Yamuna river (Other Books)

Expressions researched:
"Yami" |"Yamuna" |"Yamuna's" |"Yamunadevi" |"river Kalindi"

Teachings of Lord Caitanya

Teachings of Lord Caitanya, Chapter 1:

Some of these people were crying, and some were laughing. Some were dancing, and some were singing, and some were falling on the ground, offering obeisances to the Lord. In all cases, all of them were roaring the holy name of Kṛṣṇa. It is said that in spite of being at the confluence of the rivers Ganges and Yamunā, Prayāga was never flooded until the appearance of Caitanya Mahāprabhu, at which time the city was overflooded by love of Kṛṣṇa.

The two brothers, Rūpa Gosvāmī and Vallabha, stayed aloof in an uncrowded place and witnessed the great crowd and wonderful scene. When the Lord danced, He raised His arms and shouted, "Haribol! Haribol!" The people all about Him were astonished to see His wonderful activities. After visiting the temple, the Lord accepted prasāda (food offered to the Deity) at the house of a Deccanist (Southern) brāhmaṇa. While at the brāhmaṇa's home, the Lord was visited by Rūpa Gosvāmī and Vallabha.

Teachings of Lord Caitanya, Chapter 6:

These different activities are conducted by the Lord when He is in His "emotional" forms, which are known as vaibhava-prakāśa expansions. Similarly, there are other unlimited expansions of the forms of Kṛṣṇa, but even when they are divided or expanded without limit, they are still one and the same. There is no difference between one form and another. That is the absolute nature of the Supreme Personality of Godhead.

In Śrīmad-Bhāgavatam it is stated that when Akrūra was accompanying both Kṛṣṇa and Balarāma from Gokula to Mathurā, he entered into the waters of the Yamunā River and could see in the waters all the planets in the spiritual sky. He also saw there the Lord in His Viṣṇu form as well as Nārada and the four Kumāras, who were worshiping Him. As stated in the Bhāgavata Purāṇa (SB 10.40.7):

Teachings of Lord Caitanya, Chapter 13:

A similar verse appears again in kṛṣṇa-karṇāmṛta (92): "The body of Kṛṣṇa is so nice, and His face is so beautiful. Everything about Him is sweet and fragrant." And in Bhakti-rasāmṛta-sindhu (1.2.156): "O lotus-eyed one, when will I be able to always chant Your holy name, and being inspired by that chanting, when will I be able to dance on the banks of the Yamunā?"

All these descriptions of the bhāva stage of devotional service were quoted by Lord Caitanya to Sanātana Gosvāmī. Lord Caitanya next proceeded to describe the symptoms of actual love for Kṛṣṇa. He informed Sanātana Gosvāmī that no one can understand the person who has developed love of Kṛṣṇa. No one can understand his words, his activities or his symptoms. Even if one is very learned, it is very difficult for him to understand a pure devotee who is in love with the Lord. This is also confirmed in Bhakti-rasāmṛta-sindhu.

Teachings of Lord Caitanya, Chapter 16:

Once there was a hunter in the forest of Prayāga who was fortunate enough to meet Nārada Muni when the great sage was returning from Vaikuṇṭha after visiting Lord Nārāyaṇa. Nārada came to Prayāga to bathe in the confluence of the Ganges and Yamunā. While passing through the forest, Nārada saw a bird lying on the ground. The bird was half-killed, being pierced by an arrow, and it was chirping pitifully. Further on, Nārada saw a deer flopping about in agony. Further, he saw that a boar was also suffering, and, in another place, he saw a rabbit twitching in pain. All this made him very compassionate, and he began to think, "Who is the foolish man who has committed such sins?" Devotees of the Lord are generally compassionate upon the miseries of living entities, and what to speak of the great sage Nārada? He became very much aggrieved by this scene, and after proceeding a few steps, he saw the hunter engaged in hunting with bow and arrows.

Teachings of Lord Caitanya, Chapter 27:

After visiting the temple of Jiyara-nṛsiṁha, the Lord proceeded further south into India and ultimately reached the bank of the Godāvarī. While on the bank of this river, the Lord remembered the Yamunā River in Vṛndāvana, and He considered the trees on the bank to be the forest of Vṛndāvana. Thus He was in ecstasy there. After taking a bath on the banks of the Godāvarī, the Lord sat near the bank and began chanting Hare Kṛṣṇa, Hare Kṛṣṇa, Kṛṣṇa Kṛṣṇa, Hare Hare/ Hare Rāma, Hare Rāma, Rāma Rāma, Hare Hare. While sitting and chanting, the Lord saw that the governor of the province, Śrī Rāmānanda Rāya, had reached the banks of the river accompanied by his associates, which included many brāhmaṇas. Previously the Lord had been asked by Sārvabhauma Bhaṭṭācārya to visit the great devotee Rāmānanda Rāya at Kabur.

Teachings of Lord Caitanya, Chapter 30:

In Gīta-govinda there is a verse which states that the enemy of Kaṁsa, Kṛṣṇa, also wanted to be entangled in love affairs with women and thus simply took Rādhārāṇī away and left the company of the other damsels of Vraja. Kṛṣṇa was very much afflicted by Rādhārāṇī's absence and, being thus mentally distressed, began to search Her out along the banks of the Yamunā. Failing to find Her, He entered the bushes of Vṛndāvana and began to lament. Rāmānanda Rāya pointed out that when one discusses the purport of these two special verses of Gīta-govinda (3.1-2), he can relish the highest nectar of Kṛṣṇa's and Rādhā's loving affairs. Although there were many gopīs to dance with Kṛṣṇa, Kṛṣṇa especially wanted to dance with Rādhārāṇī. In the rāsa dance Kṛṣṇa expanded Himself and placed Himself between every two gopīs, but He was especially present with Rādhārāṇī. However, Rādhārāṇī was not pleased with Kṛṣṇa's behavior.

Nectar of Devotion

Nectar of Devotion 9:

This submission with transcendental desire, or lālasāmayī vijñapti, is the highest perfectional stage of spiritual realization.

In the same Nārada-pañcarātra, there is another expression of submission, wherein the devotee says, "My dear Lord, O lotus-eyed one, when will that day come when on the bank of the Yamunā I shall become just like a madman and continue to chant Your holy name while incessant tears flow from my eyes?" This is another perfectional stage. Lord Caitanya also desired that "a moment will appear unto me as twelve years of time, and the whole world will appear to me as vacant on account of not seeing You, my dear Lord." One should feelingly pray and become eager to render his particular type of service to the Lord. This is the teaching of all great devotees, especially Lord Caitanya.

Nectar of Devotion 10:

After finishing the dressing, he began to imagine that he was cleaning the temple very nicely. After cleansing the temple, he imagined that he had many water jugs made of gold and silver, and he took all those jugs to the river and filled them with the holy water. Not only did he collect water from the Godāvarī, but he collected from the Ganges, Yamunā, Narmadā and Kāverī. Generally a Vaiṣṇava, while worshiping the Lord, collects water from all these rivers by mantra chanting. This brāhmaṇa, instead of chanting some mantra, imagined that he was physically securing water from all these rivers in golden and silver waterpots. Then he collected all kinds of paraphernalia for worship—flowers, fruits, incense and sandalwood pulp. He collected everything to place before the Deity. All these waters, flowers and scented articles were then very nicely offered to the Deities to Their satisfaction. Then he offered ārati, and with the regulative principles he finished all these activities in the correct worshiping method.

Nectar of Devotion 13:

Now this same sound vibration has entered my ears, and I am always feeling the presence of the Supreme Personality. Gradually I am becoming bereft of all attachment for material enjoyment."

Again, Śrīla Rūpa Gosvāmī has described Mathurā-maṇḍala: "I remember the Lord standing by the banks of the Yamunā River, so beautiful amid the kadamba trees, where many birds are chirping in the gardens. And these impressions are always giving me transcendental realization of beauty and bliss." This feeling about Mathurā-maṇḍala and Vṛndāvana described by Rūpa Gosvāmī can actually be felt even by nondevotees. The places in the eighty-four-square-mile district of Mathurā are so beautifully situated on the banks of the River Yamunā that anyone who goes there will never want to return to this material world. These statements by Rūpa Gosvāmī are factually realized descriptions of Mathurā and Vṛndāvana. All these qualities prove that Mathurā and Vṛndāvana are situated transcendentally.

Nectar of Devotion 21:

A person who can speak sweetly even with his enemy just to pacify him is called a pleasing talker. Kṛṣṇa was such a pleasing talker that after defeating His enemy Kāliya in the water of the Yamunā, He said, "My dear King of the snakes, although I have given you so much pain, please do not be dissatisfied with Me. It is My duty to protect these cows, which are worshiped even by the demigods. Only in order to save them from the danger of your presence have I been obliged to banish you from this place."

Kāliya was residing within the water of the Yamunā, and as a result the back portion of that river had become poisoned. Thus so many cows who had drunk the water had died. Therefore Kṛṣṇa, even though He was only four or five years old, dipped Himself into the water, punished Kāliya very severely and then asked him to leave the place and go elsewhere.

Nectar of Devotion 22:

Upon seeing this, Gaurī, the wife of Lord Śiva, suspected Lord Śiva of being someone else disguised as her husband, and out of fear she immediately left his company. Upon hearing the chanting of Kṛṣṇa's name, Lord Balarāma saw that His dress had become white, although He was generally accustomed to a bluish dress. And the cowherd girls saw all of the water of the Yamunā River turn into milk, so they began to churn it into butter. In other words, by the spreading of Kṛṣṇa consciousness, or the glories of Kṛṣṇa, everything became white and pure.

Nectar of Devotion 24:

When one's characteristics are very sweet and desirable, his personality is called pleasing. An example of Kṛṣṇa's pleasing nature is thus described in Śrīmad-Bhāgavatam: "One day while Kṛṣṇa was awaiting the arrival of Śrīmatī Rādhārāṇī by the bank of the Yamunā, He began to make a garland of kadamba flowers. In the meantime, Śrīmatī Rādhārāṇī appeared there, and at that time Murāri (Kṛṣṇa), the enemy of Mura, glanced over Rādhārāṇī very sweetly."

Nectar of Devotion 26:

At this age Kṛṣṇa enjoyed the rāsa-līlā, exhibiting His power of joking with the cowherd girls and enjoying their company in the bushes of the gardens by the bank of the Yamunā.

In this connection there is the following statement: "Throughout the whole tract of land known as Vṛndāvana there were the footprints of Kṛṣṇa and the gopīs, and in some places peacock feathers were strewn about. In some places there were nice beddings in the bushes of the Vṛndāvana gardens, and in some places there were piles of dust due to the group-dancing of Govinda and the gopīs." These are some of the features which are due to the different pastimes invented by Śrī Kṛṣṇa in the place known as Vṛndāvana.

Nectar of Devotion 26:

In the kaiśora age, beginning from the eleventh year and continuing up to the end of the fifteenth year, Kṛṣṇa's arms, legs and thighs became marked with three divisional lines. At that time Kṛṣṇa's chest challenged a hill of marakata jewels, His arms challenged pillars of the indranīla jewel, the three lines of His waist challenged the waves of the River Yamunā, and His thighs challenged beautiful bananas. One gopī said, "With all these exquisite features of His body, Kṛṣṇa is too extraordinarily beautiful, and therefore I am always thinking of Him to protect me, because He is the killer of all demons."

Nectar of Devotion 26:

It is stated in Śrīmad-Bhāgavatam that when Akrūra, who drove Kṛṣṇa from Vṛndāvana to Mathurā, saw the footprints of Kṛṣṇa on the land of Vṛndāvana, his ecstatic love for Kṛṣṇa increased so much that the hairs on his body stood up. His eyes became overflooded with tears, and in such ecstasy he jumped out of the chariot and fell down on the ground and began to chant, "How wonderful this is! How wonderful this is!"

Similar feelings were expressed by the gopīs when they were going to the bank of the Yamunā and saw Kṛṣṇa's footprints in the dust. When Kṛṣṇa walked on the ground of Vṛndāvana, the marks of His sole (flag, thunderbolt, fish, a rod for controlling elephants, and a lotus flower) would be imprinted upon the dust of the land. The gopīs became overwhelmed simply at seeing those marks on the ground.

Nectar of Devotion 28:

Kṛṣṇa asked them to go back to their husbands and homes. The gopīs apparently became very angry and began to talk to Kṛṣṇa with faltering voices.

In the Tenth Canto, Thirty-ninth Chapter, verses 56 and 57, of Śrīmad-Bhāgavatam, a faltering voice due to jubilation was exhibited by Akrūra when he was shown all of the Vaikuṇṭha planets resting within the River Yamunā. When Akrūra understood that Kṛṣṇa was the Supreme Personality of Godhead, he bowed his head to Kṛṣṇa's lotus feet and with folded hands began to pray in a faltering voice.

There are also examples of faltering of the voice caused by fearfulness. One of Kṛṣṇa's friends praised Him thus: "My dear friend, Your flute was given to Your servant Patrī, and when I asked him to return it he began speaking in a faltering voice, and his complexion became yellow."

Nectar of Devotion 29:

At that time there is a sense of disappointment. In this kind of disappointment one becomes full of anxiety, sheds tears, changes bodily color, feels humility and breathes heavily.

When Kṛṣṇa, in punishing the Kāliya serpent, appeared to have drowned Himself in the poisonous water of the Yamunā, Nanda Mahārāja addressed Yaśodā-devī thus: "My dear wife, Kṛṣṇa has gone deep into the water, and so there is no longer any need to maintain our bodies, which are so full of sinful activities! Let us also enter into the poisonous water of the Yamunā and compensate for the sinful activities of our lives!" This is an instance of severe shock, wherein the devotee becomes greatly disappointed.

When Kṛṣṇa left Vṛndāvana, Subala, His intimate friend, decided to leave also. While leaving, Subala was contemplating that without Kṛṣṇa there was no longer any pleasure to be found in Vṛndāvana.

Nectar of Devotion 29:

There were severe torrents of hail when Kṛṣṇa was staying in the forest of Vṛndāvana, and the elderly persons bade Him, "Kṛṣṇa, don't You move now! Even persons who are stronger and older than You cannot move, and You are just a little boy. So please stay still!" This is an instance of emotion caused by heavy hailing.

When Kṛṣṇa was chastising Kāliya in the poisonous water of the Yamunā, mother Yaśodā began to speak emotionally: "Oh, see how the earth appears to be trembling! There appears to be an earth tremor, and in the sky tears are flying here and there! My dear son has entered into the poisonous water of the Yamunā. What shall I do now?" This is an instance of emotion resulting from a natural disturbance.

Nectar of Devotion 29:

And seeing this, Kṛṣṇa became so enchanted by Rādhārāṇī that He began to milk a bull instead of a cow." These are some of the instances of insanity or madness in connection with the love affairs of Rādhā and Kṛṣṇa. In Śrīmad-Bhāgavatam it is said that when Kṛṣṇa entered the poisonous waters of the Yamunā, Śrīmatī Yaśodā-devī went insane. Instead of searching for curative herbs, she began to speak to the trees as if they were snake chanters. With folded hands she began to bow down to the trees, asking them, "What is the medicinal herb which can check Kṛṣṇa's dying from this poisonous water?" This is an instance of insanity caused by some great danger.

Nectar of Devotion 30:

There is the following statement in the Haṁsadūta: "One day when Śrīmatī Rādhārāṇī was feeling much affliction because of Her separation from Kṛṣṇa, She went to the bank of the Yamunā with some of Her friends. There Rādhārāṇī saw a cottage wherein She and Kṛṣṇa had experienced many loving pleasures, and by remembering those incidents She immediately became overcome with dizziness. This dizziness was very prominently visible." This is an instance of confusion caused by separation.

Similarly, there is a statement describing confusion caused by fearfulness. These symptoms were exhibited by Arjuna when he saw Kṛṣṇa's universal form on the Battlefield of Kurukṣetra. His confusion was so strong that his bow and arrows fell from his hand and he could not perceive anything clearly.

Nectar of Devotion 30:

According to the Vedic system there are eight kinds of marriages, one of which is called rākṣasa-vivāha. Rākṣasa-vivāha refers to kidnapping a girl and marrying her by force. This is considered to be a demoniac method. When Rukmiṇī was going to be married to Śiśupāla by the choice of her elder brother, she wrote the above letter to Kṛṣṇa requesting Him to kidnap her. This is an instance of impudence in ecstatic love for Kṛṣṇa.

One of the gopīs said, "May Kṛṣṇa's sweet flute be washed away by the waves of the Yamunā, and let it fall into the ocean! The sweet sound of that flute is so impudent that it makes us lose all composure before our superiors."

Nectar of Devotion 30:

This is an instance of transcendental alertness caused by smelling.

When Kṛṣṇa was touching the body of one gopī, the gopī addressed her companion thus: "My dear friend, whose hand is this touching my body? I had become very afraid after seeing the dark forest on the bank of the Yamunā, but suddenly the touch of this hand has saved me from hysterical fits." This is an instance of alertness caused by touching.

One of the gopīs informed Kṛṣṇa, "My dear Kṛṣṇa, when You disappeared from the arena of the rāsa dance, our most dear friend, Rādhārāṇī, immediately fell on the ground and lost consciousness. But after this, when I offered Her some of Your chewed betel nut remnants, She immediately returned to consciousness with jubilant symptoms in Her body." This is an instance of alertness caused by tasting.

Nectar of Devotion 31:

One devotee tried to console a kadamba tree when the tree was lamenting because Kṛṣṇa had not touched even its shadow. The devotee said, "My dear kadamba tree, do not be worried. Just after defeating the Kāliya snake in the Yamunā River, Kṛṣṇa will come and satisfy your desire." This is an instance of inappropriate hopelessness in ecstatic love for Kṛṣṇa.

Garuḍa the eagle, the carrier of Viṣṇu, once said, "Who can be more pure than I? Where is there a second bird like me, so able and competent? Kṛṣṇa may not like me, He may not wish to join my party, but still He has to take advantage of my wings!" This is an instance of hopelessness in the neutral mood of ecstatic love.

Nectar of Devotion 31:

This is an instance of a conjunction of jubilation and lamentation due to different causes of ecstatic love.

Once when Śrīmatī Rādhārāṇī was standing on the bank of the Yamunā River in the forest of Vṛndāvana, She was attacked by Kṛṣṇa, who was stronger than She. Although She externally expressed a disturbed mood from this incident, within Herself She was smiling and feeling great satisfaction. Externally She moved Her eyebrows and made a show of rejecting Kṛṣṇa. In this mood Rādhārāṇī looked very beautiful, and Śrīla Rūpa Gosvāmī glorifies Her beauty. This is an instance of exhibiting varying feelings in ecstatic love, although the cause is one only—Kṛṣṇa.

Nectar of Devotion 33:

On the bank of the Yamunā, once there was the crackling sound of dry leaves, giggling from the cowherd boys and thundering from the sky. Śrīdāmā was tightening his belt to fight with Kṛṣṇa, the conqueror of the demon Agha. This is an instance of chivalry in ecstatic love.

Nectar of Devotion 33:

Kṛṣṇa and Śrīdāmā were very intimate friends, yet Śrīdāmā, out of anger with Kṛṣṇa, challenged Him. When both of them began to fight, all the friends on the bank of the Yamunā enjoyed the wonderful fighting of the two friends. They prepared some arrows for mock-fighting, and Kṛṣṇa began to throw his arrows at Śrīdāmā. Śrīdāmā began to block these arrows by whirling his pole, and by Śrīdāmā's chivalrous activities, Kṛṣṇa became very satisfied. Such mock-fighting generally takes place among chivalrous persons and creates wonderful excitement for all viewers.

There is a statement in the Hari-vaṁśa that sometimes Arjuna and Kṛṣṇa fought in the presence of Kuntī, and Arjuna would be defeated by Kṛṣṇa.

Nectar of Devotion 33:

There is another instance of a dreadful situation with Kṛṣṇa as the object as follows. After being sufficiently chastised by child Kṛṣṇa in the Yamunā River, the Kāliya snake began to address the Lord, "O killer of the Mura demon, I have acquired many mystic powers by my austerity and penances, but before You I am nothing; I am most insignificant. Therefore, please be kind upon a poor soul like me, and don't be angry with me. I did not know Your actual position, and out of ignorance I have committed such horrible offenses. Please save me. I am a most unfortunate, foolish creature. Please be merciful to me." This is another instance of the ecstasy of dread in devotional service.

Nectar of Devotion 36:

This statement is by a devotee who is under the protection and shelter of Lord Kṛṣṇa.

Upon being chastised by Kṛṣṇa's constant kicking on his head, Kāliya, the black snake of the Yamunā, came to his senses and admitted, "My dear Lord, I have been so offensive unto You, but still You are so kind that You have marked my head with the impression of Your lotus feet." This is also an instance of one's taking shelter under the lotus feet of Kṛṣṇa.

In the Aparādha-bhañjana a pure devotee expresses his feelings: "My dear Lord, I am ashamed to admit before You that I have carried out the orders of my masters named lust, anger, avarice, illusion and envy. Sometimes I have carried out their orders in a way most abominable. Yet in spite of my serving them so faithfully, they are not satisfied, nor are they kind enough to give me relief from their service.

Nectar of Devotion 36:

Out of the many close associates of Lord Kṛṣṇa, Uddhava is considered the best. The following is a description of him: "His body is blackish like the color of the Yamunā River, and it is similarly as cool. He is always decorated with flower garlands first used by Lord Kṛṣṇa, and he is dressed with yellow silk clothing. His two arms are just like the bolts of a door, his eyes are just like lotus flowers, and he is the most important devotee among all the associates. Let us therefore offer our respectful obeisances unto Uddhava's lotus feet."

Uddhava has described the transcendental qualities of Śrī Kṛṣṇa as follows: "Lord Śrī Kṛṣṇa, who is our master and worshipable Deity, the controller of Lord Śiva and Lord Brahmā, and the controller of the whole universe as well, accepts the controlling orders of Ugrasena, His grandfather.

Nectar of Devotion 37:

Another devotee in ecstatic reverential affection once said, "When will that glorious day in my life come when it will be possible for me to go to the bank of the Yamunā and see Lord Śrī Kṛṣṇa playing there as a cowherd boy?"

When there is no diminishing of this ecstatic love and when it is freed from all kinds of doubt, the devotee has reached the stage called steady love for Kṛṣṇa. In this stage, all expressions of unhappiness by the devotee are called anubhāva, or ecstatic loving symptoms.

The symptom of ecstatic affection with reverence felt by Bali Mahārāja was expressed as follows: "My dear Lord, You have simultaneously punished me and showed me Your causeless mercy. My conclusion is that when I have taken shelter of Your lotus feet I shall never be disturbed in any condition of life.

Nectar of Devotion 38:

Uddhava informed Kṛṣṇa, "My dear leader of the Yadu dynasty, Your servants in Vṛndāvana cannot sleep at night thinking of You, so now they are all lying down on the bank of the Yamunā almost paralyzed. And it appears that they are almost dead, because their breathing is very slow." This is an instance of becoming unconscious due to separation from Kṛṣṇa.

Kṛṣṇa was once informed, "You are the life and soul of all the inhabitants of Vṛndāvana. So because You have left Vṛndāvana, all of the servitors of Your lotus feet there are suffering. It is as if the lakes filled with lotus flowers have dried up from the scorching heat of separation from You." In the example given here, the inhabitants of Vṛndāvana are compared to lakes filled with lotus flowers, and because of the scorching heat of separation from Kṛṣṇa, the lakes—along with the lotus flowers of their lives—are being burned up. And the swans in the lakes, who are compared to the vitality of the inhabitants of Vṛndāvana, are no longer desiring to live there. In other words, because of the scorching heat, the swans are leaving the lakes.

Nectar of Devotion 41:

His bodily complexion was blackish, and around his neck there was a nice garland. He would always challenge Kṛṣṇa in joking friendship. Let us pray to Śrīdāmā to bestow his mercy upon us!

Sometimes Śrīdāmā used to address Kṛṣṇa, "Oh, You are so cruel that You left us alone on the bank of the Yamunā, and we were all mad from not seeing You there! Now it is our great fortune that we are able to see You here. If You want to pacify us, You must embrace each one of us with Your arms. But believe me, my dear friend, a moment's absence from You creates great havoc, not only for us but for the cows also. Everything becomes disarranged, and we become mad after You."

Nectar of Devotion 42:

One of the friends once said, "My dear cowherd friends, the sound of Kṛṣṇa's flute from above Govardhana Hill is telling us that we need not go to search Him out on the bank of the Yamunā."

Pārvatī, the wife of Lord Śiva, told her husband, "My dear Pañcamukha (five-faced), just look at the Pāṇḍavas! After hearing the sound of Kṛṣṇa's conchshell, known as Pāñcajanya, they have regained their strength and are just like lions."

At this age, Kṛṣṇa once dressed Himself up exactly like Rādhārāṇī, just to create fun among His friends. He put on golden earrings, and because He was blackish, He smeared the pulp of kuṁkum all over His body in order to become as fair as She. By seeing this dress, Kṛṣṇa's friend Subala became very astonished.

Nectar of Devotion 42:

These were some of the primary duties of the servants of Kṛṣṇa. The friends and servants of Kṛṣṇa were combined together in serving Him, and all of their activities are known as anubhāva.

When Kṛṣṇa came out from the Yamunā after chastising the Kāliya-nāga, Śrīdāmā wanted to embrace Him first, but he could not raise his arms because of his great feeling of respect.

When Kṛṣṇa used to play on His flute, the vibration appeared just like the roaring of clouds in the sky during the constellation of Svātī. According to Vedic astronomical calculation, if there is rain during the constellation of the Svātī star, any rain falling on the sea will produce pearls, and rain falling on a serpent will produce jewels. Similarly, when Kṛṣṇa's flute roared like a thundercloud under the Svātī constellation, the resulting perspiration on Śrīdāmā's body appeared to be just like pearls.

Nectar of Devotion 42:

They appeared almost naked, being skinny and frail, and did not carry any fruits or flowers. He informed Kṛṣṇa that all the cowherd boys residing in Vṛndāvana were as still as the trees at the tops of hills. Sometimes they felt diseased from their separation from Kṛṣṇa, and being so greatly disappointed, they were aimlessly wandering on the banks of the Yamunā.

There is also an example of madness caused by separation from Kṛṣṇa. When Kṛṣṇa was absent from Vṛndāvana, all the cowherd boys became bewildered, and having given up all kinds of activities, they appeared to be mad and forgot all their regular business. They were sometimes lying down on the ground, sometimes rolling in the dust, sometimes laughing and sometimes running very swiftly. All of these symptoms gave them the appearance of madmen. One friend of Kṛṣṇa's criticized Him by saying, "My dear Lord, You have become the King of Mathurā after killing Kaṁsa, and that is very good news for us.

Nectar of Devotion 43:

When mother Yaśodā, the Queen of Gokula, was going to see her son Kṛṣṇa at Kurukṣetra, one of her friends addressed her thus: "My dear Queen, the milk flowing out of your breast-mountain has already whitened the River Ganges, and the tears from your eyes, mixed with black mascara, have already blackened the color of the Yamunā. And as you are standing just between the two rivers, I think that there is no need for your anxiety to see your son's face. Your parental affection has already been exhibited to Him by these two rivers!"

The same friend of mother Yaśodā addressed Kṛṣṇa as follows: "My dear Mukunda, if mother Yaśodā, the Queen of Gokula, is forced to stand on fire but is allowed to see Your lotus face, then this fire will appear to her like the Himalaya Mountains: full of ice. In the same way, if she is allowed to stay in the ocean of nectar but is not allowed to see the lotus face of Your Grace, then even this ocean of nectar will appear to her like an ocean of arsenic poison."

Nectar of Devotion 44:

When the gopīs meet Kṛṣṇa, the display of their exchanging glances as well as their joking and laughing behavior is called anubhāva, or subecstasy in conjugal love.

In the Lalita-mādhava, Rūpa Gosvāmī explains that the movements of Kṛṣṇa's eyebrows are just like the Yamunā and that the smiling of Rādhārāṇī is just like the moonshine. When the Yamunā and the moonshine come in contact on the bank of the river, the water tastes just like nectar, and drinking it gives great satisfaction. It is as cooling as piles of snow. Similarly, in the Padyāvalī, one constant companion of Rādhārāṇī says, "My dear moon-faced Rādhārāṇī, Your whole body appears very content, yet there are signs of tears in Your eyes. Your speech is faltering, and Your chest is also heaving. By all these signs I can understand that You must have heard the blowing of Kṛṣṇa's flute, and as a result of this, Your heart is now melting."

Nectar of Devotion 44:

When the lover and the beloved have a distinct feeling of not meeting each other, that stage is called pūrva-rāga, or preliminary attraction. In Padyāvalī Rādhārāṇī told Her companion, "My dear friend, I was just going to the bank of the Yamunā, and all of a sudden a very nice boy whose complexion is like a dark blue cloud became visible in front of My eyes. He glanced over Me in a way that I cannot describe. But since this has occurred, I am sorry that I can no longer engage My mind in the duties of My household affairs." This is an instance of preliminary attraction for Kṛṣṇa. In Śrīmad-Bhāgavatam, Tenth Canto, Fifty-third Chapter, verse 2, Kṛṣṇa told the messenger brāhmaṇa who came from Rukmiṇī, "My dear brāhmaṇa, just like Rukmiṇī I cannot sleep at night, and My mind is always fixed on her. I know that her brother Rukmī is against Me and that due to his persuasion My marriage with her has been cancelled." This is another instance of preliminary attraction.

Nectar of Devotion 47:

When in the heart of a devotee there is expectation of some mishap to Kṛṣṇa it is called devotional service in bereavement. Such bereavement is another symptom of this devotional service in compassion.

In Śrīmad-Bhāgavatam, Tenth Canto, Sixteenth Chapter, verse 10, there is the following description. When Kṛṣṇa was chastising the Kāliya-nāga in the Yamunā, the big snake wrapped his coils all over Kṛṣṇa's body, and upon seeing Kṛṣṇa in this situation, all His dear cowherd friends became greatly disturbed. Out of bereavement, distress and fear, they became bewildered and began to fall on the ground. Because the cowherd boys were under the illusion that Kṛṣṇa could be in some mishap, their symptoms are not at all astonishing; they had dedicated their friendship, their possessions, their desires and their very selves to Kṛṣṇa.

Nectar of Devotion 47:

When Kṛṣṇa entered the Yamunā River, which had become very poisonous from the presence of Kāliya, mother Yaśodā feared all kinds of mishaps, and she was breathing hotly. Tears from her eyes were soaking her clothes, and she was almost collapsing.

Similarly, when the Śaṅkhāsura demon was attacking Kṛṣṇa's queens one after another, Lord Baladeva became more and more bluish.

In the Haṁsadūta, the following incident is described. The gopīs requested Haṁsadūta to search after the marks of Kṛṣṇa's lotus feet and to accept them as Lord Brahmā had accepted them on his helmet after he had stolen all Kṛṣṇa's cowherd boys. Regretting his challenge to Kṛṣṇa, Lord Brahmā had bowed down before the Lord, and his helmet became marked with the footprints of Kṛṣṇa. The gopīs reminded Haṁsadūta that sometimes even the great sage Nārada becomes very ecstatic by seeing these footprints, and sometimes great liberated sages also aspire to see them.

Nectar of Devotion 49:

The following example contains a mixture of ecstatic fraternity and laughter, taken respectively as the whole and part. When Kṛṣṇa saw that Subala, in the dress of Rādhārāṇī, was silently hiding under the shade of a beautiful aśoka tree on the bank of the Yamunā, He immediately arose from His seat in surprise. Upon seeing Kṛṣṇa, Subala tried to hide his laughter by covering his cheeks.

There is also an example of a mixture of parental love and compassion in devotional service. When mother Yaśodā was thinking that her son was walking in the forest without any umbrella or shoes, she became greatly perturbed to think of how much difficulty Kṛṣṇa must have been feeling. In this example the whole is the parental love, and the part is compassion.

Nectar of Devotion 51:

Although in the material sense the glancing of a boy at a girl is a kind of pollution, when Kṛṣṇa threw His transcendental glance at the gopīs, they became purified. In other words, because Kṛṣṇa is the Absolute Truth, any action by Him is transcendentally pure.

After Kṛṣṇa chastised the Kāliya-nāga in the Yamunā River by dancing on his heads, the Kāliya-nāga's wives addressed Kṛṣṇa, "Dear cowherd boy, we are all only young wives of the Kāliya-nāga, so why do You agitate our minds by sounding Your flute?" Kāliya's wives were flattering Kṛṣṇa so that He would spare their husband. Therefore this is an example of uparasa, or false expression.

One devotee said, "My dear Govinda, here is a nice flowery bush in Kailāsa. I am a young girl, and You are a young poetic boy. After this, what more can I say? You just consider." This is an example of uparasa, caused by impudence in conjugal love.