Artist (Lectures)

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"artist" |"artist's" |"artists"

Bhagavad-gita As It Is Lectures

Lecture on BG 1.21-22 -- London, July 18, 1973:

This is the description of God in the śāstra. And when God came, Kṛṣṇa came on this planet, the same description. He is playing on flute, He has got the feather, peacock feather. So this painting of Kṛṣṇa is not an artist's imagination. It is exactly the form. So here is the form of the Lord. Here is the name of the Lord. Here is the activities of the Lord. This is clear conception. A sādhu knows what is God. Or sādhu cannot know. They are thinking, "God must be like this, God may be like this, He must be a very old man," because adi-puruṣa. He is the first living... In this way... So you cannot create God by imagination. That is not possible. God is God, always. You have to know simply what is God. He is never cyuta.

Lecture on BG 2.10 -- London, August 16, 1973:

This is material life. So Kṛṣṇa is not like that. But the rascals, they paint picture, and that pictures are very much appreciated, that Kṛṣṇa is embracing gopīs. Somebody was telling me that... Last... Who came? That Kṛṣṇa's picture. So when Kṛṣṇa is killing Putanā, that picture they will not paint, or killing Kaṁsa, or... Kṛṣṇa has got so many pictures. These pictures they will not, artists. They will simply paint the picture, His confidential dealings with the gopīs. One who cannot understand Kṛṣṇa, what is Kṛṣṇa, which Vyāsadeva has described what is Kṛṣṇa in nine cantos, to understand Kṛṣṇa, and then in the Tenth Canto he begins the birth advent of Kṛṣṇa... But these rascals, they jump over immediately to the rāsa-līlā. First of all understand Kṛṣṇa. Just like if you become a friend of some very big man, so first of all try to understand him. Then you'll try to understand his family affairs or confidential things. But these people jump over to the rāsa-līlā. And misunderstand. And therefore they sometimes say, "Kṛṣṇa is immoral."

Lecture on BG 2.13 -- New York, March 11, 1966:

Just like the sun, sun and the sun rays. What is the sun ray? Sun ray, if you analyze physically, you'll find small molecules of raising (raysing ?) atoms, shining atoms. This is material. You see? The sun ray is nothing but combination of, I mean to say, shining atoms. It is not a homogeneous thing. Anything you take. Anything you take. You are artist. You take a point, any color, and you photograph. If you analyze with a microscope or magnifying glass, you'll find so many spots. Is it not? You are also artist. So in God's nature, there is no, nothing homogeneous. There is nothing homogeneous. All molecules, atoms, particles, even in the matter.

Lecture on BG Lecture Excerpts 2.44-45, 2.58 -- New York, March 25, 1966:

Spirit soul. The constitution of the spirit soul is three divisions: enjoyment, eternity, and knowledge. (break) Spirit soul is full of knowledge, full of happiness, and unending, not that this knowledge...

Suppose we are accumulating so many knowledge. Somebody is chemist, somebody is politician, somebody is metaphysist, somebody is artist, somebody is something. Everyone knows something of everything and everything of something. That is knowledge. But this knowledge, whatever knowledge you acquire, as soon as you leave this body, whole knowledge is void. Just imagine in your previous lives you had been a great man of knowledge, but in this life, since your childhood, you had to go to school, college, and acquire knowledge. The knowledge which you had in your previous lives is now forgotten. Therefore we are seeking eternal knowledge, but that eternity of knowledge is not possible with this temporary body. We have to understand that thing. Bhogaiśvarya.

Lecture on BG 2.55-56 -- New York, April 19, 1966:

The fighting also. Fighting also. (break) ...the fight! He was a fighting man. But after, after getting instruction of Bhagavad-gītā, he changed his attitude, oh, that he shall not, he should, he would not fight. He said, "Yes, I shall fight." Now this is dovetailing. He, the fighting man, remained. The fighting man did not change into artist, or a musician. No. You need not change. You are fighting man; you remain a fighting man. If you are musician, you remain a musician. If you are a medical man, remain a medical man. Whatever you are, you remain, but dovetail it. Dovetail it.

So the whole perfection, whole perfection is that we are all active in some department. That is a fact. Now, if our activities become dovetailed with the supreme desire and He is satisfied, then saṁsiddhi, that is our perfection. Svanuṣṭhitasya dharmasya saṁsiddhir hari-toṣaṇam (SB 1.2.13). A very nice... Svanuṣṭhitasya dharmasya saṁsiddhir hari-toṣaṇam. Everyone is engaged in some sort of occupation, a particular type of occupation. Nobody's free from occupation. Everyone.

Lecture on BG 8.5 -- New York, October 26, 1966:

He comes just to..., being visible to our eyes. Just like this picture. This picture is not... It is not to be taken that He's not God, He is picture. The picture of God is also God. Picture of Kṛṣṇa is Kṛṣṇa. The sound, name Kṛṣṇa, that is also Kṛṣṇa. But just to give us facility to understand... You do not think that this picture of Kṛṣṇa is painted by some artist's imagination. No. It is not imagination. There is description in the scripture what is the form of Kṛṣṇa.

Lecture on BG 13.4 -- Bombay, September 27, 1973:

The living entity, as he associates with the guṇas, there are three guṇas. Multiply three by three, it becomes nine, and multiply nine by nine, it becomes eighty-one. Therefore there are eighty-four. Eight million four hundred thousand. This is guṇa.

Just like color painter. There are three colors only: blue, red and yellow. But an artist can multiply the colors into many types of colors simply by mixing, simply by mixing. Similarly, these three qualities—sattva-guṇa, rajo-guṇa, tamo-guṇa—these are the main qualities. Now they are mixed together. Sometimes this portion is greater than the other portion. In this way material nature is the greatest artist. You can see how she has manufactured so many bodies, nice bodies, eight million four hundred thousand.

So this is due to our association with the particular quality.

Srimad-Bhagavatam Lectures

Lecture on SB 1.1.1 -- London, August 7, 1971:

They are searching after God. We are giving the name, address, activity, everything, quality, all. Nāma-rūpa-līlā-parikara-vaiśiṣṭhyam, everything. Nāma means name. Here is Kṛṣṇa, God's name. Form, here is the form. He is engaged in enjoyment with Rādhārāṇī and playing on His flute. Veṇuṁ kvaṇantam aravinda-dalāyatākṣaṁ bar... (Bs. 5.30). We are not imagining. Not that this artist imagines, the poet imagines. No. We don't do that rascaldom. We don't do that. We take information from the Vedas. Kṛṣṇa, when He was present personally, He played on His flute. The gopīs saw and the cowherds boys saw five thousand years ago. And the ācāryas took information. Even if you don't believe in the history, then come to śāstra. The śāstra says veṇuṁ kvaṇantam aravinda-dalāyatākṣam: (Bs. 5.30) "Kṛṣṇa, the Supreme Personality of Godhead, is always engaged in playing on His flute." This is Vedic statement. Veṇuṁ kvaṇantam aravinda-dalāyatākṣam: (Bs. 5.30) "His eyes are just like lotus petals."

Lecture on SB 1.2.7 -- Delhi, November 13, 1973:

These boys and girls of America and Europe, they were too much addicted, because their father, mother, their civilization is to be attached to material enjoyment. Actually, they were. Now see their vairāgyam. Practical. There is no theoretical. As soon as you engage yourself, vāsudeve bhagavati... These young girls... One of my student is, was... She is girl. She was a great artist, dancing girl in Australia. She gave up everything and came to me: "Swamiji, make me your disciple." I saw her father and mother in Australia. A very beautiful girl. Very big, big heading in newspaper that "Such and such girl has left everything." This is vairāgya. Very profitable business she was earning. All of them. They are all qualified. They are not like our Indian boys and girls, uneducated or illiterate. No. They are well qualified. They can earn any amount of money. But vairāgyam. Janayaty āśu vairāgyam. This, see practically. And jñānam. Bring any so-called swami and yogis and talk with them about jñāna. They will be, I mean to say, victorious, even they are with me for only four and five years.

Lecture on SB 1.2.18 -- Los Angeles, August 21, 1972:

There are three modes of material nature. And multiply it three, mix it again, it becomes nine, and again multiplied, nine by nine, it becomes eighty-one. So these, this... Originally the three... Just like three colors, yellow, red and blue. These three colors, you mix... Those who are artists, those who know the color display... Simply you mix three colors in different way, and it becomes varieties of color. So our heart disease, dirty thing, varieties of sense enjoyment, varieties. So heart is full with varieties of sense enjoyment. Therefore by nityaṁ bhāgavata-sevayā (SB 1.2.18), by daily, regular worshiping Bhāgavatam, we become free from the dirty things.

In the previous verse we have read that śṛṇvatāṁ sva-kathāḥ kṛṣṇaḥ puṇya-śravaṇa-kīrtanaḥ, hṛdy antaḥ stho hy abhadrāṇi (SB 1.2.17). We have got abhadrāṇi, so many inauspicious things, within our heart. This can be cleansed simply by hearing the message of Kṛṣṇa from Śrīmad-Bhāgavatam, from Bhagavad-gītā, from the lips of devotees.

Lecture on SB 1.10.5 -- London, August 28, 1973:

Perhaps you know the story. So he was also imitating this rāsa-līlā. Māyāvādī rascals, they do that, imitate Kṛṣṇa. How you can imitate Kṛṣṇa? You are not Kṛṣṇa. But by imitating His rāsa-līlā they become Kṛṣṇa. No. If you imitate Kṛṣṇa of His rāsa-līlā, then you have to imitate to lifting the mountain. You have to kill demons like Kaṁsa. But you'll find the so-called artists, they will paint pictures of Kṛṣṇa only with gopīs dancing and the... Not other things, how He's killing Kaṁsa, how He's killing Aghāsura, Bakāsura. That they'll not paint. That side is completely blind. But in our Kṛṣṇa book you'll find both the pictures.

So here you have to understand that the rivers, the ocean, the mountains, and the trees, and the creepers, they will all serve you very, I mean to say, regularly, provided you are obedient to Kṛṣṇa. This is the process. Phalanty oṣadhayaḥ. Nowadays we do not know.

Lecture on SB 3.25.29 -- Bombay, November 29, 1974:

Veṇuṁ kvaṇantam aravinda-dalāyatākṣam (Bs. 5.30). Don't think that Kṛṣṇa figure is the imagination of some artist or painter. No, no. These are the description in the Vedas. Veṇuṁ kvaṇantam, the Supreme Personality of Godhead, Govinda, is playing on His flute. Veṇuṁ kvaṇantam aravinda-dalāyatākṣam (Bs. 5.30). And His eyes are like the petals of lotus flower. Veṇuṁ kvaṇantam aravinda-dalāyatākṣaṁ barhāvataṁsam. There is a feather of peacock, asitāmbuda-sundarāṅgam, His complexion is like black cloud but very, very beautiful. Veṇuṁ kvaṇantam aravinda-dalāyatākṣaṁ barhāvataṁsam asitāmbuda-sundarāṅgam, kandarpa-koṭi-kamanīya. He is so beautiful that more attractive than many, many hundreds and thousands of Cupid. Kandarpa-koṭi-kamanīya-viśeṣa-śobhaṁ govindam ādi-puruṣaṁ tam aham bhajāmi (Bs. 5.30).

Lecture on SB 3.26.47 -- Bombay, January 22, 1975:

Then immediately you become advanced. Not only advanced, actually spiritual situated.

So the sound is very important thing. The sound is the cause of our bondage in this material world. Just like in big, big cities they are attached to the sound vibrated by the cinema artist. And not only that, so many other things we are hearing through the radio message. Attachment for the sound. And because it is material sound, we are becoming materially entangled, entangled more and more. Some actress, some cinema artist, singing, and people are so fond of hearing that singing that the artist is paid fifteen thousand rupees for one song. There are many here in Bombay. So just see how much attraction we have got for the material sound vibration. Similarly, the same attachment, if we turn to hear about Hare Kṛṣṇa mahā-mantra, then we become liberated, the same sound. One is material; one is spiritual. So you practice to be attached by this spiritual sound vibration. Then your life will be successful.

Lecture on SB 3.28.18 -- Nairobi, October 27, 1975:

That is not material body. So don't indulge in such a way, that "Kṛṣṇa's dancing and our dancing is the same." Then you will be mistaken. That will be offense.

So we have to become advanced in spiritual understanding. And people, the so-called artists, they indulge in Kṛṣṇa's pictures, His dealings with the gopīs. That is not very good. That is misleading. People may think, and actually that happens. If without being mature, without being advanced in spiritual consciousness, if one tries to understand or see Kṛṣṇa-līlā with the gopīs, then he will be misled. Therefore Caitanya Mahāprabhu, you will find, rigidly He discussed this Kṛṣṇa-līlā with very confidential devotee, Rāmānanda Rāya, not with others. He never discussed with Sarvabhauma Bhaṭṭācārya or Prakāśānanda Sarasvatī. He discussed on philosophy of Māyāvāda, but not on Kṛṣṇa-līlā. Kṛṣṇa-līlā He discussed with Rāmānanda Rāya, most confidential devotee. And to understand Kṛṣṇa, Vyāsadeva has devoted nine chapter, nine cantos.

Lecture on SB 6.1.7 -- Honolulu, May 8, 1976:

We have to associate either with the modes of goodness or with the modes of passion or with the modes of ignorance. Now, three into three, it becomes nine, and nine into nine, it becomes eighty-one. So mixture. Just like color. There are three colors: blue, red and yellow. Now, those who are expert in manufacturing color, artists, they mix these three colors in different way and they display. Similarly, according to the guṇas or mixture, association—kāraṇaṁ guṇa-saṅgo 'sya—we get different types of bodies. Therefore we see so many varieties of bodies. Kāraṇaṁ guṇa-saṅgo 'sya (BG 13.22). So the person who is taking very much pleasure, dancing in the sea like fish, so he is contaminating that modes of nature so that in next life he will become a fish. He'll be very free to dance with the ocean. (laughter) Now it will take again millions of years to come to the stage of human being. Jalajā nava-lakṣāṇi sthāvarā lakṣa-viṁśati. He has to pass through the fish life. There are 900,000 different species of life. Then you again come to the land—you become trees, plants, and so on.

Lecture on SB 6.1.40 -- San Francisco, July 21, 1975:

That is the difference between our knowledge and Kṛṣṇa's knowledge, God's knowledge. That is called abhijña: He knows everything perfectly, without going to anyone else. Parāsya śaktir vividhaiva śrūyate svābhāvikī jñāna-bala-kriyā ca (Cc. Madhya 13.65, purport). This is the Vedic statement, that "The Absolute Truth is so perfect, He has got so many potencies, that everything is being done so perfectly." Just like one artist. If he wants to paint one picture, one flower, he has to give his attention is so many ways. He has to move the brush in such a way and take this color, different colors. It requires so many artistic sense and so much good sense, so many things. It does not come. One who is not artist, not painter, he cannot paint. So do you think this flower which is coming out daily in your garden in different colors and different smell and flavor, they are being done without any artistic sense? This is nonsense. There is sense. There is God's potency.

Lecture on SB 7.7.30-31 -- Mombassa, September 12, 1971:

And those who are yogis, those who are trying to find out the Absolute Truth within this body, they can realize up to Paramātmā. Brahmeti paramātmeti. And those who are on the highest planet, on the supreme platform of understanding, tattvataḥ, they realize that the Supreme Absolute Truth is the person, exactly a person like us.

Just like in the Bible it is said, "Man is made after the form of God." Not that God is made after the form of man. Somebody imagines that his formation of Kṛṣṇa is a painting of an artist who by imagination they have painted very nice form of Kṛṣṇa, very good-looking. No, that's not the fact. Kṛṣṇa is originally vibhus(?) Śyāmasundara. We get this information from Brahma-saṁhitā.

Lecture on SB 7.9.8 -- Hawaii, March 21, 1969:

You are all qualified boys and girls, I see. But still, if we calculate impartially, what is the advantage? The advantage: hand to mouth. You earn in the morning and eat in the evening—finished. You see? Such qualified boys that... I take, for example, Gaurasundara. He is thoughtful. He is educated. He knows so many things, artist. But for livelihood he has to go early in the morning and come late in the evening. So what is the result? This is the way of materialistic life. Life means that they should not work. Working hard, very hard working, that is the animal's business. The animal should be engaged to work hard for feeding, whole day. Just like the cow is standing here, sometimes eating this, sometime eating that, sometime eating that. What is the business? Only business: to fill up the belly. That's all. But after all qualification, if one has to do the same thing just to fill up the belly, working twelve hours, fourteen hours, then what is this civilization? Has this civilization given the opportunity that "Oh, you have no more to work. Simply sit down, every, all comforts."

Nectar of Devotion Lectures

The Nectar of Devotion -- Vrndavana, October 17, 1972:

And because the whole universe is being carried on by the three modes of material nature, goodness, passion, ignorance... And there are mixture also. There are three: goodness, passion and ignorance. Just like there are three colors, yellow, red... (aside:) You stand on... You disturbing... Yellow, red and blue. And those who are artists, they mix with three colors and it becomes nine. And again, the nine into nine, it becomes eighty-one. In this way, all these divisions, different forms of living entities, they are being conducted under some modes of material nature, either pure or mixture. And therefore we find so many varieties. (aside:) Why don't you put...? Yes. So many varieties of living entities. 8,400,000 species of life, forms. 8,400,000.

Sri Caitanya-caritamrta Lectures

Lecture on CC Adi-lila 1.8 -- Mayapur, April 1, 1975:

There are two kṣatriya families, and still they claim, one from the sun-god, and one from the moon-god. Candra-vaṁśa, sūrya-vaṁśa. In this material world, there are two kṣatriya families. Kṣatriyas are meant for ruling over. So everything is stated in the Bhagavad-gītā. So you have to select ruler from these two dynasties. Actually. Imaṁ rājarṣayo viduḥ (BG 4.2). You have seen the picture drawn by our artists, that Kṛṣṇa is instructing the sun-god. Imaṁ vivasvate yogaṁ proktavān aham avyayam (BG 4.1). So Vaikuṇṭha-loka is there. There is no problem. But you can make this māyā-loka also Vaikuṇṭha-loka by spreading Kṛṣṇa consciousness, the same quality. Just like iron is iron, but you can make it fire. How? Simply putting it into the fire. Gradually, warm, warmer, then it becomes red hot. At that time, the iron is no longer iron; it is fire. Similarly, if you can propagate Kṛṣṇa consciousness constantly, then, by spreading this Kṛṣṇa consciousness movement, you can make the whole world Kṛṣṇa conscious, and then it will be Vaikuṇṭha.

Lecture on CC Madhya-lila 20.245-255 -- New York, December 16, 1966:

It is produced by the kriyā-śakti, by the active potency of God, kriyā-śakti. Jñāna-śakti: and there is such perfect knowledge that nobody can see any defect. You see a butterfly, how it is nicely painted. You just see duplicate in both the wings. Just like an artist paint nicely, it is painted. So we think it is coming out of nothing. This is our foolishness. Here is, that it is coming out of the jñāna-śakti. But His jñāna is so wide that simply by His desire, simply by His will, it can be executed. These are the things to be studied. Because we cannot see something before our eyes, that does not mean there is no existence. There is existence, but we do not know how one is working, how one is working. Svābhāvikī jñāna-bala-kriyā ca. Svābhāvikī jñāna-bala-kriyā.

Sri Brahma-samhita Lectures

Lecture on Brahma-samhita, Verse 32 Excerpt -- Los Angeles, August 14, 1972:

Then you are liberated. Simply by... You cannot understand Kṛṣṇa in full. He is unlimited; our knowledge is limited. But as far as you can, try to understand Kṛṣṇa. These are the items.

Aṅgāni yasya sakalendriya-vṛtti-manti (Bs. 5.32). Veṇuṁ kvaṇantam aravinda-dalāyatākṣam (Bs. 5.30). He is engaged in playing on flute. It is not artists' painting that Kṛṣṇa is painted as a very nice, beautiful young boy and He has got a flute. No. These are Vedic statement.

Lecture on Brahma-samhita, Lecture -- Bombay, January 3, 1973:

Saṅkarṣaṇa is expansion of Nārāyaṇa. Nārāyaṇa is expansion of another Saṅkarṣaṇa, and that Saṅkarṣaṇa is expansion of Baladeva. And Baladeva is expansion of Kṛṣṇa. You'll find in the śāstras. Therefore Kṛṣṇa is the original person. Govindam ādi-puruṣam tam ahaṁ bhajāmi **. It is not that some artist has manufactured a fashionable Kṛṣṇa, and we worship that. No. Kṛṣṇa's the original person. We find it, description, in the Saṁhitās, in the Vedas, in the Ṛg Veda: oṁ tad viṣṇoḥ paramaṁ padaṁ sadā paśyanti sūrayaḥ. And the explanation of Vedānta-sūtra, Śrīmad-Bhāgavatam, there it is explained: janmādy asya yataḥ (SB 1.1.1). Because Vedānta-sūtra begins with this aphorism: janmādy asya yataḥ.

Arrival Addresses and Talks

Arrival Talk in Room -- Mayapur, March 23, 1975:

Prabhupāda: No. (laughs) Better than Illustrated Weekly. I thought of getting some help from artist. For painting picture, I will dictate, and they will paint picture. Now Kṛṣṇa has got lots of artists. So depend on Kṛṣṇa. He can do everything. Kṛṣṇa-Balarāma. This new catalogue you have seen? They have made nice catalogue, Rāmeśvara prabhu. Rāmeśvara prabhu is very competent manager of the BBT.

Jayatīrtha: Yes, he's first class.

Prabhupāda: Yes. And he works very hard. That is his qualification. What is the news of our Karandhara prabhu? He's not coming?

General Lectures

Lecture -- Seattle, October 11, 1968:

And Vedic literature informs that He's a person like you and me. And your Bible also says that man is made after God. Not that God is made after man. Your feature, your two hands, two legs, one head, nice eyes, nice face, everything, this is imitation of God's feature. Therefore man is made after God. Not that because we have got two hands, two legs, or one head, therefore artists have imagined a God like us. No. Actually, this version of Bible is truth. Any scripture, there is truth. So the Vedic literatures also say that He is the supreme living entity above all other living entities, every individual living entity. The Bhagavad-gītā, most of you might have seen Bhagavad-gītā. It is clearly stated in the Second Chapter when Kṛṣṇa, or the Supreme Personality of Godhead, was explaining Arjuna, He said that "Yourself, Myself, and all these people, or the soldiers or the kings who have assembled here, they were individuals in the past, they are individuals at present, and they'll continue individuals in the future."

Lecture -- Montreal, October 26, 1968:

So in this way these qualities are mixed up, colors. Just like three colors, blue, red and yellow. You mix and you produce multi-colors. If you are expert in color mixing... All these picture, whatever you are seeing, there are only three colors—blue, red and yellow—and you mix, varieties of color. Those who are artists, they know it very well. Similarly, these three qualities, three colors. The yellow is sattva-guṇa and the blue is the tamo-guṇa and the red is rajo-guṇa. These colors, they are representation of these three modes of material nature. Redness means passion, and blue, black, that means ignorance, and yellow, yellow is goodness. Therefore you see Kṛṣṇa and all others, they're in yellow dress. Of course in the spiritual world there is no such distinction. There is variety, but there is no inebriety. That is spiritual world.

Lecture 'Nobody Wants to Die' -- Boston, May 7, 1968:

Now, are we in that position that we have nothing to do? Oh, if you do not work I cannot eat even. The whole function is stopped. But the definition is na tasya kāryaṁ kāraṇaṁ ca vidyate. Now, take for example this beautiful flower. This beautiful flower, you have to accept there is a great brain behind this beauty. Because here we have got so many artists. When they draw picture, oh, how nicely they apply their brain, their painting, everything, then... But that beauty is not as beautiful as this flower. If ordinary beauty painted by a, an artist, it takes so much time and labor, do you think that this beauty is done automatically? What is the explanation? This is nonsense, that there is no brain behind it. There is. That is the brain of God. That is explained: na tasya kāryaṁ kāraṇaṁ ca vidyate. Although it is so beautifully done, but He has nothing to do. How? Parāsya śaktir vividhaiva śruyate (Cc. Madhya 13.65, purport). His energy is so powerful that svābhāvikī jñāna-bala-kriyā ca: everything is coming out as natural product, energy. Just like so many things happening in your body.

Lecture at Art Gallery -- Auckland, April 16, 1972:

I thank you very much for your coming here and giving us a chance to speak about the absolute artist. Kṛṣṇa's name is Naṭabara, Naṭabara. Naṭabara means the greatest dramatic dancer. And another, His name, is Naṭo nāṭyadharo yathā. He is dancing in such a nice way that He (is) attracting everyone. So in the Vedas it is said about Kṛṣṇa how great artist He is. Na tasya kāryaṁ kāraṇaṁ ca vidyate. The Absolute Personality of Godhead, He has nothing to do personally. Na tasya kāryaṁ kāraṇaṁ ca vidyate. Kāryam means work. He hasn't got to perform any work, although He is the greatest worker. Na tasya kāryaṁ kāraṇaṁ ca vidyate na tasya samaḥ adhikaś ca dṛśyate. And nobody is found greater than Him or equal to Him. In this world every one of us, we know that "Somebody is lower than me, somebody is greater than me, and somebody is equal to me." That is our experience.

Lecture at Art Gallery -- Auckland, April 16, 1972:

Na tasya kāryaṁ kāraṇaṁ ca vidyate. Parāsya śaktir vividhaiva śrūyate (Cc. Madhya 13.65, purport). "His energies are multi, multifarious, various kinds of energy." And the energies are working so nicely as if, svābhāvikī jñāna-bala-kriyā ca, natural gift, knowledge, art, svā bala-kriyā, and strength. Svābhāvikī jñāna-bala-kriyā. Just like you are artist. You are painting one picture, one flower, very nice flower. You have to take your brush, the color and the plate, so many things, and you are taxing your brain, how to make it beautiful. But you see one rose flower in the garden. Not only one rose flower, many millions of rose flowers, they are coming out very artistically painted. But when we ask, the answer is that "It is nature." But if we go deep into the matter, what is this nature? Nature means a working instrument, that's all, an energy. That is nature. There is energy or śakti, energy, power. There is power. Without power, how the rose flower is coming to beautiful shape from the bud? There is power.

Lecture at Art Gallery -- Auckland, April 16, 1972:

Nothing comes out automatically. It is coming out of the energy of the Supreme Lord, but the energies are so subtle, nice and artistic that all of a sudden you see a nice flower.

So He is the greatest artist. Just like nowadays, the electronic age, the artist or the scientist just pushing on one button and it is working so nicely. Nowadays it is very easy to understand. In the aeroplane the pilot is simply pushing on button, and such a huge machine, just like a small city, it is flying in the sky, and the wings are working, the machine is working. But we see that a person is simply pushing some button. As it is materially possible, that a man of this world can work so wonderfully simply by pushing some button, so how much great is God, or Kṛṣṇa—"God is great"—how His brain is fertile, how energies are fine, that simply by His desire, "Let there be creation," immediately everything is there. So that is the greatest artist.

Lecture at Art Gallery -- Auckland, April 16, 1972:

Not only a big banyan tree, but also many millions of big fruits, and within each fruit there are millions of seeds, and each seed contains the potency of another tree.

So where is your science in that way? Where is that artist within this material world? Where is that pleasure of that artistic work? These things should be enquired. It is called athāto brahma jijñāsā. In the Vedānta-sūtra this is the first aphorism, that "In the human form of life these enquiries should be made. These studies should be made." This is a fact. You cannot manufacture such machine that automatically a rose flower is coming out. You cannot make a chemical combination or a tablet which contains a big banyan tree, automatically will come out. So don't you think there is need of artistic brain and scientific brain? If you simply say, "It is nature," that is not good explanation. But the Vedas gives us information, "No." Janmādy asya yataḥ: (SB 1.1.1)

Lecture at Art Gallery -- Auckland, April 16, 1972:

Not only spot, this one planet, but there are millions of planets. They are floating in the sky like swabs of cotton. So if we give so much credit to the artist who has manufactured this sputnik, how much credit we shall give to the person who has manufactured this arrangement? This is Kṛṣṇa consciousness, to appreciate the greatest artist. You are all artists, but when we appreciate the greatest artist, Kṛṣṇa, then our life is successful. Otherwise, whatever we are doing, it is said that we are being defeated unless we come to the point to appreciate the greatest artist who has created all this arrangement.

That appreciation we find in the prayers of Brahmā, Brahmā, who is the creator of this universe. So he is writing in appreciation of Govinda.

Lecture at Art Gallery -- Auckland, April 16, 1972:

So therefore the greatest art is to understand Kṛṣṇa. Greatest art. If we actually want to be artist, then we shall try to understand or try to be intimately associated with the greatest artist, Kṛṣṇa. For this purpose, this society is established. This Society's name is International Society for Kṛṣṇa Consciousness. The members of this Society are trained to see in everything the display of Kṛṣṇa's artistic sense. That is Kṛṣṇa consciousness. In everything the devotee sees the artistic hand of Kṛṣṇa. That is Kṛṣṇa consciousness. And actually that is so. Ahaṁ sarvasya prabhavo mattaḥ sarvaṁ pravartate (BG 10.8). Kṛṣṇa says in the Bhagavad-gītā that "Whatever you see, everything is emanation from Me." Ahaṁ sarvasya prabhavo mattaḥ sarvaṁ pravartate. "Everything comes out of My energy." Mattaḥ sarvaṁ pravartate. Everything. Iti matvā: one who understands this fact that Kṛṣṇa is the origin of everything, sarva-kāraṇa-kāraṇam... (Bs. 5.1).

Lecture at Art Gallery -- Auckland, April 16, 1972:

The īśvara... Kṛṣṇa is īśvara, supreme controller. Just like in your Institute there is a director who gives you direction, similarly, the supreme director, artist, is Kṛṣṇa. Īśvaraḥ paramaḥ. He is giving direction. Īśvara, controlling everything. Here in this material world we have got experience of a controller. Every one of us is a controller. You are controller, I am a controller. But above me there is another controller. And above that controller there is another controller, another, another controller. You go on searching out controller after controller. When you come to the supreme controller, that He is not controlled by everyone but He controls everyone, that is Kṛṣṇa. That is Kṛṣṇa. Īśvaraḥ paramaḥ kṛṣṇaḥ sac-cid-ānanda-vigrahaḥ (Bs. 5.1). This is our definition of God. God means controller. So everyone is controller. In that sense everyone is god.

Lecture at Art Gallery -- Auckland, April 16, 1972:

So it is not very astonishing if by 1980 there are majority population, chant Hare Kṛṣṇa and dance. There is no... Because it is growing. Now, here is a girl, my disciple. His (her) original name was Janne. Now he (she) is devotee. And she was dancing in a different way. Now she is dancing Kṛṣṇa conscious. She was a very reputed artist, you know, in Australia. Now she has given that. She was earning hundreds and thousands of dollars, but she has given up everything. Now she is Jagat-tarani: she is delivering the world by dancing with Kṛṣṇa consciousness. So that is quite possible. It is very simple. Therefore there is every possibility. Paraṁ dṛṣṭvā nivartate (BG 2.59). Paraṁ dṛṣṭvā nivartate. Paraṁ dṛṣṭvā, when one sees better thing, he gives up the inferior thing. That is nature. So this Kṛṣṇa consciousness movement is better engagement of life. So as soon as one understands this philosophy, he gives up the lower engagement and comes to this Kṛṣṇa consciousness.

Lecture -- Jakarta, February 27, 1973:

There are three qualities. (break) Therefore you do not find one kind of living entity, because there are three qualities, and again multiplied three by three, it becomes nine qualities, then again multiplied nine into nine, then it becomes eighty-one qualities. Just like an expert artist, he's using three colors: blue, red and yellow. You mix the colors and he will manifest thousands of colors, thousands of colors. So actually the basic position of this material world is the three qualities: sattva-guṇa, raja-guṇa, tamo-guṇa. Now they are mixed up. Here you cannot find out purely sattva-guṇa. Sattva-guṇa is the topmost quality in this material world. But here in the material world also, you cannot find pure sattva-guṇa. When you come to the pure state of sattva-guṇa, that is transcendental stage, spiritual life. Pure sattva-guṇa means there is no more attack by the other two guṇas. That is pure, śuddha-sattva. That is called śuddha-sattva, pure goodness. In that stage one can understand what is Kṛṣṇa.

Lecture -- Vrndavana, March 14, 1974:

The ordinary artists, they are very much fond of painting pictures that Kṛṣṇa is embracing Rādhārāṇī. They won't paint picture in the Kṛṣṇa consciousness that Kṛṣṇa is killing Kaṁsa. Kṛṣṇa has two business: paritrāṇāya sādhūnāṁ vināśāya ca duṣkṛtām (BG 4.8). So we should not try to understand Kṛṣṇa's love with the gopīs all of a sudden. It is very confidential. It is meant for the paramahaṁsas to understand. Let us understand Kṛṣṇa first of all. Of course, that is the aim, the higher understanding of Kṛṣṇa. Gopī-bhāva-rasāmṛtābdhi-laharī-kallola-magnau. But not all of a sudden. Try to understand Kṛṣṇa first. Therefore Vyāsadeva has compiled Śrīmad-Bhāgavatam, nine cantos to understand Kṛṣṇa, beginning from the First Canto, First Chapter, janmādy asya yataḥ (SB 1.1.1), Vedānta philosophy. Then he begins to write about Kṛṣṇa and Kṛṣṇa's activities on the Tenth Canto. One has to understand Kṛṣṇa by studying nine cantos.

Philosophy Discussions

Philosophy Discussion on Hegel:

Prabhupāda: Yes, not very much.

Śyāmasundara: Just a few more minutes and then it's finished. He says that art is a combination of spiritual content and sensuous form, that this is really art, that the artist should try to form spiritual content with these material...

Prabhupāda: That we are doing, whenever we are painting picture, art, music, we are praising Kṛṣṇa with it. Our music, our painting, our anything, we center Kṛṣṇa.

Śyāmasundara: He says that of all arts, that music and poetry are the highest.

Prabhupāda: Yes, so therefore we write, Vyāsadeva has written so many nice poetries in praise of Kṛṣṇa. Brahmā is writing, cintāmaṇi-prakara-sadmasu kalpa-vṛkṣa lakṣāvṛteṣu surabhīr abhipālayantam (Bs. 5.29). All sages, they write praise of Kṛṣṇa.

Philosophy Discussion on Henri Bergson:

Prabhupāda: Yes. Whatever it may be, but there must be some cause. (indistinct) the variety, these varieties are existing everywhere.

Śyāmasundara: He says that the life impulse moves through the universe, creates ever newer forms or varieties, just like an artist creates different paintings. But he says that that painting the artist creates becomes better than the previous one.

Prabhupāda: Yes, that you can say, evolution. That is evolution. Similarly, this living force is also coming through 8,400,000 species of life, so the next one is better than the last one. In this way they come to the human form, and from this human form they can become demigods or they can become as good as God. Just like Brahma, Brahmā is also a living entity. He is not in the Viṣṇu category, but still, Brahma's power, he can create this universe. God can create many universes, but he can create at least one universe. So it is not less powerful.

Philosophy Discussion on Henri Bergson:

Prabhupāda: So this can be utilized. Suppose an artist is trying to improve this building. So if he takes instruction from an experienced artist how to improve, then it becomes easier, and if he tries himself, it takes long, long time. He should take the artistic idea from a person who is perfect in artistic idea, then his work will make progress very swiftly. Otherwise he is already imperfect, he may think "This is better," but it may not be better because he is imperfect. So he has to take instruction from a perfect person, then the progress will be very swift. (break)

Hayagrīva: Well, this can be taken from the individual point of view or from the idea that God is the architect of the universe. But according to the system of yugas, there is a greater harmony in the beginning, and as the universe winds down, this harmony disintegrates-Tretā-, Dvāpara-, and Kali-yuga. Yet there's a plan.

Philosophy Discussion on Arthur Schopenhauer:

Prabhupāda: And that is not possible. This is, this is simply a lack of knowledge. Just like the same philosophy, if there is danger before me I cannot protect me from the danger, I simply close my eyes, "Ahh. There is no danger." It is like that. The danger remains there. He thinks by closing the eyes, he thinks, "Now I am out of danger". That is his foolishness. You know? The small animal, rabbits or monkeys, they close the eyes. There was..., I do not know, I heard that there was an artistic competition, prize distribution, that one has to paint a picture, that the..., before the mother the son is being killed. So the artist has to paint the facial expression of the mother. So, so many artists paint so many ways. And one artist painted the mother closed the eyes. He got the first prize. Because this kind of suffering cannot be expressed. The best thing is closed.