Go to Vanipedia | Go to Vanisource | Go to Vanimedia


Vaniquotes - the compiled essence of Vedic knowledge


Artist (Conversations)

Conversations and Morning Walks

1968 Conversations and Morning Walks

Interview -- February 1, 1968, Los Angeles:

Interviewer: Could I ask for a spelling on those?

Prabhupāda: Sannyā... Yes, brahmacārī: b-r-a-h-m-a-c-h-a-r-y, this is brahmacārī. Then gṛhastha: g-r-i-h-a-s-t-h-a, gṛhastha. H-a-s-t-h-a, gṛhastha. G-r-i-h-a-s-t-h-a. Is that clear? Gṛhastha. Then vānaprastha: v-a-n-a-p-r-a-s-t-h-a, vānaprastha. Then sannyāsī: s-n-n-y-a-s-i, sannyāsī. Four divisions. These four divisions, and there are other four orders of social system. That is according to work, division according to work and quality. Just like the brāhmaṇas, b-r-a-h-m-a-i-n-s, brāhmaṇas. Brāhmaṇas means the most intelligent class of the society. The kṣatriyas, k-s-h-a-t-r-y-a-s, kṣatriyas. Kṣatriyas means persons who are interested in politics, in the management of the country, political affairs. They are called kṣatriyas. Similarly, there is the vaiśyas, v-a-i-s-y-a-s. Vaiśyas means the mercantile, productive class. Those who are engaged in producing grains or trade, milk, and in industry. Of course, industry, artisans, they are called, artists, śūdras. Anyway, any person engaged in producing for the needs of the society, they are called vaiśyas. And the worker class is called śūdra. So according to Vedic system, these are eight divisions. Unless the human society is divided into these eight divisions in terms of material and spiritual progress of life, that is not accepted as human society.

1971 Conversations and Morning Walks

Room Conversation -- August 14, 1971, London:

Sister Mary: So we believe that the holy spirit empowers artists and composers. And therefore we would say that a symphony was a creation of God.

Prabhupāda: Yes. Creation... In everything there is hand of God. Therefore one who has learned to see everything in connection with God, he sees God everywhere, every moment. (knock) Yes? Premāñjana-cchurita-bhakti-vilocanena santaḥ sadaiva hṛdayeṣu vilokayanti. Premāñjana cchurita (Bs. 5.38). When one has developed love of God, he sees God everywhere, always. Because everything is creation of God; so he can find out, "Here is my Lord. Here is my Lord. Here is my Lord." That is the highest state of loving God. He cannot see anything without connection of God.

1972 Conversations and Morning Walks

Room Conversations -- April 22, 1972, Japan:

Prabhupāda: Temple must have. Even ordinary gṛhastha. That is Vedic civilization, not that we cook for ourself, for my husband, for my wife and children, eat it sumptuously and go to bed. No. Even gṛhastha, he should be always prepared to receive guest. Yes. And even a guest comes, your enemy, you should receive him in such a nice way that he will forget that you are all enemies. Gṛhe śatrum api prāptaṁ viśvastam akutobhayam. This is Vedic civilization, not that "Beware of dog. Please don't enter here. You are forbidden to come here. And if you come, I shall shoot you." Sometimes they do that. This is not human civilization. It is cats' and dogs' civilization. So actually we are teaching what is human civilization. But we must be also like human being, not cats and dogs. Otherwise how can you teach? If I am like cats and dogs, I cannot criticize others as cats and dogs. I must be first of all human being. Then I shall teach others how to become human being. I must become first of all devotee. Then I shall request others to become devotee. Āpani ācari jīve śikhāilā bhakti. First behave yourself perfectly; then teach others to become perfect. That is preacher. Now we are selling The Process of Creation but if I do not know what is the process of creation, we do not read, if you go to sell some book, then if he says, "What is the process of creation? You explain," and if you say, "All right, let me consult my book..." Kuto gata vedyaḥ para-hasta-gataṁ dhānam. Para-hasta-gataṁ dhānam means, "I have got enough wealth." "Where it is?" "It is in other hands. It is not in my possession, in others' possession." This kind of possessing wealth has no value. Similarly, when somebody asks you some question, if you say, "Let me consult my book," that knowledge has no value. "Let me consult my book." So all these books are there. You see one śloka studying, knowing. It takes one hour. So there are millions of ślokas. How much you have to study. So these things are to be noted. This Kṛṣṇa consciousness movement means perfection, all round perfection. Then people will much appreciate. There is no doubt about it. And we can go anywhere, everywhere, because we are pure. We are giving the right thing. So is there any artist here who can draw? You can?

Morning Walk -- June 29, 1972, San Diego:

Prabhupāda: Yes.

Ātreya Ṛṣi: It's a very beautiful spot.

Prabhupāda: Bombay.

Ātreya Ṛṣi: Like Bombay. Such an idea, it would be very nice here for all the rich, artists, intelligent people, everybody to come and rest and learn Kṛṣṇa consciousness.

Prabhupāda: Let them learn there and implement the idea here. The whole city, whole country will be glorified.

Ātreya Ṛṣi: Jaya. We need to have more cow protection.

Prabhupāda: Yes.

Ātreya Ṛṣi: On the West Coast, it would be very nice if we had some cow protection.

Prabhupāda: These people must stop this cow killing, the greatest sin. They should divert their tendency for happiness differently than by killing and drinking.

Room Conversation -- July 4, 1972, New York:

Devotee (9): So the..., our business is to present it in such a way that people will...

Prabhupāda: Yes, people will understand it is reality, not sentiment or fictitious. Because they have been instructed by rascals that all these Vedic literatures, they are allegories. Or, how do they call it?

Devotees: Mythology.

Prabhupāda: Mythology. So we are presenting facts, not mythology. That should be the spirit of all our artists and philosophy, writing. (devotees pay obeisances and leave)

Devotee (10): A brush.

Prabhupāda: No soap?

Devotee (10): I don't think so, it's too hard, metal

Prabhupāda: What?

1973 Conversations and Morning Walks

Room Conversation with David Wynne, Sculptor -- July 9, 1973, London:

Śyāmasundara: ...and something to wash hands in. (door closes)

Prabhupāda: No, he's bringing. You can take.

Śyāmasundara: David has said that he would like to spend some time, a day or something, making also your form into stone. Is that...? Or into some metal. Is that all right?

Prabhupāda: Well, what I am? I am insignificant. I have no objection. Our, some of our artists may paint this picture. I liked it very much. (Probably speaking of picture of Ratha cart in the Guardian newspaper)

Śyāmasundara: It's a very good photo.

Mukunda: It was taken in such a way so that the cart looks like it is almost as tall as Nelson's Column. Fish-eye lens.

Śyāmasundara: Very clever person who has thought up this idea.

Prabhupāda: No other publication?

Śyāmasundara: I didn't see the newspapers today. I saw two or three, but on Sunday the reporters do not work. So if they were reporters coming, they came outside of their work hours. Some... I heard on television last night, though, there was a half hour program.

Prabhupāda: Oh.

Room Conversation with David Wynne, Sculptor -- July 9, 1973, London:

Prabhupāda: Yes. Creation means the Creator. Just like when I see the picture of so many sculptor. So who has done it? I come to David. To appreciate the creation means you have to come to the point, appreciating the Creator. Otherwise, it is not finished. Or your knowledge is imperfect still. So these scientists, they are simply trying to study the creation. They have no knowledge about the Creator. That is the defect. Neither do they try, neither they can understand. They are so foolish and poor fund of knowledge. They should try to understand the Creator also. Then the knowledge is perfect. Just like the scientists, they are theorizing that life began from matter, chemicals. But wherefrom the chemicals came? That is insufficient knowledge. They say, "Chemicals existed." Now, we have no such experience... Just like we ate some purīs. Purīs had to be created. Not that existed. It is existing, but when I require, I have to create it. The crude example. The chemicals, wherefrom the chemicals came? That is answered in the Bhagavad-gītā. In this way you have to study. Simply to study the creation, that is imperfect knowledge. When you come to the Creator, then it is perfect. Just like if you see simply his sculptures, so many things, that is not perfect knowledge. Why this book is "David Wynne"? Now, you go to the creator. And ...the all appreciation is there, credit is given there. That is perfect. Otherwise, you see, so many stones are there, figures are there. But when you study that "This is the creation of such and such artist, sculptor, and he's such and such," then that is perfect. Study him.

Room Conversation with David Wynne, Sculptor -- July 9, 1973, London:

Prabhupāda: No.

David Wynne: No.

Prabhupāda: You have to penetrate. You have to understand who has created this universe.

David Wynne: Yes. Yes. But if a great artist was no longer alive, people would still appreciate...

Prabhupāda: No, but the God is not like that, no longer alive.

David Wynne: No, but that's what I mean. The analogy falls down there, doesn't it.

Prabhupāda: God is not like that.

Śyāmasundara: But you're saying that it's better to first penetrate and understand God.

Prabhupāda: Yes.

Śyāmasundara: Then understand the universe.

Prabhupāda: Yes. That is perfect knowledge.

Room Conversation with David Wynne, Sculptor -- July 9, 1973, London:

Śyāmasundara: Just studying one small part of God's creation...

Prabhupāda: Oh, yes.

Śyāmasundara: ...is, is...

Prabhupāda: You see how nicely God has created this flower. How nice artist he is, how he has put the color exactly to the same point. So there is no hand? This is foolishness. It is going on. There is hand of God, but how His hand is working we do not know. That is explained in the Vedas: parāsya śaktir vividhaiva śrūyate (Cc. Madhya 13.65, purport). He has got so subtle power that it is working, but we are seeing that it is automatically being done. But He's working. He's working. Just like we work. To paint one flower, we require a brush, color and so many things. Similarly He also requires. But His requirement are supplied so quickly that we see, "It is being automatically done." That is the... Because He's so perfect and unlimited that His working capacity we cannot follow. These are explained in the Upaniṣads, that God has no leg, but He can go so fast that nobody can compete with Him. These are the statements the Upaniṣads, that He goes so fast that nobody can compete with Him, nobody can go with Him. That is God's energy. So when it is said, "God has no leg," that means He has no this imperfect leg. He has go..., He has got so perfect leg that nobody can walk with Him. This is the idea. Not that God has no leg. He has got leg, but not this rascal leg. After walking three miles, that's all, finished. (laughter) Not like that. Not like that. Paśyaty acakṣuḥ. He sees, but he has no eyes. These are the statements in the Vedas. He has no eyes... Just like we have got eyes, but we cannot see beyond this wall. But He can see everyone's heart, what he is thinking, what he is doing, everything. You cannot hide anything from His seeing. Paśyati. That is, that is His seeing. Paśyaty acakṣuḥ. As soon as we hear something "seeing," immediately understand the relative term that one must have eyes to see. Then when the Vedas says acakṣuḥ, immediately warns that "Don't think God has got eyes like you." Because as soon as we think of eyes, we think of our eyes. We cannot think that there can be eyes which can penetrate everywhere. We cannot think of that. And therefore they become impersonalists. Because we rascals, when we think of God's personality, we think of our personality. "So we are imperfect. Therefore, how God can be person? He must be just opposite." Imperfect knowledge. They cannot think, these impersonalists, that God is person but all His bodily construction is perfect, sac-cid-ānanda-vigrahaḥ. Īśvaraḥ paramaḥ kṛṣṇaḥ sac-cid-ānanda-vigrahaḥ (Bs. 5.1). That Him they cannot think. That means poor fund of knowledge. The impersonalist cannot think that having eyes, how one can see everything all at a time, past, present and future. But that is impossible by us because we have got imperfect eyes. Therefore they conclude, "No eyes. He must be without eyes." Imperfect knowledge.

Room Conversation -- September 1, 1973, London:

Prabhupāda: That there is no brain behind this creation. How foolish they are. There is no brain in this artistic work. And how wonderfully, because it is automatically coming, artist. Anything, you take flower. So, without brain how this thing can happen? But these rascals they do not understand. They say nature. What is this nature? Nature is an instrument, but the brain is God. Just like you paint a flower with the brush. The brush is not the creator of that painting, you are creating. Similarly, it appears that it is happening naturally. Nature is only brush, but the brain is God.

Morning Walk -- December 15, 1973, Los Angeles:

Prabhupāda: (laughing) It is not like that, but we can say, wherever Kṛṣṇa topics are there, it is as good as Vaikuṇṭha or Vṛndāvana. (break) ...prasaṅgān mama vīrya-saṁvido bhavanti hṛt-karṇa-rasāyanāḥ kathāḥ. By association, bodhayantaḥ parasparam. These things are there in the Bhagavad-gītā. (break) ...enjoy and be satisfied in the association of devotees. (break) ...article on the subject of "Kṛṣṇa, the supreme scientist," and let us publish it. That article is very nice. If he writes such articles, the conclusion, if Kṛṣṇa, the supreme scientist, Kṛṣṇa, the supreme economist, Kṛṣṇa, the supreme philosopher, Kṛṣṇa, the supreme chemist, Kṛṣṇa—everything, the conclusion is Supreme, Kṛṣṇa—then his activity is fulfilled. He becomes successful. The conclusion should be Kṛṣṇa. That's it. Whatever he may be. He may be a musician, he may be artist, he may be physicist, he may be chemist, he may be scientist—whatever he may be, if he writes article on the subject matter and concludes that Kṛṣṇa is the Supreme, then preach, then he is successful. That's all. Just like you are theologian. You write theology and prove, "Kṛṣṇa is the Supreme Lord." Then your attempt is successful. (break) We are trying to understand the Supreme, so therefore, as soon as you come to the Supreme, you are successful. (break) ...uttama-śloka-guṇānuvarṇanam. This is success. With your talent, you simply come to the conclusion that Kṛṣṇa is the Supreme. That's all. So our business is, because we are neither scientist nor musician, nothing of the sort, layman, we have simply said, "Kṛṣṇa Supreme." That's all. Never mind what I am. (break) ...janmanām ante jñānavān māṁ prapadyate.

1974 Conversations and Morning Walks

Morning Walk -- January 3, 1974, Los Angeles:

Karandhara: Jaya, Prabhupāda.

Prabhupāda: That placard, poster?

Karandhara: Prajāpati and I discussed it yesterday and we're trying to find an artist to do it.

Prajāpati: Nara-nārāyaṇa Prabhu's good wife is expert artist.

Prabhupāda: Ah.

Prajāpati: And she has... I guess she has agreed to...

Nara-nārāyaṇa: Yes.

Prabhupāda: Yes, she is very nice, good artist. Give her engagement like this.

Prajāpati: Maybe you could explain us a little more detail of the...

Prabhupāda: No, with very much detail it will be cumbrous. You... Symbolic representation.

Prajāpati: Those three figures in the center?

Prabhupāda: Yes.

Morning Walk -- January 23, 1974, Hawaii:

Passer-by: Good morning.

Prabhupāda: Good morning. (japa) (break) ...jñāna-bala-kriyā ca. How one bird or flower should be beautiful, nicely decorated? Kṛṣṇa gives His energy only a little and everything is there. Svā-bhāvikī jñāna... Just as if a very good artist has painted nicely. Svā-bhāvikī-jñāna-bala-kriyā ca. How to do it, that Kṛṣṇa knows. That is His inconceivable energy.

Sudāmā: So then like the sunset; that is also Kṛṣṇa's artistry?

Prabhupāda: Everywhere. (break) ...māṁ paśyati sarvatra sarvaṁ ca mayi paśyati. That is advancement of Kṛṣṇa consciousness: everywhere one sees Kṛṣṇa, and in Kṛṣṇa he sees everything. Therefore he sees Kṛṣṇa only. He sees nothing. And the atheist will say, "Where is Kṛṣṇa?" And advanced devotee will say, "Everywhere Kṛṣṇa, antar bahiḥ, inside and outside." Nato nāṭya dharo yathā (?).

Room Conversation -- February 9, 1974, Vrndavana:

Prabhupāda: Bob Dylan. He is as good as, or more than. He has asked one of my students, "Ask Prabhupāda, what can I do for him." He is reading my books. There is another Indian, Ravi Shankar, he also came. He also attracted.

Guest (1): He's also attracted.

Prabhupāda: Bombay (laughing), all the cinema artists, they're attracted with the movement. One, one that actress Vijaya?

Guru dāsa: Vaijayanti Mala.

Prabhupāda: Huh?

Guru dāsa: Vaijayanti Mala.

Prabhupāda: Vaijayanti.

Guest (1): Vaijayanti Mala. She's a very famous actress.

Prabhupāda: She's very nice girl, actually. (aside:) Namaskar. (Hindi) (break) (Hindi—break)My eldest son was born in 1921.

Morning Walk -- February 20, 1974, Bombay:

Prabhupāda: And, and the result of sukṛti, piety, is janmaiśvarya-śruta-śrī (SB 1.8.26). Janma, to take birth, to take birth in nice family. And aiśvarya, riches. And... Janmaiśvarya-śruta, education, and śrī, beauty. All these four things are in America. There every boy, every girl is nicely educated, qualified, artist.

Dr. Patel: That last hundred years' generation of America, very honest people.

Prabhupāda: Oh yes.

Dr. Patel: Extremely honest and extremely righteous. That is why the generation is good. This last hundred years...

Prabhupāda: Therefore they are taking to Kṛṣṇa consciousness.

Dr. Patel: ...we have been very fond of America. We have been taking great example of Americans during last hundred years. Now they have started degenerating. And that happens with everyone.

Prabhupāda: But the...

Dr. Patel: British degenerated; so they must degenerate.

Morning Walk 'Varnasrama College' -- March 14, 1974, Vrndavana:

Prabhupāda: That is a... That is the difficulty. All people are being drawn by giving them, I mean to say, attraction for high salary, and they are taking so-called technical education, and all of them working in the factory. Nobody's working on the field. They are śūdras. (break)

Hṛdayānanda: ...artist is accepted as a philosopher in life.

Prabhupāda: Eh?

Hṛdayānanda: In our society (break) ...accepted (break) ...as a philosopher.

Prabhupāda: Artist?

Hṛdayānanda: Yeah, the artist.

Prabhupāda: No, no. Artist is also business of the śūdra.

Hṛdayānanda: Yes, but in our... I'm saying, in modern society in America, they are considered... (break)

Prabhupāda: Nonsense philosophy. They do not know what is the meaning of philosophy.

Hṛdayānanda: Yes.

Morning Walk -- March 27, 1974, Bombay:

Prabhupāda: No, no, Jagat-tāriṇī?

Bhava-bhūti: Jagat-tāriṇī, yes.

Prabhupāda: Who...

Bhava-bhūti: And Bhūrijana.

Prabhupāda: He married Jagat-tāriṇī. She was a famous artist. So she came to me to surrender, that "I shall become your disciple."

Guest (1): The paintings which was...

Prabhupāda: Eh?

Guest (1): She was painting in that film?

Prabhupāda: No, no. She is another girl. She's Jadurāṇī. So this Jagat-tāriṇī, after some days, I asked her that "You go to Japan. There is my disciple, Bhūrijana. You go and marry him." So she did not see the boy, did not know anything about. And she was very rich. Still, on my order, she went to Japan and married that boy.

Room Conversation with Irish Poet, Desmond O'Grady -- May 23, 1974, Rome:

Yogeśvara: This we just recently published in German, a German edition. (Yogeśvara discusses books with O'Grady for a minute)

Bhagavān: All these books are illustrated by our artists in New York.

O'Grady: They illustrated this?

Bhagavān: Oh, yes, they are beautiful.

Bob Jackson(?): Some fantastic work. When you came to the house...

O'Grady: The text is in...

Bhagavān: There's original text in Bengali. This book is in Bengali.

O'Grady: And Sanskrit.

Bhagavān: Sanskrit, which Prabhupāda translates himself and gives the explanation and purport. Every night Śrīla Prabhupāda dictates into a dictaphone, and his secretaries type and edit. And then we have a press in New York which composes and prints.

O'Grady: It's a very nice edition, that Macmillan edition. Very nicely done.

Prabhupāda: Yes, they have fifth edition within two years. Five editions.

O'Grady: Five editions in two years.

Prabhupāda: Yes. And each time they print fifty thousand books.

Morning Walk -- June 2, 1974, Geneva:

Prabhupāda: ...vayasa-tīrtham. And the swan is considered to be the highest of the birds. Therefore it is called paramahaṁsa. Example is given to the haṁsa. Haṁsa means swan. Supreme haṁsa... French artists are famous all over the world. What is that famous artist's name?

Yogeśvara: Claude Monet?

Bhagavān: Picasso.

Yogeśvara: No, he's Spanish.

Devotee: Leonardo da Vinci.

Yogeśvara: He's Italian.

Prabhupāda: Yes. It is said that he was very poor man. So he painted in a fruitshop grapes.

Devotees: Cezanne.

Prabhupāda: Ah. So the crows came to pick up the grapes, and the king was passing, he picked up, "Oh, who is that artist?" He became rich man in association. No, I have seen in that hall. So first-class picture. I have never seen such nice picture. Exactly life.

Room Conversation with Professor Oliver La Combe Director of the Sorbonne University -- June 14, 1974, Paris:

Prabhupāda: Bhaumāsura, Bāṇāsura, Bāṇāsura. The picture, where is that picture, find out. Bāṇāsura. Bāṇāsura was appreciating, "Oh, very nice couple." But he had to challenge, "Why you have entered my palace and talking with my unmarried girl?"

Bhagavān: Yes. This is the Kṛṣṇa Book that Śrīla Prabhupāda has written. It is a summary of the Tenth Canto. And all these paintings, these are done by our artists in New York.

Professor La Combe: I'm afraid I should go now.

Jyotirmayī: Yes. Monsieur La Combe has a course.

Professor La Combe: Not a course, but a meeting. And as the traffic is rather thick now, it is better not to take a chance. I should not be late.

Prabhupāda: All right. Thank you very much.

Professor La Combe: Thank you very much.

Prabhupāda: Jaya Hare Kṛṣṇa.

Room Conversation with Professor Durckheim German Spiritual Writer -- June 19, 1974, Germany:

Prabhupāda: No. Pure consciousness is actually you are. Just like water. Water is pure. When it is comes from the sky, it is clear crystal water. But as soon as it touches the ground, it becomes muddy. Similarly, we soul, spirit soul, we are pure. As soon as we come in contact with this matter, material existence, we become impure. And there are three stages of impurity: goodness, passion and ignorance. So all of them are impure. Unless one comes to the spiritual consciousness—he may be a very nice man—he is infected with the impurity of goodness. He is thinking, "I am very big man, I am very..." That is also impurity. And another man does not know what he is, just like animal, all the animals. That is also impurity. When both of them will come to the clear consciousness that "I am part and parcel of God; my duty is to serve God," that is Kṛṣṇa consciousness. So long he identifies with this material consciousness, he is impure. Just like people are fighting: "I am German," "I am Englishman," "I am this," "I am that," "I am black," "I am white," "I am brāhmaṇa," "I am śūdra"—so many, designations. These designations are impurity. Just like sometimes the artists, they manufacture some statue naked. In France I saw, naked. They take it this naked statue is pure art, not dressed. Similarly, when you come to the nakedness of spirit soul without this designation of this body, "I am American," "I am German," "I am this," "I am that," that is purity.

Reporters Interview -- June 29, 1974, Melbourne:

Prabhupāda: That is painting. Suppose your painting is there. Can I not say that "Here is Mr. such and such?"

Guest (2): Yes.

Prabhupāda: Then what is the wrong there?

Guest (2): Well, the artist would have been looking at me to paint the picture of me.

Prabhupāda: No, no, your photograph is not yourself?

Guest (2): Yes it is.

Prabhupāda: Yes, similarly, it is Kṛṣṇa's painting. But the difference is that you cannot talk with your photograph, but we can talk with Kṛṣṇa's photograph. That is the difference.

Guest (2): But some of these pictures are slightly different. They show different...

Prabhupāda: No, no, on principle it is, as Kṛṣṇa's color is there, Kṛṣṇa's flute is there, Kṛṣṇa's peacock feather is there, these things... These are described in the śāstra. Veṇuṁ kvaṇantam aravinda-dalāyatākṣaṁ barhāvataṁ samasitāmbuda-sun... (Bs. 5.30). So Kṛṣṇa's... Suppose even a painting of yourself. One man paints a little different from your face. Another man paints. But on the whole, it is the same. In that way Kṛṣṇa is not depending on the painting but on the features of His description as it is in the śāstra. Kṛṣṇa's color is described there. Kṛṣṇa's peacock feather is described there. Kṛṣṇa's flute is there. Kṛṣṇa's ever eternal consort... Praṇaya-keli. In loving mood always, Kṛṣṇa... Praṇaya-keli-kalā-vilāsam. He's always in enjoying spirit. So we get idea. Idea of Kṛṣṇa and Kṛṣṇa being Absolute, the idea of Kṛṣṇa and Kṛṣṇa is nondifferent.

1975 Conversations and Morning Walks

Room Conversation with Yoga Student -- March 14, 1975, Iran:

Prabhupāda: Ether is perceived by sound, air is perceived by touch. Then... Ether, air... Then fire you can see by vision. And then next, water, you can taste, and the earth you can smell. These five senses are there to appreciate these five kinds of elements. All right. Hare Kṛṣṇa. (break)

Devotee: These are some of my friends here, Prabhupāda. This is Kani Faizal(?). He is a director, theater director, and artist. He wants to do a play now from the Śrīmad-Bhāgavatam, the story of Prahlāda Mahārāja.

Prabhupāda: Oh. Very good.

Devotee: This is Carlos. This is Ali. I don't know your name.

Maslud: Maslud.

Prabhupāda: So all cultural people. All cultural people.

Devotee: Yes.

Prabhupāda: Nice. Where is Atreya?

Devotee: He's coming.

Morning Walk -- April 2, 1975, Mayapur:

Prabhupāda: That's all right. But you cannot do this business. This is an art. Hundred years ago, people could not produce electricity by mixing two wire.

Pañcadraviḍa: Yes.

Prabhupāda: That is an art. It is artist's... What is called? Craftmanship. Hundred years, could not produce motor car. But that does not mean you have become God, you rascal.

Pañcadraviḍa: Well, isn't God just a craftsman also? He's just an...

Prabhupāda: Yes, He is everything. He's everything—but not a fool like you. That's all.

Madhudviṣa: Śrīla Prabhupāda, is there a jīva, is there a spirit soul in every sperm cell, or does that...? Does the spirit soul only come to a particular sperm cell, or is there one in every sperm cell, and the condition isn't right, so then it dies before, I mean, it leaves before it actually forms a body?

Prabhupāda: Yes. The sperm, generally in every sperm there is spirit soul. But sometimes we put checks. The contraceptive method means putting check. Just like you pollute the milk. Then it loses his strength. So similarly, there are other circumstances which checks the sperm to inject soul. (Break) ...exposing themselves that they are rascal number one. That's all.

Morning Walk -- April 6, 1975, Mayapur:

Pañcadraviḍa: Now the scientists...

Prabhupāda: Anything nonsense you do, that is scientific, artist.

Pañcadraviḍa: Now the scientists have another plan for changing all the plastic to eatable foodstuffs.

Prabhupāda: No.

Pañcadraviḍa: There's something they put on the plastic so you can now eat it.

Prabhupāda: Yes. Just like the Germans, they extracted fat from stool. And that was used as butter. This is scientific. They'll have to eat stool even. They have eaten. In the last war, concentration camp, they have eaten their own stool. There was no food. So nature will punish them in that way. They'll eat everything. This godless civilization will lead people to such condition of life. Kadharya bhakṣaṇa kare, tara janma adho pate yaya. This life they will eat everything, all nonsense thing, and next life they become pig, cats, dogs. That's all. This will be.

Evening Discussion -- May 6, 1975, Perth:

Prabhupāda: 8:30?

Paramahaṁsa: Usually people don't have a very clear idea of what spiritual life is. So when they see someone who is a good musician or a good artist or something like that, sometimes they automatically think, "Oh, he must be spiritual, because he is so good at this. No one else can do it. He must be some spiritual power." So therefore someone like Ravi Shankar, a lot of people either they become envious or they worship him as being an incarnation or something like that.

Prabhupāda: That is also stated, yad yad vibhūtimat sattvaṁ.

Paramahaṁsa:

yad yad vibhūtimat sattvaṁ
śrīmad ūrjitam eva vā
tat tad evāvagaccha tvaṁ
mama tejo 'ṁśa-sambhavam

"Know that all beautiful, glorious, and mighty creations spring from but a spark of My splendor."

Devotees: Hare Kṛṣṇa. (offer obeisances) (end)

Morning Walk -- May 16, 1975, Perth:

Prabhupāda: Yes.

Paramahaṁsa: The Greeks say that they built their buildings... They hired some very big men called cyclopses, big giants. And they came and built all the buildings.

Prabhupāda: Yes. And such stories are in Mahābhārata also. The demons were engaged, giants and demons, for construction. Yes. And they were very good artist, how to do it. Now we employ the first-class men, so-called first-class engineering, but they were meant for the demons and giants. Yes.

Paramahaṁsa: Well, that explains how they built such fantastic temples and palaces.

Prabhupāda: Yes.

Amogha: Some people say, "Why don't we see any giants any more today?"

Prabhupāda: Yes. In the Africa, there were many giants, very high, very strong.

Devotee (1):. Where is that?

Paramahaṁsa: In Africa some of the natives, very big, eight feet tall.

Morning Walk -- June 30, 1975, Denver:

Prabhupāda: You have seen it?

Sudāmā: Yes.

Prabhupāda: Picking up food. (break)

Satsvarūpa: ...got another report from that national library convention. They have a big sign that the artist has made and it says, "The Bhaktivedanta Book Trust, the World's Largest Publisher and Distributor of Books in the Philosophy, Religion, and Culture of India." Has that on their booth. And many professors and librarians come. They have given out four hundred catalogues. Mostly they don't buy on the spot. They take this catalogue back to their library. And they're from all over the country. From every part of the country they go there.

Prabhupāda: So catalogues being distributed.

Satsvarūpa: Yes. They're taking them. Then they take them back and check them off. And the librarians are saying, as soon as they see our booth, they say, "Any books on India and yoga and meditation, there's a great demand for them. Many young people want to read about."

Prabhupāda: But we have got the largest number of books.

Morning Walk -- July 12, 1975, Philadelphia:

Prabhupāda: ...already very much attraction for this material world. That is called māyā. And when we are involved with these things, material prosperity, then we become more involved. On account of our material attachment, we are getting repetition of birth and death in different forms of life, and these attractions are making us more and more involved. māyāra vaibhava. People are becoming illusioned, "I am American. My country is so rich. I shall live here." But you cannot live. He is preparing for another body. So therefore Bhaktivinoda Ṭhākura says, anitya soṁsāre, moha janamiya, jība ke karaye gadha. Anityad means we shall not be able to stay. Unnecessarily, we are becoming involved in this material world. Now, those who built up this nation, where they have gone, nobody can say. Because after this body is fallen, where he is being carried, nobody knows. He is carried by his work, fruitive activities. Therefore they do not believe next life. Finished. (break) ...gentleman, he was very well known, brother of Rabindranath Tagore. Rabindranath Tagore was poet, and he was artist, Abanindranath Tagore. In our childhood, in a meeting, he said that "Why should we bother about the next life? Let us enjoy this life." I remember that. Most people think like that. Carvāka Muni advised like that. Ṛṇaṁ kṛtvā ghṛtaṁ pibet. "Just enjoy life." "I have no money to enjoy." "Beg, borrow or steal. Bring money. Purchase ghee." "I will have to pay." "Ah! Why do you think like that?" "Then next life I will suffer." "Don't think like that. Your body will be finished. Who is coming here again?" What is that tower?

Car Conversation -- August 3, 1975, Detroit:

Brahmānanda: Solzhenitsyn. Did you see him when you went to Moscow? Śyāmasundara was saying.

Prabhupāda: No. There was proposal.

Brahmānanda: He talks so much, Śyāmasundara. He told a whole story, that you went outside Moscow to some colony, artist colony. He was living there.

Prabhupāda: I think Śyāmasundara went to see him.

Brahmānanda: Oh. Anyway, he came to America, but President Ford refused to see him.

Prabhupāda: Ācchā?

Brahmānanda: Because he was afraid. He was advised by Kissinger that "If you see him, then the Russian leaders, they will become angry upon you." So he refused to see him. So this received a great deal of criticism in America, that "We are for freedom and here he is coming, freedom fighter, and you refused to see him simply to pacify the Russian leaders." (break)

Prabhupāda: ...was a fault?

Satsvarūpa: His fault is that he spoke out against the whole Russian...

Brahmānanda: He speaks very strongly, condemns the Russian system.

Prabhupāda: Yes. Russian, it is terrorism.

Morning Walk -- November 19, 1975, Bombay:

Yaśomatī-nandana: Yes. They must use.

Prabhupāda: They are taking chemicals, making flavor, and the flower is coming out without any chemical. So who is more artist, better artist?

Brahmānanda: (break) ...because they will wilt and die.

Prabhupāda: Hm?

Brahmānanda: These flowers, they will wilt and die, but they can make flowers that will not die, will not wilt. (laughter) Of course, they have no smell.

Prabhupāda: Therefore they make without smell. (break) ...earth is this side and moon is this side, then which is first? Both of them are both sides.

Brahmānanda: Yes. The sun is larger in the sky, so that means it is nearer to the earth?

Prabhupāda: Yes. Should be. Because you calculate about the stars, very, very far away. Is it not?

Brahmānanda: Oh, yes.

1976 Conversations and Morning Walks

Morning Walk -- February 19, 1976, Mayapura:

Acyutānanda: But they have taken material from the already created, and here's without factory it's made.

Prabhupāda: If you ask for an artist to...

Acyutānanda: But there's no seed in the plastic flower, no seeds to create more.

Prabhupāda: Yes. Yes.

Acyutānanda: The scient... There was a scientific law called Heisenberg's Law of Uncertainty that—'cause this Heisenberg just died, so they wrote his philosophy—that you cannot observe anything and give a conclusive answer to anything that was uncertain. No one can make a decisive statement...

Prabhupāda: So why you are giving this conclusive answer? Why he is giving?

Acyutānanda: No.

Prabhupāda: This is conclu...

Acyutānanda: All he's saying is like what Socrates..., "I only know that I don't know."

Hari-śauri: In other words, he's in ignorance.

Prabhupāda: Yes.

Morning Walk -- March 22, 1976, Mayapura:

Prabhupāda: Jaya!

Children: Jaya Śrīla Prabhupāda! Jaya Prabhupāda! Jaya Prabhupāda!

Prabhupāda: Jaya!

Children: Jaya Śrīla Prabhupāda! Hari bol!

Prabhupāda: Hari bol! So where is the artist for painting?

Devotee: (indistinct)

Prabhupāda: Photograph?

Devotee: Yes.

Prabhupāda: Hare Kṛṣṇa. Jaya. Hare Kṛṣṇa. (break) Make the bullock cart an international. They'll be surprised. Hare Kṛṣṇa. Bhakti kaile sarva-karma kṛta haya. We must be always convinced that if we simply take up the knowledge given by Kṛṣṇa, then you are perfect. That's all. If little success is there for me than other swamis and yogis, it is due to my conviction on this point. I never compromised with anything which is not spoken by Kṛṣṇa. Did you mark it or not?

Puṣṭa Kṛṣṇa: Yes.

Morning Walk -- May 12, 1976, Honolulu:

...intelligent way of defeating so-called scientists. (break)

Puṣṭa Kṛṣṇa: You are asking us to make solution...

Prabhupāda: That is my problem. If anyone can solve this problem, I will call him scientist. That is everyone's problem. The artists, they are trying to remain young, especially the ladies. And still, the scientist cannot stop this, that "No more becoming old, old." Then where is your improvement? You have invented some cosmetic. You apply it, and your, what is called, hollow cheek will be swollen up.

Puṣṭa Kṛṣṇa: Prabhupāda, in London recently, just like they have plastic grass, they have plastic trees, they have a plastic woman.

Prabhupāda: That is all right, but the plastic woman will not satisfy me.

Rādhāvallabha: They have operations.

Prabhupāda: Simply rascals, that's all. Better not to talk with, that "You are rascal number one. I don't want to waste my time. When you make solution of these problems, then we shall talk. Now go on researching and befool your followers that in future you'll get." That's all.

Morning Walk -- May 30, 1976, Honolulu:

Prabhupāda: The thing is, father and mother is always kind. That is natural. Extraordinarily, the mother may kill. That is another thing. Crazy. But if somebody's coming to kill his child, mother gives protection: "First of all kill me." (break) So artistic competition, subject matter was that a child is being killed before the mother, and the artist has to give expression of the face. So different artists gave expression of the face of the mother when the child is being killed before her. So one artist made a picture like this. (holding hands over his eyes) He got the first prize.

Hari-śauri: She couldn't look.

Prabhupāda: He got the first prize. You cannot express what mother's feeling is. Best thing is not to see.

Devotee (5): That's the ah..... There are many famous paintings of Christ on the cross and his mother before..., his mother standing before the cross.

Prabhupāda: Yes. Mother cannot see it. Impossible. Better close the eyes. That is artist's realized. How a man can paint the expression of the mother, his child being killed. It is not possible. (break) Lesson by natures' study. Generally.... Generally means that is natural if one is under the protection of father and mother he must be happy. So why shall I give up the protection of father and mother? When my father is quite able, quite rich, and everything complete. Not that the poor father. (break) ...plainly declare, yoga-kṣemaṁ vahāmy aham. Teṣāṁ nityābhiyuktānāṁ yoga-kṣemaṁ vahāmy aham (BG 9.22). Practically see. I came to your country without any of these things. You saw. When I came to your country first, I had no center, no.... But who has provided all these hundred temples, big, big palaces, temples? Yoga-kṣemaṁ vahāmy aham (BG 9.22). To remain under the protection of Kṛṣṇa you get so much facility. Why not be grateful to Kṛṣṇa? (inaudible) ...and He has given me so many sons, so many houses, so many protection. Shall I not feel grateful? Is it not my duty? What is this nonsense? Kṛṣṇa gives everything, and "No, no, I don't believe in God. God is dead." All rascals. Who denies God, he is the lowest rascal, immediately. Mūḍha. (end)

Morning Walk -- June 14, 1976, Detroit:

Prabhupāda: So, that is favorable. (break)

Dhṛṣṭadyumna: ...so powerful, Śrīla Prabhupāda, that all over the country young men are running away from home. We have one fifteen-year-old boy, he left everything after getting a book in a parking lot. Another boy is a sculptor, an artist. He's also runaway, seventeen years old. Just like Raghunātha dāsa Gosvāmī, once he was attracted by Lord Caitanya's movement, nothing could keep him at home. So all the young men of America, as they read your books, will come and join us.

Prabhupāda: Our books are prescribed as textbook in Hamburg University.

Puṣṭa Kṛṣṇa: Eastern Berlin.

Prabhupāda: East Berlin. As Sanskrit text.

Devotees: Jaya.

Devotee (1): Śrīla Prabhupāda? When we're distributing on this program, we go to very small towns where people are not very much exposed to the degradedness of the big cities, and we're having great success with the people because they are a little more innocent. But we're having a problem with this other group that goes around, and they do saṅkīrtana just like us, but for māyā. And then when we go in the parking...

Prabhupāda: They chant Hare Kṛṣṇa?

Devotee (1): No.

Room Conversation -- June 18, 1976, Toronto:

Prabhupāda: She first of all came in London.

Puṣṭa Kṛṣṇa: She was piano player.

Prabhupāda: Anyway, they're artists. They're artists. They're not happy. Divorced. His mother is very gentle, I have seen. Father is also respectable man.

Puṣṭa Kṛṣṇa: Family life in the West is disastrous.

Prabhupāda: The father wants to get them back at home, but they don't.... The father is also taking pills for sleeping. (laughs) Father is also not happy.

Hari-śauri: That's the thing. In the West, even though the opulence is there, the children can see the parents are not happy. The parents are always full of anxiety. So even though the parents want the children to stay at home, the children they resent that, because they can see that "You have nothing to offer. It's just a facade."

Puṣṭa Kṛṣṇa: They don't want to become like their parents. They don't see that their parents are a desirable example to follow.

Prabhupāda: Yes. Wine and sex. They see from childhood. One boy, Rancor, so his father and mother divorced and he was young child. He was the first child of his mother. And the mother, he said, would daily bring a new friend. So he could understand.

Room Conversation -- June 28, 1976, New Vrindaban:

Prabhupāda: He was very nice boy.

Rādhāvallabha: Leads nice kīrtana.

Prabhupāda: Māyā is so strong. Lord Śiva is not excused, what to speak of others.

Rādhāvallabha: I have three sketches from the artists. Would you like to see them? This is for Eighth Canto, Volume One.

Prabhupāda: Yes, that is the only life, to think of publication and distribution.

Rādhāvallabha: This keeps me alive. If I didn't have this service, I think I would just die.

Prabhupāda: Even in this weak... I am very weak nowadays. Still, I am working.

Puṣṭa Kṛṣṇa: Nicely.

Prabhupāda: I think I shall not be able to go for walks. This morning my heart was beating too much.

Room Conversation -- June 28, 1976, New Vrindaban:

Rādhāvallabha: When King Indradyumna was meditating and Agastya Muni came, and so he cursed him to take birth as an elephant.

Prabhupāda: He became an elephant.

Rādhāvallabha: Yes, Gajendra. So the artists want to know if it is okay to show him outside in front of a cottage like that.

Prabhupāda: Yes. Very good.

Rādhāvallabha: This is a very rough sketch. This is when the demigods and demons were churning the ocean of milk with Vāsuki. So they want to make sure... So Lord Śiva will be standing outside the milk ocean. He won't be in the ocean. He'll be on the shore of the ocean, drinking the poison.

Prabhupāda: Why?

Rādhāvallabha: Sorry, it's not a very good picture. Here is the ocean. So Lord Śiva is on the shore, he's not in the ocean. He is on the shore, drinking the poison. They want to know if that's okay.

Prabhupāda: Welcome.

Room Conversation After Film -- June 28, 1976, New Vrindaban:

Prabhupāda: No, you can remain in Los Angeles for the time being.

Ṛṣi Kumāra: Because I know a lot of people in Laguna Beach who can be preached to. I think they'd be receptive, people who are...

Prabhupāda: Reception is everywhere if we manage nice.

Ṛṣi Kumāra: There are a lot of artists and people who have everything, and they're living in the nicest..., that's about the nicest place to live, and they're all unhappy. My brother's living there. He's a psychiatrist, and he's beginning to understand that the more he thinks, the more confused he gets, and I've been preaching to him, and he understands. There are also a lot of devotees who aren't in the temple now. They like Kṛṣṇa consciousness, but they also can be preached to, I think.

Prabhupāda: Yes, preaching constantly required to keep them in balance. As soon as the balance is tilted over on the māyā side, then everything is finished.

Room Conversation -- July 7, 1976, Baltimore:

Prabhupāda: And the cake is made very nicely. Who has made it?

Vṛṣākapi: This one girl, her name is Lalitā-sakhī. She stayed up all night.

Rūpānuga: And then it was decorated by Ambujākṣa, who is an artist.

Prabhupāda: Woman should be expert in cooking. That is their natural tendency. They should be educated how to cook nicely, how to please the husband, how to take care of the children. This is Vedic civilization. In the beginning a woman, childhood, she's trained up by the mother. Then as soon as she is married, formerly, child-marriage, so she's transferred to the care of mother-in-law. There she is trained up. Then she becomes very good housewife, takes care of household affairs, husband, children, and home becomes happy. What is this nonsense, divorce? There is no such thing in the Vedic civilization, divorce. You must accept whatever God has given you as husband or wife, you must. They had no thinking even, idea of divorce. One may not agree with the husband. That is natural. Sometimes we do not agree. But there is no question of divorce. When this divorce system was introduced?

Arrival Comments in Car to Temple -- July 9, 1976, New York:

Prabhupāda: Saw fireworks in Washington.

Tamāla Kṛṣṇa: There's the Empire State Building, Prabhupāda, straight ahead.

Prabhupāda: Oh, yes.

Rāmeśvara: I think one day our art paintings will also be in these museums. Because our artists are becoming as expert as anyone.

Prabhupāda: Must be.

Rāmeśvara: Already people are coming and offering minimum one thousand dollars to buy a painting. In Los Angeles, I have sold some paintings for a thousand dollars each. Originals and some copies (laughter) also.

Prabhupāda: Copy, how do you make copy?

Rāmeśvara: We have some artists practicing. So he makes a copy of the original, and I sell it for five hundred dollars. Half the price of the original.

Tamāla Kṛṣṇa: Good business.

Rāmeśvara: But that will increase. You can get ten thousand, twenty thousand dollars for one painting in the future, because they are paying that much now for inferior work.

Prabhupāda: Who is painting nice? Muralī?

Rāmeśvara: Muralīdhara, Jadurāṇī, Parīkṣit.

Tamāla Kṛṣṇa: Parīkṣit is wonderful.

Prabhupāda: Parīkṣit, yes.

Room Conversation -- July 10, 1976, New York:

Prabhupāda: Oh.

Ādi-keśava: We went to one seminar once when they were teaching Zen basketball.

Tamāla Kṛṣṇa: Here's another one, "Hypnotism or Meditation." A hypnotist discusses a question that many face. Because they accuse that we're hypnotizing, so they're trying to distinguish in this article what is hypnotism, what is meditation. Then here's another one, "The Art of Awareness." This woman is supposed to be a great transcendental artist. You can see some of her famous pictures. Here's a picture called "Congregations of Souls." And here's another picture called "Temple Stones." Then this is the Gansfield effect. (laughter) Ping-pong balls. Says here "The apparently pop-eyed lady is not a visitor from another dimension nor the victim of a sudden surprise. She is the subject of an experiment into the nature of meditation and some of the effects of the processes. The ping-pong ball halves present a completely continuous visual field. There's no object in it that can hold her attention. After staring at the insides of the ping-pong balls for a while, she will begin to feel peaceful and..."

Prabhupāda: Actually she does?

Tamāla Kṛṣṇa: Oh, yes, that's the meditation. They put the ping-pong ball, and then it describes, "She will feel peaceful and serene. At the same time she may not be able to tell whether her eyes are open or closed. She will see neither white nor black nor any shade in between. She will have the experience of not seeing. At that point, which the subject in this kind..."

Prabhupāda: With the eyes closed, then not seeing is there already. (laughter) What is the use of meditating?

Hari-śauri: You aren't going to see very much with two ping-pong balls over your eyes, are you? (laughter)

Interview with Newsday Newspaper -- July 14, 1976, New York:

Prabhupāda: That is the sign of love. That is in material field also. There are so many philosophers, scientists and artists, they have done out of love for their subject matter, not for payment. That is love.

Bali-mardana: But aren't they also purified spiritually by doing this?

Prabhupāda: Yes. This spiritual realization means the more you give service to God, you become spiritually profited, in any way.

Interviewer: What are some of the other, aside from...? I mean, I see people selling things. What other practices are involved?

Prabhupāda: Then you stay one day, whole day and night, and see practically, from morning four o'clock to night ten o'clock, how we are engaged in different practices.

Interviewer: You rise at four?

Hari-śauri: Three-thirty.

Rāmeśvara: In this temple three, three-thirty.

Interviewer: And chant.

Rāmeśvara: Chant, study.

Prabhupāda: You go any room of this house. You'll find simply Kṛṣṇa consciousness.

Morning Walk -- July 14, 1976, New York:

Prabhupāda: Yes.

Tamāla Kṛṣṇa: I want to do that. Because there's an open balcony right on the street side, enclose it with glass, it would be very popular. After going to see the doll exhibits people can sit there comfortably take, you know, rest on the bench. And it can be seen from outside so it will be indirectly an advertisement. You'll see that there are people sitting there. (break)

Rāmeśvara: ...artists that work on your books, they have to train many devotees to paint because one day in all the government buildings there will be paintings of Kṛṣṇa. Just like now they have all these paintings of so-called...

Prabhupāda: If they are selling, you can sell these pictures.

Rāmeśvara: I think they will sell. (break) ...popular is that at colleges they like to have art shows come where they display the paintings and then they move on to another college. So we can do that with some of our art paintings also. They will give us one hall just to hang the paintings for some time.

Prabhupāda: So many trees have come. (break) ...from stone there is grass.

Morning Walk -- July 14, 1976, New York:

Prabhupāda: Hmm? Yes.

Devotee: That's supposed to be pleasing to the eye, it's supposed to bring pleasant thoughts into the mind. (laughter) It simply makes them crazy.

Rāmeśvara: It's like the "emperor's new clothes." Everyone thinks it is pleasing because the leaders or the artists say it is pleasing. Everyone is being fooled. And if they say it is meaningless then they are called a fool.

Prabhupāda: In Bengali it is called pare mukhe jhalma(?). Somebody says "Oh, it is very hot!" "Oh, it is very hot!" (laughter) He did not taste, but the other man says "Oh, it is very hot!" So he says "Oh, it is very hot!" Pare mukhe jhalma.

Rāmeśvara: The city pays these artists hundreds of thousands of dollars to make these forms. (break)

Prabhupāda: ...it is constructed?

Tamāla Kṛṣṇa: Metropolitan Museum of Art extension.

Prabhupāda: Oh.

Morning Walk -- July 14, 1976, New York:

Prabhupāda: Ācchā.

Rāmeśvara: And in the middle of the courtyard they have this crazy sculpture. All over the city. (break)

Tamāla Kṛṣṇa: ...some of our artists make big sculpture out of metal?

Prabhupāda: Hm? No. That's not possible.

Tamāla Kṛṣṇa: Philosophically not possible?

Prabhupāda: No, practically.

Tamāla Kṛṣṇa: Because some of our men here who have helped to make this wall, the front wall of the temple that we're making in front of the Deities, they are artists and they have the ability to cast large, they've done this previously,

Prabhupāda: Let them do some small first of all.

Tamāla Kṛṣṇa: And show you.

Prabhupāda: Yes.

Room Conversation -- July 27, 1976, London:

Prabhupāda: Eh?

Jayatīrtha: He had Kumar Shankar, the brother of Ravi Shankar, cooking for him. So this man is a demon; therefore he is becoming sick.

Prabhupāda: Yes, they are all drunkards, all third-class men, fourth-class men, low-class men. In India, this naṭas, they are third class, fourth class. Naṭas means the artist class, singer, dancers. They are meant for the fourth-class, fifth-class men. It was never taken by the.... They are called, and they will expertly sing, dance, in some festival. The brāhmaṇas, kṣatriyas, vaiśyas, they were not doing. Still in India there is a class, very expert in dancing, singing, low class. Their hereditary business is like that.

Bhagavān: So you have given everything. You have given all the structure. We have to present it rightly.

Prabhupāda: Even, say, hundred years ago, that Girish Chandra Ghosh, he wanted to introduce theatrical performances, imitating the European theatrical performances, man and woman taking part. So he wanted to invite woman artist. Not a single woman joined. Who will go to public stage to dance, respectable girl? They'll never. That is hundred years. I am speaking, say, about forty years ago. In one of our Dayanika(?) men, the girl was to be married, and it is the custom in India—the bridegroom's party comes to see the girl, whether she is right. Similarly, the girl's party goes to see the.... So they came to see one of my friend's daughter, and the daughter is very beautiful, rich man's daughter.

Room Conversation -- July 27, 1976, London:
Prabhupāda: So immediately he protested, "No, no, no, she does not know how to dance, how to sing. She's not meant for that purpose. We like, of course, a young girl dancing and singing, but we cannot teach our family members. We spend for that outside. You cannot expect our Mullik's family daughter dancing and singing. No. He is well, good(?)." Actually that is.... Dancing? Singing? What is this nonsense? For a respectable family? It is meant for the low-class professional. Pay them, they will dance. Or go to some prostitute. She will dance. So he said that "We have got some taste for dancing, but not that our family members should do that. We pay for that outside." So this art.... And among the theatrical, Girish Chandra Ghosh could not get a single response from any respectable family. Then he had to seek some young girl from the prostitute class. They became later on famous artists, Kusumakali Dāsī, this Dāsī.... Nowadays it has become a fashion that aristocratic family should join this cinema and spoil their character. Otherwise it was meant for the.... No respectable man.... You find the Bhāgavata description, especially for the brāhmaṇas, the professional who would come. They'll take their reward.
Room Conversation -- July 27, 1976, London:

Bhagavān: This class is very influential today. This cinema artist, performer. Whenever there's a Presidential race...

Prabhupāda: Just like George. What is his value? He's artist, that's all. From educational point of view, from things other view, he does not know anything. But he has got some money on account of his artistic play on it(?), and he's big man, that's all. Somehow or other get money, you become a big man. There is no question of culture or anything. That is stated in the Bhāgavata. The money will be the criterion—no family, culture, education. These things will not be taken into account. If you have got money, then you are big man. Never mind what you are. Therefore people are after money. Who is going to be brāhmaṇa? If you become a perfect brāhmaṇa, who will care for you? Nobody is interested to become a brāhmaṇa. "Why we shall become brāhmaṇa? Starve? For starvation?" Nowadays the colleges, they're not interested in art, philosophy, English literature. No, they.... Nobody.... They go for technical, how they will get more money. They do not want. Some of the doctor, professor, they came to request us to give our student. They are not getting student. And after few years they'll be all dismissed. Who will pay them? Hayagriva told me. He's not getting any job. There is another, Mr., Dr. Henderson. He's also not getting any job. He's selling insurance. And Bon Mahārāja, his institute is suffering from the very beginning till now, simply begging, begging and paying, paying the professor. No student. First of all he started Vaiṣṇava philosophy, so doctorate, Ph.D. So especially in India, who is going to take Ph.D. in Vaiṣṇava philosophy and starve? So this is failure. It is already failure, but he is persistent.

Evening Darsana -- August 14, 1976, Bombay:

Prabhupāda: ...enter the Jagannātha temple, He immediately fainted. "So, here is My Lord, Kṛṣṇa." When the artist will see, "What He has seen? Old figure, not very beautiful, and this man has fainted." Actually there is nothing so extraordinary that one should faint but we see practically that Caitanya Mahāprabhu fainted, "Here is My Lord." It is the question of vision. Premāñjana-cchurita bhakti-vilocanena santaḥ sadaiva hṛdayeṣu vilokayanti (Bs. 5.38). (At this point a tik-tik lizard makes his sound) It is also confirmed. One, that is called (indistinct), one who is trained up to see God, he can see. (indistinct) Premāñjana-cchurita bhakti-vilocanena. Just like sometimes we cannot see properly if there is, what is called...

Guest: Cataract.

Prabhupāda: No, no. That ointment.

Evening Darsana -- August 14, 1976, Bombay:

Prabhupāda: Ah. But everything can be dovetailed, nirbandhe kṛṣṇa sambandhe yukta-vairāgyam ucyate. Just like our Sītā-Rāma(?), she wants to do some display to help Kṛṣṇa movement. That is very good.

Guest (7): She wanted to make the money.

Prabhupāda: Eh?

Guest (7): She wanted to make the money in this country. She would have the money, the richest artist in this country.

Prabhupāda: Yes.

Guest (7): But of course she is dedicated, as you say, without any motivation and even...

Prabhupāda: Money, money-making isn't made, money comes.

Guest (7): She has not commercialized...

Prabhupāda: No, no, there is no commercialization. Kṛṣṇa says that yad karoṣi yaj-juhoṣi yad aśnāsi yat tapasya kuruṣva tad mad-arpaṇam (BG 9.27). To earn money, it is not bad, but if it is given to Kṛṣṇa then it is bhakti.

Garden Conversation -- September 3, 1976, Vrndavana:

Prabhupāda: And due to this fountain it will be very nice, green always.

Caraṇāravindam: And I will sprinkle it with gobar water. Gobar mixed with water and sprinkle. That will be good for...

Prabhupāda: Is there any good painter here?

Hari-śauri: Artist? Who is here?

Prabhupāda: Artist?

Caraṇāravindam: Devotee?

Prabhupāda: Yes.

Caraṇāravindam: One new boy that just came.

Prabhupāda: So I want his service. I want to paint that picture which is published in that French Back to Godhead.

Hari-śauri: Oh. The portrait?

Prabhupāda: Not portrait. That I was beating on my... What is called? That dundubhi we call it. What do you call this. Bango? Bang?

Room Conversation -- September 11, 1976, Vrndavana:

Dhanañjaya: Actually so many Indians in their house they're keeping just like dolls. They are not worshiping regularly. They're keeping on the mantlepiece or on the side.

Prabhupāda: In this way be encouraged and in full capacity do business and get others.

Dhanañjaya: There was one boy who just came from Italy and he's expert in wood carving.

Prabhupāda: That's all right.

Dhanañjaya: So we can take artists for wooden siṁhāsanas. Siṁhāsanas he said he can make. He even brought his tools. He has a whole box of tools he brought just for carving and he studied in the south of Spain, religious architecture.

Prabhupāda: He can make a small siṁhāsana for the Deities, collapsible. So that if anyone wants, he can dispatch them. (end)

Room Conversation -- November 13, 1976, Vrndavana:

Prabhupāda: He was a politician. That you cannot blame. Politics require all these things. A politician cannot be a saintly person. That is not possible. For politics he has to do so many things. That is necessary. Just like Arjuna wanted to be a nonviolent. Immediately it was condemned by Kṛṣṇa, "What is this nonsense? You are a military man. Nonviolent." And similarly, politicians, they require all this. Businessman must deal in black market. It is inevitable. Otherwise he cannot improve. Because the world is bad, you, if you become honest, then you cannot make pros..., cannot become prosperous. Sate sārtham samācaret.(?) Brāhmaṇa's dealing must be very straight and honest. They are not meant for politics or business. They are for transcendental knowledge. Kṛṣṇa conscious person should be all-inclusive. He must be a politician, he must be a brāhmaṇa, he must be a kṣatriya, he must be a śūdra—everything. All-inclusive. Because he is transcendental. In otherwise he is neither a brāhmaṇa, neither a śūdra, neither a... Yes. Nāhaṁ vipro na ca nara-patir na yatir vā. Neither of these. In other side he is everything. That is Kṛṣṇa conscious. As Kṛṣṇa is sometimes cowherd boy, politician, sometimes dancing with, artist—He is everything, not one-sided. So all food is finished?

Devotee: Yes, Prabhupāda.

Room Conversation -- November 20, 1976, Vrndavana:

Prabhupāda: People are so misled. Tathā dehāntara-prāptiḥ (BG 2.13). We have to change this body. There is no preparation. "As sure as death." Death will take place, and you have to accept another body. Who understands this philosophy? Nobody. They are so dull-headed. This body finished, everything finished. All big, big leaders, scholars, they say. One gentleman, his name is... He was Rabindranath Tagore's brother, artist. So in a meeting he was saying, "We are so fool. Thinking of next life, next life, we are spoiling this life." He said like that long, long ago when we were children, young men, about eighteen years, twenty years. So I remember distinctly, he is saying in the meeting that "Simply thinking of next life, we are spoiling this life." He said. That was his explanation. So at that time we were young boys: "Yes, why we should think of, so much of next life?" Of course, I was not very much convinced, but naturally... I think his name Aurobindo Tagore, like that. Rabindranath Tagore. He is good artist. Artist means latest fashion, like this, like that, like that. He was considered to be latest artist. And his view is that. I talked with Professor Kotofsky. He said, "Swamiji, after finishing this body everything is finished." Communist. This is the cent per cent idea. The so-called scientists, they are thinking, by chemical evolution the body has come in existence. These things are discussed in Bhagavad-gītā. By accident, if it is a combination of chemicals, that means the bodily existence was not before. It has come in by accident, combination. "So why, Arjuna, you are lamenting for the body which was not in existence? And it will not exist after. Then why you are so much anxious for the middle portion?" Good reasoning. The body was not in existence. That is the general... And as soon as you finish, there is no more existence.

Room Conversation with Life Member, Mr. Malhotra -- December 22, 1976, Poona:

Prabhupāda: Bangalore how many miles?

Mr. Malhotra: Total, from Poona, 520 miles. And you go from here on this road only to Goa also. To go to Madras, you go also on this road (break) ...dolak.(?) Some (indistinct) will give... I mean sounds are different, you know, instruments are music.

Prabhupāda: This is called musical science, Jala-taraṅga. Jala, taraṅga means vibration, different vibrations. Still there are, among the musicians, there are artists, they'll put vials and make the different tunes by filling it with water. (SP makes sound dn dn dn dn dn) (break)

Mr. Malhotra: This place is full of tourists from Bombay, from all of Gujarat. (break) Pancagani is one place, and 12 miles difference Mahabalesvara. Also it is twin city like Secunderabad, Hyderabad. (break) In the morning when you go for walk you will find local ladies getting load of food collected from the forests and taking. Very old, old type of life (break) ...this place. I visited Switzerland and I visited almost every hill station of the country, and almost practically entire world. But I find this place of a different solace, (break) ...and second, it is very neat and clean.

Prabhupāda: Maharastrians are very neat and clean. Upper class, they are very. (break) ...karmī.

Room Conversation -- December 27, 1976, Bombay:

Prabhupāda: Make that.

Gopāla Kṛṣṇa: And then like we can have some... People are very much into beads...

Prabhupāda: And dancing.

Gopāla Kṛṣṇa: So we'll have some neckbeads they'll take with a small statue, Deity, pendant of Viṣṇu.

Prabhupāda: So then there is one artist. He has come to paint pictures. Explain. He will give you. Yes.

Gopāla Kṛṣṇa: Yes. Oh, yes, very good.

Prabhupāda: Yes.

Gopāla Kṛṣṇa: And plus he can do that for the new brochure also. We can have like a necklace with a pendant of Viṣṇu, four-handed, to meditate.

Hari-śauri: We have a proper shelf there which will supply hari-nāma cādara, beads, beadbag, everything.

Prabhupāda: Yes. Yes. Yes. Take this idea. Note down. First of all make this brochure.

Gopāla Kṛṣṇa: Yes. That brochure which I made on Vṛndāvana, just one page, I'm taking up, Vṛndāvana and other temple pictures, and putting in a section on yoga.

Prabhupāda: So see how you have done.

Room Conversation -- December 27, 1976, Bombay:

Prabhupāda: And they will understand that they are actually doing something.

Gopāla Kṛṣṇa: Yes. And they will see, because these karmīs, they look for these tangible differences.

Prabhupāda: At least twice taking bath and then chanting, dancing and so on.

Hari-śauri: Yes. They're coming for some... Just to...

Prabhupāda: They want something. So this is the bona fide method.

Jagadīśa: Are you having tours where they'll go to Rādhā-kuṇḍa?

Gopāla Kṛṣṇa: Yes. That is during the rest of the time.

Hari-śauri: There's a very nice thing about this program, is that you can guarantee everyone who comes is going to be interested.

Prabhupāda: So I have given to you three. Now you jointly do immediately. The artist is there. Get painting. That's... That's all right.

Hari-śauri: Jaya Śrīla Prabhupāda. (end)

1977 Conversations and Morning Walks

Conversation with Yogi Amrit Desai of Kripalu Ashram (PA USA) -- January 2, 1977, Bombay:

Prabhupāda: Billiard-playing or some exhibition of singing, and hundreds of men will gather. And they were feasting, first-class food. In this way spending, spending, spending... And then prostitute, aristocracy. In this way one property and one property lost, everything. At last I saw him going by rickshaw. One day it was raining, and I saw that he was sitting in a rickshaw, and no friend asked him that, "Haren Babu, why you are...? You come to my car," so many. And he was friendly to so many zamindars, kings, and very intimate with... But they lost of everything, and nobody cares. His sons, they are of our age. I do not know whether living or not. But most probably they are not living. They became professional singers, coming of such aristocratic father. His father, that Mr. R. N. Singh, was a very good singer. That also was another aristocratic that aristocrat family—art, some art: painter, singer, poets. Just like Rabindranath Tagore. They became famous as artist. Avanindranatha Thakur, he became famous as artist, and Rabindranath Tagore became... They also followed the aristocratic family, Calcutta. Similarly, this R. N. Singh became a singer. Because they are rich men, they have nothing to do, so... And nobody instructed them how to become saintly person.

Room Conversation -- January 21, 1977, Bhuvanesvara:

Gargamuni: We brought some fruits and some change, and Prabhupāda was very satisfied.

Prabhupāda: Yes.

Gargamuni: We went door to door for two hours.

Rāmeśvara: No, I mean it is practical that if a man comes with artistic talents, then I will try to engage him as an artist. Different talents...

Prabhupāda: No, engage him. There must be engagement. Either as a artist or bookseller, there must be engagement.

Rāmeśvara: According to different talents.

Prabhupāda: Nobody should be allowed to keep himself lazy. That is not good. Niyataṁ kuru karma tvam. That is... Find out this verse. Oh, he has taken away?

Hari-śauri: Bhagavad-gītā. Oh, I can get another Gītā.

Gargamuni: And they will be successful.

Prabhupāda: Yes. Why not?

Gargamuni: If they are sincere, they will be successful.

Rāmeśvara: So it is little taxing...

Prabhupāda: Not taxing. I was doing alone this. I was printing Back to Godhead and going to the press. I was writing. I was posting.

Room Conversation -- January 31, 1977, Bhuvanesvara:

Satsvarūpa: At any rate, even that one had many illustrations in it, that Mādhavendra Purī. So he was wanting to know if he could... In order to get all these paintings done, these so many drawings, whether he could employ some Jaipur artists that Saurabha is working with, which would be inexpensive.

Prabhupāda: Jaipur artists?

Satsvarūpa: There's some... Just like village craftsmen and workers that Saurabha is working with in Bombay who are making the furniture and different decorations in Bombay, and he says that Saurabha also knows some men in these villages who are artists, and they work for very little, but they can make nice authentic illustrations of all these things, whether...

Prabhupāda: Hm, that is all right. I do not know.

Satsvarūpa: And they would be carefully...

Prabhupāda: No, I have no knowledge about these things. What is the use of consulting me?

Satsvarūpa: Well, I think it's to consult with you on the principle that they're not devotees...

Prabhupāda: I know that they made some books already. Why they are being rejected? Then again you make, and again rejecting. That is unnecessary.

Satsvarūpa: I see.

Room Conversation -- February 2, 1977, Bhuvanesvara:

Prabhupāda: The mūrtis are made nice?

Yugadharma: Oh, yes. Very nice. This Spanish artist is very, very first-class, very first-class.

Prabhupāda: It is locally molded?

Yugadharma: Yes.

Prabhupāda: And he is giving the finishing touch, polishing.

Yugadharma: Yes.

Prabhupāda: That's nice.

Yugadharma: He is doing what they call "quality control."

Prabhupāda: Hm. That's nice.

Yugadharma: He has three sizes. He has four inch, six inch, and nine inch.

Prabhupāda: Oh.

Evening Darsana -- February 24, 1977, Mayapura:

Prabhupāda: So you have got any place? No.

Jayatīrtha: Right now we're looking for land, and I brought this Raṇachora... Where's Raṇachora? Anyway, Raṇachora, he's architect and artist. He's going to work, hopefully, with Saurabha. Saurabha is anxious also for helping do some preliminary drawings.

Prabhupāda: No, unless you get land, how you can do?

Jayatīrtha: Well, we thought some things, have some drawings we'd showing...

Prabhupāda: But so far I know, it is very difficult to get vacant land.

Jayatīrtha: Yes. Depends on how close to the center you are. We'll probably have to get a piece of property that has an old warehouse or something on it and demolish it. There's no... Nothing is vacant, but a lot of the buildings are so old that no one wants to use them.

Prabhupāda: Yes. That you can get. There are many old houses. I do not remember what is that neighborhood. That is forlorn practically.

Arrival of Devotees -- February 24, 1977, Mayapura:

Prabhupāda: So, no new book?

Rāmeśvara: It is coming.

Rādhā-vallabha: It is coming with the truck. 9.1 is coming.

Gargamuni: We have a truckload of books, of new books that are coming for the standing orders in India.

Rāmeśvara: The 9.2 is at the printers right now, and the artists, some of them stayed back to finish up 9.3. So by the time we come back to Los Angeles, 9.3 will go to the printers.

Rādhā-vallabha: This is the book, conversations between you and Bob Cohen here in Māyāpur.

Prabhupāda: Perfect Question... What about that Dialectic Spiritualism?

Rādhā-vallabha: Hayagrīva's almost finished with that. We'll produce it after the Māyāpur festival.

Prabhupāda: Hm?

Rādhā-vallabha: After the festival we'll produce it. Hayagrīva's just finishing now. He's half-finished.

Prabhupāda: So you have not begun printing?

Rādhā-vallabha: No.

Room Conversation With Artists and About BTG -- February 25, 1977, Mayapura:

Rāmeśvara: You wrote to me?

Prabhupāda: No, they sanctioned. Either you can send a copy or the original.

Rāmeśvara: Oh, yes, no problem. Also this receipt, I wasn't sure. The artists had some meeting to plan out the paintings for Ninth Canto, Volume Three. The Second Volume is rāma-līlā and also Paraśurāma. That's already at the printer.

Prabhupāda: No picture?

Rāmeśvara: They're at the printers. When we return they'll be printed. We left Jagannātha-sūta there to supervise the printing, and we left enough artists to start painting the Third Volume, the final volume. So there are two paintings describing the story of Mahārāja Yayāti...

Prabhupāda: Yayāti.

Rāmeśvara: ...how he was cursed to lose his youthfulness and so on.

Prabhupāda: Śukrācārya.

Room Conversation With Artists and About BTG -- February 25, 1977, Mayapura:

Prabhupāda: No, no.

Rāmeśvara: It is like he's being transformed.

Prabhupāda: After cursing, the body was that, but not before.

Rāmeśvara: This is like artist's license. He has just cursed him, and now his body is changing. But we wanted to show it all at the same time so that they could get the idea.

Prabhupāda: That's all right(?).

Rāmeśvara: And they have shown this taking place in the courtyard, in a courtyard of Śukrācārya's residence.

Prabhupāda: This...

Rāmeśvara: But the question is... This cloth.

Prabhupāda: Cloth should be...

Rāmeśvara: Because he was the spiritual master, would he be living in a very opulent house?

Prabhupāda: Not necessarily.

Room Conversation With Artists and About BTG -- February 25, 1977, Mayapura:

Prabhupāda: That's nice.

Rāmeśvara: We have a plan to increase the number of paintings, starting with the Tenth Canto, because many more artists have been coming, and some of them are becoming qualified to paint for the books. The standard right now is there's a picture of Your Divine Grace and seven paintings. So we want to increase it to a picture of Your Divine Grace and eleven paintings.

Prabhupāda: You can... If you want to increase picture, you can take important words... Just like the verse nivṛtta-tarṣair upagīyamānāt: "One who has no more material hankering..." Paint it in picture. Nivṛtta-tarṣaiḥ, no more hankering for anything material. And there is word, dharma-śīla, "religious." What is that religion? One who has surrendered to Kṛṣṇa, he is religious. Sarva-dharmān parityajya mām ekam (BG 18.66). He is religious. Ordinary religious, they are not religious. In this way you depict one picture, one word. This can be...

Brahmānanda: Is that the first chapter?

Prabhupāda: Paśu-ghna. Paśu-ghna, the animal-killer.

Room Conversation With Artists and About BTG -- February 25, 1977, Mayapura:

Prabhupāda: That is your consideration. But if you are going to add nice pictures, these words can be explained.

Rāmeśvara: Yes. Also, because in the Tenth Canto there are so many descriptions of Kṛṣṇa's activities, so Kṛṣṇa has sent more artists.

Prabhupāda: Now, I'll give description of the word, so you can utilize it for...

Rāmeśvara: (aside:) Do you understand?

Rādhā-vallabha: Like there may be description of someone that's fully surrendered to Kṛṣṇa, has no material desires. You have to figure out a way to illustrate it.

Rāmeśvara: Just like last month you showed me that calendar of how they have illustrated every verse of the Bhagavad-gītā. So they have a way of finding... Artists...

Prabhupāda: They're selling?

Rāmeśvara: That calendar that you showed me? When you were in Bhuvaneśvara you gave me one calendar, and it had illustrations of Bhagavad-gītā.

Prabhupāda: Ha, ha, yes.

Room Conversation -- March 27, 1977, Bombay:

Prabhupāda: Our abridged edition of Bhagavad-gītā is there in the pandal?

Hari-śauri: Oh, yes. All the big books. The Bhāgavatams, Caitanya-caritāmṛta, Gītā. (pause)

Svarūpa Dāmodara: We need some artists in Bombay, some artists to paint.

Prabhupāda: Hm?

Svarūpa Dāmodara: Some artists. I was told that some are coming from Los Angeles?

Prabhupāda: Why?

Svarūpa Dāmodara: (converses with Hari-śauri about art for journals)

Prabhupāda: So you are feeling on this stronger platform? Hm?

Svarūpa Dāmodara: Yes, Śrīla Prabhupāda.

Prabhupāda: That is wanted.

Room Conversation -- March 31, 1977, Bombay:

Prabhupāda: No, no, apart from that. Actual name is Bhaktivedanta Swami Marga, but you have made Bhaktivedanta. Why?

Indian man: Swami is omitted.

Prabhupāda: Swami is omitted. That is a mistake on your part.

Dhanañjaya: Everyone, too, is remarking how beautiful the painting is inside. These Rajasthani artists, they are going on with the painting on the upper portion of the temple, the darśana-maṇḍapa. And everyone is remarking how gorgeous the arrangement is.

Prabhupāda: Yes, it is gorgeous.

Gopāla Kṛṣṇa: Even the vyāsāsana is very beautiful. The most beautiful I have ever seen anywhere in the movement.

Prabhupāda: They come to see the painting.

Conversation Pieces -- May 27, 1977, Vrndavana:

Prabhupāda: Hm?

Rāmeśvara: The last volume, it is already at the printer, being printed.

Prabhupāda: Oh, Ninth.

Rāmeśvara: It will be here in about ten days. And the first volume of Tenth Canto, we have just received Chapter Four and Chapter Five, and the artists will be finished in two weeks.

Prabhupāda: Another thing, the Hindi photographic pages, if you send to Los Angeles, the books can be printed there.

Rāmeśvara: Printed in America?

Prabhupāda: Hm.

Rāmeśvara: What language? Hindi?

Prabhupāda: The photographic pages...

Kīrtanānanda: For the photographic pages in the Hindi, the printing of the photography...

Rāmeśvara: The color? That's possible. I can talk with Gopāla to see if it is less expensive.

Prabhupāda: Because Hindi composition is not possible there. So after composing here, if they send you the photography, finished copy, from that copy, whether you can print there?

Rāmeśvara: Oh, yes.

Room Conversation -- June 18, 1977, Vrndavana:

Prabhupāda: So how you'll show actually?

Bhakti-prema: This is according to Śrīmad-Bhāgavatam.

Prabhupāda: No, that's all right. Now, that doll, that you have to make.

Yaśodānandana: We are calling one artist from Māyāpur. Tamāla Kṛṣṇa Mahārāja has arranged to bring one artist, so we're going to draw perspectives. We're going to draw this and all... (break)

Prabhupāda: We have some artist. We have... That's all. That is perfect.

Bhakti-prema: It is also repeated in Upaniṣads, iti susruma dhīrāṇām.(?)

Prabhupāda: This...

Bhakti-prema: From the intelligence...

Yaśodānandana: This knowledge will actually destroy their misconceptions, 'cause most people think that previously, to five thousand years ago, people used to be barbarians. But if they were barbarians and they knew the whole description of the universe, they must have been very advanced.

Bhakti-prema: This is Lokāloka Mountain. We're drawing that.

Tamāla Kṛṣṇa: We're simply following your Bhāgavatam description, Śrīla Prabhupāda.

Prabhupāda: Not that... Iti susru... (break)

Bhakti-prema: Except this Kimpuruṣa-varṣa and other varṣas in the mountain area, these are part of subtle world. So how we will mention it?

Prabhupāda: Mention by picture.

Showing of Planetary Sketches -- June 28, 1977, Vrndavana:

Prabhupāda: Yes. And these rascals say moon first.

Devotee (2): Śrīla Prabhupāda, previously we painted in the art department... Just like Varāha lifted the earth, and the earth was a globe, and we showed also a globe of the earth. How does that relate to this? Previously, when we painted, we showed the earth a ball. So now the artists will be very confused. How it fell in the Garbha Ocean as a ball?

Yaśodānandana: It depends on what we mean by earth. The Western conception of earth is just five continents and a few oceans, but according to Bhāgavatam, earth means Jambūdvīpa, because earth is connected with Jambūdvīpa.

Devotee (2): So whole Jambūdvīpa fell.

Bhakti-Prema: Bhāgavata describes the height of Himalayas, eighty thousand miles.

Prabhupāda: No, about this earth globe.

Room Conversation-Recent Mail -- July 14, 1977, Vrndavana:

Prabhupāda: Oh, it will attract so many people.

Tamāla Kṛṣṇa: Rādhā-Kṛṣṇa, Lalitā, Viśākhā. Those are just, I think, temporary dresses to give an idea. Day dresses. Here is the Deity of Kṛṣṇa without clothing so you can see. Look at this material.

Prabhupāda: Indian art and American artist. I want this combination. It is coming. Gradually develop.

Bhāgavatāśraya: The result is good each time. It is...

Tamāla Kṛṣṇa: This is Lalitā-Viśākhā.

Prabhupāda: Gradually they are becoming very expert.

Tamāla Kṛṣṇa: Should I read Bharadvāja's letter, Śrīla Prabhupāda?

Prabhupāda: Um-hm.

Tamāla Kṛṣṇa: "Dear Śrīla Prabhupāda: I fall down in the dust of your lotus feet, in desperate hope of being purified of countless offenses."

Prabhupāda: So "You have done superexcellent mūrtis. Thank you very much."

Room Conversation -- July 27-28, 1977, Vrndavana:

Gopāla Kṛṣṇa: It advertises all your books. Plus, Śrīla Prabhupāda, I had signed a contract with the biggest mail-order house in India, called Mail Order Sales. And this week their full-page advertisement on the Bhagavad-gītā is reaching 25,000 households. Their ad wasn't ready, but they are sending it to me in few days. It's a very beautiful ad. They have a monthly newspaper called Mail Order News, and that they've given a whole page. But they pay for it. We give them a straight commission on sales. Just like in America you have Book of the Month Club and selling books by mail. This is very big. Plus we are now doing the Bhaktivedanta Encyclopedia of Vedic Knowledge. We are preparing a brochure just like this. This is a Brittanica Encyclopedia advertisement. So we're going to have your nineteen or twenty Bhāgavatams here. The artists are working on it and this is going to be sent to about thirty thousand households. These are just for households, not libraries or anyone, just as selling to businessmen and executives.

Tamāla Kṛṣṇa: Who's going to do this?

Gopāla Kṛṣṇa: Mail Order Sales. It's a company that specializes in mail orders. This will be very good.

Prabhupāda: Everything you do, it is... Now, utilize. So one book has come only.

Gopāla Kṛṣṇa: I've got three books. Two you can keep. One... I'll give one to Prem Yogi, Bhakti-prema Mahārāja.

Tamāla Kṛṣṇa: Is his name in there?

Gopāla Kṛṣṇa: Yes, as the translator.

Prabhupāda: (Hindi) Translator? Anyway, it is the teachings.

Room Conversation -- October 6, 1977, Vrndavana:

Prabhupāda: You have got so many artists.

Kīrtanānanda: This is a view of the outside near the top railing.

Prabhupāda: How they learned so much?

Kīrtanānanda: (laughs) Kṛṣṇa's in the heart. Nobody's ever done this before. This is the bracket that goes under the sun shade. This is a view of Bahulaban farm. This is the big guesthouse that is just completed, and this is another new building that has gone up since you've been there. This will be a utility building for all different kinds of shops where they can make jewelry and cast concrete and carpenter shops and all different shops. So we all thank you very much, because it is only by your grace we have gotten this inspiration.

Prabhupāda: Besides that, whenever you require money, you can ask. He'll give.

Kīrtanānanda: Thank you, Prabhupāda. I prefer to give it. (laughs)

Prabhupāda: No. Give and take. (break) You are fulfilling my dream, New Vrindaban. I dreamt all these things. Wonderful things have been done. He is the first student, from the very beginning. When I was in the storefront he was bringing carpet, bench, some gong, some lamp. In this way...

Tamāla Kṛṣṇa: He's still bringing gifts.

Prabhupāda: Sevā-vṛtti, service attitude. Jaya. (pause) Live long, serve long.

Kīrtanānanda: Thank you.

Room Conversation -- October 13, 1977, Vrndavana:

Hari-śauri: These are the supermost.

Tamāla Kṛṣṇa: The artists have become very expert, Śrīla Prabhupāda.

Kīrtanānanda: Wonderful.

Rāmeśvara: This one I think you have seen. Kṛṣṇa stealing butter.

Tamāla Kṛṣṇa: This has been given to the Shah of Iran, Śrīla Prabhupāda.

Hari-śauri: To hang in their palace.

Prabhupāda: The Shah of Iran (Bengali) some connection (Bengali) Parivrājakācārya (Bengali)...

Rāmeśvara: This painting is Mother Yaśodā chasing Kṛṣṇa with a stick because He is stealing butter. (Godbrothers are laughing, saying "Oh" and "Hm" at each picture) This painting is the fruit vendor, aborigine, giving Kṛṣṇa all the fruits, and He is turning her basket of fruits into jewels.

Hari-śauri: These are wonderful.

Rāmeśvara: We showed this painting to the princess and told her that if you give something to Kṛṣṇa, He returns it millions of times. (laughter) She liked this. This is the cowherd boys sporting in the mouth of Aghāsura.

Prabhupāda: Very nice.

Room Conversation -- October 21, 1977, Vrndavana:

Prabhupāda: Hm?

Tamāla Kṛṣṇa: Bharadvāja is here. He can sing any song you'd like to hear especially this morning.

Prabhupāda: Yes.

Tamāla Kṛṣṇa: Is there some special request?

Prabhupāda: Bharadvāja is the best artist.

Tamāla Kṛṣṇa: Bharadvāja?

Prabhupāda: Best artist.

Tamāla Kṛṣṇa: He also sings very sweetly.

Prabhupāda: Artist means that.

Tamāla Kṛṣṇa: Would you like to hear Hari Haraye Namaḥ? Should he play with harmonium? Okay. And we'll all accompany?

Prabhupāda: Yes.

Tamāla Kṛṣṇa: Okay. (kīrtana) (break)

Prabhupāda: So urine is being stopped.

Page Title:Artist (Conversations)
Compiler:Visnu Murti, Mayapur
Created:08 of Mar, 2012
Totals by Section:BG=0, SB=0, CC=0, OB=0, Lec=0, Con=79, Let=0
No. of Quotes:79