Prabhupāda: All the rounds? Oh, very nice. He's Mr. Dhari. Oh, you did not return?
Indian lady: Or koto jonmer ki koto bhalo punno korechhen, tai na bolun oke, o koto jonmer punnoi e rokom jonmo peyechhe chhele.
Kīrtanānanda: (introducing) Mr. Ginsberg.
Allen Ginsberg: I'm saluting you like that. So . . .
Indian lady: Goto jonmer punno te or ei chhele, tai bolun oke
Prabhupāda: Śucīnāṁ śrīmatāṁ gehe. (BG 6.41).
Indian lady: He's birth so good, because he was so good last time.
Prabhupāda: Children very easily adopt it. So this is the perfect yoga system. No artificial education. Spontaneous response: dancing, Hare Kṛṣṇa. That's all. This is the easiest method. So the greatest contribution to the human society. Do it.
Allen Ginsberg: Well, so tomorrow we'll be doing it. So now, the next question I had in my mind is, we'll be doing kīrtana, then language, speech. Then end with kīrtana.
Prabhupāda: That is also kīrtana. Kīrtana means kīrtayati, glorifying. That is kīrtana. So either you sing musically or you speak devotionally, both of them are kīrtana. Just like Śukadeva Gosvāmī, he continually spoke to Mahārāja Parīkṣit. That is also state . . . śrī viṣṇu . . . śravaṇe parīkṣit, abhavad vaiyāsakiḥ kīrtane.
Vaiyāsaki, the son of Vyāsadeva, Sukadeva Gosvāmī, he became liberated simply by kīrtane. But what is that kīrtana? He never played musical way. He simply explained Śrīmad-Bhāgavatam. So this is also kīrtana. This is called saṅkīrtana. Bahubhir militvā kīrtayati. That is saṅkīrtana.
Allen Ginsberg: The chanting is saṅkīrtana.