsaduta -- Los Angeles 12 December, 1968:

You have expressed some new ideas to improve BTG of the English Back To Godhead, but I think that there is no need to interrupt their way of thinking. Now you have a chance for your own edition so do it nicely and according to your own ideas. You are artist, so you have facilities to make a very nice edition to sell to the French public. Since in Montreal 75% of the populace are speaking French I think you have very good chance to popularize and improve this magazine.

Letter to Jadurani -- Los Angeles 13 December, 1968:

As soon as possible, I will require some artist who will paint pictures from the Bhagavatam as I give hints on what to paint. But the artist must be very quick. Two or three pictures must be done every week. These pictures will be used for my new book, "KRISHNA", which I will begin as soon as I get the assistance of a quick painter. I am sure that you could do this but you are already engaged with so much work. There is one girl in Seattle, Joy Fulcher, who is nice artist. Would you like her to go to you to do this work under your guidance? I think that you know this girl. If you think this idea is alright, you can call her at Boston. As usual, I shall send "KRISHNA" tapes to your husband with hints for you about the pictures so you and your husband can send me the complete materials for the final printing. Please consider these suggestions and do the needful.

1969 Correspondence

Letter to Jadurani -- Los Angeles 21 January, 1969:

Regarding Madhavi Lata, it is very difficult to get her to be fixed up into doing constructive work, so I gave her so many paintings to do to get her to utilize her talents in Krishna Consciousness. If you would like her to help you in the paintings for the new book, then it is all right, but you must deal with her very tactfully. Best thing is that I send suggestions for pictures directly to you, and whichever picture she will do, let her do it. In this way, you can give her one or two pictures. In the meantime, you and Joy may finish the rest of the pictures, and if she does not finish her assignment, then again you may do it yourself. Certainly she is talented artist so try to help her be engaged in this way.

Letter to Rukmini -- Los Angeles 31 January, 1969:

I am in due receipt of your letter dated January 23, 1969, and also I have seen your wonderful portrait of my Guru Maharaja. This picture is a great joy to me, and it is now hanging in my room in the temple where I may always gaze upon it. I thank you so much for your sincere service, and i am very much encouraged that you are already a nice artist, and what to speak of the improvements you will make with further practice.

Letter to Rayarama -- Los Angeles 22 February, 1969:

Now our policy should be as follows: 1. the layout should be done by us, 2. there should be no advertisements, 3. under different headings we shall publish articles from Bhagavad-gita As It Is, Srimad-Bhagavatam, Brahma Samhita, Nectar of Devotion, Vedanta Philosophy, Upanisads, etc. as well as comic pictures when possible. Besides that, if some of our students write as they have assimilated the philosophy, that also should be welcome. You say that Rohini Kumar is an artist, so he can do comic work. There are other girls there such as Indira who can also do this. So we shall fill up the pages simply with Vedic ideas. Now the policy should be straight that this Back to Godhead is completely different from all other magazines. As there are different magazines for different subject matters, this magazine will be simply devoted for Vaisnava philosophy, or Krishna Consciousness movement. That should be our policy.

Letter to Indira -- Los Angeles 25 February, 1969:

For the Krishna book we will require paintings, so we will not need any etching and woodcut. So you can send me some samples of your paintings and then I'll give you some suggestions. But anyway, you continue to improve your very good artistic talents and it will soon come to the perfectional stage. Regarding your question about artist materials, you may use any materials which will be useful in producing nice paintings.

Letter to Upendra -- Buffalo 19 April, 1969:

While I was in New York, I got your colored pictures, and each and every one of them is so nice and captivating that I have kept them for future paintings by our artists. I thank you very much for these pictures, and I hope your center is making nice progress by Sankirtana Movement. I shall be staying here in Buffalo for one week, and then I shall go on to Boston.

Letter to Govinda, Gaurasundara -- Allston, Mass 25 April, 1969:

I am very glad to learn that Kartamasi is now very nicely dressed. Govinda Dasi is surely a good artist, so I am sure Kartamasi is very attractive. Please offer my obeisances to Him. I am very glad to learn from both of your letters that Jill is now staying there. She is very nice girl and intelligent. So the addition of Balabhadra and Jill to our movement is very much appreciated. Please help them to be Krishna Conscious, and it will be great service to Krishna, and you will enhance your Krishna Conscious beauties by such activities. So far as Gaurasundara's request for Caitanya Caritamrta, I have already advised Brahmananda to send it to you immediately.

Letter to Tamala Krsna -- Allston, Mass 26 April, 1969:

I have seen that there is one church just near the Bank of America on La Cienega Boulevard. I do not know to which sect this church belongs, but that church is very suitable for your described purpose. There are many churches everywhere like that, and if some of the proprietors are convinced, we can utilize such churches for this Krishna Consciousness movement for the general welfare of the mass of people. Why not approach the proprietors of such churches? I know it is very difficult, but there is no harm if we approach. Certainly when we have our new place, we must elaborately arrange for the artist department in charge of Srimati Devahuti, the mother of Indumati. She is a very nice lady, and please offer her my thanks for joining this movement. I hope she will take care of the boys and girls as their mother. So all of our ideas can be fulfilled very nicely if we actually get a nice place. Search it out and surely Krishna will help you.

Letter to Murlidhar -- New Vrindaban Rd 3 Moundsville, West Virginia 26041 June 1, 1969:

I beg to acknowledge receipt of your letter dated May 28, 1969, and I have very much appreciated your painting of Lord Nrisingadeva. If possible, paint similar pictures for other temples. I am also glad to learn that you are painting Radha-Krishna painting. You have mentioned a picture of Krishna and the Gopies, without Radha-rani cannot be. If you mean to say the picture of Radha-Krishna and the eight Gopies, then that is all right. I do not know what is this Krishna with the Gopies. There are many unauthorized pictures painted by so-called called imaginative artists, but we don’t want such pictures in our temples. So you kindly send me a sketch of the picture, and I shall see whether it is authorized. I am very glad that Devahuti has finished a picture of Radha-Krishna, and that she is working also on Lord Caitanya and Sankirtan. I am also glad that you combinedly want to paint a picture of my photograph. I prefer the picture which was published in our Back To Godhead #18, page 32. It is written there "Your ever well-wisher,". Another thing is please send me the reproduction of the picture which you made for Bhagavat cover. The Macmillan Company is going to publish our Bhagavatam, and I shall give them the picture for the dust cover.

Letter to Bharadraja -- New Vrindaban 2 June, 1969:

This painting you are doing is very important, so it will count as your temple work. There is no necessity either for you to go out on Sankirtana if this will take away your time from your real work. I understand that you are also very musically talented, but this talent is not so much required on Sankirtana Party because for chanting Hare Krishna it is not necessary that all instrumentation be so much polished or complicated. If it is necessary for you to work part time to earn money for artist supplies then you should do it, or else if Isana das can continue to help you in this connection, that will be better. Both you and your wife, Rukmini, are very nice artists, so please tell me what ideas you have so that you may get as much artistic work done as possible.

Letter to Syamasundara -- Los Angeles 15 July, 1969:

If such throne is made with golden or silver pillars, platform, ceiling, and canopy bedecked with jewels, and if the Deity is kept within such throne, it will be a super-excellent manifestation. So when you do such work you can consult me, and I shall give you some right directions. I am also glad to learn that you are going to press some records of the Hare Krishna Mantra with the help of the Beatles and Co., cooperated with some of the celebrated artists like Donovan and the Rolling Stones. It is a very good opportunity that you are making friendship with these famous men, and if you can turn them as they are already a little inclined towards Krishna Consciousness, then our Sankirtana Movement through all these famous artists and gentlemen will take a shape which will be appreciated all over the world.

Letter to Satsvarupa -- Tittenhurst 15 October, 1969:

Please therefore manage things very nicely, both husband and wife and other assistants. You are also very fortunate to have an assistant like Giriraja. This boy has so quickly taken up the Krishna Consciousness cause and I am very much pleased with his behavior. Now Advaita should be assisted by some other intelligent man. Jadurani should be given sufficient space for her painting work, assisted by other artists. And Giriraja is the right leader of Sankirtana Party. I am sorry that Murari has left. Pray to Krishna that he may come back again soon. Yes, this Uher tape recorder is very nice. It can act both as tape recorder and dictaphone also. It has got exactly the same speed for direct typewriting, but because you have not got a tape recorder that plays at this dictaphone speed, we send you higher speed tapes.

Letter to Tamala Krsna -- Tittenhurst 30 October, 1969:

I am in due receipt of your letters dated October 17, and October 23, 1969 and have noted the contents carefully. Enclosed is the letter for you to hand over to the draft lawyer. I am pleased to note that there is interest in having our Sankirtana Party perform in various public engagements. The same thing is going on here, and they have been invited to such places as Amsterdam and Germany. So if you can also do this, it is nice. But do not change our principles. Practicing is already done by kirtana. It is not required for us to become artists. Our main point is service to Krishna, not to please an audience. We shall not divert our attention too much to adjustment of musical sounds. People should not misunderstood that we are a band of musical artists. They must know that we are devotees of Krishna. Our devotional practice and purity shall be so strong that wherever we chant there will be immediately an impression in the audience for devotion to Krishna.

Letter to Gargamuni -- London 11 November, 1969:

Out of that, you have already fulfilled the amount of $2,500. So I thank you very much. Regarding your business, Krishna will surely help you, and He is already helping you. We want to show the world that Krishna's service is not stereotyped, one-sided. Krishna can be served from any position, provided one is willing to serve Him. Krishna can be served and approached by businessmen, by lawyers, by scientists, by artists, by musicians, by philosophers, even by thieves and rogues; everyone. He is so kind. One has simply to accept the prescribed method how to approach Him. When I speak of thieves and rogues I do not mean that a Krishna devotee is also a thief or rogue. The idea is that even the thieves and rogues are eligible to accept this path of Krishna Consciousness and make their lives sublime. Actually, when a thief or rogue takes to Krishna Consciousness he soon becomes a saintly person. Just like Jagai and Madhai: They were thieves and rogues, but after being favored by Lord Nityananda they became first-class devotees. So Krishna Consciousness is so nice that everyone can approach the goal, and if one simply agrees to follow the prescribed method, very soon he becomes a saintly person.

Letter to Vasudeva -- London 20 November, 1969:

If you move a little this way, you are in light and there is no question of shadow. But if you move a little the other way, you are in darkness. So if we remember to always be engaged in Krishna's service, then there will be no Maya and everything will be all right. Please always remember this great secret of advancement in Krishna Consciousness. So as you are showing promise to be a nice artist, I think you may next paint some pictures of the Spiritual Masters in the line of disciplic succession. Also, continue to fix up the new temple nicely and promote the Sankirtana Movement as far as possible. These, along with promoting our literatures will give you sufficient engagement to fill your time. Also, continue to chant all of your rounds daily, and read our magazines and books as much as possible. In this way your future will be very bright, and surely you will be able to do great service to this movement within your lifetime.

1970 Correspondence

Letter to Satsvarupa -- Los Angeles 9 January, 1970:

Regarding Art Department, Muralidhara has already gone to Boston, and now you have a good board of artists. And I am glad that Devahuti is also returning, so all combined together produce at least one nice picture daily.

Letter to Satsvarupa -- Los Angeles 21 April, 1970:

Regarding organization of the artists, there is no need of wasting time for learning the art from study of texts. We should always remember that our time is very short. I think our artists should be satisfied with whatever they have learned already, that is sufficient. They should be simply be engaged in painting pictures always, and that will teach them the art sufficiently.

In the beginning I was seriously corresponding with Indian friends to get some good mrdanga players, but when I found it too difficult to get a man from India some of my students were given the rudimentary lessons in playing and simply by practice they are putting on Sankirtana Party everywhere. My Guru Maharaja used to say that in a foreign land where you cannot speak the language with the natives very nicely, what do you do when there is a fire in your house just to get their help? In such emergency one has to express himself somehow or other to his foreign friends and get their help to extinguish the fire. But if he wants to learn the language first and then talk with the foreign friends to get help, then everything in the meantime would be finished. Similarly if we have to learn and then paint, it will be a long-term affair. But immediately we want so many pictures for all of our books, so all the artists may always be engaged in painting works and that painting itself will gradually teach them how to make things nice.

Regarding how the art department should be organized, that is to be managed amongst themselves. I do not know the technical details, I want only that they may be always engaged. Now it is up to them how to manage these things. As you have suggested, you may make any suitable arrangement and that is approved by me however you make it fit. The only thing is the artists must be always engaged fulltime in their painting work.

You may inform Devahuti and the others that I am always satisfied with their work. I am satisfied only to see that everyone of us is always engaged in his respective duties. As the teacher wants to see that the students are engaged in their handwriting work. Who is writing good hand, that is a secondary question. The teacher's duty is to see that everyone is engaged in handwriting work. So if all the artists are always engaged in painting, that will satisfy me, and that will gradually make them experienced for making good paintings.

Letter to Jadurani -- Los Angeles 5 June, 1970:

You go with increasing the Bhagavat pictures according to the descriptions, and you need not divert your attention for the pictures demanded by our different centers. You can redirect such inquiries here, and as there are three artists now living with us it will be not difficult to paint the temple pictures Pancatattva, etc.

So you simply concentrate in drawing pictures from Bhagavatam etc. and keep them together because they will be needed in future for many other purposes.

1971 Correspondence

Letter to Satsvarupa -- Allahabad 21 January, 1971:

It appears from the press report that progress is going on with Gita and 2nd Canto, but slowly. It will be nice if you please accelerate it.

In answer to the artists questions:

1) Simply paint the Visnu Murti in the heart. You can make the individual soul a very small spark, or spark-like.

2) Visnu has more than thousands of arms but for this picture of the tortoise avatara. where Visnu is sitting on top of the hill, he should be shown with four hands only. We should only paint four-handed Visnus and not consult Kalayana-Kalpataru, which is not always authorized.

3) Yes, if you would like to send the painting of my Guru Maharaja here to India, why not.

4) Yes, Krishna can be shown seated next to Arjuna on the chariot when universal form is displayed.

Letter to Jadurani -- Calcutta 19 May, 1971:

Please accept my blessings and offer the same to the other artists. I am in due receipt of your letter dated 8th May, 1971 and have noted the contents carefully. So far as your questions are concerned, they are as follows: The demigods mentioned by you appear just like man, but very beautiful and very nice features also. They are having fair complexion with golden hue. Golden means milk mixed with a tint of reddish color or yellowish color. Lord Siva has two arms; Garuda is yellow in color; Kapiladev looks like a human being, as does Kalki. Kalki is bluish. Matsya is a full fish, bluish in color. Kurma is tortoise color.

Letter to Jadurani -- Bombay 8 June, 1971:

I am in due receipt of your letters dated 30th May and 1st June and have noted the contents carefully. I have received all the photographs of the paintings for the enlarged edition of Bhagavad-gita As It Is, and they are so very beautiful. Everyone here is so much appreciative of all you artists. All of you have my full blessings and your godbrothers' congratulations. Krishna will surely bless you all. Thank you very much.

Letter to Jadurani -- Los Angeles 9 July, 1971:

Please accept my blessings and offer the same to the other artists. I am in due receipt of your letter dated 19th June, 1971 and addressed to London. The letter was just now forwarded to me here in L.A. and so this late reply.

Letter to Locana -- London 17 August, 1971:

Just this morning I received your charcoal portrait of Srila Bhaktivinode Thakura and it is done very expertly. This means you have got special talent for this. So you should go on painting pictures of the acaryas. There are so many centers that they can be sent to. I think ___ you will find more facility because there you can have your own room for painting whereas in N.Y. already it is so much congested. Painting requires some solitary place. Anyway, if you think that you will want the association of the N.Y. artists then I have no objection if you go.

Letter to Jadurani -- Calcutta 4 November, 1971:

Please offer my blessings to Muralidhara, Bharadraja, Kancanbala, Ekayani, Kirtimati, Sarita, and all the other hard working artists. I hope this will meet you all in good health.

1972 Correspondence

Letter to Jadurani -- Calcutta 18 February, 1972:

(8) In Ch. 31, the progress from subtle to gross elements is just like sometimes a rocket is thrown in the sky, bursts, and so many lights & illuminations come. Exactly how, that is artist's work.

Letter to Himavati -- Los Angeles 15 June, 1972:

You remain the beautiful maid servant of Krishna. That is your business, and you should dress yourself always very nicely so that Krishna by seeing you will be pleased. Don't try to be ugly before Krishna. Krishna does not like ugly gopis. We are transcendental artists, musicians, writers, so everything should be beautiful for Krishna. After all we are members of Krishna's family, just like Krishna had 16,000 wives and each wife has thousands of servants and maid-servants and all of them are very beautiful for serving Krishna and His Queens. So the servants of the gopis and queens cannot be ugly, they are as beautiful as the queens. In the Vaikuntha world there is no need of serving anything because everything is already clean and beautiful. It is so clean that just like a mirror when the maid-servants would sweep the floor they could see the reflections of their bodies. So remain always compact in Vaikuntha yajna, simply by thinking of the Glories of the Lord. Don't try to do anything artificially. That is sahajiya, which means a class of men that take everything very cheap. You want to perform sacrifice so continuously read our Vedic scriptures and perform the Vaikuntha yajna.

Letter to Vaikunthanatha -- Bombay 29 December, 1972:

The activity most recommended by Krsna and Lord Caitanya Mahaprabhu for taking oneself to the perfectional stage in this age of Kali-yuga is this sankirtana or preaching mission. So if you will be able to form yourself into the first-class preacher, that will be best for you and for others also. Your wife may also assist you in your important activities of spreading Krsna consciousness. She is a very nice painter and artist, and she is very sincere and serious also, so you may together utilize your spot-life as preachers of Krsna consciousness, that will be the better occupation. There is no harm for having children, that is no impediment for preaching endeavor. But too much attachment for children, home and work will spoil your opportunity to get very quickly the mature benefit of Krsna consciousness or self-realization.

1973 Correspondence

Letter to Bali-mardana -- Los Angeles May 6, 1973:

I am pleased to learn that the devotees who will be going to India are taking twenty paintings with them to our Mayapur center. I want that all rooms and verandas and especially the Deity hall should have first class paintings. They will appreciate how expertly the American artists are doing.

We want to solve this big problem of supplying mrdangas and also learn how to make dolls for exhibiting pastimes of the Lord. Therefore I want devotees to learn these arts in Mayapur.

Letter to Madhudvisa -- Bombay 30 September, 1973:

Regarding the Lord Caitanya murti, it is not at all good and I do not approve. Lord Caitanya is stout and strong. There are so many pictures which you can follow. So have the artist start a new murti.

Regarding my coming there in December for opening the new Australian Headquarters, yes that will be possible if the opening ceremony can correspond with the celebration of the Disappearance Day of my Guru Maharaja on December 13rd, that will be auspicious.

Letter to Madhudvisa -- Los Angeles 8 December, 1973:

I am in receipt of the painting you have sent. This is not a good style of painting. It is an artistic style for sense gratification only. I cannot encourage this style—it should be stopped immediately. Paintings should be like the Deities, formal and worshipful. This type of painting is sentimental and not authorized. Paintings should be as our artists in New York are doing. Do not introduce any new styles.

1974 Correspondence

Letter to ISKCON Artists -- Bombay 2 May, 1974:

My dear ISKCON artists,

Please accept my blessings. I am in due receipt of your letter of April 19, 1974 and have noted the contents. I will answer the points as best as I can.

1. Fresh rice and paddy grains are simply some grains. Still in this country of sandalwood pulp and rice grains are used to put on the forehead in different blessings.

2. Saci should wear a nice sari and nice ornaments, wearing vermillion on the part of her hair. She is dressed not like a queen but a well to do householder.

3. As a baby, boy and young man Lord Caitanya should be dressed opulently. Ornaments are essential.

4. Show the land opulent for the appearance of Maharaja Prthu.

5. & 6. These questions require researching the Bhagavatam. I have asked Pradyumna to look them up for you.

7. No Prthu does not have effulgence. He was a saktyavesa avatara, a living entity empowered.

8. Dhruva should be just as he is shown in your sketch.

9. The sketch is all right. An orange-red dhoti is all right.

10. The airplanes are all right as drawn.

11. The demigods planes are almost equal to the Vaikuntha planes.

12. Yes, the inhabitants of a particular Vaikuntha planet have the same arrangement of symbols in the hands. Nanda and Sunanda should hold as follows: lower right: conch, upper right: disc, upper left: club, lower left: flower.

13. Pracetas should be not clean shaven, but with beards as mendicants.

Siva is different colors. Not always yellow. There are eleven kinds of Rudras.

14. No, Siva should not be wearing a garland of skulls. Yes, he can be wearing a short dhoti. 15. They should all be standing around the fire at the sacrificial altar. Do not show the horse there. 16. Yes, although you may not know what Maharaja Prthu or Sita look like, they are present in your paintings due to your consciousness.

I am always pleased and looking forward to seeing more beautiful pictures in our books. In India we make life members simply from the high quality and appearance of our books with illustrations. Our society is unrivalled in this respect and this is your credit who are working so selflessly to illustrate my books. Thank you very much.

Letter to Madhava -- Bombay 9 May, 1974:

I beg to acknowledge receipt of your letter dated May 1974. Yes there is no objection to your casting clay forms of Deities into plaster. I understand you are a nice artist in this medium, so make Deities of Gaura-Nitai and send me photographs of the forms. We can discuss this further when I come to Paris.

Letter to Muralidhara, Jadurani, Artists -- Rome 25 May, 1974:

My dear Muralidhara, Jadurani and artists of the art department,

Please accept my blessings. I beg to acknowledge receipt of your letter dated May 22, hand delivered to me by Atreya Rsi prabhu.

As far as your questions which information you urgently need for completion of the paintings, the answers are as follows.

1975 Correspondence

Letter to Kirtiraja -- Bombay 12 January, 1975:

I am in due receipt of your letter dated Dec. 31, 1974 and have noted the contents. Any householder devotee who is working full-time (with his wife) as a sankirtana book distributer, of temple managerial duties, artist, cook, etc. shall be provided food, shelter, and other bare minimum necessities by the temple itself. They should not cook their own meals separate from the temple meals. If they have children, then some minimal allowance may be given according to the number of children. If they want anything extra or over and above what the temple president sees as absolute necessity, then they should work outside—the temple cannot pay for anything beyond the bare necessities. And definitely, the BBT cannot pay any salary to anybody. Our philosophy is "simple living and high thinking"—not sense gratification. The temple presidents and leaders (elder students) must show this by example. Temple or asrama means for renunciation and renounced persons. If one is engaged in self-realization process, then his material necessities become almost nil. Persons who do not like this can work outside.

Letter to Ramesvara & Co -- Vrindaban 1 September, 1975:

The pictures are all wonderful. The artists tease me with so many questions, about this and that, but they have done nicely, so it is all right. So you all go on with your work, and I will pray to Krsna for your ever advancement in His service.

Letter to Ramesvara -- Bombay 20 November, 1975:

Whether you think it is necessary to bring the artist Indra Sharma to U.S.A.? He says that his daughter is also required to assist him, so you will have to pay for two tickets. What will be the advantage of his coming there? So far I see there is no objection against our art work, but if you think it is necessary I have no objection. I do not want to see money wasted, that's all.

1976 Correspondence

Letter to Gabhira -- Mayapur 21 February, 1976:

I have received one article from Rupanuga entitled, "Officials approve Krishna Ministry". Thank you very much. We have succeeded by Krishna's blessing. Now do it nicely. It is a great stride. We can start in other places, too.

In your office you can hang a nice picture of the Panca Tattva done by a good artist, or a sankirtana picture.

Letter to Yasomatinandana -- Hyderabad 14 December, 1976:

I am in due receipt of your letter dated 7/12/76.

The publishing you are doing is very good. That is very enthusiastic propaganda work.

I'm going to Bombay by the end of the third week of December. If possible, try to see me there.

Regarding the artist you have written about, if he can paint improved paintings, we shall publish. Yes, you can bring him to Bombay when you come.

1977 Correspondence

Letter to Ramesvara -- Bombay 2 April, 1977:

You can save this money by minimizing the expenditures in the luxury departments of Sanskrit and artists. We do not want these departments for the time being. One or two men must suffice for Sanskrit work. There is no need of new paintings. Whatever paintings we have, that is enough. There is no need of constantly making new variations on the same themes. So for the art department no more expenditure. If they want to continue painting let them come and live here in Bombay or in any of our other temples in India. We have got sufficient facilities now for accommodation and in this way we can save so much money.

Letter to Ramesvara -- New Delhi 11 May, 1977:

All of the artists' drawings are alright as they are showing, except for this one correction, that baby Krsna should be showing lying down, not standing up in front of Visnu.

I am very glad to know that you are all working so hard to double the book distribution this year. Here in Risikesh Mahesh Yogi has his headquarters and he is training his disciples. But he has to pay each of them a regular monthly salary and give them vacations as well. So he is not so fortunate as I am, that I have so many sincere disciples that I do not have to pay them any salary nor do they ever ask for any vacation. Instead they are working twice as hard to double the book distribution. I am so much thankful to all of my sincere disciples who are working so hard to fulfill this great mission of Krsna consciousness.

Letter to Artists -- Unknown Place Unknown Date:

Please offer my full blessings to all the artists there working with you. I am so much pleased upon you all and very soon I shall be going to N.Y. and thank you all personally also.

Page Title:Artist (Letters)
Compiler:Visnu Murti, Mayapur
Created:08 of Mar, 2012
Totals by Section:BG=0, SB=0, CC=0, OB=0, Lec=0, Con=0, Let=59
No. of Quotes:59