View source for Krsna was decorated constantly in this akalpa process. Krsna's hair was sometimes decorated with flowers placed on the middle of His head, or else reaching down to His back. In this way Krsna dressed His hair differently at different times

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[[Category:Krsna Was]]
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[[Category:Krsna's Dress]]
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[[Category:The Nectar of Devotion Chapter 26 - Stimulation for Ecstatic Love]]
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<h2>Other Books by Srila Prabhupada</h2>
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<h3>Nectar of Devotion</h3>
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Kṛṣṇa was decorated constantly in this ākalpa process. Kṛṣṇa's hair was sometimes decorated with flowers placed on the middle of His head, or else reaching down to His back. In this way Kṛṣṇa dressed His hair differently at different times. As for the ointment on His body, the pulp of sandalwood generally appeared to be white, and when it was mixed with saffron dye it appeared to be yellow.
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[[Vanisource:NOD 26 (1970)|Nectar of Devotion, 26]]
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Generally, there are four kinds of garments on the body of Kṛṣṇa: His shirt, turban, belt and wearing garments. In Vṛndāvana, He used to put on reddish garments, with a golden shirt on His body and an orange colored turban on His head. The different kinds of belts, combined with His enchanting smile, used to always increase the transcendental bliss of His associates. This dress of Kṛṣṇa is described as gorgeous. As a baby elephant is sometimes dressed in colorful clothing, so Kṛṣṇa's gorgeousness was manifested by decoration with such colorful clothing on the different parts of His body.

Ākalpa refers to the texture of Kṛṣṇa's hair, His nicely dressed body annointed with sandalwood pulp and decorated with flower garlands, His tilaka, and His chewing pan. Kṛṣṇa was decorated constantly in this ākalpa process. Kṛṣṇa's hair was sometimes decorated with flowers placed on the middle of His head, or else reaching down to His back. In this way Kṛṣṇa dressed His hair differently at different times. As for the ointment on His body, the pulp of sandalwood generally appeared to be white, and when it was mixed with saffron dye it appeared to be yellow.

Kṛṣṇa used to put a vaijayantī garland around His neck. This vaijayantī garland is made of at least five differently colored flowers. The length of such a garland was always touching Kṛṣṇa's knees or feet. Besides this garland of flowers, there were other kinds of flower garlands too—sometimes decorating His head, sometimes hanging around His neck and chest. Artistic painting with sandalwood pulp and colored sandalwood were also to be found on the body of Kṛṣṇa.

One gopī addressed her friend and began to praise the bodily features of Kṛṣṇa. She praised His blackish complexion, the reddish color of chewing pan enhancing His beauty hundreds of times, the curling hair on His head, the kuṅkum* red spots on His body and the tilaka on His forehead.
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