Garuḍa, the eagle, the carrier of Viṣṇu, once said, "Who can be more pure than I? Where is there a second bird like me, so able and competent? Kṛṣṇa may not like me; He may not wish to join my party, but still He has to take advantage of my wings!" This is an instance of hopelessness in the neutral mood of ecstatic love.
The symptoms of ecstatic love are sometimes grouped under four headings—namely, generation, conjunction, aggregation and satisfaction.
Kṛṣṇa once told Rādhārāṇī, "My dear friend, when You tried to meet Me alone in the morning, Your friend Mekhalā remained hungry with envy. Just look at her!" When Kṛṣṇa was joking with Rādhārāṇī in this way, Rādhārāṇī moved her beautiful eyebrows crossly. Rūpa Gosvāmī prays that everyone may become blessed by this movement of Śrīmatī Rādhārāṇī's eyebrows. This is an instance of the generation of malice in ecstatic love of Kṛṣṇa.
One night, after the Pūtanā demon had been killed, baby Kṛṣṇa could be seen playing upon her breast. Upon seeing this, Yaśodā became stunned for some time. This is an example of a conjunction of various symptoms of ecstatic love. The conjunction can be auspicious or inauspicious. That the Pūtanā demon had been killed was auspicious, but that Kṛṣṇa was playing on her breast in the dead of night, with no one to help Him in case of trouble, was inauspicious. Yaśodā was caught between auspiciousness and inauspiciousness.
After Kṛṣṇa had just learned to walk, He was going in and out of the house very frequently. Yaśodā became surprised and said, "This child is too restless and cannot be controlled! He is incessantly going about the neighborhood of Gokula (Vṛndāvana), and then He is coming back inside the house. I see that the child is very fearless, but in spite of His fearlessness, I am becoming more and more afraid of His falling into some danger." This again is an instance of the conjunction of two opposing elements: the child was very fearless, but at the same time Yaśodā was becoming fearful of some danger. Here danger is the cause, and Yaśodā's feelings are in conjunction of two opposing symptoms. In other words, Yaśodā was feeling both happiness and doubt, or growing fear.