Kṛṣṇa is always remembered, and His name is always chanted by millions of devotees, but the devotees never become saturated. Instead of becoming disinterested in thinking of Kṛṣṇa and in chanting His holy name, the devotees get newer and newer impetus to continue the process. Therefore Kṛṣṇa is ever fresh. Not only Kṛṣṇa Himself, but also Kṛṣṇa's knowledge is ever fresh. Bhagavad-gītā, which was imparted five thousand years ago, is still being read repeatedly by many, many men, and still new light is always being found in it. Therefore, Kṛṣṇa and His name, fame, qualities—and everything in relationship with Him—is ever fresh.
All the queens at Dvārakā were goddesses of fortune. It is said in Śrīmad-Bhāgavatam, First Canto, Eleventh Chapter, verse 33, that the goddesses of fortune are very fickle and restless, so no one can consistently captivate them. Thus one's luck will always change sometime. Yet the goddesses of fortune could not leave Kṛṣṇa for even a moment when they were residing with Him at Dvārakā. This means that Kṛṣṇa's attraction is ever fresh. Even the goddesses of fortune cannot leave His company.
Regarding Kṛṣṇa's attractive features being ever fresh, there is a statement by Rādhārāṇī in the Lalita-mādhava in which Kṛṣṇa is compared to the greatest sculptor, because He is expert in chiseling at the chastity of women. In other words, although chaste women may follow the rules and regulations of Vedic principles to become ever faithful to their husbands, Kṛṣṇa is able to break their stonelike chastity with the chisel of His beauty. Most of the girl friends of Kṛṣṇa were married, but because Kṛṣṇa was their friend before their marriages, they could not forget His attractive features, which were always fascinating to them, even after their marriages.